Ben Johansen: The Ribbon Maker

This post is about the shooting that took place at the Pulse
Nightclub on June 12, 2016. It contains difficult content, so please do
not read on if you feel you may be effected. 

This article and sketch have been posted with the express written
permission of the interviewee. Analog Artist Digital World takes the
privacy and wishes of individuals very seriously.
 

Ben Johansen moved to Orlando in 2006. He was 34 years old. The city has grown a lot since then. There was a shop in town called Century Costumes. Ben had lost his long time job in an insurance company and he was a regular customer at Century. The business was up for sale. Ben got a call asking if her would buy the business. If he didn’t buy it, then the shop would close down completely. He talked it over with his husband Tim Vargas and they ended up buying it. Embelish FX has been open for 5 years now and it has been steadily growing. Ben loves the place. No day is ever the same.

He and Tim went to Pulse on many occasions for events and fundraisers. They were very involved with Pulse since Tim was the president of the board of directors. Ben has known Barbara Poma the owner of Pulse for years. The day before the shooting he was at a Make Up Show at the Convention Center. Life was good.

Tim doesn’t sleep very well. He is always awake at 4AM. On the early morning of June 12, 2016 Tim had turned on the TV in the living room. He went into the bedroom and turned it on there as well. He shook Ben and said, “You’ve got to get up.” Ben isn’t a morning person, he was very groggy getting up, the dog licked his face. Tim was very animated, he said, “Open your eyes and look at the TV.” All that was visible was the red glow from the TV, and the breaking news banner at the bottom of the screen. In his fog, Ben asked “What is going on?” Tim responded, “There has been a really bad shooting.” He started to cry. Ben got up and asked “What happened?” “There was a shooting at Pulse, there are many dead.” Tim said. Thoughts flew to friends. Tim urged Ben, “Take a quick shower we have to get to The Center.”

Tim drove. On the way to the Center it was still dark. Ben looked at his Facebook feed as he sat in the passenger seat. He was trying to figure out what happened. He couldn’t read the small screen through his tears. At the Center they met Terry DeCarlo who was the executive director at the time. People came with crates and crates of water and food. Volunteers kept showing up. The Center became the drop off point. They sent water to Camping World Stadium and the long lines at blood banks so that people didn’t dehydrate. That was the one thing about that week, it was so hot, like being on the surface of the sun. There was nothing anyone could do about it, but just keep on going. That week was a blur.

Ben explained, “The first day, I was lost. I didn’t know what to do, but I needed to do something.” He called his dad who was a police officer who loves everybody but doesn’t like to show it. Ben called just to say he was alive, that he hadn’t been in the club. That call is where the idea of the black swatch came from. As a child he remembered seeing his dad with a black swatch across his badge any time an officer passed. Ben called it the respect bar.

He found himself at Michael’s craft store to clear his head and wandered towards in the ribbon section where thee were rolls of rainbow ribbon. He brought a rainbow ribbon roll, a black ribbon roll and a box of pins. He had about enough supplies for  30 ribbons. At the Center he set himself up a small station to work with a laptop computer so he could keep watching the news. There were so many people, and he just didn’t want to get in the way. He started making ribbons. He pricked his fingers so many times that they were bleeding, but he didn’t care. He would give one to each volunteer pinning it over their heart and giving them a hug. As people dropped things off at the Center they noticed the ribbons and started asking for them. Ben had a small stash. When friends came to visit and hug him he would give them one.

He realized he was going to run out so he headed back to Michael’s. They only had two more rolls of rainbow ribbon left, so he had to put out an APB on social media. “Please bring rainbow ribbon.” People showed up with bags and bags of rainbow ribbon rolls, black ribbon and pins. Volunteers kept offering to help but Ben wanted to do it alone, he needed to do something. It helped alleviate the sense of loss and uselessness. But so many people wanted ribbons that eventually he needed to let people help. Now everyone helps. They started with one ribbon and the other day they hit the 700,000 mark. Rainbow ribbons are bought in 100 yard rolls. That is how he can keep track of how many are made. Soon Ben hopes to have met the 1 million ribbon mark.

A friend helped Ben set up a website where ribbon orders could be placed. Orders started coming from all over the world. Ben had put $7000 of his own money into ribbon supplies. The supplies and postage were wiping him out. A Go Fund Me Page was started which raised about $15,000 which helped with supplies. Orders range from 1 ribbon to 8,000. Every order was fulfilled. Celebrities like Miley Cyrus, George Takai, Alan Cumming, and Hillary Clinton have worn the ribbons. He would still love to get one to Michelle Obama someday.

The rainbow ribbons have become a symbol around the world for love
and hope. This small gesture wasn’t intended to get so big but Ben is
glad it did. Every ribbon is a conversation starter. If he is wearing
one and is outside Florida someone will ask, “What is that for?” He
tells them the story and gives them a ribbon. He has a rainbow ribbon
tattooed on his arm. He can always see it and it brings life back into
focus.

Ben knew 12 people who died at Pulse that night. You never expect this to happen in your own back yard. It was a wake up call to Orlando. At the big candlelight vigil at Lake Eola there were 50,000 people. Ben remembers where he was that night, how he held the candle and cried uncontrollably. At the one year remembrance he stood in the exact same spot with close friends and managed to smile.  Peg O’Keef was reading a monologue from O-Town: Voices from Orlando on the Disney Amphitheater stage and she mentioned the ribbon maker in the monologue. At that moment a rainbow appeared above Lake Eola. It was a moment of reflection and hope. Perhaps we are going to be OK.

Weekend Top 6 Picks for June 9th and 10th

Saturday June 9, 2018

8 a.m. to 1 p.m. Free. Parramore Farmers Market. On the east side of the Orlando City Stadium, across from City View. Purchase quality, fresh and healthy food grown in your own
neighborhood by local farmers, including Fleet Farming, Growing Orlando,
and other community growers.

1 p.m. too 4 p.m. Free. CLOWN NOSE WORKSHOP with Cheryl Ann Sanders. Valencia East Campus Building 3 Main Atrium/Lobby. To clown… or not to clown… that is the question. Clown nose can be a
great tool for any actor who is processing a scene, character, or any
physical choices. Comedy is one of the hardest crafts to master. Why?
Because we try too hard! What is funny? There are moments that make us
laugh every day, and they usually stem from the most ordinary and
simplistic acts. Learn how the clown nose can help you identify the most
honest moments, connect directly with your audience, obtain a greater
sense of timing, and gift you with a sense of safety as you embrace the
absurdity and vulnerability of life. Details and Requirements: •
participants should arrive early and be physically warm to start class
on time • long hair should be pulled back and secured away from the face
• clothing should be void of any logos or lettering, preferably solid
black, well fitting but unrestrictive, and depending on the classroom •
pictures, video, and note taking is both allowed and encouraged, but
please silence phones • participants will be led through a series of
exercises both individually and as small groups • participants will be
asked to go beyond their comfort zones • there is no right and wrong •
all supplies and props will be provided but must be returned.

5 p.m. to 7 p.m. $10 Saturday Open Studio. Orlando Artists League – Gallery/Studio 2636 W State Rd. 434, Longwood, Florida 32779. Join us for another open studio with
our model, Megan Crawford. Also, feel free to check out the artwork on display from our resident
artists!

Sunday June 10, 2018

10 a.m. to noon. Free. Heartfulness Relaxation and Meditation Class. University, 5200 Vineland Rd, Orlando, FL 32811. The Method of Heartfulness A simple and practical way to experience the heart’s unlimited resources.

1 p.m. to 4 p.m. Free. MOVEMENT TECHNIQUES – Forsythe with Rebekah Lane. Valencia East Campus Building 3 Room 113. In this three hour workshop we will explore the movement improvisation
tools developed by choreographer William Forsythe. We will take movement
and character impulses from images and expand those choices into
phrases and full movement scenes. This workshop is appropriate for all
movers – dancers and actors included.

Sponsored by Valencia College Theater and Valencia College Student Development.

6 p.m. to 8 p.m. $24.67 General Admission tickets $58.40 VIP seating in the first 3 rows, O-Town Produced and directed by David Lee.

A shorter version of O-TOWN: Voices from Orlando was Created for The 2017 Orlando International Fringe Festival and the Full Length World Premiere was Presented last June to benefit the #onepulsefoundation

This year, the event features Updated Material and Some Very Special Guests…

O-TOWN: Voices from Orlando is
a play comprised of stories, interviews and speeches from Orlando and
across the Globe collected during the weeks and months following the
Pulse Nightclub attack in Orlando.

O-TOWN was created and
directed by David Lee and features Local Orlando Theatre Artists: Peg
O’Keef, Alexander Mrazek, Mike Carr, Julie Carr, Matt Rush, Daniel
Cooksley, Sarah E Mathews, David S Monge, Fabiola Rivera, Janine Klein,
Jason Blackwater, Gabriella Juliet, Clark Levi and Jenn Gannon. I am excited to see Michael Marinachio play the part of Thor in the show.

This
year, the event will also feature: Barbara Poma (Pulse Nightclub Owner)
Neema Bahrami (Pulse Survivor) and The Orlando Gay Chorus.

The Top 10 Posts of 2017.

Results are based on Google Analytic highest number of page views.  

1.   September 28, 2017.

Story Club at the Abbey. 

2.  February 13, 2017.  

10th Annual Russel Bowl Parade of Bands. 

 3.   December 6, 2017.  

It’s a Wonderful Life at Shakespeare Theater.   

 4November 28, 2017.  

Pecha Kucha at the Dr Phillips Center for the Performing Arts.  

 5July 2, 2017.  

Pulse Memorial and Candlelight Vigil.  

 6July 22, 2017.  

 Hair Spray at the Dr. Phillips Center for the Performing Arts.  

 7May 17, 2017.   

O-Town: Voices from Orlando.  

 8February 2, 2017. 

 Memorial for Master Sargent Debra Clayton, shot January 9, 2017.  

 9August 28, 2017.  

 George Wilson discusses his Photojournalism following the Pulse Nightclub Shooting.   

 10February 25, 2017.  

New York City Urban Sketching Workshop.   

Red Black and Ignorant at Valencia College.

Red Black and Ignorant written by Edward Bond is the first installment of a war trilogy. The play introduces Monster, (Daniel Cooksley) an inhuman being who presents the life that he did
not get to live because he was aborted and burnt to death in the nuclear global bombings. Killed within his mother’s womb, the play reveals the
world which would have awaited the unborn child: a post-apocalyptic
society of destruction and war.

The venue was a small circular area with cement benches. The cast uses the benches and the walkway leading to the site. The audience will be seated outside the circle. One cast member saw an animal move in the distance. She said it was the size of a raccoon but might be a possum. All the flashlights surveyed the edge of the woods. The wildlife watched the play unfold from a safe distance.

Daniel is the actor who played my part in O-Town: Voices from Orlando written and directed by David Lee. We hugged warmly as we waited for the rest of the cast to arrive. Jeremy Seghers is directing Red Black and Ignorant. He has a keen eye for staging plays in unexpected venues. He arrived carrying a pile of military clothing. He also had make up for Daniel. Daniel had to to wear colored contacts and black charred makeup. At the start of the play, the entire cast shined flashlights on Daniel while chanting an ominous hum. Daniel crawled up out of an imaginary pile or rubble. Jeremy explained that the set piece is almost done.

The mother of the monster (Blaise Terese Vance) delivered a moving monologue while her wispy frame was being lifted on the shoulders of the monster. She illuminated her own face from below with her flashlight. An imagined lover of the monster (Alyssa Zabel) spoke of what he might have become and seemed oblivious to his twisted self. The son of the Monster (Sean Kemp) found a woman (Anissa Hernandez) trapped under rubble. She screams for help but he realizes that her job would open up were she to perish. He feigns to help but leaves saying he would find help. His father comes across his son as he is debating the woman’s fate. The father takes control of the situation and saves her. While chastising his son. The best position the son manages to find is in the military. He embraces the role. His position gives him a place of power over the monster. This father son relationship was destined to be tragic.

This play explores issues of conformity, social morality, and ongoing
conflict between the individual and society, giving the story a terrifyingly
relevant and timeless tone.

Being an immersive, site-specific work, this is an outdoor show held in
a natural environment. I was advised to bring bug spray which was helpful.  The audience is advised to check in at the box office for a short,
escorted walk to the site. Walking shoes are advised.  Late seating cannot be accommodated.  It is advised to arrive 30 minutes prior to show time. This production will not have an intermission.

What:  Red Black and Ignorant.

Where:  Valencia East Campus
701 N Econlockhatchee Trail, Orlando, FL

 Show dates:

Thursday, November 9, 2017   7:30pm

to 8:45pm

Friday, November 10, 2017      7:30pm

to 8:45pm

Saturday, November 11, 2017  7:30pm

to 8:45pm

Sunday, November 12, 2017    7:30pm

to 8:45pm

Monday, November 13, 2017   7:30pm

to 8:45pm

Tickets: $12 General Ticketing; $10 Valencia students/staff/alumni and seniors.

Contact Name: Valencia College Box Office

Contact Email:  boxoffice@valenciacollege.edu/arts

Contact Phone: (407) 582-2900

Orlando Love: Remembering Our Angels at Lake Eola.

Orlando Mayor Buddy Dyer, Orange County Mayor Teresa Jacobs, Orlando Commissioner Patty Sheehan and other community leaders and elected officials will hold a one-year remembrance ceremony at Lake Eola Park. The ceremony, Orlando Love: Remembering Our Angels, will include remarks by community leaders, musical performances by Olga Tañón and Sisaundra Lewis along with a memorial reading of the 49 names of those who were taken during the June 12 tragedy.

Actress Peg O’Keef recited the opening monologue from O-Town: Voices from Orlando. This was likely the largest audience to see this performance. The audience was silent as she described our quiet little town that would be so much different the day after the Pulse Massacre. Orlando stood up to the challenge, rising up, and refusing to let hate or divisiveness be a part of the recovery. People lined u to give blood, a homeless man would relight the thousands of candles at memorial sites. Crosses would be driven across the country to be left at Orlando Regional Medical Center, each to honor one of the 49 victims.

Pam Schwartz and I found a spot on the lake within sight of the rainbow colored Disney band shell. Walking past the standing room only seating area we saw the glitzy projected graphics above the stage. Buses parked in the street blocked any opportunity to view the stage from a distance. They might have been parked there to block potential hate groups. Two women cuddled in front of us as we listened to the city officials. Back stage 49 angels could be seen struggling to get on their PVC and white fabric wings,

Buddy Dyer spoke in his soothing southern accent and the crowd responded with applause. To our left were two men and one was disgruntled. When Mayor Teresa Jacobs spoke, he started flipping the bird and cursing her name. We were far enough away so that his anger didn’t reach the stage. His friend said,”Come on, lets get out of here, you don’t need to be listening to this.”  Eventually they did leave.

Patty Sheehan spoke in Spanish, so I am not sure what condolences she might have offered. My general impression of the evening was that it was too polished a production. Turn out was less than a year before but it had been raining all afternoon, so only lie-hards were here. It felt a bit like it was Disneyfied, with too much sugar and not enough substance. It was reassuring however to be in a crowd of so many beautiful people who all stood for the cause of love over hate.

O-Town: Voices from Orlando

I was still reporting about the Orlando International Fringe Festival last year when the horrific shooting at the Pulse nightclub happened on June 12, 2016. Fringe is once again going to burst onto the Lock Haven Park complex bringing drama, and comedy for a solid week on unrelenting theater and fun. Last year after the shooting I asked Orlando artists to go to the Falcon Bar to create 49 portraits of the innocent lives lost at Pulse. Those 49 portraits were then exhibited at the Orlando Science Center and on that evening I was interviewed about the project. That interview then became the source of inspiration for a monologue in O-Town.

Prints of the 49 portraits hung behind the stage giving the somber impression of prison bars. The play is based on a series of interviews conducted mostly by David Lee, of people who have been affected by the tragedy. It opens with a monologue inspired by Our Town written by Thornton Wilder. The opening described Orlando on the eve of the shooting. People and places would be very different the next day. A homeless man would be lighting candles at the Dr Phillips memorial site each night, a costume shop owner would soon be creating thousands of rainbow ribbons…

I spoke with Christopher Hanson multiple times about how he survived that night at Pulse. The actor playing Christopher told the story of survival and personal responsibility with humor and lots of heart. Then the actor playing me took to the stage. I was surprised to find myself tearing up based on things I had said a year ago. It seems like a lifetime ago. People in the audience were also getting choked up. One woman cried through the whole show. I had just one paper towel I had decided to bring in from the men’s room.

Other monologues described fighting hate with love using Angel Action Wings made of PVC and and white fabric. People who planned to protest the funerals of Pulse victims were blocked by these angels who would sing to drown out their hate. A first responders wife described how her husband was changed by his evening in the aftermath of Pulse. He would experience PTSD from that night onward and there was no disability for the mental anguish. Had be broken his leg then there would be help.

These stories are all part of the larger picture of an entire community trying to recover from a horrible act of violence. A year later and the scars are still there, but Orlando had answered with love and acceptance. Hateful people still thrive, feeling invulnerable in a country in which politics encourage hate and accusations.  They try to cause senseless harm, but love is stronger that hate. It was an emotional night. After the show. I was hugged by several people who recognized me. I shut my eyes and felt the warmth. Tears streamed down my face.

All the monologues in O-Town: Voices from Orlando will be presented together on the Eve of the one year mark of the attack on Pulse Nightclub on Sunday June 11, 2017 at 7pm at the John and Rita Lowndes Shakespeare Center in the Margeson Theater. Profits will benefit the onePulse Foundation.org.

I can’t recommend this show enough. The monologues focus the audiences attention on aspects of the tragedy that never made their way to mainstream media outlets. It is a human and multi layered fabric. I met the actor, Daniel Cooksley, who played my part on stage. He said he had never performed a part with the subject sitting in the audience.

Fringe Show Times:

May 17, 2017 at 6PM

May 20, 2017 at 7PM

May 22, 2017 at 7PM

May 26, 2017 at 8:15PM

May 27, 2017 at 12:15PM

May 28, 2017 at 11:15AM