Crealde Christmas Party

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Returning from Europe, I was hoping to re-establish my courses at Crealde School of Art in Winter Park. The problem is that Crealde published a printed course brochure and submissions for the courses happened while I was away. My Urban Sketching Course was not in the printed brochure, so I would need to wait until the next brochure was printed. I filled out a revised course description last week to try and generate interest in the art of sketching on location. Instead of focusing on Urban Sketching, I decided to re frame the course focus more about Travel Sketching. My course will be offered again in the summer and fall.

At the Crealde Christmas Party, I got to meet the new Crealde Executive Director & CEO Emily Bourmas-Fry. She was wearing an adorable set of deer antlers. She was warm and inviting and made me feel right at home again. Jim Hobart the Crealde Photography Program Manager has been talking to me about mounting an exhibit of my series of WWII sketches that follow my father 1st Lieutenant Arthur Thorspecken through Europe in 1945. It has been 80 years since Germany surrendered to end WWII and I sketched every city where my father’s C-Company was encamped and fought in France, Belgium, Netherlands and Germany.

Towards the end of the series I started adding black and white paintings based on historic photos on top of my location sketches which show what the area looked like in 1945. I now have to go back over all the sketches I posted while I was traveling in Europe to add these black and white historical visual notes. Since history is repeating, I sometimes let modern history morph into the history of the 1945 atrocities. I plan to show the paintings by framing them in white shadow box frames and then having the black and white historical paintings elevated on the glass to show some parallax and separation of past and present.

In sketching the artists mingling, I noticed David Cumbie, the Sculpture Garden Curator & Sculpture Program Manager. I sketched at one of his welding workshops once and when I think of an artist who is completely committed to forwarding the Crealde art cause, I think of him. My course is offered on Sunday mornings and when I used to walk to my classroom, I always noticed David hard at work in the sculpture studio.

For over 3 months I have not interacted with people since I could not understand what they were saying. In some ways that is liberating. I would just assume they were complimenting my sketch, and I would say, Merci, Bedankt, Dank Je or Danke, My American roommate had suggested that I would meet the love of my life in Europe (Eat, Pray, Love style) but that was impossible since I could not understand any thread of conversation. I did not know any French, Flemish or Dutch. I was happy that my limited German was partly understood for the final months of the trip. One German female artist did invite me to her studio, but when we discussed meeting again, I had misunderstood what she said, and I went to the wrong place.

American party small talk therefore was not something I was prepared for at this Christmas party. I talked to a few people about the project I am working on, but when I discussed the German Stalag Forced labor camp that my father’s C-Company helped liberate, I could see people’s eyes glaze over. It seems discussing war atrocities tends to be a party conversation killer. I listened to one conversation, but it was all about commuting times and I lost interest and walked away. I wasn’t interested in loosening my inhibitions with drink, so after I sampled the food and desserts. I drifted off and made my way back to the home studio where I could settle in for a quiet night to write and sketch.

Orlando Shakespeare Theater Lobby

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I have just finished the posters for next season at the Orlando Shakespeare Theater (812 E. Rollins St., Orlando, FL 32803). As I was crunching away painting the posters, I missed several sketch opportunities at the theater. Now that the work is done, I get to return to sketching theater live.

With Anna in the Tropics I was asked to depict the woman in a sensual nightgown with her lover behind her. It is ironic that a large box of typed information was placed over her chest. Perhaps my depiction was to sensual. I am learning what sells and what lines I should not cross.

The Hound of the Baskervilles was a comedy. I tried to make this clear with Watson holding a magnifying glass that made his eye super large, Sherlock’s quizzical expression as well as a dog with a big grin. Despite my efforts many members of the audience thought they were going to a dark mysterious show. I have seen the show before and it was hilarious. I am certain anyone who went to the Shakes performance was not disappointed.

I have done A Christmas Carol poster every year I have been painting these posters. This design reverted back to the first year’s poster which depicted Stooge holding up tiny Tim. I felt that first poster caught lightning in a bottle. This poster used photos from previous years’ show to tie it in with the actual costuming used in the show. Minor changes were made to the design like having Tiny Tim’s head overlap the title. I like the choice which helps to keep the characters large.

I love returning to the Shakes because I get to see the audience gather in the lobby with all the posters on the lobby walls. It is my one chance to see the posters at their full size all together. As a whole they all pull together. I think anyone seeing the posters will know that the same human hand touched each concept. I have seen what AI can do when designing posters. The results can be impressive technically, but for me they seem a bit impersonal, like clip art.

When I was working on the last batch of posters, I considered typing in a few words into an AI interface and seeing what the computer would spit out. I could not figure out the log in information with codes and passwords, so I abandoned my first curious venture. Instead I returned to painting by hand. Though the results look analog, I am working digitally on an iPad. The reason is that changes can be done much quicker digitally. Every element of the painting is on a separate layer and if a layer has to be altered I can just turn it off and try something new.

I have taken three months to travel Europe and follow my father’s footsteps at the end of WWII. It felt good to sketch with pen and paper along with watercolors. Decisions had to be made on the fly and there was no control Z to undo a pen stroke. Decisions had to be bold and decisive. If mistakes were made they reminded on the sketch and part of the process. It is that imperfectness that I love. Hopefully each sketch gets better and the bold decisions come faster. Having a machine make those bold choices for me seems unappealing.

Back to the States

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The temperatures in Paris France were dropping fast. Even with gloves on, my sketches were getting a bit shaky.  I had to leave my hotel near the Eiffel Tower very early to meet my Uber driver for a ride to the airport. I had success navigating Paris with the Metro and considered taking it to the airport, but the maps were not super clear on which stop I needed at the end of the line. I also was concerned about possible wait times as I switched trains at several stations. I’m glad I took Uber because it gave me a chance to look at the landscape as we drove out of the city.

I was rather sad to leave Europe because I knew I would be returning to strip malls and a fascist government. I documented an World War from 80 years ago but war was most certainly likely to break out again. The American president considered himself a war time president during the worst of the pandemic. He will only truly feel masculine when he is using the military against Americans and against nations of his choosing.

I thought I was documenting the worst possible fascist regime by sketching WWII sites my father passed through and liberated in Germany, but Germany learned its lessons from America which has always been racist and had no problem putting Japanese Americans in concentration camps at the start of WWII. Germans put people who were not Aryan enough into concentration camps. America is now following suit by randomly picking up people off the streets who do not look American enough. Children are being used as  bait to seize and imprison parents in the detention centers.

It started to snow as we drove towards the Charles de Gaulle Airport. It was the first now I had seen in my three months sketching the movements through Europe of the 75th Infantry Division. I am sure my father, 1st Lieutenant Arthur Thorspecken had visited Paris on leave from Camp Cleveland which he helped run. My father left Europe on about August 1, 1945, on a boat to America. He had been in Europe for 1 year, 3 months and 18 days. I originally wanted to stay in Europe sketching for the same duration, but the Schengen rule only allowed me 3 months to complete my sketch project. I had to rush through the 70 or so cities in France, Belgium, Netherlands and Germany at a much faster pace with my tiny French rental car.

You can tell a lot about a country by how people drive. Driving in Paris was of course hectic, but country driving was a delight. Belgium and the Netherlands both felt relaxed. Trucks drove below the speed limit, and all the other drivers were very polite. When I drove the speed limit, I would always find myself passing most of the traffic. Germany on the other hand is much like America in that all the drivers seem to be in a furious rush to get to the next stop light. Germans tail gate even closer than Americans do. They would rather drive though you than around. I had no desire to have a German officer stop me for driving too fast so I stuck to the speed limit. I started singing a little jingle every time there was a German on my butt. Every German I met who saw my rental car always commented on the French license plate. It looks just like a German license plate but with a tiny F instead of a tiny G. It might have been a mistake to drive the whole trip in a French car.

I also have a baseball cap that has the American 75th Infantry logo on it. In France people love the Americans for their help liberating their country from German occupation. The cap helped me fit in with WWII reenactors and others who appreciate the accomplishments of the greatest generation during WWII. People in Belgium and the Netherlands also appreciated seeing the emblem from 80 years ago. When I crossed the Rhine River into Germany, I stopped wearing the 75th Infantry Division hat, replacing it with a simple black cap.

At the time of my flight back to America the government had been shut down and air traffic controllers were not being paid. I was almost certain that flight would be delayed. I had no choice, my 3 months in Europe were up. Other than the exhausting wait going through customs the flights ran on schedule. All 6 of the sketchbooks I had filled were in my backpack along with multiple books about Stalag VI-A the POW camp that the 75th Infantry Division helped liberate. I am still translating the German book about Stalag VI-A too learn all about the camp which would have opened my father’s eyes to the horrors of how people are treated as subhuman and starved to death for the sake of a fascist Aryan ideal. I have no doubt that what he witnessed would have molded his world view for the rest of his life. If he were still alive, I would have so many questions.

Eiffel Tower: V for Verloren

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During the WWII German occupation of Paris (1940–1944), the Eiffel Tower became a symbol of resistance and a key military asset. French patriots cut the elevator cables to force Nazis to climb the stairs. In 1940 German soldiers had to climb to the top to hoist the swastika, but the flag was so large it blew away just a few hours later and was replaced by a smaller one. Later the Nazis used the tower for television and radio transmissions. The Germans hung a massive “V” (for Viktoria) on the tower which refer to Augusta Victoria of Schleswig-Holstein (1858–1921), the last German Empress and Queen of Prussia as the wife of Kaiser Wilhelm II. Had the Germans wanted to proclaim victory, they would have put a large S for Sieg. Adolph Hitler had a painting of Prussian King Frederick the Great by Anton Graff in his Berlin underground bunker. However Hitler despised the monarchy believing they caused the defeat of Germany in World War One.

Parisians interpreted it to mean “Victoire” (Victory). The Allied V-for-Victory cliché became so popular as a morale raiser that the enemy had to adopt to it. The propaganda officers just changed Sieg to Viktoria. The Nazis chose to believe that the use of V’s by civilians was a sign of support for Germany.

In ancient Roman religion, Victoria was the personified goddess of victory. She is the Roman equivalent of the Greek goddess Nike. Multiple temples were erected in her honor. Winged figures, very often in pairs, representing victory were common in Roman official iconography

The Nazis just used Viktoria because it had to start with V, and the V originally meant “V for victory” when Winston Churchill used it, so they probably needed something similar in order to not make it too obvious. When the Germans started their campaign, Churchill noted that they probably meant “verloren”, German for defeat.

The French resistance would often alter one letter to these type of banners and the message was transformed to Deutschland Liegt auf allen Fronten – Germans lie on every front line.

In 1944, American pilot Bill Overstreet reportedly flew his P-51 Mustang under the arches of the tower while chasing a German plane.

In August 1944, during the German retreat, Hitler ordered military governor Dietrich von Choltitz to destroy the tower and other landmarks, but the order was disobeyed. The tower survived, and the French flag was raised again on August 25, 1944.

Notre Dame Paris France

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Notre Dame Cathedral survived WWII largely intact, though it suffered minor damage from bullets during the 1944 liberation. The cathedral was protected with sandbags, which were placed around the portals. The portals are the large, sculpted entry ways to the cathedral which have hundreds of sculpted saints and martyrs. The cathedral’s stained glass was removed to prevent destruction. It narrowly escaped orders   Adolph Hitler’s order to destroy all monuments, landmarks and bridges. This order was disobeyed by Nazi commanding officer Dietrich von Choltitz.

Hitler did not visit Notre Dame during his 1940 trip. Hitler wanted the city destroyed and Dwight Eisenhower did not want Allied troops to get bogged down in a prolonged battle for Paris France. Memories of the Germans fighting for a long and arduous winter at Stalingrad left the impression that the Germans could make Paris a similar albatross around the neck of the allied push towards Berlin.

French resistance fighters and civilians forced Eisenhower’s hand since they blockaded streets and took back important public buildings. The square outside Notre-Dame Cathedral, usually empty early on a Saturday morning, filled with hundreds of policemen on August 19, 1944, all of them converging on the fortress-like Police headquarters. A flag unfurled atop the building: the blue, white and red French tricolor, banned by Paris’ German occupiers and last flown officially four years prior. The French police, on strike against the occupation, had returned, this time in revolt. Paris’ uprising against the Nazis had begun.

Resistance fighters erected around 600 street barricades—made of paving stones, trees, carts and sandbags—to stall and harass German troops. They seized government buildings, including the the city hall, where they pulled down a bust of Philippe Pétain, the French leader who’d collaborated with the Nazis, and replaced it with a portrait of Charles de Gaulle, the French General who insisted that France must be liberated at any cost.

Gunfire crackled all across the city as French freedom fighters hunted down Nazis and hoped to bring about the liberation of their city which had been under the boot of Nazi occupation since 1940. Two thousand police inside the Prefecture had used Molotov cocktails to thwart an attack by three German tanks. A fragile cease-fire, negotiated by the Swedish consul in Paris, saved the French police just as their pistol and rifle ammunition was about to run out.

If the revolt was unsuccessful the Nazi reprisal would be widespread and deadly. Adolf Hitler had ordered Dietrich von Choltitz, to “stamp out” any insurrection “without pity.” As Paris’ revolt grew.  Resistance fighters, were typically executed by firing squads. Mont Valérien fortress in Suresnes, near Paris, was the site for the execution of over 1,000 resistance fighters and hostages. It is estimated that around 60,000 French resistance fighters were executed, and 27,000 perished in concentration camps.

Hitler’s orders to Choltitz escalated. A Hitler order declared. “Paris must not fall into the hands of the enemy or, if it does, he must find there nothing but a field of ruins.” Choltitz refused to follow this order which would certainly result in his execution once the news got back to Hitler. But the war was almost over.

Dietrich von Choltitz survived World War II, surrendering as the German commander of Paris on August 25, 1944. He was held as a prisoner of war in Trent Park, London, and later in Mississippi, U.S., before being released in 1947. He died of a long-term illness on November 5, 1966, in Baden-Baden, Germany.

The cathedral was a focal point of the liberation, with a Magnificat sung on August 26, 1944, to celebrate the end of the Paris occupation. While it survived, the structure did suffer minor damage, including bullet holes in some stones. It is believed that 901 French Forces of the Interior members and 582 French civilians died in the fighting.

Witten Germany: Berger Memorial

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The Ruhr River was the final objective of the 75th Infantry Division. When the 75th reached this objective they had split the surrounded German troops in half and finally crushed the Industrial Ruhr Pocket. The Berger Memorial sits high on a hillside overlooking on a particularly beautiful section of the river Ruhr River between Wetter and Witten Germany. The memorial was built between 1902 and 1904 to honor Louis Constanz Berger, (1829-1891), an industrialist and community co-founder. Its construction occurred during a period of industrialization and modernization of the Ruhr region. I imagined that my father 1st Lieutenant Arthur Thorspecken and his C-Company might have come to this overlook to view their final objective. The memorial would have stood at this spot in April of 1945, having been built between 1902 and 1904,

The monument made of Ruhr sandstone commemorates one of the most important Witten entrepreneur and politician of the early industrialization: Louis Berger. In 1854 Berger father founded a cast steel factory in Witten, which, Louis, developed into one of the first large industrial companies in the Ruhr. The quality of Berger’s cast steel was the “basis” of the Prussian needle gun and Krupp’s gun barrels. The needle gun was ahead of its time allowing a trained soldier to fire 12 rounds a minute. Most countries were still using muzzle-loading flintlocks which only allowed a soldier to fire 3 to 4 rounds a minute. Krupp gun barrels, produced by the German industrial giant Friedrich Krupp AG, were known to be of high quality being made of durable steel.

During WWII, the Krupp steel works in Essen, led by Alfried Krupp from 1943, were the cornerstone of the Nazi war machine, producing artillery, tanks, and u-Boats.  Despite massive Allied bombing, the works managed to remain standing until 1945. The firm heavily utilized over 100,000 forced laborers, prisoners of war, and concentration camp inmates in over 80 plants. Alfried Krupp was convicted of crimes against humanity at Nuremberg Germany, sentenced to 12 years, and had his assets confiscated, but he was released in 1951 by the US, and his fortune was restored.

The Berger Memorial seemed like a monument to a corporate entrepreneur and civic minded politician. But the steel he manufactured became the cornerstone to building the German Military war machine in the first and second World Wars. In that sense it is a monument to the senselessness of war.

Witten-Düren Germany

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Düren is a quarter in Witten Germany just south of Dortmund. Rather than being a town, it is really just farm land. I parked on the side of a muddy farm road and hiked to a trail. That trail made its way along the edges of farm fields at the edge of the woods. A small stream separated the trail form the fields. I jumped the stream and set up to sketch at the edge of a farmers field. I worked quickly, but as I sketched it started to rain. The drops splattered on the page. A German woman was walking her dog on the trail She waved, but must have thought I was crazy to be sketching in the rain.

In April 1945, the 75th Infantry Division, 3rd Battalion followed the 2nd Battalion and then passed through them to attack and capture Düren Germany. With Düren secured they pressed forward and took Stockum Germany.

In the town of Witten, up to 25,000 people from different countries, including several hundred Poles, were forced to work for Nazi regime during the Second World War. The majority of the workforce in the town was made up of forced laborers, who were used mainly to produce weapons. In 1944, a satellite of the Buchenwald concentration camp was even created to accommodate the concentration camp inmates in the Annen Cast Steelworks.

During the WWII, there were a total of around 24,900 forced laborers from all the occupied territories in the area now covered by the town of Witten. On average, they worked for approximately 15 months in the town, and made up the majority of the workforce there. At the beginning of 1945, for example, the forced laborers constituted about 55 % of the total workforce in Witten. The different areas of work that they performed meant that large-scale forced labor camps were needed. As a result, it is thought that between 230 and 250 forced labor camps of different sizes were established in the town during that period.

“It was a beautiful afternoon the day we left Krakow. Our homeland, abused by the occupation, said goodbye to us with a sunny day. The monotonous clatter of the train wheels painfully reminded us that it was taking us away as slaves.”
– Maria Hosajowa, a former Polish forced laborer.

U.S. 75th Infantry Division liberated thousands of forced laborers and Prisoners of War (POWs) from Nazi camps, in the Ruhr Pocket region. Once liberated the infantry had to feed and house the displaced persons and find a way to get them back to their home countries. It was a task they were ill-prepared to carry out. Once liberated, forced laborers looted to began to find the basics for survival and decent clothing, Displaced persons consulted bulletin boards hoping to find out about transportation home. Hitch hiking wasn’t effective in war time. To survive you needed to carry all your belongings.

Saint Reynold’s, Dortmund Germany

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I knew of several photos of the partially destroyed Saint Reynold’s Church in Dortmund Germany after the Allies had captured the city in April of 1945. I found the exact location where one of the 1945 photos was taken but I would have been run over if I sketched from that spot. I decided to sketch from the next street over which was more pedestrian.

As I finished my basic pen and ink line work, it started to rain. I only had a short time in Dortmund, so I had to finish the painting despite the rain. Rain drop splashes can be seen all over the sketch. I started scribbling with colored pencils to try and darken spots which were flooded with water making darker watercolor washes ineffective.

Saint Raymond’s is the oldest church in Dortmund. St. Reinold’s was built from 1250 to 1270, and is located in the center of the city, The church was heavily damaged in World War II.

In December 2016, nine neo-Nazis from various German cities who were associated with the Die Rechte right wing group occupied the church steeple and appeared to set off fireworks from it. The members were subsequently taken into custody by police. Neo-Nazi slogans shouted from the steeple through a megaphone were drowned out by the church bells, ordered to be rung by the vicar of St. Reinold’s.  The illegal occupation of the church’s tower was met with disbelief and anger from the church’s spokespersons and the vast majority of the public.

Dortmund was the most heavily bombed city in Germany by the end of WWII, resulting in over 6000 deaths. Dortmund was the largest industrial city captured at the end of the war by the Allies. With the City surrounded, the Ruhr ceased to exist as an industrial powerhouse. Hitler’ bread basket was empty. American troops captured flak trains, guns, ammunition and supplies.

In 2020 . about 14,000 German residents were ordered to leave their homes when several WWII undetonated bombs were discovered in western Dortmund. German disposal experts were brought in to detonate the bombs. The two devices — an American bomb and a British bomb — were successfully detonated on Sunday afternoon. Shipping containers stacked as walls blocked streets to absorb potential blast waves, and barriers warned that “entry is forbidden,” (verboten) as the operation got underway. Police helicopters scanned the streets from overhead to ensure residents had left as instructed.

The 290th Infantry Division which my father, 1st Lieutenant Arthur Thorspecken was in, kept to the west of Dortmund proceeding south. By April 10, 1945 they were getting close to Witten Germany. The 2nd Battalion advanced south and southeast through light enemy opposition to capture Ospel and Dorney Germany and then continued to the regimental objective. The 3rd Battalion followed the 2nd Battalion then passed through them to attack and capture Duren. With Duren captured the Battalion moved ahead and took Stockum Germany, reaching the regimental objective an hour before midnight.

Prisoners poured into the 75th Infantry Division cage. The battle raged on from one town to town.

April 7-10 1945: Kirchlinde Germany

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In Kirchlinde Germany,  I decided to sketch the Zeche Zollern I/III coal mine which was functioning to fuel the German war machine in 1945. It was closed and empty when I sketched it. Many of the windows were broken. I sat in a German grocery store parking lot to get the sketch. A cemetery was across the street behind me.

Kirchlinde Germany and the surrounding communities north west of Dortmund were critical for final Allied combat operations in the Western Theater of WWII from April 7th to 10th, 1945. It was hit hard by 75th Infantry Division artillery essentially flattening the city. The 290th Infantry Division captured the city and cleared it. My father, 1st Lieutenant Arthur Thorspecken was leading C-Company in the 75th Infantry Division during the attack. My father lost 12 men under his command in the attack on Dortmund. Around April 7-10, 1945, US forces faced, among others, the German 2nd Parachute Division, which conducted counterattacks in the area.

Kirchlinde (a western district of Dortmund, Germany) was the site of  intense fighting during the final stages of the Ruhr Pocket battle. American forces, including field artillery units, encountered enemy machine gun fire in the area, resulting in casualties while pushing through the region. Forward Allied observation units directed the Allied artillery fire.

The Zeche Zollern Mine founded in 1873, used forced labor from Russia and Poland as well as Allied Prisoners of War. Forced laborers were starved and literally worked to death. During World War II, the German war economy, including the mining industry, relied heavily on forced labor to replace conscripted German soldiers. By 1944, over 40% of the Ruhr mining workforce consisted of forced laborers, totaling around 163,000 people.

Over 12 million people were brought to Germany as forced laborers in the course of World War II. In the summer  of 1944 alone, in addition to six million civilian laborers, two million prisoners of war and over half a million concentration camp prisoners were forced to work in the German Reich. Many were forced into the depths of the earth to mine coal to fuel the German war effort.

Also in the occupied territories, millions of men, women and children were forced to work for the enemy. It was the forced laborers who kept the agricultural supply and arms production going. The industry profited from the expansion of production. German employees advanced to supervisor positions, until the 75th Infantry Division captured the mine and liberated the forced laborers. All these displaced persons became a logistical nightmare to feed and house.

Other C-Company soldiers who died on the approach to Dortmund Germany…

John Romero (Private First Class), From Las Animas County, Colorado died in the Dortmund area.

Harold E. Rosen (Private First Class), Died near Dortmund Germany.

Richard C. Ruggles (Private), From Orleans County, New York died  April 7, 1945 in the Dortmund Germany area.

John R. Sockich (Private First Class), From Riverside County, California died in the Dortmund area.

On On January 24, 2026, Alex Jeffrey Pretti, a 37-year-old American intensive care nurse for the United States Department of Veterans Affairs, was executed by multiple masked ICE agents in Minneapolis Minnesota USA. I was in Europe documenting the final stages of America defeating the Nazi fascist regime, but Nazism seems very much in force in America with brutal misconduct of ICE agents on the streets of my fatherland.

Oestrich Germany: Row Houses

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My father 1st Lieutenant Arthur Thorspecken was approaching Dortmund with his C-Company in the 75th Infantry Division. They were clearing the approaches to Dortmund which was being heavily defended. Casualties were high.

Besides a hatred for Jews, the factory and mine owners of Dortmund liked the industrialized principles of the Nazi Party and they profited from the forced labor used to fuel the German war machine. Dortmund and the surrounding communities (like Oestrich Germany) worked at full to keep Hitler’s war machine running.

During WWII, Dortmund-Oestrich, like much of industrial Germany, relied heavily on forced laborers (Zwangsarbeiter) from occupied territories for its war effort, especially in its mines and factories. Forced laborers faced horrific conditions, malnutrition, and mistreatment, with many dying from abuse or bombings. Forced laborers made up a significant portion of Germany’s workforce by war’s end, a vast human tragedy involving millions across Europe.

Despite the Allied bombing campaign which leveled 66% of Dortmund’s homes and 98% of the inner city. Workers kept rebuilding the factories. It therefore made perfect sense that Dortmund would not surrender easily. Even after a heavy bombing raid on March 6, 1945, it become clear that the soldiers in Dortmund was determined to fight to the bitter end. Dortmund and the surrounding towns suffered immense destruction from Allied bombing. Unexploded bomb ordnance, especially near sites like the stadium, remain to this day.

Some of the Soldiers of C-Company who died on the approach to Dortmund Germany.
Edward H. Cockrell (Pvt.), Died April 1945, Dortmund Area Germany
Walter A. Jarosz (Pfc.), Died near Dortmund Germany
James A. Kukalis (Sgt.), Died near Dortmund Germany
Noah L. Laswell (Pfc.), From Perry County, Indiana died near Dortmund Germany