Macbeth – Analog Artist Digital World

It is a tale

Told by an idiot,

full of sound and fury,

Signifying nothing.

I went to sketch a one man performance of Macbeth at the Walt Disney Amphitheatre at Lake Eola Park (99 N Rosalind Ave, Orlando, Florida 32801). Several smart phones were set up on tripods to live stream the performance. The program came complete with a set of ear plugs which was a mystery at first. Brian Feldman took to the band shell stage covered in protective gear, another mystery. He held a script and was about to perform the play solo acting out every part. Brian made his acting debut in 1991 in Macbeth on the Lake Eola stage as a child actor.

Actors consider it bad luck to say Macbeth in a theater. Neil Barnes from Essex explained it this way, “Theatrical folklore has it
that, as revenge for Shakespeare’s inclusion of a number of accurate
spells within the play, a coven of witches cursed it for all eternity.
Whether or not you believe this rationale is irrelevant, though, because
the ill-fortune associated with the play is backed up by numerous
examples over its four hundred year history
Initially, King James banned the play for five years because he had such
a dislike for it, but there are also more bloody examples: there was an
unpleasant and lethal riot after one showing in nineteenth century New
York and one Lady Macbeth fell off the front of the stage while
sleepwalking, dropping nearly twenty feet. Even Olivier wasn’t free from
the curse, as one of his performances was enlivened by a falling stage
weight which landed only inches from him mid-performance.
Given the weight of evidence, it’s not surprising that actors are given
to indulge in a little superstition.” Others explained that if tickets for a particular play were not selling well, the theater owners would end the run and replace it with the ever popular Macbeth. Either way, you will never hear an actor utter “Macbeth” inside a theater.

Granted the Lake Eola Band Shell is outside, but years ago this is where Shakespeare plays were performed before the Shakes moved into the theater in Lock Haven Park. I saw a production here when I first moved to Orlando back in 1994.

Brian began his performance. The first word he uttered was, “Macbeth” followed by “Macbeth” and then “Macbeth”. He held the full script in his hands and read the entire play replacing each word with “Macbeth” and trying to maintain the emotion and relevance of each line. He was tempting fate with each word he uttered. At times Macbeths got tangled together as he trued to say them in quick succession. Now the ear plugs made sense. Hearing this endless litany of Macbeths could drive a person mad. I might have missed a few of the plot twists as I focused on my sketch.

The play in all runs about 69 minutes and I was chucking to myself the entire time despite the tragedy being acted out on stage. Irene Pynn produced and directed the production. As she said in the program, “The process was more conceptual than straightforward. Less ‘Give me a stronger emphasis on the third line’ and more, ‘How many people will curse us for doing this?'”

Sisyphus Productions presents Macbeth at this years Fringe Festival. This stripped version of Shakespeare’s classic play of corrupting
ambition and madness remains faithful to the text while incorporating
grotesquely seductive movement and macabre visuals. The show explores the
role of fate as Macbeth and Lady Macbeth yield to the seductive
prophecies of the trio of witches and embark down a long road on which
“blood will have blood.”

I went to a final dress rehearsal at Edgewater High School just a few days before the play hits the stage in the Shakespeare Theater. I bumped into actress Sarah Lockard in the Shakes and mentioned that I would be sketching Mac… She stopped me and said I couldn’t utter the title in the theater. You see, the play is cursed and uttering its name will bring down the fortunes of any theater company. Paul Horgan explained at the Fringe Pub Crawl that theater companies that were struggling would stage Macbeth and then falter. It was a self fulfilling prophesy.

Michelle Kraus does an astonishing job as Macbeth’s wife. She seduces Macbeth, played by Jason Skinner, into committing murder to make his way to the thrown. He is filled with self doubt and loathing but her pure unfaltering lustful ambition sways him to the deed. As he laments the bloody dagger, she takes charge snatching the dagger from him and washes it clean. The simple set of pillars and blocks gradually tumbles into ruins as the play progresses. Later Lady Macbeth is plunged into darkness and insanity trying to rub the invisible blood from her hands. Michelle looked off stage in my direction. Her eyes blazed with horror. Although the room was bathed in florescent light, her intensity was frightening.

Holly Harris had three actors cloaked in a stretchy material and their graceful gestures became strange featureless abstractions. Their writhing fluid movements were creepy and effective. Jimmy Moore who directed the play along with Michelle confided that the Fringe play he worked on last year wasn’t very good. However he has every reason to be proud of this ambitious production. This huge cast of at least 15 actors gives the play a dark and epic feel. Although the blood red walls of the auditorium seemed appropriate for the production, I need to see the show again on the dark moody Fringe stage complete with lighting effects. I have no doubt this production will shine bright. You should see this hour and a half production, just don’t utter the title in any theaters halls. If you order tickets inside the theater, refer to it as “The Scottish Play“. “What’s done can not be undone.”

What: Macbeth

When:

Saturday May 18th at 9:00PM

Tuesday May 21st at 10:00PM

Saturday May 25th at 7:00PM

Sunday May 26th at 1:45PM

Where: Gold Venue in Theater Downtown, 2113 N Orange Avenue, Orlando, FL

Tickets: $10 plus a Fringe Button