Red Black and Ignorant at Valencia College.

Red Black and Ignorant written by Edward Bond is the first installment of a war trilogy. The play introduces Monster, (Daniel Cooksley) an inhuman being who presents the life that he did
not get to live because he was aborted and burnt to death in the nuclear global bombings. Killed within his mother’s womb, the play reveals the
world which would have awaited the unborn child: a post-apocalyptic
society of destruction and war.

The venue was a small circular area with cement benches. The cast uses the benches and the walkway leading to the site. The audience will be seated outside the circle. One cast member saw an animal move in the distance. She said it was the size of a raccoon but might be a possum. All the flashlights surveyed the edge of the woods. The wildlife watched the play unfold from a safe distance.

Daniel is the actor who played my part in O-Town: Voices from Orlando written and directed by David Lee. We hugged warmly as we waited for the rest of the cast to arrive. Jeremy Seghers is directing Red Black and Ignorant. He has a keen eye for staging plays in unexpected venues. He arrived carrying a pile of military clothing. He also had make up for Daniel. Daniel had to to wear colored contacts and black charred makeup. At the start of the play, the entire cast shined flashlights on Daniel while chanting an ominous hum. Daniel crawled up out of an imaginary pile or rubble. Jeremy explained that the set piece is almost done.

The mother of the monster (Blaise Terese Vance) delivered a moving monologue while her wispy frame was being lifted on the shoulders of the monster. She illuminated her own face from below with her flashlight. An imagined lover of the monster (Alyssa Zabel) spoke of what he might have become and seemed oblivious to his twisted self. The son of the Monster (Sean Kemp) found a woman (Anissa Hernandez) trapped under rubble. She screams for help but he realizes that her job would open up were she to perish. He feigns to help but leaves saying he would find help. His father comes across his son as he is debating the woman’s fate. The father takes control of the situation and saves her. While chastising his son. The best position the son manages to find is in the military. He embraces the role. His position gives him a place of power over the monster. This father son relationship was destined to be tragic.

This play explores issues of conformity, social morality, and ongoing
conflict between the individual and society, giving the story a terrifyingly
relevant and timeless tone.

Being an immersive, site-specific work, this is an outdoor show held in
a natural environment. I was advised to bring bug spray which was helpful.  The audience is advised to check in at the box office for a short,
escorted walk to the site. Walking shoes are advised.  Late seating cannot be accommodated.  It is advised to arrive 30 minutes prior to show time. This production will not have an intermission.

What:  Red Black and Ignorant.

Where:  Valencia East Campus
701 N Econlockhatchee Trail, Orlando, FL

 Show dates:

Thursday, November 9, 2017   7:30pm

to 8:45pm

Friday, November 10, 2017      7:30pm

to 8:45pm

Saturday, November 11, 2017  7:30pm

to 8:45pm

Sunday, November 12, 2017    7:30pm

to 8:45pm

Monday, November 13, 2017   7:30pm

to 8:45pm

Tickets: $12 General Ticketing; $10 Valencia students/staff/alumni and seniors.

Contact Name: Valencia College Box Office

Contact Email:  boxoffice@valenciacollege.edu/arts

Contact Phone: (407) 582-2900

Geezers at Breaktrough Theater.

Geezers written by Tommy Lee Johnston is being presented at Breakthrough Theater (419A W Fairbanks Ave

Winter Park,

FL

32789), through June 19th. Jack, (Sean Kenp) is a young aspiring author who takes a job a a retirement home that his mother has worked at before she died. He is socially awkward and not great around people. Gina, (Carol Palumbo) conducts an awkward job interview with him. She has her own issues, having had problems drinking in the past. Her primary concern is the person she just had to let go. He was found trying to have an affair with one of the residents. This is strictly taboo and she tries to find out if Jack might have similar interests.

Though socially inept, Jack has a rare talent for listening to people and asking pointed questions that peal away any layers of artifice to get to the heart of any story. He begins interviewing the residents, and each has an amazing story to tell. Emily, (Mary Lee Stallings) sat center stage hugging a kitten blanket and watching TV for most of the show. She never says a word. Alzheimer has taken her memories. A woman visits who was adopted and she researched to find out that Emily was her natural mother. She reads a loving letter written by Emily shortly before giving birth. The young Emily was forced to give up her child since she wasn’t married. As her daughter read the letter, tears welled up in Emily’s eyes and she mouthed the closing sentence. Memories had flooded back, but she was still trapped from expressing her love.

Each resident shared their story with Jack in turn. Kate, (Vicki Wicks) who gave off the appearance of being a confident sensual actress was actually insecure. Neil, (Gary Norris) was abrasive and cocky, but his story was about being a Vietnam vet who was welcome home to America as a baby killer and how much he missed his wife. Ray, (Larry Stallings) slept through most of the play holding a yellow pillow to his chest. His story was the most unsettling as he related his wife’s battle with cancer.

The play was fascinating to me since I am sitting in and sketching so many oral histories surrounding the Pulse Nightclub shooting. I am working with incredibly talented interviewers who open themselves to allow the stories to unfold naturally. 49 stories remain untold, but family and friends share memories that prove that love is an amazing and universal force. Art is strongest when it expresses empathy. This play shares that empathy in spades.

Tickets are $20.