12 Angry Jurors Opens in Sanford

12 Angry Jurors is based on the 1957 film titled 12 Angry Men written by Reginald Rose. In the black and white film, the jurors were all men, but in this modern adaptation more that half of the jurors are women. Aléa Figueroa plays the role that Henry Fonda played in the film. As the jury voted for the first time she had a look of terror on her face as every other juror voted guilty. From that moment on, she commanded attention. She had to convince all the other jurors that there was a reasonable doubt. I went to the rehearsal expecting to see 12 good old boys debate the case, but only one man in the cast fit that bill. It was the women in the jury who were able to pick apart the testimony and weigh the evidence.

The play deals with deep rooted racism that still persists today which is the reason many of the jurors were convinced of the defendants guilt from the start. Chaz Krivan played the part of a juror who angrily argued for guilt even as the rest of the jury began to sway. Director, Nicholas Murphy was the person who opened the locked front door to allow me into the rehearsal. He watched the dress rehearsal from several different seats to get a feel for the staging. One juror just wanted to reach a verdict so he could get to a baseball game he had tickets to. Ironically, I had just sketched a trial where a juror was wearing a Green bay Packers jersey and the lawyer in his closing statement pointed out to the fact that there was a game that night.

I liked this production that had a jury of men and women since it is more true to what would happen today. When the good old boy juror demonstrated the use of a knife by almost stabbing Aléa, there was the underlying hints of aggression towards women that comes with sexism. Some jurors were recent immigrants and they fully understood the responsibility that came with being a juror while long time citizens just wanted the process be quick and painless.

Mark Your calendars! This is a production that is well worth seeing. You will leave the theater thinking and maybe wonder how you would have stood in that jury room. I can vouch for the fact that it is a short drive to the Princess Theater
(115 W 1st St, Sanford, FL). Call: (407) 494-8474.

Tickets are:
Adults $20
Students $15 (under 25 with valid ID)

Showtimes:
Sunday, October 5, 2014 at 2:00pm
Thursday, October 9, 2014 at 7:00pm
Friday, October 10, 2014 at 8:00pm
Saturday, October 11, 2014 at 8:00pm
Sunday, October 12, 2014 at 2:00pm
Thursday, October 16, 2014 at 7:00pm
Friday, October 17, 2014 at 8:00pm
Saturday, October 18, 2014 at 8:00pm
Sunday, October 19, 2014 at 2:00pm

The Receptionist will Have It’s Central Florida Premiere at the Shakes This Weekend

DiDonna Productions/ The Empty Spaces Theatre Co(llaboration) presents the Central Florida premier of
The Receptionist
by Adam Bock directed by Kevin G. Becker. The show is a dark office comedy that raises questions about narcissism, willful ignorance, and blindly following the rules.

I arrived at a rehearsal a bit early. The Mandell Theater was empty but there were a few props left over from a magic show on stage. Since Empty Spaces, was presenting the show, I started by sketching the empty stage. As the sketch progressed, I wondered if I was in the wrong place.  Finally Kevin and Becky arrived. Office props were moved on stage. The office table was missing a leg and Kevin used carpenter’s glue to get it back in place. Comically it popped off as actors rehearsed their lines. Tissues were needed for one scene but for the rehearsal, toilet paper had to be substituted. Flowers were needed to liven up the office and magician’s tissue flowers had to stand in for the night.

Alea Figueroa and Rebekah Lane began going over a confrontational scene together. Martin Dart (Josh Geohagen), a charming rep from the Central Office had just left. Lorraine (Alea) ran in looking to see where he went. Beverly (Rebekah) shouted out, “He’s married!” “Well, he’s not happily married.” Lorraine replied. This sent Beverly off on a rant about how important trust and loyalty are. She was so worked up that you knew this came from personal experience. Beverly mentioned a friend who had started dating a man she met online. She off highhandedly mentioned that he was married, like it was no big deal, just another part of the equation. It was however a mistake, getting off on the wrong foot. Lorraine retreated to the office chairs and Beverly followed, relentless. “I was just flirting.” Lorraine replied her hands twitching nervously. Her eyes welled up. Then all the theater lights blacked out unexpectedly. “I’m lonely and I miss Glen.” she said in the darkness. It was a powerful heart felt performance heightened by the lights blacking out as part of tech. I had to wipe my eyes when the lights came back up.

Beverly is the receptionist and she is the life blood in a busy office. Her gossip with a friend on the phone is sporadically interrupted as she forwards calls to colleagues. She deals with Lorraine’s romantic troubles dating a narcissist by suggesting she read a book called, “Help, I’m Dating a Narcissist”. Beverly is good natured and believes the best in everyone around her. Exactly what business is handled in the office is slowly reveled. The boss, Mr. Raymond (Kevin Sigman) discusses a mysterious interaction with a client whom he believed might have been telling the truth. It seems office personnel get information and confessions by any means possible.

The appearance of Martin Dart from the Central Office upsets the office daily routine. Lorraine flirts with him playfully but when they get close, he grabs her hands in a vice like grip. She backs away in fear. It wasn’t until later, that I realized that her flirting might have been an attempt to find out why he was there. The Receptionist raises disquieting, provocative
questions about the consequences of complicity with evil. On the drive back home, I kept thinking about the show. The dark under currents are subtle and linger, raising many questions.


This show will be
presented as an immersive social theatrical experience taking the
audience through an interactive pre-show at the Shakes bar, discussing the process behind
performing and producing the show then moving into the theater to
watch The Receptionist followed by a lively Question and Answer back at the bar about the hidden meanings
and emotions that the show creates. Trust me you will have questions and you will love meeting the cast. This is a national trend where live theater is breaking away from the mold of being like a movie that you see and then immediately leave. By interacting with the cast , you get to experience the informal inspiring atmosphere that I love every time I sketch a rehearsal. It is great to meet the actors when they are playful, relaxed and can share their love of theater one on one.

Mark Your Calendar! 
The Receptionist by Adam Bock

TWO SHOWS ONLY
Fri July 18th – Sat July 19th @ 8pm
WHERE:
Mandell Theater
The John and Rita Lowndes Shakespeare Center
Located in Loch Haven Park across from the Museum of Art
Parking available in Loch Haven lots, or in Science Center Parking Garage off of Princeton (Next to Mennello Museum of Art)
TICKETS:
$20.00 general / $15.00 student and senior available by reservation
Will call/cash at door
(Group rates available for groups of 10 or more)
For reservations please call 407.328.9005 – will call cash only at door