Violin(ce)

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Empty Spaces Theater Company’s director John DiDonna has collaborated with fight choreographer Bill Warriner to bring an experimental show to the stage where “fighting is the story.” Any writer knows that a good story must have a conflict. In this show, the dozen or so actors and dancers are waged in an eternal battle. Some of the fights are staged as a lone violin player is projected on the screen at the back of the stage, thus the title, “Violin(ce)“.

The first scenes revolved around silent film era comic violence.  Then actors recounted school yard brawls. The violence grew personal as a loving couple had their first arguments that progressed to slammed doors and ultimately domestic violence. The line between the erotic and violent was blurred. Actors came at each other with knives, sabers maces and sticks. Blades missed by inches in the type of fights you might have seen in a swashbuckler starring Errol Flynn and Basil Rathbone.

McClaine Timmerman performed an incredibly limber and tortured routine, stretching her limbs beyond what should be humanly possible. Dion Smith moved  with a ballerina’s grace around the stage like a hungry lioness as she spared with DiDonna. Of course Cory Violence was in the show. His amazing performance in “The Key of E” and his last name alone guaranteed him a role. In one incredible fight, the entire cast was on stage fighting with weapons. Blades flashes inches from fresh. It is amazing no one was injured. Truth be told, many actors were bruised and battered. Though safely was the rule, adrenalin kicked in. The bruises, abrasions and emotional scars are real.

Each scene in this show is a self contained vignette with each scene building on the last as a sort of history of violence. The action is constant and progressively more intense. The show runs through July 22nd at the Lowndes Shakespeare Center (812 East Rollins Street Orlando FL).
The Saturday, Sunday and Monday shows are at 7:30pm.
Additional Sat/Sun twilight shows are at 4:30pm. Tickets are $20. For reservations please call 407.328.9005 – cash only at door. For credit card pre-orders please use www.redchairproject.com

City Beautiful Church

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I went downtown to the Lake Eola band shell to meet Sarah Lockhard and a Voci dancer named Brie to discuss possibly doing a live projected sketch during a dance performance. Cory Violence would be reading a Tom Waits poem called Watch Her Disappear. Apparently every day in October there will be public performances like this all around town. When I got close, I noticed musicians playing in the parking lot behind the Polish Catholic Church. Meals were being distributed to the homeless and the music suggested that they surrender to Jesus.

When I got to the band shell, I sat in the back row and waited for Sarah. A band was setting up on stage with a large screen behind them. The screen and projector system would be perfect for the performance piece Sarah was considering.  One of the tech guys walked up to me and introduced himself. He was a former student of mine who was volunteering to help out with the City Beautiful Church concert. Since Sarah was a no show, I decided to sketch the band as they did their sound check.

Cole Nesmith explained that this church would be moving into a new bricks and mortar establishment just south of Lake Eola in a couple of weeks. In the mean time they were worshiping in the park. The band was quite good, playing lively and uplifting Christian rock. I’d never heard the songs before. Some of the lyrics were, “There is an army rising up. Break every chain. I may be down but I will rise. It may be dark but God is light.” Cole gave a sermon about the Prodigal Son, who took his fathers inheritance, squandered it and then returned home begging for food and forgiveness. The point of course was that god is all forgiving and full of love. Clouds of gnats swarmed around my head. I swatted they away as I drew. I finally had to leave in the middle of a song to get away from the bugs. A couple ran after me as I walked around the lake. They wanted to see the finished sketch. Their son was at the key boards.

Video Game Burlesque Rehearsal

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Rehearsals were running late at Theater Downtown. After the Vaudeville acts had been rehearsed, the second show, a Video Games Burlesque was run through. Chan Sterling worked as the MC in a white lab coat, a deep grey ascot and big black rubber boots. Ruby Darling appeared at the end of the runway in a sultry black and white dress that came down tight at the knees forcing her to walk like Morticia from the Addams Family. 0n the day of the show, she would be entangled in wires and deliver a menacing monologue. I’m not sure what video game the scene is from, but the burlesque dance that followed was easy enough to understand.

Jolie Hart and her boyfriend cuddled in the front row. Jolie performed an amazing high energy retro dance routine that had her gasping for air when she burst back stage. The blood covered chair at the end of the runway was for Cory Violence and Shy La-Buff’s Bio-Shock burlesque number. Shy wore a strange bunny’s mask and wore a tattered green dress that Violence would later rip off her in shreds.

My favorite number of the rehearsal was when Ruby Darling sang “Soon or a Later” to Nekkid RoboJoe. As she sang she got some Duct tape and taped him to the chair he was sitting in. When the number was over, she dragged him off stage. This routine would certainly have the audience roaring.

Vaudeville Rehearsal

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After a full run through of all the Vaudeville acts, rehearsals started on the second show on the bill, a Video Game themed burlesque. Shy La Buff and Corey Violence had a number based on a creepy game called Bio Shock. The two of them share sensual sips from a syringe full of Adam, a blood like substance. Seductively Shy pushed Violence back into a chair. He ran his hands up her legs as she dug her high heel into his chest. They were rehearsing in the Lounge of Theater Downtown while the other burlesque numbers were being rehearsed in the main theater.

Of course I had intended to get Shy interacting with Violence but as soon as I sat down to sketch, the director had notes and they didn’t continue rehearsing. I gave up on the idea of including Shy, so now it looks like Violence is relaxing in the lounge. I was distracted as well because my tablet PC had crashed that morning. Damon Natch Burke, my tech guru wasn’t sure of the problem yet. I needed the tablet to do the quick digital sketch of Poodle Murphy on target for the knife thrower. For this rehearsal, I brought a video camera and tripod, hoping I could shoot video as I did a traditional sketch but I was missing a video connector. I tried to set up the equipment in the dark but failed. I needed the tablet. I sat sullenly on the stage, much like Violence is sitting in the sketch. Being unable to perform, I felt like so much ballast.

Vaudeville

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Thanks to Shy La Buff, I found myself as part of a Vaudeville act at Theater Downtown. The lobby of Theater Downtown felt like a large cluttered living room. There was a pool table in the corner and a small piano in front of a makeshift stage. Theater posters and large photos littered the walls. I didn’t see any theatrical sketches. I planted myself in a comfortable leather seat. Actresses arrived one at a time, listening to iPods and swinging their hips.

There was a rehearsal wrapping up on the main stage so, Ruby Darling started blocking out the Circus act of which I was a part. Cory Violence stood in the center of the red carpet and began reciting “Live Circus” by Tom Waits. He had to read the lines off his iPhone at first but soon he was off script.

Every actress in the room was soon recruited to be in the act. Ruby herself became One Eyed Myra, the queen of the galley. Cherry Bob-omb took the role of Horse Face Ethel and her ‘Marvellous Pigs In Satin’. She wore a dark beard and moved with a dancers grace. A-manda Lorian had a petite frame draped in an over sized mans outfit. The floppy hat was a size too large and it always kept half her face hidden in shadow. She swayed and staggered like a drunk sailor. She reminded me of a feminine version of Charlie Chaplin. Siber Digit was Yodeling Elaine the Queen of the air. She moved with languid and heavy depression having lassoed and lost another tipsy sailor. Shy La Buff was on target as Poodle Murphy. She held her arms high and arched her back so I could sketch. Chan Sterling as Funeral Wells stood prepared to throw his hardware. He tested the sharpness of the blade with his thumb.

I only had five minutes to do the sketch on my digital tablet hooked up to a projector. I had to plan everything out in advance so I could finish in time. Each knife was on its own layer in Sketchbook Pro, so when Violence shouted, “Leave the bum!” I could flick a knife layer on and it would appear on the sketch. No physical knives were thrown only digital hardware.