#txtshow

As part of Melbourne Fringe, Brian Feldman performed #txtshow (on the internet) via Zoom. He live streamed the event from Washington D.C.

The show was described online as:  “This completely immersive multiscreen performance features a mysterious character called txt (pronounced “text”) who recites a script written anonymously in real-time by a live audience (on the internet).”

“As the content is based entirely upon what audience members write in anonymity, this limited capacity show may contain mature themes, profane language, and explicit sexual content. Happening on Zoom, audience members must keep their camera and microphone on the entire show.”

I have sketched live TXT shows many times in the past when Brian performed in Orlando. It was a nice change to see the audience reactions by seeing them on the computer screen.

It was late here in Orlando when the performance began, so I had the bright idea of enjoying the show from the hot tub. I hadn’t considered the logistics of having to do a watercolor sketch while in the tub. I sank down mid chest and had to raise my elbows to try and keep the sketch pad above the water. Another thing I hadn’t considered was that the lights might not be on while I sketched. I worked with the ambient glow from the computer screen and balanced the sketchbook on the edge of the hot tub. Another thing I hadn’t thought about is that the moderator wanted us to keep our camera on. The problem was be were not wearing bathing suits. Modesty forced us to keep the camera off for part of the performance but then we went ahead and turned it on. Since the lights were off, it didn’t matter.  The flesh tones didn’t appear in the darkness.

Pam started typing a complex text for Brian to perform and in her haste, she dropped her phone in the hot tub. She pulled it out immediately and dried it off with a towel but the damage had been done. She turned it off and ran to the kitchen to put it in a container of rice. She explained that turning it on with water inside might short circuit it. She did sent off some more texts via computer as the show went on. She had Brian do some physical performances like pretending he was stuck to the back wall of his set.

His set was surprisingly stark. I love sketching from Zoom since people don’t usually think of the camera angles and they often have the camera pointing up a the ceiling. This creates some fun sketches of people in their homes from strange angles. Brian must have hung a pure white sheet behind him because his dark black suite stood out from a pure white backdrop.  One woman was laughing with delight the whole show. We scrolled to her several times to watch her laugh. Another woman frowned the entire show, she never seemed amused.  This made for a fun performance. Since I was sketching live, I discovered I couldn’t spend much time sketching each audience member since Pam was enjoying scrolling through the faces to watch reactions a swell. As  in a live performance people on occasion remarked about each other, like when someone complimented one audience members hat.  TXT made such a seamless adaptation to the new technology offered by Zoom. This was a fun night with absolute social distancing.

The next day several buttons stopped working on Pam’s phone, but over time the features returned and her phone made a full recovery from its dunk in the tub.

#txtshow returns to Orlando after 10 years.

I began this daily sketch blog back in 2009. It was on March 3rd of 2009 that I posted a sketch of Brian Feldman‘s performance of #txtshow at the Jack Kerouac House. The room was crowded back then and I squeezed into a corner of the room to catch the crowd as they looked at their smart phone screens in the dark room. Back then not many people used Twitter or txt, so they had to be taught how to get started.

#txtshow is one of Brian Feldman’s most famous performances and the longest running independent production in D.C. theater history – returns to the venue it originated, the Kerouac House (1418 Clouser Ave, Orlando, Florida 32804) exactly 10 years to the day.

For this completely interactive performance, all audience members keep their phones “on” – as a mysterious character named txt (pronounced ‘text’) recites anonymous, real-time tweets written by YOU, live and in-person.

Audience members are instructed to bring their smart phones, ideally fully-charged, and actively use them during the show’s 45 minute duration. It is not necessary to have a Twitter account in order to participate, as everyone in attendance is randomly assigned a protected and anonymous account for their use.

Unfortunately for the first  performance in Orlando there wasn’t much of a crowd. Just four of us sat in the seats set up in the Kerouac House living room. It was an absolutely gorgeous day outside, so perhaps most people were out at the beaches or enjoying outdoor activities with their families.

Tisse Malon was there with her sister offering samples of Frutisse – a new, fruit tea infusion beverage made in Orlando with love and without preservatives, high-fructose corn syrup, or coloring. Pam Schwartz had joined me to the show so that meant there were just three people sending txts on their phones since my hands were busy sketching. Even with so few authors, the show as hilarious. A joke about pirates needed to be read twice for the proper delivery. Someone kept sharing animal insights that were also quite humorous. With so few authors, I kind of knew when Pam had written a txt. She was laughing so loud she couldn’t catch her breath and she had to wipe the tears from her eyes. It was a fun afternoon. Brian didn’t hold the even in the evening since the Oscars were going on that night.

There are three more performances of #txtshow remaining.

#txtshow costs  $15 in advance, $20 at the door.

• Monday, February 25 at 7:00 PM

• Tuesday, February 26 at 7:00 PM (10th Anniversary date)

• Wednesday, February 27 at 7:00 PM

• Thursday, February 28 at 7:00 PM

#txtshow is just one of 5 performances in various venues that Brain is bringing back to Orlando to celebrate 15 years of his performance art.

Wawa® Shabbawa will be on Friday, March 1, 2019 at 7:00 PM at:

Wawa Store #5145

11750 University Blvd.

Orlando, FL 32817Cost: Free Admission

All guests must RSVP on OneTable:

https://dinners.onetable.org/events/78972835-ebe8-4027-8baf-c03179dc190e

“Wawa® Shabbawa” – Brian Feldman’s newest hit dinner project – returns to Central Florida, right down the road from the second largest Jewish collegiate population outside of the State of Israel!

Knives Out will be on Sunday, March 3, 2019 at 2:00 PM SHARP at:

The Glass Knife

276 Orlando Ave.

Winter Park, FL 32789

Cost: Free to attend

The public is invited to join Brian and the critics at their table, or at an adjoining patio table, and order anything off the menu of The Glass Knife (food or drink), at their expense.

Knives Out features five current and former critics from Central Florida, each taking a stab at reading 3 reviews they’ve previously written about past Brian Feldman Projects; 15 reviews for the 15th anniversary of Brian Feldman’s performance art career.

Fiddler on the Phone will have 2 performances.

• Wednesday, March 6, 2019 at Sunset (6:28 PM EST)

• Thursday, March 7, 2019 at Sunset (6:29 PM EST)

Depending on your musical number order, Brian Feldman will call you between 6:28 PM – approximately 9:30 PM EST.

The performance will come direct to your Phone (Brian Feldman will call you from a pay phone).

Free (only 16 calls available)

Register for your phone call at brianfeldman.com.

Note: All calls to area codes outside of the U.S. will be made collect.

Taking place entirely over a pay phone, this performance features Brian Feldman singing Jerry Bock, Sheldon Harnick, and Joseph Stein’s classic Tony Award®-winning 1964 musical “Fiddler on the Roof,” a capella, one song at a time, one phone call at a time.

Specific songs from the show may be requested, and will be fulfilled in the order received. Otherwise, all songs will be allocated randomly. Phone calls will range from approximately 1 to 8 minutes.  

The Feldman Dynamic on March 8, 2019 at 7:30 PM at:

Stardust Video & Coffee

1842 E. Winter Park Rd.

Orlando, FL 32803

Cost: $15 advance, $20 at the door

Free if your last name is “Feldman” (at the door, with valid photo ID). Offer not valid if tickets are sold out prior to the performance.

The original Brian Feldman Project returns to Central Florida for the first time in over five years, and to Orlando for the first time in over 10 years.

An unprecedented reality theater event featuring a family – Brian Feldman’s actual family (Mom, Dad, and sister) – having dinner together live on stage. There’s no script, no rehearsal, and every performance is completely different. It’s not improv. It’s the reality show that will never be on TV.

The Feldman Dynamic is Brian Feldman, Edward Alan Feldman, Adrienne McIntosh, and Marilyn Wattman-Feldman.  

TXT performance in Winter Park raised funds for Hannah Miller.

Performance artist Brian Feldman resides in Washington, D.C. He grew up in Orlando, however, and the first time he performed TXT was at the Kerouac House six years ago. In D.C, he performs TXT weekly. In February of 2010 to protest the ban on gay marriage, Brian let everyone on social media know that he would marry anybody who showed up at the Orange County Courthouse on the set date. Three women showed up on that fateful day and Hannah Miller was one of them. He chose his wife with the spin of a bottle of water he got from a courthouse vending machine; the bottle pointed to Hannah. After the wedding Brian and Hannah went their separate ways, but she made the perfect wife since she firmly believed in the cause of equal rights in marriage. Her interviews were emotional and heartfelt. In January of 2011, Brian and Hannah’s marriage was annulled on the grounds that it was never consummated and they were never in love.

The TXT performance on May 5th at the Winter Park Public Library was a fundraiser for Brian’s ex-wife, Hannah. She has become incapacitated by a neuromuscular disease called Myasthenia Gravis
and a chest tumor that her doctors believe is associated with it. She is a
Multiple Autoimmune Syndrome Type 3 patient, also diagnosed with Grave’s
Disease and Refractory Celiac Disease. Hannah is a fun and creative puppeteer, but like most art forms it can’t pay the insurmountable medical bills. This performance was a fundraiser, with 100% of the proceed going to Hannah.  I emptied my wallet, but I know it is just a small drop in the bucket. Hannah and her boyfriend Jack Fields came to the performance and they sat in the front row. This was the first time I saw how Hannah’s mobility was being limited. Despite the medical setbacks she still manages to joke about her situation.

At a TXT performance the entire audience is asked to take out their cell phones and log into anonymous twitter accounts. They all tweet, and Brian reads every tweet out loud while adding some creative flourishes. I remember that one person thought I was taking notes to report on individual’s deprived rants. People were confused and reluctant at first, but once they understood the premise they embraced the creative flow.