#txtshow returns to Orlando after 10 years.

I began this daily sketch blog back in 2009. It was on March 3rd of 2009 that I posted a sketch of Brian Feldman‘s performance of #txtshow at the Jack Kerouac House. The room was crowded back then and I squeezed into a corner of the room to catch the crowd as they looked at their smart phone screens in the dark room. Back then not many people used Twitter or txt, so they had to be taught how to get started.

#txtshow is one of Brian Feldman’s most famous performances and the longest running independent production in D.C. theater history – returns to the venue it originated, the Kerouac House (1418 Clouser Ave, Orlando, Florida 32804) exactly 10 years to the day.

For this completely interactive performance, all audience members keep their phones “on” – as a mysterious character named txt (pronounced ‘text’) recites anonymous, real-time tweets written by YOU, live and in-person.

Audience members are instructed to bring their smart phones, ideally fully-charged, and actively use them during the show’s 45 minute duration. It is not necessary to have a Twitter account in order to participate, as everyone in attendance is randomly assigned a protected and anonymous account for their use.

Unfortunately for the first  performance in Orlando there wasn’t much of a crowd. Just four of us sat in the seats set up in the Kerouac House living room. It was an absolutely gorgeous day outside, so perhaps most people were out at the beaches or enjoying outdoor activities with their families.

Tisse Malon was there with her sister offering samples of Frutisse – a new, fruit tea infusion beverage made in Orlando with love and without preservatives, high-fructose corn syrup, or coloring. Pam Schwartz had joined me to the show so that meant there were just three people sending txts on their phones since my hands were busy sketching. Even with so few authors, the show as hilarious. A joke about pirates needed to be read twice for the proper delivery. Someone kept sharing animal insights that were also quite humorous. With so few authors, I kind of knew when Pam had written a txt. She was laughing so loud she couldn’t catch her breath and she had to wipe the tears from her eyes. It was a fun afternoon. Brian didn’t hold the even in the evening since the Oscars were going on that night.

There are three more performances of #txtshow remaining.

#txtshow costs  $15 in advance, $20 at the door.

• Monday, February 25 at 7:00 PM

• Tuesday, February 26 at 7:00 PM (10th Anniversary date)

• Wednesday, February 27 at 7:00 PM

• Thursday, February 28 at 7:00 PM

#txtshow is just one of 5 performances in various venues that Brain is bringing back to Orlando to celebrate 15 years of his performance art.

Wawa® Shabbawa will be on Friday, March 1, 2019 at 7:00 PM at:

Wawa Store #5145

11750 University Blvd.

Orlando, FL 32817Cost: Free Admission

All guests must RSVP on OneTable:

https://dinners.onetable.org/events/78972835-ebe8-4027-8baf-c03179dc190e

“Wawa® Shabbawa” – Brian Feldman’s newest hit dinner project – returns to Central Florida, right down the road from the second largest Jewish collegiate population outside of the State of Israel!

Knives Out will be on Sunday, March 3, 2019 at 2:00 PM SHARP at:

The Glass Knife

276 Orlando Ave.

Winter Park, FL 32789

Cost: Free to attend

The public is invited to join Brian and the critics at their table, or at an adjoining patio table, and order anything off the menu of The Glass Knife (food or drink), at their expense.

Knives Out features five current and former critics from Central Florida, each taking a stab at reading 3 reviews they’ve previously written about past Brian Feldman Projects; 15 reviews for the 15th anniversary of Brian Feldman’s performance art career.

Fiddler on the Phone will have 2 performances.

• Wednesday, March 6, 2019 at Sunset (6:28 PM EST)

• Thursday, March 7, 2019 at Sunset (6:29 PM EST)

Depending on your musical number order, Brian Feldman will call you between 6:28 PM – approximately 9:30 PM EST.

The performance will come direct to your Phone (Brian Feldman will call you from a pay phone).

Free (only 16 calls available)

Register for your phone call at brianfeldman.com.

Note: All calls to area codes outside of the U.S. will be made collect.

Taking place entirely over a pay phone, this performance features Brian Feldman singing Jerry Bock, Sheldon Harnick, and Joseph Stein’s classic Tony Award®-winning 1964 musical “Fiddler on the Roof,” a capella, one song at a time, one phone call at a time.

Specific songs from the show may be requested, and will be fulfilled in the order received. Otherwise, all songs will be allocated randomly. Phone calls will range from approximately 1 to 8 minutes.  

The Feldman Dynamic on March 8, 2019 at 7:30 PM at:

Stardust Video & Coffee

1842 E. Winter Park Rd.

Orlando, FL 32803

Cost: $15 advance, $20 at the door

Free if your last name is “Feldman” (at the door, with valid photo ID). Offer not valid if tickets are sold out prior to the performance.

The original Brian Feldman Project returns to Central Florida for the first time in over five years, and to Orlando for the first time in over 10 years.

An unprecedented reality theater event featuring a family – Brian Feldman’s actual family (Mom, Dad, and sister) – having dinner together live on stage. There’s no script, no rehearsal, and every performance is completely different. It’s not improv. It’s the reality show that will never be on TV.

The Feldman Dynamic is Brian Feldman, Edward Alan Feldman, Adrienne McIntosh, and Marilyn Wattman-Feldman.  

Why Books Are a Crazy Business (and thank heaven for that).

I attended a lecture with Harold Augenbraum, the out-going Director of the National Book Awards, at the Jack Kerouac House, 1418 Clouser Ave, Orlando, Florida 32804. In partnership with Rollins College “Winter With the Writers” program, The Kerouac Project  hosted the guest lecture.

Harold Augenbraum is Executive Director of the National Book Foundation, presenter of the National Book Awards. He has published seven books on Latino literature of the United States and translated several books for Penguin Classics including two novels by the Filipino writer José Rizal. In 2012, he co-translated (with Ilan Stavans) The Plain in Flames by Juan Rulfo and in 2013 Penguin published his edition of the Collected Poems of Marcel Proust. Last year he was awarded an honorary doctorate (honoris causa) by Concordia College (Moorhead, Minnesota) and in September he will be a Franke Visiting Fellow at Yale University.

Harold’s talk was witty and light hearted. Some people might thin that the book publishing business would have shrunk because of the Internet, but the opposite is true, there are more books being published today than ever before. Making money in publishing is however tricky and as difficult as picking horses at the races.

As always there was wine and mingling after the lecture. There is always a creative excitement to these gatherings. If you want to experience the heart of the Orlando literary scene then get out to a Kerouac house event.

My Queer Valentine.

I went to the Jack Kerouac House 1418 (Clouser Ave, Orlando, Florida) for My Queer Valentine).  Love is love, and no matter if you’re single or taken, heartbroken or healed, it’s an honor to be able to share stories of love. Just two days after Valentine’s Day, four authors shared there own queer love stories.

Readers , included Sarah Viren, Claire Robin Thorne, Amber Norman and Ashley Inguanta (in the sketch). The evening was sponsored by Burrow Press and hosted by the Jack Kerouac House. The literary scene seems so much more vibrant than the visual arts scene in Orlando. There are literally dozens o reading events in town attended by crowds of eager listeners, yet artists seldom gather and share their work. Parker Sketch hosts a monthly Critique session which helps fill that void but otherwise artists only meet at openings.