Danny Rock presents “The Urban Art Forger.”

Posted on by Thor

I went to the studio of artist Danny Rock in Casselberry as he put finishing touches on ten forgeries he will be showing at Loft 55 Gallery & Boutique (55 West Church Street, Suite 120, Orlando, Florida).”Urban Art Forger” will open this Thursday March 19th as part of the Downtown Third Thursday art scene.

 

Danny explained that the work “Is a recreation of classics done in a new world trying to
relate to what is real verses what is not. The point of this exhibition
is to bring the awareness that fine art collectors and patrons  would rather
spend millions on forgeries than support local fine artists with real
skill and poise. All  the reproduction made are open domain.”

 

On his work table was a book about how the Mona Lisa was stolen from the Louvre by a former staff member, Vincenzo Peruggia. He didn’t steal the painting for profit. He loved the painting and wanted it for himself. His tiny garret had a wooden stove and the Mona Lisa leaned up next to it for years. Pan drippings and spatter from boiling soups might have splashed the painting. After two years, he took the painting to Italy and kept it in his Florence apartment.  He wanted the painting returned to it’s homeland. Magazines had just come into vogue and the image of Mona Lisa circled the world until she was found.  Vincenzo only served two months in an Italian jail when convicted. Now behind bullet proof glass, it must be the most visited and photographed painting in the world. I went to see the painting and was shocked by the crushing crowd of tourists all viewing her in their digital devices. It was a surreal scene, which I call the digital salute. A digital picture takes a second to create and then is
forgotten on hard drives or lost. Danny on the other hand is taking the
time to apply delicate glazes and trying to understand the subtleties
of the masters. Recently a second Mona Lisa has appeared painted on canvas. Da Vinci usually worked on wooden panels. In this painting there are two columns on either side of her. Some experts claim that this was a study done by Da Vinci for the final painting. Others believe it is a forgery. Danny decided to create a forgery of both.  Digital 3-D printers can now duplicate a painting with all the thick impasto paint and color. Though accurate it would still lack the human touch. It also could not replicate the deep pools of glazes applied. Perhaps we are becoming a society that only wants reproductions instead of originals. Everyone expects Wall mart prices even in art. Danny’s forgeries are available for only a couple of hundred dollars each.

The most authentic Oktoberfest in Orlando is at the German American Society.

Posted on by Thor

Each year I like to get to the German American Society (381 Orange Ln, Casselberry, FL) to sketch during Oktoberfest. This year, on October 24th, I was joined by a young UCF journalism student named Deanna Ferrante.I met Deanna at Artlando in Lock Haven Park and she seemed quite fascinated by what I do. She decided to use me as a subject for an article she has to research for her journalism class. So far she has interviewed my wife and several others. Since I consider my daily sketches a form of journalism, it makes sense for her to find what I do interesting.

Parking was hard to find, and for the first time I paid $5 to park at a nearby business. Getting into Oktoberfest is also $5, which gets you a wristband. Most of the action is behind the Liederkranz hall. A gazebo was set up for music and dancing in the center of the back yard. Long tables filled the yard with crowds of people drinking beer. I decided to go inside where a stage was set up in front of a huge photo of a German castle. Several accordion players and a saxophone player provided the music for traditional German dances. Tyrolean liederhosen outfits were everywhere. A small banner in front of the performers announced, “Beer is proof that God loves us.” There was a collection of different sized cow bells, but they weren’t used in the time I was sketching.

Where I sat was right next to where the teen aged dancers would congregate before they went out on the dance floor. The women wore white puffy sleeved blouses and a black bodice that cinched their wastes tight. The blue plaid dress and apron would billow out like a whirling dervish whenever they danced. The men would stomp and slap their heals as they danced. They would also help guide the women in a direction as they were spinning. One female dancer spun out of control as she exited the dance floor and she tripped on the stage. She wasn’t hurt and the adrenalin kept her spinning just as fast for the next dance.

The dancers became fascinated with my sketch and several crowded around to see what it looked like. Deanna used the opportunity to interview several of them. The main reason she stopped out was to observe first hand what a typical sketch excursion is like. She also interviewed people at my table. She didn’t ask me any questions, instead letting me work. Once in a while I would shout out a thought or two, trying to be helpful.

With the sketch finished, I decided to call it a day. The sketch opportunities were endless, but I decided to get home. I bumped into artist Leslie Silvia and her husband Jared on the way out, so I could have lingered and drank a beer, but I’m a lightweight when it comes to drinking. I get a headache the second I take a sip. Deanna said she got what she needed for the article and she headed back to UCF. I liked her approach. She gets right into the thick of the action to find the story. I’ll be curious to find out what the article turns out like.