Violin(ce)

Posted on by Thor

Empty Spaces Theater Company’s director John DiDonna has collaborated with fight choreographer Bill Warriner to bring an experimental show to the stage where “fighting is the story.” Any writer knows that a good story must have a conflict. In this show, the dozen or so actors and dancers are waged in an eternal battle. Some of the fights are staged as a lone violin player is projected on the screen at the back of the stage, thus the title, “Violin(ce)“.

The first scenes revolved around silent film era comic violence.  Then actors recounted school yard brawls. The violence grew personal as a loving couple had their first arguments that progressed to slammed doors and ultimately domestic violence. The line between the erotic and violent was blurred. Actors came at each other with knives, sabers maces and sticks. Blades missed by inches in the type of fights you might have seen in a swashbuckler starring Errol Flynn and Basil Rathbone.

McClaine Timmerman performed an incredibly limber and tortured routine, stretching her limbs beyond what should be humanly possible. Dion Smith moved  with a ballerina’s grace around the stage like a hungry lioness as she spared with DiDonna. Of course Cory Violence was in the show. His amazing performance in “The Key of E” and his last name alone guaranteed him a role. In one incredible fight, the entire cast was on stage fighting with weapons. Blades flashes inches from fresh. It is amazing no one was injured. Truth be told, many actors were bruised and battered. Though safely was the rule, adrenalin kicked in. The bruises, abrasions and emotional scars are real.

Each scene in this show is a self contained vignette with each scene building on the last as a sort of history of violence. The action is constant and progressively more intense. The show runs through July 22nd at the Lowndes Shakespeare Center (812 East Rollins Street Orlando FL).
The Saturday, Sunday and Monday shows are at 7:30pm.
Additional Sat/Sun twilight shows are at 4:30pm. Tickets are $20. For reservations please call 407.328.9005 – cash only at door. For credit card pre-orders please use www.redchairproject.com

pARTicipate: Side Show of the Senses

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pARTicipate was an exotic fundraising gala held on April 6th, under the stars and throughout the Art and History Museum’s beautiful Maitland Art Center campus, the stage was perfectly set for this Sideshow of the Senses, an interactive event that showcased local visual artists, fabulous food, and intriguing performances. The campus came to life, with every nook filled with art and activity. Guests could explore the grounds as they enjoyed a progressive dining experience, featuring cuisine by celebrated local chef Jamie McFadden of Cuisiniers. There were fine wines and beers at tasting centers throughout the campus.

Art installation dining tables, created by the participating artists, offered guests a unique dining experience. Select artists created art during the event, as they shared their stories and insights. The silent auction of artworks, donated by popular Central Florida artists, generated some lively bidding. Talented Phantasmagoria entertainers from Empty Spaces Theatre Co(llaboration), under the direction of John DiDonna, performed throughout the evening. Phantasmagoria is a local macabre performing troupe of fire-breathers, musicians, and acrobats.

When Terry and I arrived, I immediately scouted around looking for my sketch opportunity. When I entered a secluded inner sanctum of the Maitland Campus I found this table with a nun standing beside a skeleton. I was certain she was a live model posing as a statue. I approached tentatively until I finally saw that her plastic gaze was eternal. I wandered some more to look at other decorated tables. Dawn Schreiner had set up a tree with play money as leaves. Each bill had one of her paintings on it.

I then bumped into Camilo Velasquez. I told him about my scare with the nun, and he told me that he had decorated that table. A photographer wanted to interview Camilo and that settled the matter. I followed them back to the nun. Camilo had grown up with dominant priests and nuns in New York and he always felt like an outsider. The table design had been inspired by the art of Paul delVaux, a Belgian artist who lived through the atrocities of World War II. As I worked on this sketch, Melissa Mila Marakoff, one of the Phantasmagoria performers, slipped up behind me. She whispered in my ear, “I don’t mean to startle you.” I just about jumped out of my skin. She startled me half to death and I shouted out with a start. Everyone had a good laugh. It was as if death had whispered to call me away before my work was done.

With the sketch complete I grabbed a few morsels to eat. I sat at Dawn Schreiner’s table and after a few texts, Terry found me there. Dawn started disassembling her table display. Two small doves were in a cage hanging from a tree. I hadn’t noticed them until Dawn pointed them out. They were puffed up and snuggled together. Dawn’s play money paintings had a draw back in that some patrons thought they could take a painting if they replaced it with a real dollar bill. Obviously these patrons didn’t know the true value of her work. The pARTicipate Event raised over $30,000 gross, $18,000 net, with proceeds benefiting art and history programming at the Museums. Bats fluttered in the darkness as Terry and I made our way back to the car.

Weekend Top 6 Picks

Saturday June 16th, 2013

9:30am – 5:30pm  Orlando Anime Day $3 International Palms Resort & Conference Center 6515 International Dr Orl FL 32819. One day anime marketplace that brings all your anime/manga needs to you & Features over 2,000 sq ft of dealers, Video/Event room, prize giveaways, raffle drawing, cosplay, & FREE Parking.

www.orlandoanimeday.net

http://animecons.com/events/info.shtml/4139/Orlando_Anime_Day_2013#

1pm – 3pm FREE Plein Air Paint demonstration by Frank Ferrante. Cottage, located on beautiful Lake Lily park in Maitland. The demonstration is FREE and all are welcome to attend. This Plein Air influenced oil painting demonstration is for painters who want to develop a sound understanding of the fundamentals of outdoor painting. The demonstration will focus on the formal elements of painting composition, color values, structure and form. Emphasis will be placed on composition, capturing light and dark shapes, atmosphere and mood while using strong color harmony. We hope to see you at the Cottage this Saturday!

7:30pm – 9:30pm Coupled: The Game Show & Game Night. The Abbey 100 South Eola Drive, Orlando, Florida 32801. Tickets, which are $12.50 per person, can be purchased online in advance as well as at The Abbey. Created by Curtis Earth Entertainment and Great Dates Orlando, Coupled begins with a hilarious interpretation of the classic he said/she said Newlywed Game, the event will invite 6 couples to compete on stage for prizes as they demonstrate how well they REALLY know each other. Of course, Curtis will be mixing in trivia throughout so audience members can win some fabulous prizes too! Immediately following the ninety-minute show, classic board games (Sorry, Connect Four, etc.) will be set up at tables throughout this posh venue so you and your sweetie can continue the fun well into the night. In addition, we’ll be playing Twister, Musical Chairs, and Dance Freeze on the dance floor. Expect lots of prizes, drink specials and more fun than you could ever imagine having on date night.

Sunday June 17th 2013.

11am – 2pm Broadway Brunch at Hamburger Mary’s! Hamburger Mary’s 110 West Church Street

Orlando, FL 32801  (321) 319-0600 Show tunes, drink specials, and an amazing
show with Broadway performances by The Minx, Ginger Minj, and special
guests. Seating at 11:00am with show starting at 12pm 

6pm – 8pm FREE SHUT YOUR FACE! Poetry Slam by Curtis Meyer! La Casa De La Paellas 10414 E Colonial Dr Orlando FL 32817. The only current ongoing slam in Orlando officially certified by Poetry Slam Incorporated, IE. Send a team to Nationals as well as poets to The Individual World Poetry Slam & Women of The World Poetry Slam! $50 to the winner! If you’ve never seen or been in a slam before, it’s definitely worth checking out! INFO: curtisxmeyer@hotmail.com

www.casadelaspaellas.com

9pm – 11pm FREE: “Comedy Open Mic” Austin’s Coffee: 929 W Fairbanks Ave Winter Park, FL 32789. Free comedy show! Come out & laugh, or give it a try yourself.

Frost Nixon

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In the Mandell Theater in the Lowdes Shakespeare Center,”Frost Nixon” written by Peter Morgan is being performed through April 28th. Stephan Jones does an astonishing performance as Nixon. His performance isn’t a satirical caricature but an honest look at a man with insecurities and pride. As a elementary school student I used to enjoy doing political cartoons of Nixon so from an early age I understood his charisma. Timothy Williams performs as David Frost, a talk show host looking to score the biggest interview of his career. John Bateman as James Reston acts as the narrator who has had a long time desire to see Nixon admit and repent for his wrong doing. In a humorous moment he meets his long time nemesis and he goes mute and shakes Nixon’s hand. Nixon turned smugly away with his best attempt at a grin.

The interview itself was like a prize boxing match with Nixon evading question with his long winded rope-a-dope memories and effusive tales. In the first round Frost sits back overwhelmed and exhausted by the ex-presidents long winded and empty answers. The actual interview went on for hours but it is thankfully edited down for the stage production. The interview is cut into four bouts and by the end it seemed like Nixon was a bull that wanted to feel the pain of the matador’s sword.

After the show, the cast assembled on stage for a question and answer session with the audience. Director John DiDonna asked theater reviewer Steve Schneider to join them on stage. Steve wrote a glowing review of the performance but hated the historical inaccuracies of the play. He stated that Nixon never admitted to the Watergate cover up and any younger audience members might accept the play at truth. Artists have a responsibility to present the truth. He equated it to journalistic integrity. Going to the theater to learn history is like going to “The Daily Show” to get the news. John asked a class full of college students, “Who is Nixon?” Only three students raised their hands. The play offered Nixon a redemption that he never had in real life. How much artistic license should be allowed before historical accuracy is ignored or turned on it’s head? To illustrate his point, Steve suggested, we imagine that a Japanese playwright decided to write a play about World War II in which there was no Pearl Harbor. Instead Japan is forced into the war when America stages a sneak attack on the Japanese Navy Fleet. Could that be an entertaining play? Certainly, but it would be divisive and inaccurate.

You have just 3 chances left to see this amazing production.

Friday April 26th  at 8PM

Saturday April 27th at 8PM

Sunday April 28th at 2PM.

Jai Gallery

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Josh Garrick informed me that he would be reciting a Homerian Greek Myth at Jai Gallery (101 South Garland Avenue Orlando FL) on Third Thursday. Josh took the gathered patrons on a journey through the world of Barbara Sorenson‘s artwork. Dancers from John DiDonna productions / Empty Spaces Theater Co(llaboration) performed to the narration. Jennifer Bonner designed some magnificent cloaks for the dancers that mimicked and accentuated tall sculptures in the room. Josh spoke of potions for the fairest in the land as he stood by large vases. I didn’t realize that this Snow White theme dated back to Greek myths.

Wendy Wallenburg was shooting pictures and Carl Knickerbocker had ventured out of his art studio to gallery hop.
Melisse Mila Makaroff was one of the dancers and I almost caught her in my sketch but the moment flowed past too quickly. The performance moved all throughout the gallery for just 20 minutes and I could only catch one view. As people mingled afterwards, I rushed to complete what I had started. This was my second sketch of the night and I needed to get home. Patrick Greene tripped on one of Barbara’s colorful metal sculptures and I laughed out loud. The pretentious veil had been lifted.

Phantasmagoria

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I went to a dress rehearsal for Empty Space Theater Company’s, Phantasmagoria III in the Patron’s Room at the Lowndes Shakespeare Center. The circular room was magically transformed into a circus ring. Suspended below the circular dome was a circular screen which was used for projections. The rehearsal began with a 7PM fight choreography session. Even rehearsed at 1/4 speed, the sword fight was strangely menacing in the small space.

John DiDona, the director, then circled up all the actors to hold hands before a complete run through of the show. He told the cast, “Every story is important. We are dangerous, we have seen to much.” Someone shouted, “Merde!”, or was it “Murder? The room went dark as actors took their places. Two clowns in simple black suits began wrestling with boxes in the ring to comic effect. John let me know that this was the 13 minute pre-show that went on as the audience filtered in.

The Phantasmagoria cast tells some of the classic horror stories incorporating music, dance, puppetry and drama to sinister effect. The Tell Tale Heart, by Edgar Allan Poe made great use of projections on the overhead screen with chipped wall paint patterns and then  giant eye as the narrator discussed the cold blooded, highly thought out plot to kill his neighbor, an old man. The whole cast recreated the sound of the heart with guttural verbalization. It was creepy. The Cold Embrace told the tale off an artist who fell in and out of love with a cousin. Heart broken, the cousin died and then returned to haunt the fickle artist, embracing him with her invisible cold fingers.

The dark show was filled with dancing skeletons, a giant bloodthirsty wolf and beings in the darkness that were hard to identify. The ringmaster was barefooted, because corpses are barefooted in the morgue, Brittany Wine explained. Characters at times stood behind me as they whispered their lines sending a chill down my spine. The circular room is intimate, small, with no room to escape. These were classic tales told with drama and effect. Now in it’s third year, the show keeps growing and evolving along with it’s characters, each of whom had a dark painful back-story.

When: October 12-31st,  8:30 p.m.

Venue: Lowndes Shakespeare Center, Patron’s Room

Address: 812 E. Rollins St.

Phone: (407) 328-9005

Web Site: http://www.redchairproject.com

Price: $20

Red Chair Affair

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The Red Chair Affair is held once a year in Orlando at the Bob Carr Performing Arts Center, (401 W. Livingston St. Orlando), to introduce the upcoming theater season. It is a opulent crash course celebration of Central Florida’s arts and culture. John DiDonna directed this intricate evening showcasing an army of Orlando talent. The logistics of just getting everyone on and off stage on time and in order must have been mind boggling. Thankfully John allowed me to sketch a rehearsal, since I had another sketch outing planned for the night of the performance.

I entered the stage door and made my way through the back stage maze of dressing rooms to get to stage right. Crowds of actors, dancers, singers and acrobats were in the halls. John shouted my name and welcomed me. Both he and Jennifer Bonner advised me to sketch from out in the house, so I abandoned the notion of sketching from back stage. Besides stage lights were blinding.  In the back rehearsal room, all the decorated IKEA Red Chairs were on table being inventoried for auction. Each arts organization decorated a chair.

YOW Dance was on stage going through a dance routine for staging. I turned my attention to the TV camera operators who were filming the rehearsal. The NuLook School of Performing Arts students performed a lively
and stylish Indian dance called “Redolare.” I caught one of the dancers sinuous lines. Comedic actors from the Orlando Shakespeare Theater performed a hilarious fast paced history of Shakespeare using a sports commentators pacing. I recognized actor Brandon Roberts who always makes me laugh. Since I’m no Shakespeare expert however, some of the analogies were way over my head. I heard that the Enzian Theater was going to screen “Notes on Biology” which we now screen every month in the Full Sail 2D Animation course to help inspire students.

Central Florida Theater Community Potluck

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There is an undeniable irony that the semi-quarterly July Theater Potluck dinner was held at Starving Artist Studios, (801 Orienta Ave, Suite 1000, Altamonte Springs, FL). The potluck was held Sunday, June 24th from 7pm – 10pm. There was a torrential rain storm on my drive up I-4. I figured the rain might thin the crowd, but when I entered, the place was packed.

Starving Artist Studios, run by Tim Evanicki is a brand new facility that teaches dance, acting and music. Each room is themed after an area of NYC.  The room where I settled in to sketch had pictures of Union Square on the walls. A large mirror lined one wall, so this room was set up for dance. All the walls were freshly painted and several rooms had pianos and drum sets.

Everyone brought a plate of great food, drink or dessert. There was plenty to choose from. Conversations bristled as people shared good times and good conversation with friends from our theatre community. This wasn’t about performing, this wasn’t even about networking. It was a chance for people to be themselves and take a moment to breathe with all the people making our Central Florida Performing Arts Community VITAL! I kept bumping into people I know in the food line. John DiDonna joked with me about sketching. “Can’t you put the pencil down just once and have a drink and relax?” “I’ll relax as soon as I finish this one sketch, I promise.”

In the next room, Terry Olson started a theater trivia game. He said, “Name a theater production that features rain!” “Singing in the rain!” someone shouted back. “A Steady Rain!” “Rain on Broadway!” “The Diviners!” “Twelfth Night!” The answers kept coming. These theater folk know their stuff.

Tonight is Third Thursday.  “Granted“, at the City Arts Factory (9 South Orange Avenue), is a showcase for artists who had grants from United Arts.  I received a grant last year to help  with the expense of art supplies for this blog. Three of my sketches will be on display and for sale. The work will be on display through September 14th.

Fragment(ed) Rehearsal

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The Empty Spaces Theatre Co. and DiDonna Productions presents “Fragment(ed)” – the sequel to their “Best Dance” winner of the 2011 Fringe “Unspoken”. Through a fusion of dance, movement, spoken word, aerial and original music Fragment(ed) explores the very adult world of love, sex and desire, guilt and rejection, violence and destruction and final fragmentation.

 The rehearsal was visceral and energetic, combining dance, spoken word, mime and music. The show delves deep into the doubts, conflicts and pure pleasure of love. Actors draw upon their own personal experiences. These anecdotes ring true because they are raw and true. One act dwelt with two male roommates. One roommate fell in love with a girl and invited her as a third roommate. The couple broke up and the girl stayed while her boyfriend left. She and the other roommate despised one another, yet during a fight the ended up kissing. Told simply through mime, the scene is hilarious. One dance number had couples bound together with bungee chords. When they ran apart in search of their freedom, they would be yanked back together with an inversely violent force. I was afraid that the cast with bandannas and torn jeans might have been over influenced by the local DRIP Dance company, but I was happy to discover a show with rich layers. Fragment(ed) is sure to viscerally touch you and perhaps allow you to recognize yourself.

Fragment(ed) will be performed ONE WEEKEND ONLY – 7 performances from Thursday July 12th – Monday July 16th at the Mandell Theater of the Lowndes Shakespeare Center located in Loch Haven Park
(corner of 1792 and Princeton). Performances will be at 7:30 each evening, with additional Twilight performances on Saturday July 14th and Sunday July 15th (two shows a day). 

WHEN: ONE WEEKEND – Seven Shows Only
Thursday July 12th – Monday July 16th
Evening shows Thurs – Monday @ 7:30pm
Additional Twilight Sat July 14th and Sun July 15th @ 4:30pm

TICKETS: $15 – $20 with some discounts available.
Reservations 407.328.9005 or online reservation/ticket purchase redchairproject.com

Little Shop of Horrors

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Director John DiDonna staged a lively production of Little Shop of Horrors at the Annie Russell Theater in Rollins College. I love the Annie Russell’s fabulous Baroque architectural touches. As the audience filled in, several bums lounged on the stage, occasionally shifting positions to get comfortable. I’ve always loved the music from this play. I used to blast it while I painted in NYC. I always hoped that someday I’d live somewhere that’s green.

Audrey, the plant, was four different sized in the production. I ended up drawing the third largest version. When Audrey was at his largest, he filled the little shop. John took me back stage after the show to see the inner workings of the puppets. A puppeteer had to get inside the plant and bend at the waist to get the plant to talk. I must have been physically exhausting.

On stage right a chair was draped and hidden with fabric. It turned out this was the dentists chair. Today I went to the dentist and discovered I needed four wisdom teeth pulled. I was given Nitrous gas and told to relax. Old x-rays from eight years ago turned out to be from another patient mixed in with my own. As new x-rays were taken the tech told me they were short staffed. An assistant disappeared because of a family emergency. As the dentist worked on my teeth, he kept coaching the assistant so she wasn’t in his way as he worked. It seemed like this was her first time applying suction. I suspect she was usually in the reception area but she was excited to learn.

The bright light in my eyes, I saw a large needle and felt a sharp burning sensation in my gums and in my cheeks. I flinched and the doc apologized. He kept the needle in and kept vibrating it pushing hard. He repeated the process on all four quadrants of my gums. The worst pain happened when he stabbed the roof of my mouth. I was fitted with a bright orange clowns nose with two hoses for the gas. My head swam and my legs relaxed. Some sort of wedge was inserted inside my mouth to keep it open.

Before he began, he advised me to take an extra deep inhale of the nitrous. I heard his stomach gurgle. The dentist started prying at my back wisdom tooth and he pushed hard under the roots. I heard a crunching noise, like a tree branch breaking and I felt the tooth give way. For an eternity he continued to pry. There was cracking and crunching as he broke the teeth free. Giant hands and tools invaded my field of vision. “I should be sketching” I thought. When he was done he patted me on the shoulder and said, “Time flies when you’re having fun, kind of makes you wish you could have them all out.” He loved his work.

I was left reclined in the seat to recover. My whole mouth was numb and I realized I couldn’t swallow. My throat felt like it was constricting. I started to panic. I heard shoes ringing on the tile as assistants and dentists rushed from station to station. Would they notice if I stopped breathing? I gasped for air through my mouth and struggled to relax. When I was finally seated upright and the orange nose removed, I breathed a deep sigh of relief. A simple trip to the dentist for a deep cleaning turned into an unexpected horror.

Phantasmagoria

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It would be a fiendish, horrific tragedy if you didn’t get to see Phantasmagoria. Tonight is the final show starting at 8:30pm at the Orlando Shakespeare Theater’s, Mandell Theater. I arrived early and started blocking in my sketch before the audience arrived. I love these final moments as the actors stretch, warm up and joke to break the tension. The actors gathered in a circle and held hands. Director, John DiDonna said, “Lets build a bridge to next year. Make these final performances fiendishly dangerous. See you on the other side guys.” Brittany Wine shouted out, “Love you all!”

All the actors layed down on the floor and they were covered with black blankets. John warned, “We have a full house tonight with 98 people. Check your extremities, don’t leave anything sticking out.” A female voice boomed over the sound system, “Five minutes to house open.” Members of the cast shot back, “Thank you five.” The room grew deadly quiet and then the audience walked in to find their seats. One actor rose quietly, the blanket still covering him to strike a ringmasters theatrical pose. As the blankets were lifted off, the actors came to life in their costumes of blood red and black. The costumes designed by Jennifer Bonner were lavish and stunning. A scrim behind the actors often acted as a screen for projections of animations and titles.

Each of the acts were built around horrific folklore and poetry. Edgar Allen Poe’s “Masque of the Red Death” resulted in the whole cast dancing, celebrating and then succumbing to the pestilence of the red death. No one was spared. Phantasmagoria was a whimsical and horrific poem by Lewis Carol.

“Allow me to remark
That ghosts have just as good a right,
In every way to fear the light,
As men to fear the dark.”

I enjoyed “The Picture of Dorian Grey“. In this act a painter created a stunning portrait of Dorian Grey. When Dorian viewed the painting, he saw it morph, revealing his inner dark self. The picture took on a horrific visage because Dorian was morally bankrupt. In the end Dorian died taking on the horrible appearance in the portrait and the painting returned to its former splendor. A life sized skeletal puppet was used to portray his inner self to great effect.

Music of Eric Satie played during an elegant and beautiful aerial act. Tiny Gina Makarova performed on a suspended hoop while Mila Makarova and Dion Smith performed suspended in silks. Satie’s music expressed the melancholy inner yearning of the creative spirit and the women floated weightless in its ethereal embrace.

The most stunning puppet was the Jabberwocky from Alice in Wonderland. An actor on stilts acted as the hind legs of the creature and a long silver spine snaked down from head to tail. The head was immense being controlled by a strong puppeteer. A small army was needed to control the beast. I wish I had been fast enough to get a sketch. This show is the perfect Halloween treat.