First Thursdays at the Orlando Museum of Art.

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First Thursdays, at the Orlando Museum of Art is held as the name implies, is held on the First Thursday of every month. Each month has a new theme. In November, the theme was animals. David Ramiss had a wonder metal sculpture of a wasp enclosed in a plexiglass case. A beautiful model was showing off a day sculptor in progress, still on the armature. I think the sculptor wanted to work on it during the event, but he was bombarded with so many questions, that he never had time to touch the clay.

The hissing cat was unique. Someone demonstrated that if you put your fringe in the cat’s butt, it would make a noise. I explained this unique feature to several friends who stopped to talk, but they didn’t believe me. No one activated the cat for the rest of the evening. Wine flowed and the room got more and more packed. Brad Micheal Biggs gave me a quartz crystal he had mined himself. Jeff had forgot he his cell phone and he needed to borrow mine. I guess the crystal was a fair trade.

The next First Thursday is titled,

ECLECTIC KNIGHTS

VIII September 1, 2016

8th annual event for the UCF College of Arts and Humanities Alumni
Chapter. This Knight of Art will feature artwork designed exclusively by
UCF alumni, faculty and staff in a variety of media.

Presented by the Associates of the Orlando Museum of Art| which is a volunteer support group committed to expanding
Museum membership and encouraging the appreciation of the visual arts.
From 6-9 pm on the first Thursday of each month, Central Florida has an
opportunity to discover local artists, listen to live music and mingle
with an eclectic mix of people. There are cash bars serving wine, beer,
soft drinks and water, and café offerings from area restaurants.

Admission to 1st Thursdays is $10 for visitors. Admission includes
access to the Museum’s featured exhibition. Parking is free at Orlando
Loch Haven Park and overflow parking is available at the Orlando Science
Center’s parking garage for $5 per vehicle.

The Trojan Rabbit.

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Jeff Ferree created this life sized Trojan Rabbit. He works in the scene shop at the Orlando Shakespeare Theater, so he’s good at building stuff. He based his design on the Trojan Bunny in Monty Python and the Holy Grail. The Bunny popped up all around town, to promote the Orlando Shakespeare production of Spamalot. First Thursday

This sketch was done at Earth Day which also happened to fall on the Same day as the World Wide Sketch Crawl. I put out an invitation on Facebook to host the Orlando Crawl and about 5 or 6 artists showed up during the course of the day. As we sketched the rabbit, most of the crawlers Sat on the retaining wall to my right. I sat leaning back against a palm tree, and right next to me was a water bowl for dogs Which was used quite often by parched over heated dogs. The smoothie truck was quite popular among the humans who also wanted to cool down. I believe it was The Art Reach people who started blowing bubbles that floated in to the scene.

Jeff used the rabbit to attract peoples attention and then inform them about Spamalot. As I did this sketch,  I realized that there was nothing inside. I later contacted Jeff, and suggested that the bunny could be a good art gallery. When the bunny was moved outside the Shakespeare theater during the International Fringe Festival, Jeff allowed me to mount a show of Fringe related sketches inside. After Earth Day someone actually stole the bunnies tail. Who would steal a bunny tail? It makes for an odd useless trophy. Jeff let me use a scene shop drill which made it easy for me to mount the frames to the walls using brackets which made it near impossible to take a frame off the wall much like paintings in hotel rooms. The bunny was retired after its last appearance outside the Orlando Museum of Art for an animal themed First Thursday, which is a bit of a meat market for singles with some art. Once again I mounted prints inside. I don’t think many people ventured inside.

Art of Medicine Gala at the Orlando Museum of Art.

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Local physician Cindy LaRoe, wife to
First GREEN Bank’s CEO, Ken LaRoe, was an avid cyclist until she crashed hard
at a race. She recalled the day in some detail in a video presented at the Art of Medicine Gala at the Orlando Museum of Art, (2416 North Mills Avenue, Orlando, FL) on October 15th.  It was getting near the end of the ride when she let a group of young cyclists pass her. They swerved and crossed each others paths in ways that aren’t allowed in a professional race. They got tangled together and went down hard right in front of Cindy. That is the last thing she remembered. Sadly, she suffered a traumatic brain injury that left her
unable to work as a physician, which prompted her to focus on her
passion for art. 

Ken recalled trying to find a good physician who could treat Cindy. The first physicians they faced were more interested in biking than in diagnosing Cindy’s symptoms. The misdiagnosis and delay lead to Cindy’s condition not getting treatment in time for a full recovery.  The accident encouraged Cindy to bring awareness to
the brain injury community in Central Florida. The

Art of Medicine Gala on October 15th benefited the
Brain Injury Association of Florida which supports thousands of people who have found relief through the organization. 

Cindy’s artwork was bright, bold and realistic with detail stripped a way. A large painting of Lance Armstrong tied in well with the theme of the evening. All of the artwork on display in the front gallery of the museum was by practicing physicians practicing physicians. It makes sense that physicians would have a taken for art.

I sketched the Jazz Fusion band performing in the museum’s lobby. I recognized the saxophone player. The tall table I worked at turned out to also be right in front of the stage where Cindy and Ken spoke. Actually Cindy had no desire to speak in front of a crowd, but her quiet presence and her art inspired many to give to the cause. When the auction kicked off, I took that time to look at the art in the then empty gallery. Her work does stand out. He large canvases inspired me to want to work larger. Funds raised at the Gala will help the Brain Injury Association of Florida raise the $250,000 goal needed by June of 2016.

Late With Lance at Fringe.

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Late With Lance starring Lance Jonathan, was in the Brown Venue inside the Orlando Museum of Art. A poster in the museum showcased the new, hip marketing campaign the museum has started. Over a photo of the museum was written “Orlando Museum O Art”. Was this a typo, had they forgotten the “f” in “of”? Perhaps it is just more hip now to leave out letters like f because o texting. Lance equated the bronze venue to a broom closet. His program which everyone got, had his acting resume on one side. He figured someone in the audience must be a talent scout. He had been the head o Big Bird in a National Tour o Sesame Street Live on Ice. He was Nana, the dog in Peter Pan and a Snow Baby in Ice Capades. His skills include, blending into a crowd, crying and or laughing on cue and talking fast.

The last was definitely true, because he was a whirlwind from the moment he got on stage. He pulled a “Late with Lance” banner out o a bucket and used the lid as a blinking marquee.  He pulled a woman out o the audience to act as his co-host for a talk show. The second she spoke, he interrupted her to point out that her sole purpose was to laugh. He pulled another woman out o the audience and asked her intimate questions that required plenty o thought. When she answered, he would prod for more information, saying “And… please go on.” When asked what her most uncomfortable experience in life had been, she replied “Right now.” David Horgan, one o DEM Guys who sees as many shows as humanly possible, held up well under interrogation. His years of watching theater lead him to catch Lance as he made a remark that was a segway to a musical number.

The auburn hair made Lance look rather young. From my front row seat however I could see that his side burns didn’t match the hair. Lance let us know that he had asked quite a few stars to come to Orlando to be interviewed on his show. He would periodically check with his tech guy to see if anyone had called. The audience would console him in these moments o disappointment. When he isn’t performing exotic Fringe shows, Lance helps his dad and his boyfriend doing a dinner theater show on a cruise ship. A call finally did come, from his dad, and Lance quickly stripped to get into a hula skirt along with a coconut bikini. The wig came off along with his shirt and his young energetic facade crumbled. This was a fun hour of high energy performance. The streamers and banner went back into the bucket.  This was a fun, high energy hour of theater and I admire anyone who can maintain that level of energy for an hour.

Seen up close, butterflies become monsters.

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When it began to rain during Artlando, I ran inside the Orlando Museum of Art for cover. A crowd of people had the same idea. Inside the museum, local art galleries had exhibits. Jai Gallery was set up in the lobby. I was curious about a large hyper real photograph of a butterfly. Artist and architect James Cornetet was taking microscopic photos of a butterfly. The digital camera was set up on a metal framework which allowed James to move the camera in tiny increments. To get the final high resolution image he shoots hundreds of photos horizontally, vertically and in depth. The camera has a very shallow depth of field which means the tip of an antenna might be in focus but the butterfly head might be out of focus. James had an exhibit titled “High Fidelity” of his monstrous insects at Jai Gallery. Coralie Claeysen-Gleyzon was also on hand to let people know about Jai Gallery. One of Josh Garrick‘s black and white photos of a sculpted Greek god’s head was also on display.  Josh’s photos went on exhibition at the National Archaeological Museum in Greece. He was the first American artist to ever have his work displayed there.

Snap! Orlando teamed up with The Falcon and The Gallery at Avalon Island for a special installation at Artlando. The exhibit featured the art of Szymon Brodziak Photography, Aurora Crowley and an interactive digital installation ‘Beautiful Chaos’ by Nathan Selikoff. The exhibit was in the rotunda of OMA, as well as the galleries located to the left of the museum’s entrance. Once I was done with my sketch, I ran outside to my tent to make sure none of the cards on display had gotten wet. Everything was dry, but I was shocked to see that the tip jar which was half full of dollar bills earlier in the day, was now empty. I was furious. Who would stoop so low to steal money from a tip jar? Later that day I found out that my wife Terry had removed the money, “for safe keening.” The tip jar earned me enough money to pay for the food truck feast I enjoyed later that day.

The Inaugural Artlando was held in Lock Haven Park.

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ALL DAY. ALL ART. I was offered a vendors tent at the inaugural Artlando event held September 27 in Lock Haven Park. My plan was to only sell $2 cards in a card rack and leave a tip jar so people could pay on the honor system. That left me free to roam the event and the day became a sketch marathon. All vendors had to arrive early in the morning to set up. You had to unload at a spot next to the Repertory Theater’s parking lot and then immediately drive off site to park. Each artist was assigned a specific area of Lock Haven’s lawn which was marked by a number. Soon there was a tent city. Clouds loomed ominous and gray all day.

A giant inflatable bird was in front of the Orlando Museum of Art. It was based on a painting by Lamar Peterson whose work was on exhibit inside. The brown statues, which were part of an installation titled “Horizons”,  by noted Icelandic artist Steinunn Thórarinsdóttir (pronounced Stay-nun Thorens daughter), were often used by people who imitated the poses for photo opportunities. That installation is on exhibit through 2015. 

Carolyn Moor, with her daughter Mackensey and a friend from out of town stopped to say hello. Carl Gauze jumped in on the conversation and he pointed out that the inflatable bird had a bullet hole in its chest.  I inspected the inflated art up close and sure enough there was a puncture wound.  I imagined a pickup truck squealing around the parking lot at night with a drunk local using his rifle to take shots at any art he could find. Then again the hole might just be there to control the flow of air. Caroline waited in front of the museum for Mackenzie to return from the main stage. On the main stage there were live performance by Orlando Ballet, Orlando Philharmonic Orchestra, Orlando Shakes, Central Florida Community Arts, Orlando Fringe, Phantasmagoria and many more.

As I was finishing this sketch, it began to rain. I ran inside the museum for cover.

Orlando Museum of Art

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On September 8th, I went to the Orlando Museum of Art (2416 North Mills Ave
Orlando, Fl) to see Tall Tales and Huge Hearts: Raúl Colón a show of Children’s book illustrations.  Raúl Colón,is a popular award-winning
artist who has illustrated more than 30 books for children. Colón
created the art for a number of acclaimed picture books, including Doña Flor: A Tall Tale About a Giant Woman with a Great Big Heart by Pat Mora, which won the prestigious Pura Belpré Medal; My Mama Had A Dancing Heart by Libba Moore Gray; and José! Born to Dance: The Story of José Limon by Susanna Reich, winner of the Tomas Rivera Mexican-American Children’s Book Award. Raul’s illustrations are, tightly rendered using watercolor and colored pencils. He then
rakes the image giving each image a swirling surreal feel. The artwork was hung low on the wall so kids could see his work at eye level. Arranged chronologically, it was interesting to see his style evolve from early watercolors to the much tighter later work. Mark your Calendar! This show in on view through November 3rd. During the first weekend of every month Bank of America and Merrill Lynch card holders receive free gallery admission. Otherwise, admission for adults is $8.

Also on display was the Contemporary American Graphics Collection which includes more than 150 original, signed and numbered
lithographs, etchings, silk-screen prints and woodcuts by America’s
foremost artists. It is one of the most comprehensive 20th-century
contemporary print collections in Florida. The works vary from realism
to abstraction, reflecting a variety of techniques and styles that
emerged from the revolution in fine art printing that has occurred in
the last 55 years. Artists represented in this collection include Andy
Warhol, Robert Rauschenberg, Ed Ruscha, Bryan Hunt, Lesley Dill,
Katherine Bowling, and many other American masters. One piece that particularly impressed me was a huge portrait of Leslie done by Chuck Close using just his finger prints.

Autobiography

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June’s Third Thursday at the Orlando Museum of Art was organized by Anna McCambridge-Thomas. The theme for all the art that evening was “Collaboration.” When I arrived, I quickly took a look at all the art on display but Genevieve Bernard of Voci Dance had informed me of her unique collaboration. The dance piece her dance company, Voci Dance, was going to perform involved a collaboration with Asatta Wilson of Vixen Fitness. Asatta is a rather talented and fit pole dancer. During previous rehearsals, Genevieve explained to Asatta what dance moves she wanted. Though the dance terminology was different the art forms and moves were similar. As Asatta explained, she does the same moves just with some sensual flair to please the costumers.

I sat in and sketched the rehearsal for the dance titled, “Autobiography“, before patrons got to the museum. A Platinum Stages pole stood at stage right. Dancers approached the pole and interacted with it as a symbolic obstacle. Sarah Lockhard delivered a monologue in which she kept falling into a hole repeatedly. It wasn’t her fault even as she kept to the path and fell again. After repeated tries she finally realized she should walk another route.

Towards the end of the dance performance Asatta took to the pole doing a gymnastic and graceful routine that defied gravity. I got a second chance to work on the sketch as the theater filled with patrons. Having seen the rehearsal, I knew what dancers I wanted to complete the composition. From slow motion walks to graceful twirls, one gesture flowed through the dance company. The pole was no longer an obstacle but something to be conquered.

Casa Feliz

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Casa Feliz (625 North Park Avenue, Winter Park) hosts free musical performances each Sunday from Noon to 3PM. Jack Fannigan invited me inside prior to a performance with a theatrical flourish. Jack used to work for James Gamble III who designed Casa Feliz. The building was slated to be demolished but Winter Park citizens wanted to save the historic building. The entire building was lifted and moved to its new home next to a golf course.

Matt, The Sax Man, Festa and Michelle Mailhot were performing on this sunny Sunday afternoon. I had sketched Matt once before at a First Thursdays event at OMA. As a matter of fact, when he opened his laptop, my sketch of him was being used as his screen saver. Michelle also performs with Toxic Audio, a talented acapella singing group. I know they have performed at the Orlando International Fringe Festival and I’ve heard plenty of good buzz, but I’ve never seen them perform. Regardless, Michelle’s voice is stellar. She sang Nora Jones’ “I don’t knew why” with incredible heart.

The evening before, I had sketched at the Red Fox Lounge where the incomparable Mark Wayne and Lorna Lamby used to perform their kitschy and fun musical lounge act. After Mark’s death earlier this year, there has been other performers trying to fill those shoes, but there is still a void. Matt and Michelle have that extra magic turning a performance into an all out party. Michelle’s daughter dressed in pink, danced in the front row. Every seat was full and the room was alive. As I packed up to leave, I noticed another artist working on a sketch. What a great way to start a Sunday afternoon.

RV’S Going Away Studio Art & Yard Sale!

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Robin Van Arsdol, (RV), was preparing to leave Orlando. His Orlando Studio, Realm 54, (54 W. Illiana Street Orlando, FL) was open to the public and anything was for sale to help him make the move to Miami. I met RV only once before when we were both applying to United Arts for Artist Development Grants at the same time. RV has been a working artist in Orlando for the past 40 years. He has had studios in several places in town and his studio hosted an International Graffiti Conference once a year. The studio I visited was a large industrial warehouse accessed by a large garage door. There was a pile of bibles for sale as well as a sporty red Corvette covered with his art. Wendy Wallenberg and Brian Minnich showed up to show RV some of the photos they had shot and to get a release signed.

RV graduated from Georgetown College in 1972. In 1973 he began his masters at NYC.  He was very active in the NYC graffiti scene and in the 70’s he worked with some of the city’s most active and prestigious artists. His family lived in Orlando since 1972 and in 1977 he moved here. He always bounced back to NYC whenever he could, spending six months in NYC and six months in Orlando. RV’s work has been in 70 exhibitions in European city’s in Italy and Paris France.

In 1983 RV became obsessed, creating public graffiti art inspired by the following biblical passage, “Woe unto them that are with child and suck in those days.” The passage reminded him of Hiroshima.  Any prenatal baby is instantly affected by any radiation. He began clandestinely to cover building with images that suggested radioactivity. Large pink tulips resembled mushroom clouds. Gun boats and airplanes covered exterior walls. He was a man on a mission. His art defied the lie that war is a necessary evil. Thinking back to my student years in NYC, I do think that I saw some of his work on a parking lot wall. When I mentioned Keith Haring, RV rummaged in his studio and showed me two of Keith’s subway chalk drawings. RV’s work covered sections of the Berlin Wall.

In Italy in 2004 RV began painting his Pinocchio Screaming Man series. In some images the screaming man is seen in front of mushroom clouds. He is still creating work at a break neck pace, functioning on just four hours of sleep. RV was a director of the Orlando Museum of Art‘s Associates Program from 1979-1986. Miami should be a great fit for RV. There an entire neighborhood is covered in graffiti. It is a shame that Orlando’s arts scene isn’t vibrant enough to hold onto him.