Fiddler on the Phone

For two weeks this past spring, D.C.-based performance artist Brian Feldman was back in Orlando to celebrate 15 years of his performance based art with a series of new and returning projects. Brian did a series of performances while he was in Orlando. Brian did a series of performances while he was in Orlando. At one of the performances called Knives Out, Brian asked me if I knew of any pay phones in Central Florida where he could stage his new pay phone musical. Sounds crazy right? Pay phones are a dying breed in this digital world, but after searching for days, Brian did find one, only a few block from where he used to live in Orlando outside of the Sunco Gas station at the corner of Edgewater and Fairbanks.

Brain explained that, in the spirit of Fiddler on the Roof,  he would begin his performance right at sunset.  I was working on the Ivanhoe Brewery mural at the time. Pam Schwartz and I ordered some food from a food truck and it slowly became clear that the people inside were new to the job. My dish came out but Pam’s was held up and people who had ordered before us were still waiting. She told me to drive up to the pay phone booth since the sun was quickly setting. Luckily Brain was a few minutes late as well which is actually rather a tradition when it comes to his perfomances.

The pay phone was at a 7-11 convenience store. Brian set up a music stand and several LED light strips inside the phone booth so he could see the script from Fiddler. His idea was to sing the entire show over the pay phone to people who had signed up in advance for a call. Pam had signed up for a call, but joined me as I went to the pay phone to sketch. This  is where the real theatrical magic happened, as noisy trucks and motorcycles buzzed by on the crowded roadway. This was the third time I sketched Brian at a gas station, and knowing him, I’m sure it will not be the last. Brian is infamously known for not having a car.

Several people didn’t pick up their phones, perhaps forgetting they had signed up and thinking the call might be a telemarketer. Brian then called Pam, even though she was 10 feet away. We both could hear the performance live and she heard it from her cell phone, perhaps creating a unique stereo effect. Brian’s performance was lighthearted and fun. He would read the parts for every character leading up to each musical number.

At the same time, the Broadway tour of Fiddler on the Roof was playing five miles away at the Dr. Phillips Center for the Performing Arts.

Weekend Top 6 Picks for March 2 and 3, 2019

Saturday March 2, 2019

8pm to 11pm Free. The Tremolords + The Wildtones. The Veranda Live 707 E. Washington St., Orlando, Florida 32801. Real. Raw. Rock and Roll.

Doors 7pm … Bands play 8-11pm

8pm to 10pm Free. Shuffleboard.  Orlando’s Beardall Courts 800 Delaney Ave Orlando FL. Shuffleboard at Orlando’s Beardall Courts at 800 Delaney Ave on the 1st Saturday of each month.

10:3pm to 12:30am Get a drink and or food. Son Flamenco. Ceviche Tapas Orlando, 125 W Church St, Orlando, FL. Hot blooded flamenco dancing to acoustic guitar.

Sunday March 3, 2019

10am to Noon. Free. Enchanted Nature Walkabout. Mead Botanical Garden, 1300 S Denning Dr, Winter Park, FL 32789.  After all the enchanted guides health issues this past year, he plan to conduct his first
official walkabout at Mead Gardens on March 3rd, which
is s Fae Day (03/03).

2pm to 6pm Knives Out.  The Glass Knife, 276 Orlando Ave, Winter Park, FL 32789. Critic read select reviews of past Brian Feldman performances.

10pm to midnight. Free but get a coffee. Comedy Open Mic. Austin’s Coffee, 929 W Fairbanks Ave, Winter Park, FL. Free comedy show! Come out and laugh, or give it a try yourself.

#txtshow returns to Orlando after 10 years.

I began this daily sketch blog back in 2009. It was on March 3rd of 2009 that I posted a sketch of Brian Feldman‘s performance of #txtshow at the Jack Kerouac House. The room was crowded back then and I squeezed into a corner of the room to catch the crowd as they looked at their smart phone screens in the dark room. Back then not many people used Twitter or txt, so they had to be taught how to get started.

#txtshow is one of Brian Feldman’s most famous performances and the longest running independent production in D.C. theater history – returns to the venue it originated, the Kerouac House (1418 Clouser Ave, Orlando, Florida 32804) exactly 10 years to the day.

For this completely interactive performance, all audience members keep their phones “on” – as a mysterious character named txt (pronounced ‘text’) recites anonymous, real-time tweets written by YOU, live and in-person.

Audience members are instructed to bring their smart phones, ideally fully-charged, and actively use them during the show’s 45 minute duration. It is not necessary to have a Twitter account in order to participate, as everyone in attendance is randomly assigned a protected and anonymous account for their use.

Unfortunately for the first  performance in Orlando there wasn’t much of a crowd. Just four of us sat in the seats set up in the Kerouac House living room. It was an absolutely gorgeous day outside, so perhaps most people were out at the beaches or enjoying outdoor activities with their families.

Tisse Malon was there with her sister offering samples of Frutisse – a new, fruit tea infusion beverage made in Orlando with love and without preservatives, high-fructose corn syrup, or coloring. Pam Schwartz had joined me to the show so that meant there were just three people sending txts on their phones since my hands were busy sketching. Even with so few authors, the show as hilarious. A joke about pirates needed to be read twice for the proper delivery. Someone kept sharing animal insights that were also quite humorous. With so few authors, I kind of knew when Pam had written a txt. She was laughing so loud she couldn’t catch her breath and she had to wipe the tears from her eyes. It was a fun afternoon. Brian didn’t hold the even in the evening since the Oscars were going on that night.

There are three more performances of #txtshow remaining.

#txtshow costs  $15 in advance, $20 at the door.

• Monday, February 25 at 7:00 PM

• Tuesday, February 26 at 7:00 PM (10th Anniversary date)

• Wednesday, February 27 at 7:00 PM

• Thursday, February 28 at 7:00 PM

#txtshow is just one of 5 performances in various venues that Brain is bringing back to Orlando to celebrate 15 years of his performance art.

Wawa® Shabbawa will be on Friday, March 1, 2019 at 7:00 PM at:

Wawa Store #5145

11750 University Blvd.

Orlando, FL 32817Cost: Free Admission

All guests must RSVP on OneTable:

https://dinners.onetable.org/events/78972835-ebe8-4027-8baf-c03179dc190e

“Wawa® Shabbawa” – Brian Feldman’s newest hit dinner project – returns to Central Florida, right down the road from the second largest Jewish collegiate population outside of the State of Israel!

Knives Out will be on Sunday, March 3, 2019 at 2:00 PM SHARP at:

The Glass Knife

276 Orlando Ave.

Winter Park, FL 32789

Cost: Free to attend

The public is invited to join Brian and the critics at their table, or at an adjoining patio table, and order anything off the menu of The Glass Knife (food or drink), at their expense.

Knives Out features five current and former critics from Central Florida, each taking a stab at reading 3 reviews they’ve previously written about past Brian Feldman Projects; 15 reviews for the 15th anniversary of Brian Feldman’s performance art career.

Fiddler on the Phone will have 2 performances.

• Wednesday, March 6, 2019 at Sunset (6:28 PM EST)

• Thursday, March 7, 2019 at Sunset (6:29 PM EST)

Depending on your musical number order, Brian Feldman will call you between 6:28 PM – approximately 9:30 PM EST.

The performance will come direct to your Phone (Brian Feldman will call you from a pay phone).

Free (only 16 calls available)

Register for your phone call at brianfeldman.com.

Note: All calls to area codes outside of the U.S. will be made collect.

Taking place entirely over a pay phone, this performance features Brian Feldman singing Jerry Bock, Sheldon Harnick, and Joseph Stein’s classic Tony Award®-winning 1964 musical “Fiddler on the Roof,” a capella, one song at a time, one phone call at a time.

Specific songs from the show may be requested, and will be fulfilled in the order received. Otherwise, all songs will be allocated randomly. Phone calls will range from approximately 1 to 8 minutes.  

The Feldman Dynamic on March 8, 2019 at 7:30 PM at:

Stardust Video & Coffee

1842 E. Winter Park Rd.

Orlando, FL 32803

Cost: $15 advance, $20 at the door

Free if your last name is “Feldman” (at the door, with valid photo ID). Offer not valid if tickets are sold out prior to the performance.

The original Brian Feldman Project returns to Central Florida for the first time in over five years, and to Orlando for the first time in over 10 years.

An unprecedented reality theater event featuring a family – Brian Feldman’s actual family (Mom, Dad, and sister) – having dinner together live on stage. There’s no script, no rehearsal, and every performance is completely different. It’s not improv. It’s the reality show that will never be on TV.

The Feldman Dynamic is Brian Feldman, Edward Alan Feldman, Adrienne McIntosh, and Marilyn Wattman-Feldman.  

Jack Fields Artist Talk

Jack Fields gave an artist talk at The Maitland Art Center, (231 W Packwood Ave, Maitland, FL 32751). I first sketched Jack when he was a puppeteer at a Pinocchio’s Marionette Theater up in the Altamonte mall. A grant from United Arts helped Jack produce a short puppetry film. Performance artist Brian Feldman made a short cameo appearance in that film.

One of Jack’s signature puppets is names Godrick. Godrick is a life sized puppet that jack slips inside. He is bulbous  with black drapery that hides any sign of feet. His large head head isn’t on the shoulders but instead juts out of the characters hips area. A hat sits where his head used to be. His articulated mouth is the one element that animates on the huge puppet. I have sketched Godrick in action at several festivals and the kids love him. There is something about his simple bell shapes form that must appeal top them.

On the table were several glittery heads from the film Happy Memories. I can’t say I understand what the film was about, but it was certainly visually stimulating. My happiest memory was seeing Brain Feldman get zapped by mystical light beams and become a cupcake headed guru.

Weekend Top 6 picks for February 23 and 24, 2019

Saturday February 23, 2019

8am to 1pm Free. Parramore Farmers Market. The east side of the Orlando City Stadium, across from City View. Purchase quality, fresh and healthy food grown in your own
neighborhood by local farmers, including Fleet Farming, Growing Orlando,
and other community growers.

10am to 4pm Free. Sanford Farmers Market. First and Magnolia Sanford Fl. 

7pm to 11pm Free. Ybor City Art Walk. 7th Ave Ybor Tampa, Florida 33605.

Featuring a number of arts organizations and artsy businesses, be sure to R.S.V.P. here to get the official map for the walk!

This event will begin at 7pm and end at 11pm (or maybe there will be an after party!)

Here are the participating locations:

The Bricks of Ybor
Bloodline Tattoo
Ybor Arts Colony
Hot Wax
Wandering Eye Art Gallery
Dysfunctional Grace
Moon Over Havana Arts Gallery
Live Arts Labs

Sunday February 24, 2019

10am to Noon. Free. Heartfulness Relaxation and Meditation Class. University, 5200 Vineland Rd, Orlando, FL 32811. The Method of Heartfulness A simple and practical way to experience the heart’s unlimited resources. 

3pm to 5pm $20 Brian Feldman Performance #txtshow. Kerouac House 1418 Clouser Ave, Orlando, FL 32804.

10pm to Midnight Free but get a coffee. Comedy Open Mic. Austin’s Coffee, 929 W Fairbanks Ave, Winter Park, FL. Free comedy show! Come out & laugh, or give it a try yourself.

Brian Feldman’s William Shakespeare’s Macbeth

It is a tale

Told by an idiot,

full of sound and fury,

Signifying nothing.

I went to sketch a one man performance of Macbeth at the Walt Disney Amphitheatre at Lake Eola Park (99 N Rosalind Ave, Orlando, Florida 32801). Several smart phones were set up on tripods to live stream the performance. The program came complete with a set of ear plugs which was a mystery at first. Brian Feldman took to the band shell stage covered in protective gear, another mystery. He held a script and was about to perform the play solo acting out every part. Brian made his acting debut in 1991 in Macbeth on the Lake Eola stage as a child actor.

Actors consider it bad luck to say Macbeth in a theater. Neil Barnes from Essex explained it this way, “Theatrical folklore has it
that, as revenge for Shakespeare’s inclusion of a number of accurate
spells within the play, a coven of witches cursed it for all eternity.
Whether or not you believe this rationale is irrelevant, though, because
the ill-fortune associated with the play is backed up by numerous
examples over its four hundred year history
Initially, King James banned the play for five years because he had such
a dislike for it, but there are also more bloody examples: there was an
unpleasant and lethal riot after one showing in nineteenth century New
York and one Lady Macbeth fell off the front of the stage while
sleepwalking, dropping nearly twenty feet. Even Olivier wasn’t free from
the curse, as one of his performances was enlivened by a falling stage
weight which landed only inches from him mid-performance.
Given the weight of evidence, it’s not surprising that actors are given
to indulge in a little superstition.” Others explained that if tickets for a particular play were not selling well, the theater owners would end the run and replace it with the ever popular Macbeth. Either way, you will never hear an actor utter “Macbeth” inside a theater.

Granted the Lake Eola Band Shell is outside, but years ago this is where Shakespeare plays were performed before the Shakes moved into the theater in Lock Haven Park. I saw a production here when I first moved to Orlando back in 1994.

Brian began his performance. The first word he uttered was, “Macbeth” followed by “Macbeth” and then “Macbeth”. He held the full script in his hands and read the entire play replacing each word with “Macbeth” and trying to maintain the emotion and relevance of each line. He was tempting fate with each word he uttered. At times Macbeths got tangled together as he trued to say them in quick succession. Now the ear plugs made sense. Hearing this endless litany of Macbeths could drive a person mad. I might have missed a few of the plot twists as I focused on my sketch.

The play in all runs about 69 minutes and I was chucking to myself the entire time despite the tragedy being acted out on stage. Irene Pynn produced and directed the production. As she said in the program, “The process was more conceptual than straightforward. Less ‘Give me a stronger emphasis on the third line’ and more, ‘How many people will curse us for doing this?'”

Wawa® Shabbawa

Performance Artist Brian Feldman returned to Orlando for a friend’s wedding and, while back in town, he decided to host the Orlando premiere of Wawa® Shabbawa at Store #5153 on Colonial Drive near the Executive airport.  As the event description read, “Many people consider Wawa® a sacred institution, and Jews worldwide certainly consider Shabbat to be one as well.” OneTable helped host this unique Shabbat dinner. Shabbat is a Jewish dinner tradition held every Friday evening after sunset usually with wine and challah. These traditional dishes were replaced with carbonated Grape Juice, and Soft Pretzels. Brian, standing behind LED candles, held up a large soda and recited the Shabbat blessings. I have been to enough Shabbat dinners to recognize the first few words, “Barukh atah Adonai…” After that I get lost. There is something very American and daring about breaking bread together at a chain gas station eatery. 

The event was sold out and I contacted Brian letting him know I had my own chair. He let me know that the seat left open for Elijah was available. People gathered on the edge of the seating area near the cement planters and parking pylons. Perhaps they were nervous that there was assigned seating. A man hung on the periphery wondering what was happening. He asked a guest a question and I heard the response which was to talk to the the guy in black. Brian was wearing a black suit, but I was also wearing a black shirt. The man approached me and asked me a question I couldn’t quite hear. When sketching I get lost in my zone. He asked if this was a food sharing, which I suppose it was. Brian let everyone know that they could order food inside and he would cover the bill thanks to OneTable.

Pam Schwartz was with me and I believe this was her first Shabbat. We had just had dinner at a Pho Restaurant. She went inside and got me a bright pink Banana and Strawberry smoothie. I sipped as I sketched. At the tables, people sipped the thimble sized red plastic cups of grape juice. One member of the Wawa staff had come into work specifically for this Shabbat. Another member of the Wawa staff came out with a swag bag full of Wawa t-shirts stuffed animals and a Wawa history books. Brian gave me a T-shirt and book saying it would help with the write up.

A guy in a bright yellow shirt watched the evening unfold. He had no idea what Shabbat was. He was curious and I suspect, suspicious. Part of me felt a tinge of nervousness to be documenting this open display of religious celebration and tradition. The previous week I had seen a video of two Floridians ruthlessly punching and dragging a small girl by the hair as she waited for her family to come back from inside a similar roadside gas station. The attack was mindless and unprovoked, being caught entirely on the security cams. That seems to be the state of the country today, but this breaking of bread stood in stark contrast. There was laughter and a feeling of shared community.

The next morning, there was a mass shooting at a Pittsburgh synagogue which took 11 lives and injured six others. The gunman, armed with a semiautomatic rifle and three Glock .357 handguns, burst into the Tree
of Life Congregation Synagogue
 on Saturday, shouting anti-Semitic
epithets and opening fire on the congregants who were gathered for a baby naming ceremony. The Anti-Defamation League called Saturday’s attack the deadliest against the Jewish community in U.S. history. Are we a county where people can no longer worship freely and live safely? Today I votes early. It seems this is the only thing I can do in the face of today’s madness.

Joyce Fienberg, 75

Richard Gottfried,65

Rose Malinger, 97

Jerry Rabinowitz, 66

Cecil Rosenthal, 59

David Rosenthal, 54

Bernice Simon, 84

Sylvan Simon, 86

Daniel Stein, 71

Melvin Waxn, 88

Irving Younger, 69

The Dishwasher.

Brian Feldman’s first-ever job was as an actor with Orlando
Shakespeare Theater
. His second was as a dishwasher at a fast-food restaurant
chain in Winter Springs.

Award-winning performance artist Brian Feldman brought his
one-of-a-kind “Dishwasher” performance back to Orange County.

This performance, which I sketched, was at Flying Horse Editions (500 W. Livingston Street,

Orlando, FL 32801)

at the downtown UCF Center of Emerging Media building across from the future site of the Creative Village

Brian hand-washed the dirty dishes in the print shop’s sink
using the hottest water he could endure. A friend of Brian stood behind him to keep a close eye on his dish washing techniques. 

Once completed, he was given
a monologue by Sarah Segal which he cold read on the spot for the small audience gathered at the print shop.
Finally, Brian asked a simple question of the audience: “Am I a better actor or
dishwasher?” After receiving the answer, he posted the verdict on social media. His friends were rather harsh on his performance saying be was a better dishwasher, but everyone else in the audience decided he was a better actor. 

Drum Schtick was a 50 hour drumming marathon.

As part of Art in Odd Places, Brian Feldman performed at a drum kit in front of City Hall for 50 hours straight. Of course, part of that performance included eating and sleeping on the drums. I had signed up to volunteer on Saturday at 7 PM so I returned for a second sketch. The idea behind volunteers was that they would be sure the live stream camera was safe and answer any questions from passers by.

Pam Schwartz walked with me to the location along with Sprout, her scraggly-haired pup. Orange Avenue was a buzz as the clubs geared up for the weekend night of debauchery. Sprout was excited to discover all the new smells. I sat much closer to the percussive noise this time around. Brian told me that earlier in the day a huge gust of wind had lifted up the entire tent and dashed it against the flag poles to his left. Jeremy Seghers has a video of the incident. Brian’s camera was covered with a plastic bag to protect it from the rain so it didn’t catch a thing.

A mom and her son stopped to listen. The young boy wanted to perform and Brian let him sit down and start drumming. This Tom Sawyering allowed Brian a chance to get up and stretch his legs. The mom sat with Pam and told her all about each of her pet cats.

Brian now resides in Washington DC. I let him know that I would be sketching in DC the next day. He suggested I see an exhibit of moving light displays called Lumia by Thomas Wilfred (1889–1968). These mesmerizing displays all predate the digital age and are created by translucent objects and refracted light that display ever-changing colored forms against a black background. They resemble Aurora Borealis, but are more complex and ever-changing. One display had just a slight gap in the side which allowed a glimpse of the inner mechanical workings.

Art in Odd Places.

Around 2:30 PM on Friday November 10, 2017 Performance Artist Brian Feldman began playing drums in front of the Orange County City Hall on Orange Avenue in Downtown Orlando. The invite claimed the location to be 300 Lincoln Plaza which is a parking garage and corporate offices. However, Brian was in a much better location across South Street in front of City Call. Drum Schtick was his contribution to Noise: A Visual and Performance Public Art Festival in Downtown Orlando. Brian has never performed on drums in his life, but he will be banging away for 50 hours, the full duration of the Art in Odd Places Festival. Drum Schtick is going to be his longest performance piece to date and he confided to me that it will be his hardest.

When I arrived Brian and his dad Edward were rolling up the side panels to the tent which were billowing like sails. The fellow Brian rented the drum set from was there to offer a few tips until Brian got started and then he wandered off. Online Brian set up a volunteer sign up sheet so people could be at the location with him so he would remain safe, Over the course of the 50 hours he will have to sleep on the drum set in the evening. His dad set up an iPhone which was live streaming the performance. I signed up for a two hour window to sketch but Brian suggested I sketch the very beginning since he might get shut down by police. As of this writing, he is still at it.

During the initial hours, three dancers began to perform inspirational dance to Brian’s beats. Rebekah Lane wore a walkie talkie on her lapel Emma Cotter a choreographer from Brooklyn NY was on the sidelines offering arrive on what dance movements they should perform next. I was impressed they did n amazing job performing with Brian’s first beats. I have to wonder if Brian will become a virtuoso in 50 hours or will he degrade into loosing all sense of rhythm.

Brian should be finishing his performance around 4:30 PM on Sunday November 12, 2017. Be sure to catch his performance before that time.