Nature Art Show opening in a Pandemic

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This sketch may seem innocuous. It is the usual art show opening scene I might depict on any given day. I had two pieces accepted into this art show and the opening was slated for March 14, 2020 which also happened to be Saint Patrick’s day. Since my art was in the show there was an expectation that I would show up to the opening. One drink was on the house at the paid bar. The two paintings I submitted were, I thought, Pandemic appropriate. The theme of the show was “Nature”. Rather that submit beautiful landscapes I submitted two painting of mean and dying gnarly and decomposing trees.

The day before the opening, the Covid-19 Pandemic was officially announced by the World Health Organization. The situation was fluid with new announcements every few yours. On March 14, 2020, there were 156,000 cases of Covid-19 in America with 5,819 deaths. Despite these facts the art opening was still scheduled to happen. Pam Schwartz joined me and together we quickly looked at the art on the wall and then I settled in to self isolate on a couch and sketch.

People at the opening definitely did not stand six feet apart. People hugged and kissed and sipped drinks while telling stories just inches apart. It was terrifying. I listened for every cough and watched as someone touched their face and then shook hands. The second my sketch was done, Pam and I made a quick exit. On March 21, 2020, The Barefoot Spa closed in the best interest of everyone’s health. All the art work is still hanging, but the space is empty so the work will not be seen. Artists were told they might be able to pick up their work at the end of April but that might change depending on the state of the pandemic at that time. This is the last sketch I did at a public event. After this opening, I committed myself to self isolation in the studio. My work has become darker and more focused on the short-sighted politics that allowed the virus to spread so rapidly in America, though it could have been stopped in its tracks.

Nature at Barefoot

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“Congratulations, your artwork;  ‘Tree‘ and ‘Edge of Field‘

were accepted in the Nature Art Show at The Barefoot Spa.” wrote Parker Sketch who is organizing an exhibit at Barefoot Spa (801 Virginia Orlando FL 32803). The art drop off was on Tuesday after 5pm. I dropped off my art and then lingered to sketch the other artists dropping off their work. These shows used to have a $10 donation for the opening supplies, but that has been bumped up to a $15 required admission fee. Parker spends two days collecting the submissions and then hangs the show which can take 3 hours if all goes well. That is quite a time commitment on his part. Barefoot Spa has been and remains an amazing supporter of visual arts in Orlando. They collect no commission on any sales.

There was plenty of paperwork to fill out which mostly hold Parker and the venue not responsible should there be an act of god or vandalism that destroys art. The two pieces I submitted were rather dark, showing dead and decaying tree trunks in all their twisted agonizing forms. I figure the show would have plenty of bright and cheerful pieces showing natures wonder, so I offered decay.

Artist Jennifer Payne, arrived at the same time as me. She pulled up on her bicycle as I was lugging my rather large pieces up to the doorway and she offered to hold the door for me. She has been doing an amazing series of impressionistic pallet knife paintings of sunsets and landscapes. She tends to post her daily paintings on Instagram about the same time I post my daily sketches so I get to admire her work almost every day. Other artists were concerned abut how to price their work and one artist struggled trying to wire her painting  with no success. Parker had a long list of things he had to explain to each artist, which boiled down to the idea that the Spa would do its part to promote the show but each artist should promote the show as well and show up to the Opening which will be March 14, 2020 probably starting about 6pm. Each artist will get a drink, but otherwise it will be a cash bar. Jennifer jokes about bringing her own flask of a spiked drink and we all laughed. I’m thinking an IV bag might be my choice for medicating myself.


So stop out to Barefoot Spa on March 14, 2020 around 6pm if you want to see a couple of my darker pieces or if you want to buy me a drink. From the art that I saw arrive, this should turn out to be a fun show. Support the venues that support the arts.

Orlando Artist Critique at Barefoot Spa

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The Orlando Arts Critique run by Parker Sketch is a monthly meeting where artists and people interested in participating in the local art scene (curators, gallery owners, event coordinators, art appreciators, and anyone else interested in art) gather and talk about art.

It is free and friendly.

The format is that there is an open invitation to participate as a “showing” artist. There is enough time to talk about approximately 15 artist’s work at each session. It is encouraged that the art is very recent, or is relevant to the artist’s current work.

The artists gather as a group of peers, regardless of age, medium, experience, or art genre. There is usually space for an additional 15 participants that aren’t showing art. So there is usually about 20 to 40 people attending this event and talking about all the art.

The primary goal is to have meaningful, positive, and helpful discussions about what the artists are working on. Networking, socializing, and learning about art opportunities in Central Florida is encouraged. The goal is to elevate everyone’s productivity and exposure through helping each other.

Central Florida is exploding with a vibrant art scene. There are so many people doing amazing art that often the people in the art community aren’t aware of what is happening around town. Any artist of art appreciator is always invited come and attend one of the sessions. The Facebook event invitation is usually posted about 2 weeks before the event, and registration through the Facebook invitation is mandatory to make sure that we have enough time and space to respect all of the participants. Join the Orlando Art Critique Facebook Group to stay up to date. The last critique was August 5, 2019.

Art Critique at Barefoot Spa

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Mark your calendar, the next Artist Critique is going to be Monday, October 22, 2018 at 6 PM – 9:30 PM at the Barefoot Spa (801 Virginia Dr, Orlando, Florida 32803). This is an event for artists and art appreciators. Everyone is welcome and it is free!  Artists talk about their latest art and help each other grow as artists.
You do not have to share art
at the critique to attend and participate in the conversation.

All
kinds of art is welcome. There have been oil painters, paper makers, glass
artists, found object sculptors, video artists, composers, watercolor
painters, ceramicists, artists who draw and collage, jewelry artists,
print makers, etc. All experience levels are welcome. We have included
artists who have never shown and artists who are nationally recognized
competition winners. All artists and types of art are welcome.


Parker Sketch has been hosting this event monthly for over 8
years. This is a grass roots learning, development, and support event.
Artists and art appreciators gather and discuss art as peers. If you
like local art, you should attend.

Monthly Artist Critique at Barefoot Spa

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Once a month, Parker Sketch hosts an informal, supportive and constructive discussion group about art at the Barefoot Spa (801 Virginia Dr, Orlando, Florida).  I try to got these sessions as often as I can, since I learn something every time I go.  This is a group of artists and art appreciators gathering to help each other grow as artists!  It is a limited space event. The work of about 12 artists is shared  and discussed. Once the capacity for participants is reached, you can be put on a standby list and you can participate without showing art.
The opportunity to show art is first-come-first served. Attendees do not have to show art to participate. You don’t have to be an artist to participate. If you are interested in art and want to meet other people who also enjoy art, you will feel right at home.

At the critique, artists share then newer art, art that is relevant to what they are doing now. If more than one piece is shared, it is usually part of a series.
All kinds of art is shown, there have been oil painters, paper makers, glass artists, found object sculptors, video artists, watercolor painters, ceramicists, artists who draw and collage, jewelry artists, print makers, etc. It also doesn’t matter how much experience you have. There have been artists who have never shown and artists who are nationally recognized competition winners. The point is to get people from many different styles, backgrounds, and experience levels together to talk about every one’s work. The discussions have included pricing, finding materials, technique, framing, exhibition opportunities, and, yes, traditional critique. Each artist’s work is shared  individually.

In May, Calvin Dunkle was showing several of his fantasy art themed paintings. His work seems inspired by the paintings of Frank Frazetta. Constructive comments about the compositions and colors seemed like they should help Calvin push the pieces to completion. I didn’t show work, but the conversations wrestle with issues I confront in my our sketches daily. I learn from other artists mistakes. Now that I am teaching digital painting to student at Elite Animation, I have started schooling myself. Everyday I execute a digital painting based on paintings of my favorite arts. This week my masters have been John Singer Sargent, Toulouse Lautrec, and Giambattista Tiepolo. After spending several hours studying the paintings, I go out to sketch on location and I hope that some of their mastery will seep back into my own work. Taking chances and growing is a long slow marathon. None of this work will ever be seen. But I learn from the best.

On Saturday November 14th,  from 3pm to 8pm,  Parker Sketch is having a holiday art sale party and open studio at 1029 Delnova Lane Orlando FL. There will be appetizers, drinks, and art. He only runs this
clearance sale once a year. After this sale, all pricing returns to his normal retail.
Art from 2015 20% Off
Art from 2014 40% Off
Art from 2013 60% Off
Art from 2012 and earlier 80% off
All prints are available for 50% off

This week my work was venomously attacked by an art troll on Facebook and I’ve come l realize that some local artists resent what I do when I report on the Orlando arts scene. Although my work is undervalued, often stolen by local businesses and arts organizations, and unappreciated by some, I will keep doing what I do, ignoring the haters and celebrating creative artists who change Orlando daily by supporting and encouraging each other. That is what the monthly artist critiques offer and I’m thankful that Parker takes on the task of pulling it all together. Mark your Calendar. The next artist critique will like be on December 3, 2015 at the Barefoot Spa starting at 6pm.

A Digital Artist in a Digital World?

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On October 22, I  went to Parker Sketch‘s monthly Artist Critique at the Barefoot Spa, 801 Virginia Dr, Orlando, Florida. This group of artists and art appreciators gathering to help each other grow as artists. You don’t have to be an artist, or show art to participate in the discussion, and meet the artists! It is a supportive and constructive discussion group about art. We look at the work of about 12 artists in the evening and talk about it. The opportunity to show art is first-come-first served. If you are interested in art and want to meet other people who also enjoy art, this is the event for you. The art can range from the purely abstract to representational. I always learn something new each time I go.

The reason I wanted to show art this night was to see what other artists felt about m using a tablet to start creating my sketches done on location. I’m excited a bow the possibilities in the digital medium but Terry says she cringes every time she sees a digital sketch on this site. I decided to show one of my sketchbooks and the sketch [ did on the tablet of the critique. sketching digitally is still difficult because [ waste so much time looking for tools and menus. Recently I’ve bee streamlining my work flow by learning how to use my tablets keys to select the most common tools. I asked everyone if it made sense to try and recreate my watercolor sketches in the digital medium. Most artists felt that the traditions sketch had more spontaneity and they could clearly see that a digital sketch has z different look. Parker suggested that I take an entire different approach to the digital work, accepting the difference. He even suggest using the tablets camera as the starting point and built the sketch over that. When I confided that the tablet seems too small, Bethany Taylor Meyers suggested I do a traditional sketch on paper, then shoot that with the camera and start painting digitally. I love that idea since I can us a bigger sketch pad and maintain the traditional feel of pencil on paper.

Other artists critiques also inspired me to push in new directions. One artist is trying to pull away from dark line work. Although I love line, the digital medium seems to favor blocking in colors as if building up an oil painting. I’m convinced that the digital work will inspire change in the traditional sketches and vise a versa. Someone suggested that I start using gouache on my traditional sketches and ironically the is something I’ve been considering for  some time.

There was so much amazing art shown that night, and having feedback from fellow artists is indispensable. Parker showed a large “Falling Man” painting. I’ve seen other paintings from the series and they are usually monochromatic. This falling man was fractured into vertical strips and had intense bright colors like cadmium yellow and bright pink. The image is a haunting reminder of 9-11 for me and the bright Peter Max inspired colors seemed a stark contrast. Parker did the painting live at Artlando with constant interruptions as people asked questions.  He said the colors were happy accidents because they just happened to be the colors he packed that day.

If you click the subscribe button over in the right column, I will keep you informed next time there is  an artist Critique.  The subscription is for a weekly AADW e-mail newsletter.

August Critique Group

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Parker Sketch organized a monthly Art Critique group at The Barefoot Spa (801 Virginia Dr., Orlando, Fl). The group is a supportive and constructive discussion group about art. Work of about 12 artists is looked at and discussed. The opportunity to show art is on a first-come, first served basis. You do not have to show art to participate. You do not have to be an artist to participate. If you are interested in art and want to meet other people who also enjoy art, this is a great event.

The group looks for newer art, that is relevant to what you are doing now. If you bring more than one, please make them all be part of a series. We are either looking to talk about one piece, or several together as a group.

It doesn’t matter what kind of art you do, we have had oil painters, paper makers, glass artists, found object sculptors, video artists, watercolor painters, ceramicists, artists who draw and collage, jewelry artists, print makers, etc. It also doesn’t matter how much experience you have. We have included artists who have never shown and artists who are nationally recognized competition winners.

The point is to get people from many different styles, backgrounds, and experience levels together to talk about everyones’ work!

This is a group of artists talking as peers.The discussions have included pricing, finding materials, technique, framing, exhibition opportunities, and, yes, traditional critique. We are trying to mix different artists and get them talking about art! We will be looking at art individually, and talk about it for about 10 minutes. Though time is short, the idea is  to spend the evening talking about everyone’s art!

I arrived at the critique a bit late but I was astounded to find a front row seat still open. The first artist who’s work I saw was Heather Ashworth.  She had a portrait and a diptych of a woman who’s hair blew aside and became tree branches and blossoms. There was some concern that she didn’t spend much time on the clouds painted in the portrait. Some artists wanted to see a smoother transition between hair and branches as well. Bethany Taylor Myers showed a Hopperesque painting of a neighborhood. She wanted advice on perspective and since I had just been writing on the subject, I offered her a thumbnail and brief advice. She was concerned about painting telephone lines that would cross in front of the house. Several artist agreed that if the lines don’t add to the story they could be left out. Jean Claude showed a bold black and white depiction of the Creature from the Black Lagoon. He got an amazing amount of detail with the scratch off technique. Thomas Jacobson Artist showed a huge painting of a yellow sun flower. A mysterious orange glow hinted at illumination by fire. A skull and flowers painting was creepy and mesmerizing in its detail. He is also a tattoo artist and his work is intricate and amazing.

Parker Sketch was the last to show his art he had a large roll of canvas that unfurled depicted a cup of gin and tonic. He did the painting by walking around it on the floor and attacking it like Jackson Pollack. There were some wonderful abstract passages that came from the sheer physicality of the process. Mark Your Calendar! Parker plans to pin this huge canvas to the wall as part of his joint show with Shannon Holt called “Just One More…” The opening is September 19th from 6pm to 9pm at City Arts Factory (29 South Orange Avenue, Orlando, Fl). The next critique group is September 26th from 6-9pm at Barefoot Spa.

Art Crtique Group

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Parker Sketch organizes a monthly Art Critique Group and I always find the lively conversations enlightening. The January critique was held at the The Barefoot Spa (801 Virginia Dr., Orlando). This is a group of artists talking as peers.The discussions have included pricing, finding materials, technique, framing, exhibition opportunities, and, yes, traditional critique. We are trying to mix different artists and get them talking about art! We will be looking at every one’s art individually, and talk about it for about 10 minutes. I know it is short, but the idea is not only to get other people to talk about your art, but to spend the evening talking about every one’s art!

Jean Claude was the first artist to show his work. Using spray paint and an xacto, he works on Plexiglass. Several pieces would change color if illuminated from behind. He works outside a gallery down in Kissimmee. His work was bold and flat. Vanessa Lisa showed some delicate pencil renderings. Mark Larsen, a photographer, had returned to his craft in the last three years. His photos featured clouds and abstract watery imagery. Artista Lulu had traveled all the way from Tampa to come to the art critique. She showed a cartoonish image of a ballet dancer standing on a tiny world. Tiffany Dae showed some of her gorgeous surreal work. She is moving to Miami where she is bound to find the arts scene to be incredibly vibrant.

The artist I chose to sketch, was Phillis Taylor Harris. She had just finished filling one of the Sketchbook Project sketchbooks. The Sketchbook Project sells artists tiny sketchbooks which the artists can fill and return to go into the sketchbook library in Brooklyn NY. Phillis’s sketchbook was filled with angry abstractions that were done as she went through a divorce. It turned out that her husband was abusive and a sexual predator. He worked as a psychologist, so women seeking his help would get unexpected treatment. The family home was isolated which allowed him to trap his victims. Phillis’s sketchbook is intended to help victims of abuse to recover and heal. Several people in the room pointed out that Phillis should look into publishing the book with part of the royalties going to an abuse victim recovery center or shelter. I advised her to not submit the sketchbook to the Brooklyn library because they would then claim ownership to the copyright.  I agree that her book could be helpful for a person recovering from abuse. I hope she can find a publisher.

January Artist’s Critique

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Parker Sketch organizes these monthly or bimonthly Artist Critiques at Barefoot Spa (801 Virginia Dr.) I was running a bit late. I parked a block away and walked down Virginia Drive away from Mills. Belly dancers were rehearsing in a dance studio. I almost had to stop but I was late, for a very important date. I could see from the street that Barefoot Spa was packed. People were standing in the doorway. Luckily, I had my own artist’s stool so I pushed to the front of the room and set my chair up in a corner right next to Parker. Ken Austin was sharing some of his more abstract watercolors and I got busy sketching. I had recently had a chance to meet Ken on a group trip out to the Museum of Arts & Sciences in Daytona Beach and then I bumped into him giving a demonstration a few days later at Crealde.

Paul Martin is the artist seated to the right in the sketch with a baseball cap and flip flops. He went to UCF in the 90’s and then went to Miami. The Miami arts scene is thriving but he felt he wasn’t making headway. He returned to Orlando where he is combining new medias with old media. He presented a painting of a Chinese flag on Plexiglas. When he traveled in China he took photos of any graffiti he could find. It was rare and hard to find. He scrawled this graffiti onto the Chinese flag painting. He plugged the painting in and three small video screens played footage of the American Flag waving in the wind. Someone in the room wondered if the video screens had been manufactured in China. There was an irony to the piece and an underlying social comentary. Paul pointed out that a client over time might decide that new video might be needed and this painting, like software could be upgraded for a price. China Flag 2.0. Love it. Everyone in the room was mesmerized. Americans can’t help but watch a video if it is playing. That in itself says something about our culture.

Matt Charlan is new to Orlando, having come from Boston. He presented a large painting of a smiling baby’s face. The face filled the canvas and was offset a bit to the right. Matt talked about how he liked to paint in the dark using just flashlights. For him the act of creation is meant to be a struggle. When he paints, he actually doesn’t look at the canvas. He has a video camera set up across the studio and he looks at a laptop computer to see the brush strokes he puts down. In a way he is a voyeur to his own process. He uses the cheapest house paint he can find along with pastels, white spray paint and fixatives. He started painting on uneven surfaces to heighten the effect of catching the video vantage point. While in Boston he painted a portrait of Steven Colbert on a couch. The portrait can only be seen from one vantage point. If you move, the image breaks up. A video was posted on YouTube and it got three million hits. That is huge, like instant viral fame! It gained him instant notoriety in the Boston Arts scene. Yet the couch never sold.

Art Critique

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Parker Sketch has organized a monthly critique group. I haven’t really gotten feedback on my work since I was in college. That is longer than I care to admit. The last session was held at the Barefoot Spa. I decided to bring a five foot panel that I had just started. All together 19 artists were slated to show their work. Seated in front of me was a woman named Loraine Del Wood. Her name was just Loraine Wood but someone told her, “Your name is so boring.” From then on she included her middle name for an exotic touch. When she discovered that I worked for Disney Feature Animation in the past, she told me about her animation background. She had worked as an inker and painter at Columbia screen Gems in the early years. Hand drawn animation was transferred to a clear acetate cell and then the character was painted on the back of the cell. She had worked on many animated characters. The one that stuck in my mind was Tubby the Tuba.

She loved animation and talked to different animators to learn their craft. She was told “Women don’t do animation.” Her husband worked on live action films so she left animation and assisted him on such films as Some Life it Hot, The Pink Panther and West Side Story. Her art fell to the wayside and she took a 40 year break from 1964 to 2004. She showed a series of paintings she did of women wearing black wide brimmed hats.

Painter Richard Colvin showed 2 paintings. One was of John Ashcroft standing in front of a statue which was partly draped. Ashcroft later insisted the statue be properly draped. He stopped doing this sort of political art since he felt he was preaching to the choir. In one year he experienced the grief of 11 deaths of family and friends. He started doing more traditional landscapes. He experienced a mad rush of creativity, doing 30 paintings in two months.

Marla E. Artist showed a large plaster base relief which was going to be used to cover a flat screen TV. The image was divided in two so it could be separated to display the TV. She wanted to sign up on Facebook as Marla E but it didn’t allow initials for a last name. Her occupation as artist was tagged on to her name. Facebook is the new Ellis Island, forcing name changes as people immigrate to the digital realm.