Men on Boats

Men on Boats written by Jaclyn Backhaus and directed by Rebekah Lane runs at the Mad Cow Theater through February 9, 2020. The show outlines the story of an 1869 expedition,
where a one-armed captain named
John Wesley Powell (Cynthia Beckert), and a crew of insane, yet loyal volunteers, set
out to chart the course of the Colorado River. Powell was a
Civil War Veteran and personal friend of President
Grant. Though he himself could not hold a paddle, he lead the  government sanctioned journey down the wild rapids leading through Colorado, Utah,
and New Mexico, and through the most dangerous waterway of all, in the
Grand Canyon. 

The ten explorers were divided among three boats.  Though historically all men, the cast was all woman, which added to the bravado as they overcame each obstetrical on this harrowing journey. As an artist I found the pace of the show dauntingly fast and furious. To simulate the ride down river the cast would crouch behind one another facing the audience and move as a unit to the rivers every ebb, flow and swell. In slow motion one of the crew might loose balance as if a ballerina and be caught by another crew member.


The canyon walls of the set had crystalline cubes set into it that seemed to have lines of text on them. I didn’t know what to make of them. The painted river on stage would be ignored when the crew were out of the boats and at camp. This involved some suspension of disbelief when crew were sitting lying or standing in the water. In general the stage was a tight fit for the full cast of 10.


On the expedition the crew grew tighter together like a band of brothers as the odds mounted. They also began to doubt one another and grow on each other’s nerves. When they suffered the loss of a boat and supplies, at Disaster Falls, they argued, postured and pretended, and to relieve   pressure they would name
mountains after themselves. When it looked like supplies would not last, three of the crew decide to split off, hoping to find a Mormon settlement rather than ride the insane rapids. The remaining seven
decided to brave the dangerous rapids to reach the
other side.


At one point the entire cast stood in awe of the majestic Grand Canyon that stood as their adversary to survival. I imagined the canyon walls illuminated by the golden glow of the a setting sun. For me the comedic highlight was a rattle snake that made its way into camp. All the bravado was suddenly replaced by shrieks of terror. Considering the dire circumstances of the expedition, that snake seemed a minor thing to fear.

Forsythe Method

Rebekah Lane hosted a three hour workshop on the Forsythe Method of movement for actors at the Valencia East Campus. In this three hour workshop, the movement improvisation tools developed by choreographer William Forsythe were explored.

Forsythe danced with the Joffrey Ballet and then with the Stuttgart
Ballet
in Germany, where he was eventually appointed resident
choreographer. In 1984, he became director of Ballet Frankfurt. During
the next 20 years he created what would become his signature ballets: Artifact (his first full-length while at Ballet Frankfurt), In the Middle, Somewhat Elevated (made for the Paris Opéra Ballet) and The Vertiginous Thrill of Exactitude.

Movements were created by drawing imaginary shapes in the air,
and then the dancer or actor would run their limbs through this complicated and invisible three dimensional geometry. As a visual artist I was fascinated by this visual use of space. In my sketch, students snap their fingers at the corners of three dimensional box shapes floating in the space in front of them. Or, hold the form with their open palms.

Though only the dancer might see the shape they were creating, they moved around and through the shape as if it existed. What it boils down to in performance, is the dancer illustrating the presence of these imagined relationships by moving, and in the process discovering new ways of moving.

Movement and character impulses were taken from images and
expanded into phrases and full movement scenes. This workshop was
appropriate for all movers, dancers and actors included.

Illustrations were used to inspire students in the second half of the class.  They created movements that told the story that the images inspired. Students worked as teams and then individually to tell these stories in movement.

It was amazing to watch these performers expand their idea of how to use their bodies and movements to explore space. It is amazing how the language of creation is so similar across art disciplines. Lines are the basic building blocks of any sketch, and it turns out they are critical in analyzing movement. The workshop was sponsored by Valencia College Theater and Valencia College Student Development.

Weekend Top 6 Picks for June 9th and 10th

Saturday June 9, 2018

8 a.m. to 1 p.m. Free. Parramore Farmers Market. On the east side of the Orlando City Stadium, across from City View. Purchase quality, fresh and healthy food grown in your own
neighborhood by local farmers, including Fleet Farming, Growing Orlando,
and other community growers.

1 p.m. too 4 p.m. Free. CLOWN NOSE WORKSHOP with Cheryl Ann Sanders. Valencia East Campus Building 3 Main Atrium/Lobby. To clown… or not to clown… that is the question. Clown nose can be a
great tool for any actor who is processing a scene, character, or any
physical choices. Comedy is one of the hardest crafts to master. Why?
Because we try too hard! What is funny? There are moments that make us
laugh every day, and they usually stem from the most ordinary and
simplistic acts. Learn how the clown nose can help you identify the most
honest moments, connect directly with your audience, obtain a greater
sense of timing, and gift you with a sense of safety as you embrace the
absurdity and vulnerability of life. Details and Requirements: •
participants should arrive early and be physically warm to start class
on time • long hair should be pulled back and secured away from the face
• clothing should be void of any logos or lettering, preferably solid
black, well fitting but unrestrictive, and depending on the classroom •
pictures, video, and note taking is both allowed and encouraged, but
please silence phones • participants will be led through a series of
exercises both individually and as small groups • participants will be
asked to go beyond their comfort zones • there is no right and wrong •
all supplies and props will be provided but must be returned.

5 p.m. to 7 p.m. $10 Saturday Open Studio. Orlando Artists League – Gallery/Studio 2636 W State Rd. 434, Longwood, Florida 32779. Join us for another open studio with
our model, Megan Crawford. Also, feel free to check out the artwork on display from our resident
artists!

Sunday June 10, 2018

10 a.m. to noon. Free. Heartfulness Relaxation and Meditation Class. University, 5200 Vineland Rd, Orlando, FL 32811. The Method of Heartfulness A simple and practical way to experience the heart’s unlimited resources.

1 p.m. to 4 p.m. Free. MOVEMENT TECHNIQUES – Forsythe with Rebekah Lane. Valencia East Campus Building 3 Room 113. In this three hour workshop we will explore the movement improvisation
tools developed by choreographer William Forsythe. We will take movement
and character impulses from images and expand those choices into
phrases and full movement scenes. This workshop is appropriate for all
movers – dancers and actors included.

Sponsored by Valencia College Theater and Valencia College Student Development.

6 p.m. to 8 p.m. $24.67 General Admission tickets $58.40 VIP seating in the first 3 rows, O-Town Produced and directed by David Lee.

A shorter version of O-TOWN: Voices from Orlando was Created for The 2017 Orlando International Fringe Festival and the Full Length World Premiere was Presented last June to benefit the #onepulsefoundation

This year, the event features Updated Material and Some Very Special Guests…

O-TOWN: Voices from Orlando is
a play comprised of stories, interviews and speeches from Orlando and
across the Globe collected during the weeks and months following the
Pulse Nightclub attack in Orlando.

O-TOWN was created and
directed by David Lee and features Local Orlando Theatre Artists: Peg
O’Keef, Alexander Mrazek, Mike Carr, Julie Carr, Matt Rush, Daniel
Cooksley, Sarah E Mathews, David S Monge, Fabiola Rivera, Janine Klein,
Jason Blackwater, Gabriella Juliet, Clark Levi and Jenn Gannon. I am excited to see Michael Marinachio play the part of Thor in the show.

This
year, the event will also feature: Barbara Poma (Pulse Nightclub Owner)
Neema Bahrami (Pulse Survivor) and The Orlando Gay Chorus.

Art in Odd Places.

Around 2:30 PM on Friday November 10, 2017 Performance Artist Brian Feldman began playing drums in front of the Orange County City Hall on Orange Avenue in Downtown Orlando. The invite claimed the location to be 300 Lincoln Plaza which is a parking garage and corporate offices. However, Brian was in a much better location across South Street in front of City Call. Drum Schtick was his contribution to Noise: A Visual and Performance Public Art Festival in Downtown Orlando. Brian has never performed on drums in his life, but he will be banging away for 50 hours, the full duration of the Art in Odd Places Festival. Drum Schtick is going to be his longest performance piece to date and he confided to me that it will be his hardest.

When I arrived Brian and his dad Edward were rolling up the side panels to the tent which were billowing like sails. The fellow Brian rented the drum set from was there to offer a few tips until Brian got started and then he wandered off. Online Brian set up a volunteer sign up sheet so people could be at the location with him so he would remain safe, Over the course of the 50 hours he will have to sleep on the drum set in the evening. His dad set up an iPhone which was live streaming the performance. I signed up for a two hour window to sketch but Brian suggested I sketch the very beginning since he might get shut down by police. As of this writing, he is still at it.

During the initial hours, three dancers began to perform inspirational dance to Brian’s beats. Rebekah Lane wore a walkie talkie on her lapel Emma Cotter a choreographer from Brooklyn NY was on the sidelines offering arrive on what dance movements they should perform next. I was impressed they did n amazing job performing with Brian’s first beats. I have to wonder if Brian will become a virtuoso in 50 hours or will he degrade into loosing all sense of rhythm.

Brian should be finishing his performance around 4:30 PM on Sunday November 12, 2017. Be sure to catch his performance before that time.

The Receptionist will Have It’s Central Florida Premiere at the Shakes This Weekend

DiDonna Productions/ The Empty Spaces Theatre Co(llaboration) presents the Central Florida premier of
The Receptionist
by Adam Bock directed by Kevin G. Becker. The show is a dark office comedy that raises questions about narcissism, willful ignorance, and blindly following the rules.

I arrived at a rehearsal a bit early. The Mandell Theater was empty but there were a few props left over from a magic show on stage. Since Empty Spaces, was presenting the show, I started by sketching the empty stage. As the sketch progressed, I wondered if I was in the wrong place.  Finally Kevin and Becky arrived. Office props were moved on stage. The office table was missing a leg and Kevin used carpenter’s glue to get it back in place. Comically it popped off as actors rehearsed their lines. Tissues were needed for one scene but for the rehearsal, toilet paper had to be substituted. Flowers were needed to liven up the office and magician’s tissue flowers had to stand in for the night.

Alea Figueroa and Rebekah Lane began going over a confrontational scene together. Martin Dart (Josh Geohagen), a charming rep from the Central Office had just left. Lorraine (Alea) ran in looking to see where he went. Beverly (Rebekah) shouted out, “He’s married!” “Well, he’s not happily married.” Lorraine replied. This sent Beverly off on a rant about how important trust and loyalty are. She was so worked up that you knew this came from personal experience. Beverly mentioned a friend who had started dating a man she met online. She off highhandedly mentioned that he was married, like it was no big deal, just another part of the equation. It was however a mistake, getting off on the wrong foot. Lorraine retreated to the office chairs and Beverly followed, relentless. “I was just flirting.” Lorraine replied her hands twitching nervously. Her eyes welled up. Then all the theater lights blacked out unexpectedly. “I’m lonely and I miss Glen.” she said in the darkness. It was a powerful heart felt performance heightened by the lights blacking out as part of tech. I had to wipe my eyes when the lights came back up.

Beverly is the receptionist and she is the life blood in a busy office. Her gossip with a friend on the phone is sporadically interrupted as she forwards calls to colleagues. She deals with Lorraine’s romantic troubles dating a narcissist by suggesting she read a book called, “Help, I’m Dating a Narcissist”. Beverly is good natured and believes the best in everyone around her. Exactly what business is handled in the office is slowly reveled. The boss, Mr. Raymond (Kevin Sigman) discusses a mysterious interaction with a client whom he believed might have been telling the truth. It seems office personnel get information and confessions by any means possible.

The appearance of Martin Dart from the Central Office upsets the office daily routine. Lorraine flirts with him playfully but when they get close, he grabs her hands in a vice like grip. She backs away in fear. It wasn’t until later, that I realized that her flirting might have been an attempt to find out why he was there. The Receptionist raises disquieting, provocative
questions about the consequences of complicity with evil. On the drive back home, I kept thinking about the show. The dark under currents are subtle and linger, raising many questions.


This show will be
presented as an immersive social theatrical experience taking the
audience through an interactive pre-show at the Shakes bar, discussing the process behind
performing and producing the show then moving into the theater to
watch The Receptionist followed by a lively Question and Answer back at the bar about the hidden meanings
and emotions that the show creates. Trust me you will have questions and you will love meeting the cast. This is a national trend where live theater is breaking away from the mold of being like a movie that you see and then immediately leave. By interacting with the cast , you get to experience the informal inspiring atmosphere that I love every time I sketch a rehearsal. It is great to meet the actors when they are playful, relaxed and can share their love of theater one on one.

Mark Your Calendar! 
The Receptionist by Adam Bock

TWO SHOWS ONLY
Fri July 18th – Sat July 19th @ 8pm
WHERE:
Mandell Theater
The John and Rita Lowndes Shakespeare Center
Located in Loch Haven Park across from the Museum of Art
Parking available in Loch Haven lots, or in Science Center Parking Garage off of Princeton (Next to Mennello Museum of Art)
TICKETS:
$20.00 general / $15.00 student and senior available by reservation
Will call/cash at door
(Group rates available for groups of 10 or more)
For reservations please call 407.328.9005 – will call cash only at door