The Collective

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The Collective was launched in early 2017. The idea was to bring
together Central Florida’s nonprofit community and empower the region’s
change leaders. As a new organization big
strides were made in 2017.  The Collective, approved nearly 400 members, hosted 10 gatherings, launched a website and social media accounts, worked with several new organizations, including Opera Del Sol and Immerse, held monthly “Breakfast Breakout Sessions” at the Citrus Club and hosted the inaugural Change Everything Awards.

Each month, The Collective hosts several events and training
opportunities with the goal of sharing ideas, learning from proven
social innovators and creating a community of like-minded passionate
advocates. Those events include a membership-wide meeting, after-work
networking, and a breakfast learning session. This meeting in July was held at the Sanctuary, which has an open community room on the second floor.

Jon Busdeker introduced Mayor Buddy Dyer. The Mayor pointed out that he was so successful because he surrounded himself with truly talented people and he trusts them to do their best. Ideas are shared and nourished. It is rare to hear a politician talking about collaboration in a non-partisan way. It is a simple formula that works here in Orlando. “My hope is the history books will reflect that the Dyer administration
asked citizens to imagine a great city and created just that,” he said. His administration has tackled some big and costly construction projects which have brought Orlando a new Amway Arena and the Dr. Phillips Center for the Performing Arts. Slowly, Orlando is growing up to possibly one day become a world class city rather than a suburb just north of the theme parks.

Hansel and Gretel Dress Rehearsal

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Orlando Opera presents Hansel and Gretel at the Alexis and Jim Pugh Theater in the Dr. Phillips Center for the Performing Arts (445 South Magnolia Avenue Orlando FL). Engelbert Humperdinck’s operatic retelling of the ever-popular Grimm
fairy tale features a lush score and charming characters that, on
Christmas Day in 1931, became the first complete Metropolitan Opera
radio-broadcast performance.

The cast includes mezzo-soprano Sarah Purser as Hansel, soprano Jillian Marini as Gretel, soprano Samantha Barnes Daniel as the mother, baritone Ben Ludwig as the father, and tenor Jess Muñoz as the witch. Opera Orlando’s music and education director Robin Jensen conducts, and creative director Grant Preisser directs. Come and get lost in the woods this holiday season.

Hansel and Gretel shirked their chores and played together with childish abandon. Then their mother arrived and discovered that Hansel had gotten no work done. Gretel had managed to keep sweeping even as she played but they were scolded anyways.

All the trees on stage were on wheels, so the stage shape shifted throughout the production. A banner above the stage was used to project the lyrics which weren’t much needed since the production was in English. However the witch at this rehearsal was difficult to hear, which was probably a technical issue that will be worked out. A large gingerbread man doubled as the oven towards the end of the evening.

Wood nymphs and plenty of stage mist created some mystery as the children got lost and fell asleep in the woods. An enthusiastic cast of children helped sell the horror of the fate of Hansel and Gretel. The children were dressed up like gingerbread Gumbys with large flat mittens and featureless faces.

The witch and a wood nymph wandered into the audience several times, breaking the fourth wall and adding some intimacy to the production. Perhaps because this is a familiar story line, the ending seemed anti-climactic. Clearly staged for children, this could be a fun family outing.

Tonight’s final performance on Sunday December 9, 2018 at 2pm is unavailable which I assume means sold out. Tickets

National Dance Day in Orlando

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The 6th Annual National Dance Day was held at various locations around Orlando like the Dr. Phillips Center for the Performing Arts, Studio K Orlando, and ME Dance. The multi day event offered free educational classes, professional showcases and community participation.

Free performances and classes, in ballet, modern, improvisational movement, Afro-Latin and other genres, took place all day Saturday. Classes are available for different levels of skill. I went  to Emotions Dance Company (111 North Longwood Street, Longwood, FL, 32750). I  sketched while dancers stretched and warmed up. With everyone constantly moving the sketch was a challenge to say the least.

I then sat in on a Latin Dance class. I finished this second sketch quickly because I decided to give the dance moves a try. There is a whole lot of fancy footwork in Latin Dance and I was just trying to keep up.

I have a new respect for dancers who can keep up that pace. The Dizzy Feet Foundation established the day to improve and increase
access to dance education in the United States. As part of its support,
the foundation produces and distributes instructional videos featuring
dance routines for the public to learn for fun.

Other cities that participate in National Dance Day include Los Angeles,
where activities take place at the downtown Music Center; and
Washington, D.C., where events are hosted by the Kennedy Center for the
Performing Arts.

Night of Percussion

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Night of Percussion was a free concert that was part of UCF Celebrates the Arts held at the Walt Disney Theater in the Dr. Phillips Center for the Performing Arts (445 S Magnolia Ave, Orlando, FL 32801). This was a day of workshops and performances culminates in a celebration
featuring guest artist Michael Burritt and the UCF Percussion Ensemble.

The Music of Michael Burritt concert featured the following program of his percussion works:

Fandango 13

Dex

Blue Ridge

Marimba Quartet

Home Trilogy


Thad Anderson, Kirk Gay, and Jeff Moore, were the directors.

The performers included Matt Albano, Joshua Albert, Chris Baird, Nicholas Cabiness, Nick Chase,
Calvin Chiu, Steve Estes, Carson Griego, Griffin Harvey, Will Huth, Joe
Jones, Matt Malhiot, Christ Marsh, Christian Martin, Joey Noble, Deborah
Parsons, Madison Schafer, and Austin Warren

Jill’s Cash Box at the Dr. Phillips Center for the Performing Arts

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Jill’s Cash Box is a Country Band that performed on the lawn in front of the Dr. Phillips Center for the Performing Arts from 5 p.m.to 7 p.m. on  Saturday night in April. The lawn was surrounded by a temporary metal fence for the occasion. To get inside this free concert, I had to go through a metal detector and bag search. My art supplied always raise suspicions so it takes me a bit longer to get through. This concert was two months prior to the June 12, 2916 attack on the Pulse Nightclub that left 49 people dead and forever changed our city.

AT the time of this country concert I thought all the heightened security was crazy since less that 24 people attended the concert in their folding chairs. However now looking back after Pulse and the mass shooting in Las Vegas I see that this is the new reality. Perhaps this amount of security wasn’t actually enough. I am in Las Vegas right now and once I finish this article I will be going to sketch the makeshift memorial set up by the Mandalay Bay Hotel. At that mass shooting the set up was very similar to this concert. There were security fences and bag checks to get into the concert but the entire field was exposed to the elevated rooms of the hotel across the street. This lawn in Orlando is also exposed to the Grand Bohemian hotel right across the street.

At the vigil held for victims of the Pulse Nightclub shooting in this same grass field, there were no fences, no bag checks and no metal detectors. Concerns that a copycat shooter might attack the candle light vigil must have been a very real concern but inclusion, acceptance and trusting love were far more over riding themes that night. I  found myself scanning roof tops and there were police snipers to be found. The new reality is that we can be shot by a gun toting lunatic at any time, and stripping down and being searched is not really any form of protection. In the Federal Courthouse, covering the Noor Salman Trial, I walked through the building holding my shoes, belt and possessions since I had to go through a second metal detector and search right outside the courtroom. Going to the bathroom required its own search. Security footage showed the gunman entered Pulse with his assault riffle up and ready to shoot . He walked right past security, entered the club and started immediately shooting people at point blank range.

Was Jill’s Cash Box a good concert? I honestly don’t remember. But it was certainly a more innocent time. One of the memorial phrases to come from the Las Vegas mass shooting is “Country Strong.”

Tiffany Johnson Bartending at Pulse on June 12, 2016

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There is sensitive content and disturbing details included
within. If you feel you may be affected, please do not read this post.

Tiffany Johnson was bar tending the Pulse Nightclub patio bar on the night of the attack on June 12, 2016. Pulse was a second job, her fun job. She also worked at the Dr Phillips Center for the Performing Arts. She would go straight from Dr. Phillips to her evening shift at Pulse.  She  was introduced to the club by a friend named Ryan who asked her to come see him dance. Ryan also let her know that they were hiring bartenders and she applied for the job. Neema Bahrami interviewed her and she started in 2015 as a bartender on call. Pulse felt comfortable, and she knew Ryan, so it was like family. By June, she was starting to work Saturdays with another bartender on the Pulse patio.

On the evening of June 11, 2016 Tiffany was working at Dr. Phillips as usual. The show that night let out late though she couldn’t remember what it was.  When she got to Pulse, the other bartender was already doing her thing. It was a busy night but not super busy. Fringe had just ended so the night was slow in comparison. She took a cellphone photo of the crowd dancing.

A little after 2 a.m. the bartenders stopped after last call. Tiffany’s computer had broken, so she was sharing a computer with the other bartender. Tiffany texted her boyfriend “Lets go eat.” She went to the bathroom and cut through the VIP area to get back up front. Brian was talking to her as she gathered her sales slips. In mid sentence, as he spoke to her, two shots went off. Then the shots just started. She saw out of her periphery and then ran to the outside corner of the bar. She was frozen. The music was still going. She could hear people running and screaming. Then Ryan shouted, “Everybody out!” She snapped back into reality and ran out, thinking, ‘please don’t shoot me in the back.’ Somebody was running with her. “What the hell is going on?” she asked. “I don’t know, someone is shooting.” he countered. His car was in the parking lot. She shouted at him, “Is this your car?” “Get in the car lets go!” They drove around the neighborhood. She doesn’t smoke, but she started chain smoking his Newport’s. She tried to get him to take her to her friend’s house, but she was too distraught to give directions. She called her boyfriend who was working in a downtown club.

By this time sirens could be heard approaching. They parked at McDonald’s, which is just south of Pulse on Orange Avenue. People were coming into McDonald’s covered in blood. There weren’t major injures, but the blood might have been from other people who had been shot. A bum started asking people for money. Couldn’t he see what was going on? She went off on him. The other person she rode with’s friend made it to McDonald’s to meet them. “Can you just drop me off Downtown?” she asked him. Then she looked down at her hands and she realized she was still clutching her credit card slips. She had been holding them all this time. The friend dropped her off on Garland Avenue and she ran to the Beacham Theater where her boyfriend worked. The bouncer didn’t let her in, at first thinking she might just be some distraught drunk girl. When she saw her boyfriend she broke down and cried. They went back to Pulse together but couldn’t get close. She wanted to recover her car and belongings. The police said to, “Take her home.” She couldn’t sleep that night, it was horrible.

She didn’t have her house key, phone, car, or any of her belongings. Her friends got some clothes for her. She basically lived in her Pulse t shirt for a week. She was helpless and didn’t know what to do. The police interview took about half an hour. They could not let her know when she could get her car and it put her in a really weird place. She finally got a call  that she could pick up her car a week and a half later. There was human matter on the hood. A friend of hers details cars, so they traded cars and he got it deep cleaned for her. Inside some Michael Kors merchandise had literally melted.

It took about a month for the full magnitude of what happened to hit her. She couldn’t go to the Dr. Phillips vigil, she wasn’t ready. That Thursday there was a fundraiser at Southern Nights and that was an emotional night. That Friday they all met a Neema’s house. She did get to the Lake Eola Vigil. Over time she learned who had survived and who died that night. Camping World Stadium assistance wasn’t too complicated, it was just weird that she had to do it. Southwest airlines sent her home for two weeks. On the second day at Camping World, she got her purse back. She had to sketch out where she had been that night.

Orlando had showed up in strength that first week and a half. She felt proud to live here. She was invited with some survivors to Boston. That particular group got very close. The parade was amazing. It was good to get away and finally relax. Sometimes when the survivors get together and start talking about that evening, she just has to remove herself from the conversation.

Barbara Poma invited some of the Pulse staff to return to the building and go inside. Tiffany didn’t have a chance to go back to the patio where she worked that night because someone had tried to break into the building and the area was blocked off. To her, it seemed eerie inside. It did nothing for her. She kind of wished that she just remembered the place as it used to be, but now there was this new memory. Tiffany started bartending again when Pulse employees started holding events at The Abbey. It felt OK because she was with everyone. She has a new family since that evening. That is the best part of the whole shitty mess.

This article and sketch have been posted with the express written permission of the interviewee. Analog Artist Digital World takes the privacy and wishes of individuals very seriously.

Red Bull Wings At Work: Outdoor Workspace.

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The Red Bull Wings At Work: Outdoor Workspace was held at Seneff Arts Plaza at Dr. Phillips Center for the Performing Arts. Downtown workers were invited to grab their laptops and sunglasses for a day of collaboration, inspiration and creativity. This was an opportunity for downtown workers to break out of their everyday routine and work in an unique outdoor location that fostered creativity and productivity. The day included speakers, reverse pitch groups, networking opportunities as well as a relaxing space to get work done.

The Wings At Work pop up workspace was built from scratch. Red Bull brought in a stage and seating for an area to host a Creative Mornings Orlando lecture session as well as additional speakers throughout the day. Red Bull partnered with Factur and Vudoo Wood by John Vu to build out the space with conference tables, seating areas and “living office space” where consumers can host a meeting, work on a project or brainstorm with others.

I settled in on my portable art stool making sure i was in the shade of a large orange umbrella. All the blue umbrellas on the central lawn had Red Bull logos on them. The event was well attended. It would be nice if downtown workers always had the choice to work outside. I kind of suspect the relaxed atmosphere prompted more socializing that work. The gentleman in front of me  however was diligently typing away at his laptop computer.

Mike Perkins presented a Collective Narrative.

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Mike Perkins, the Orlando Regional History Center director gave a talk at the Albin Polasek Museum‘s Capen House (633 Osceola Ave, Winter Park, FL 32789) titled “A Collective Narrative” about the museums efforts after the Pulse Nightclub massacre to collect and preserve the memorial items left at sites around Orlando.

The goal at the Orlando Regional History Center is to present History in an interesting way, You are going to have challenges as you work through your career, but you don’t expect to have something so incredibly changing, with such a huge impact to the community happen, and all of a sudden, while you are at the job it becomes your task to collect and retain this history that just happened. It was a shock to all of us. Pam Schwartz, who is the museum senior curator carried the bulk of this initiative.

It was of course the middle of summer. We had to collect at Lake Eola first since the city wanted to have July 4th fireworks. Collecting began on June 26th and went on for about 3 months? The question was directed towards two members of the museum staff, Emily Arnold, and Whitney Broadaway in the audience of seven. After Lake Eola was cleared, Dr. Phillips Arts Center (DPAC) became the primary site for a memorial.

Mr. Greg Zanis brought his 49 wooden crosses to Orlando Regional Health Center and that became its own memorial site. When the crosses were eventually collected, items left around the crosses were also collected. The crosses were stored in specially designed archival boxes and the items left at each individuals cross were put in an accompanying box in the museum archives. Photos are on the museum’s online digital archive that show the crosses when they were first put in place and then several photos document the memorial items as they were left at each cross. Mike gave credit to Emily Arnold for all the photos in his presentation but from the audience, she had to let him know that all the photos were by a photographer named Phelan Ebenhack.

All the candles couldn’t be collected. Only particularly beautifully decorated candles were collected the rest went into land fill (most have been kept for potential use). American flags that had touched the ground could not be collected. Those couldn’t go into the museum collection. After much of the memorial had been cleared at DPAC, Boy Scouts collected the flags and gave them to the military or fire department to be properly disposed of. There were huge banners that were often covered with other items and flowers. The banners were folded up or rolled up. Flowers could not be collected and they were turned into mulch. Keep in mind it was hot out. The sun and fading of items became a problem.

Candles would get kicked over and drip wax onto other memorial items. Items that were most at risk were collected first. The collecting was only the beginning of the work. Gathering was in some ways the easy part of the process. Once items were safely back in the museum archives, they were cleaned, and processed to be made stable for the collection.

Then of course Pulse became a memorial site and items are still being dropped off precipitously. So obviously a tremendous effort went into this. A tent would be set up and the History Center van would be close by. There were archival boxes, blotter paper, and a press, all to stabilize items so they cold get to the History Center with low humidity and temperature control. The collection now is called the One Orlando Collection and it has over 6100 items. The exhibit that we opened on June 12th was visited by about 700 family members. It was seem by about 2,400 people that week.

A question from the audience: “Were people upset when you took memorial items away?”

Mike: “When we told them what we were doing, generally they thanked us.”

Question: “Did you call the City or did the City call you?”

Mike: “We are a County institution.”

Question: “How did that happen? Did someone say, ‘Hey you need to do this?'”

Mike: “It was an organic thing. If anyone deserves credit, it would be Pam Schwartz.”

Rasha Mubarak discusses her life after Pulse.

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On a sketch excursion to The GLBT Center, I watched Rasha Mubarack, Orlando’s regional coordinator for the Council for American /Islamic Relations, as she was interviewed on camera. The Center was holding an event in which a large group of people gathered to offer love and support for Manchester via a video message.

She explained in an oral history at the Orange County Regional History Center, that she was exposed to injustice as a child. Her uncle was a successful businessman who lived in Isleworth Florida. His home was invaded, probably because he was Islamic. Islamaphobia had become mainstream in America. When exposed to one injustice, you become aware of others. A sheik was at the site where hospitalized names were read from a list. If the name of your loved one wasn’t on the list, then it was a worst case scenario. Parents and loved ones were in despair. Some were banging their heads on the walls. This was a hard scene to re-live.

At the Dr. Phillips Center for the Performing Arts vigil, Rasha was one of the people on hand to read the names of the 49 victims of the Pulse Nightclub massacre. Back stage, she was nervous about the idea of being a Muslim reading the names. Backstage, there was pain and comfort. Reading the names was shattering. Each name had the age next to it. Each of these people have stories. The Methodist Church across the street rang the bell for every name on the list. That moment seemed to last an eternity. Everyone assembled comforted each other. There is mercy in adversity. We are all in this together.

Right after the Pulse Nightclub massacre, Rasha felt personally affected. She went to her mosque as usual and realized that no one else knew what was going on. When she got home, she was hyperventilating and felt the full weight of the tragedy. She was soon called upon to do an interview outside Pulse. It all seemed unreal. How could someone really kill 49 people? This was clearly not a person of god, any god. That first week after Pulse, she was asked many times, “How are you?” Her stock response was, “I’m OK.” One man told her something that stuck with her, “God puts you where he wants you.” When he told her that, everything else seemed OK. She just needed to do the right thing, be on the right side, and keep going.

There was a backlash after Pulse, but it could have been a lot worse. Islamaphobia has increased 500% in Central Florida in the past year. What side of history do you want to be on? The Council for American /Islamic Relations is fighting for civil liberties for all Americans. At a Democratic partisan event, Rasha was pulled aside for appearing “suspicious.” She fights for marginalized people and found herself marginalized.

Orlando is a place where people come to get away. On June 12, a criminal tried to dismantle that. He forever changed the lives of 49 families. How do we react when our world is disturbed? Our hearts fall in and out of love with everything. Out hearts have memory. We need to remember the beauty that came out of it all. We need to understand the diversity and stand for civil liberties for everyone.

Beautiful Together, An artistic journey toward hope at the Dr. Phillips Center for the Performing Arts.

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Through a variety of art forms, over 50 local Orlando arts groups joined together to honor the lives and sacrifices of those involved in the tragic events in Orlando. Proceeds go to OneOrlando Fund. I stopped in early to sketch the rehearsal. Getting so many acts onto the stage in such a short amount of time must have been a monumental undertaking.  Cole Nesmith helped bring together all the arts groups at the Dr. Phillips Center for the Performing Arts. of course it takes a small army to pull together so much talent in one place. 

The most emotionally wrenching moment of the rehearsal came as the orchestra played a mournful symphonic piece I have heard before, but as not name. As the soothing notes fill the large empty theater, someone began to read all the names of the victims of the Pulse terrorist attack tragedy. White flower pedals fell from the rafters into a cool pool of a spotlight. One pedal fell for every name. It was impossible not to become emotionally overwhelmed. Afterwards, a beautiful ballet dancer performed in the pool of light. Her thin form stretched and reached yearningly for answers.

The gay chorus performed an inspired rendition of “True colors”. The attention to detail was in itself amazing. A huge chorus was high above the stage on rafters. Every chorus member wore a bold shirt that was one color of the rainbow. Two chorus members in red shirts were asked to separate to create uniformity. It became clear that I was witnessing a historic collaboration that might help bring hope and healing to a grieving community. I had hoped to write up an artist by midnight and post it the next day, but all me nerve endings are fried. I collapsed as soon as I got back home.

All of the flowers and candles from Lake Eola were moved to the memorial outside the Dr. Phillips Center for the Performing Arts. The History Center is collecting items from the memorial to preserve the history. I was told that all dead flowers would be returned to Lake Eola as compost, but I’m not so sure that is true now. The memorials were removed from Lake Eola to make way for the July 4th fireworks.