Classically Demented

Yow Dance brought Classically Demented: A Darkened Fable of Storybook Characters You Thought You Knew to the silver venue at the Orlando Fringe Festival. Several days before the Fringe opened, I went to the Rep Theater to watch the Tech rehearsal and several run-throughs of the show. Eric Yow was half way back in the theater seating counting out the beat as dancers went through the blocking. The dance company presented classic storybook characters, like Snow White, Cinderella, Bo Peep and many others in a darkened vision of the fairy-tales.

Mother goose was spry and graceful.  In one twisted dance number, a dancer cloaked in black entered holding an egg. The egg was split open over a bassinet dripping blood inside. At the foot of the stage there was a black board that was used to keep track of the casualties. Dancers collapsed  and were dragged off stage by their feet. The death tole rose. The costuming for all the dancers was elegant and beautiful. A dancer cut her toe on an exposed nail on stage. It was hammered down and taped over.

When it came time for the full run through, Eric shouted, “Have a great run dancers, Merde.” I had never heard that term before. Apparently back in the early days of ballet, the
companies used to use live animals in performances. Well, whenever one
of the animals would dump on stage, someone would yell “MERDE!” from
stage to let the dancers know to watch out so that they wouldn’t slip!
And I suppose that they said it so much that it just came to mean good
luck! Addicted to Love  played behind one of my favorite dance numbers. Who wouldn’t want to see zombie princesses devouring each other as they hunt for love? Eric himself performed as the evil queen. Michael Marinaccio, the Fringe producer stopped over to say hello before the second run through. He had his child with him and wanted to be sure the show was family friendly. I assured him there was nothing risque. As the dance began I began to wonder if a child would be upset by this darkened fable… Nah.

Show times:

Today, Saturday May 26th at 3:00PM

Sunday May 27th at 8:45PM

The show is in the Silver Venue at the Rep. Tickets are $10.

The Sparrow and the Mouse

The Sparrow and the Mouse: Creating the Music of Edith Piaf was a solo Fringe show by Melanie Gall from Ottawa Canada. She performed as Edith Piaf’s half sister Simone. A black and white photo of Edith sat on the dressing table along with an accordion. I just knew of Edith’s beautiful singing from a scene in Saving Private Ryan. Edith and Simone’s friendship spanned 25 years. Simone was raised by prostitutes. The two grew up poor together and they earned enough to by a scrap of bread by singing on the streets of Paris. Edith always dreamed of making it big with her singing. They worked in a club where Edith performed as a leading singer, but Simone had to dress in a slinky burlesque outfit when she sang for the men. Money was so tight that they shared the same bed.

Edith’s tempestuous passions lead to her having a child which wasn’t great for business. Melanie gave a hilarious performance where she tried to sing for change as a baby in her arms cried. Edith was eventually discovered by a talent agent who saw her singing on the streets of Paris. He insisted she change her name to Piaf which means sparrow.  At first she didn’t like the name, but joking with Simone, she said, “If I am a sparrow, you are the mouse.” These artists lead a tragic life with simple pleasures. Men came and went, but their friendship endured. Having seen The Sparrow and the Mouse, I now understand the deep yearning sadness in Edith Piaf’s voice. Melanie’s singing performances were memorable, yet I always yearned to understand the French lyrics. Time to learn French. I’ll put that on my bucket list.

Show times:

Saturday May 26th at 6:00PM

Sunday May 27th at 11:30AM

The show is in the blue venue. Tickets are $11.

Mysterious Skin

Mysterious Skin is a play by Prince Gomolvilas based on a novel by Scott Heim. This Fringe production was directed by Jeremy Seghers and produced by James Brendlinger. The show’s promotional materials left plenty to the imagination showing a black and white photo of a mans naked belly. When I ran into Jeremy, I shouted “I’m ready for some Skin!” He laughed and said “Calm down.”

The show follows Brian Lackey, (played by Anthony Pyatt Jr.) as he seeks the truth behind a childhood memory that forever haunts him.  In the opening scene, he sat center stage withdrawn and introverted. His mannerisms vividly reminded me of a nephew of mine who committed suicide. I was mesmerized. Avalyn Friesen (Marcie Schwalm) sat on her bed talking to him. She was a firm believer that aliens had abducted her when she was a child. Brian began to believe this might explain the memories of his past.

Neil McCormick,  (Michael Martin) New York City found himself draw to gay men and began to “turn tricks” which it turned out is a dangerous, and ego crushing way to make money. After seeing an old little league photo, Brian realizes that Michael played a part in the fractured memory of his child hood. Brian eventually finds Michael. Brian is awakened to the truth that he wasn’t abducted by aliens when Michael shows him their baseball coaches abandoned home. The image triggered a flood of memories. In a moving scene near the end of the play Avalyn wrote Brian to describe her abduction. Her intense recreation made it seem that she and Brian had experienced a similar fate. When Brian finally faces the truth, his legs give out.

There is no clean resolution or moral to the story. The characters and their plights lingered with me. The play was haunting and hard hitting. Anthony, Marcie and Neil gave amazing performances. This play certainly got under my skin.

Show times:

Friday 5/25 at 9:15PM

Saturday 5/26 at 3:15PM

Sunday 5/27 at 7:15PM

The show is in the Orange Venue and tickets are $10.

Dog Powered Robot and the Subsequent Adventure.

I arranged to meet the cast of Dog Powered Robot at the loading door of the Orange Venue at the Orlando International Fringe Festival. As I approached the green lawn of fabulousness, I realized I didn’t know where the Orange venue was. I decided to go inside the Shakes and that was a correct guess. Brittany Wine, the DPR stage manager was at the stage door in a stunning red dress. I asked about the loading door and she lead Gina Makarova and myself through a maze of hallways and back doors. Gina was using crutches and had on a temporary cast. It seems her cello had decided to wrestle her to the ground.

The DPR army gathered behind the theater along with a small mountain of cardboard robot parts and set pieces. Grace “Scully” Nolan had seen the DPR billboard on the drive over and the server saw her Blue DPR shirt and commented on how she loved Dog Powered Robot.  The servers name was Destiny which forebode a super awesome performance. Fisher was a furry bundle of energy and he barked his welcome an more people arrived. Evan Miga explained that a life sized VW van would drive across the stage Flintstones style, giving this Fringe show effects bigger than the helicopter in Miss Saigon or the Phantom’s chandelier. . The metallic garage door opened, Christie Miga picked up Fisher and the DPR Army started moving the corrugated cardboard city inside.

I thought I wanted to sketch backstage, but most of the robot parts were out on the floor of the theater. I sat in a front row theater seat, but the arms were too restrictive so I ended up sitting on my artist seat partly on stage. Brittany announced, “5 minutes to house open!” and someone shouted back “Thank you 5!” I couldn’t believe it, my sketch was barely blocked in. I would have to finish as the show progressed. Cast members in black outfits with black helmets with red miner’s lights roamed the room scanning with a long pole with a spinning light rainbow device. They muttered to each other in an alien dialect reminiscent of a Muppet’s song. The rear projection screen announced that they were Ninja Noids and were invisible. That didn’t stop the Ninja Noids from interacting with the audience as they arrived. There was playful theater magic from the start. I sketched Vic-16, (Corey Violence) and Commodore, (Zach Scot) but they only had bit parts to introduce the play.

Lolly Bot (Serafina Schiano) was delightful and she was given time to shine. Audience members were offered a $1 discount if they showed up as a robot. Her counter part, a punk purple bot, Scraperella Overdrive, played by Jennifer Guhl, added sass and attitude to the show. The villain was a grumpy old neighbor who had robotic arms played by John Moughan, and by the end of the show he had used the embigi-fication matrix to extend his reach with many giant arms. I will not give away any of the plot points other than to say that the friendly blue Dog Powered Robot saved the day. The show had the audience laughing out loud and they cheered for Fisher, the little Pomeranian at the heart of the bright blue bot. The show returned to the dreams of the big city ideals that were
endearing in the short production two years ago. It is hard to recreate the energy and surprise of that initial production. Call it destiny or call it fate, the show was a super
awesome mega win!

Show times are:

Wednesday 5/23 at 5:15PM

Thursday 5/24 at 7:45PM

Saturday 5/26 at 1:15PM

Sunday 5/27 at 3:15PM

Tickets are $11.

Well…Since You Asked!

My first Fringe show was suggested to me by Denna Beena. Well…Since You Asked featured a solo performance by Kate O’Neal where she offered her opinions and personal life experiences. She would go to a small round table at the back of the stage to pick up slips of paper with questions, presumably from audience members and her mom. David Horgan, one of DEM Guys, was seated in the front row. An on running joke between us is that David always tries to pose in any scene I happen to be sketching. This time he succeeded being front and center. The center bleacher seating was full with run over audience members sitting on the sides,

Although much of Kate’s monologue was funny and irreverent, she succeeded best when she spoke from the heart.  When she related one of the most tragic moments of her life, the theater went dark and she was bathed in a red spotlight. Everyone in the room seemed to lean forward, fully present. She sang several songs which resonated deeply with me. Desperado by the Eagles and Bridge over Troubled Waters. Her singing alone was worth the price of admission.

She  has met some fascinating people in her life and has been through a number of jobs and husbands. When she discovered her husband was having an affair with the neighbors
wife, her retaliation had audience members gasping and laughing. This is why theater and the Fringe are magic. People will always want to gather in a darkened room to learn from someone elses life experiences. Kate shared them all, even her mistakes, bringing us along for the emotional ride. A show like this takes bravery and this was her first time doing a personal monologue. The Fringe makes taking such chances a reality for performing artists. I’m glad she took that chance. As she said, “It’s never too late to be who you might have been.”

Show schedule:

Monday May 21st at 6:45PM

Tuesday May 22nd at 7:15PM

Friday May 25th at 7:45PM

Saturday May 26th at 12:45PM

Performances are in the brown venue and tickets are $8.

The Eighties Strike Back

Imagine if the original Star Wars trilogy took place in the 1980′s – and it was a musical! That’s what this Fringe stage production is all about. The lyric from some of the most memorable songs from the eighties were changed up to re-tell, in detail, one of the most known and beloved stories of modern times. I first learned of this production when I took a required course at Full Sail called “Using Improve in the Classroom.” Simon MacDonald was one of the instructors and the class was a blast. Simon is directing “The Eighties Strike Back.”

A dress rehearsal was held at Lake Howell High School. It poured on the drive over. I ran under awnings and started searching the hallways for the auditorium.  A student finally lead me there. A band concert was going on and the audience was full of adoring parents. Trumpet solos blasted notes off tune but still the audience went wild. I started to think I was in the wrong place but then the concert ended. I watched the mad shuffle to move orchestra chairs and music stands. Then the stage stood empty with only a few students still posing for photos in the isles. Cody Donaldson stepped out on the stage dressed all in gold with a golden Frisbee on his chest. There could be no denying that he was an 80’s version of C3PO. Kelly Dunn Lowenberg skated on stage as a roller derby version of R2D2.

The cast assembled and then they did a full run through of the show. The production certainly pulled out the Star Wars geek in me. Richard Barados rendition of Chewie in one of the musical numbers had me laughing out loud. Emily Cutting added some new dance moves to one of the numbers and as Leia, she will earn any fan boy’s attention. Matthew Mendel as Luke was dressed as Marty McFly from “Back to the Future.” He wanted to be sure I captured his hair wave accurately in the sketch. Adam Bellas had a fun rebel punk attitude as Vader and Simon was particularly hilarious as Yoda. I was bobbing my head and ended up singing along as I sketched. They get my vote for a super awesome, fun, Fringe show!

Show times are:

Saturday, May 19th, 11:15 am

Sunday, May 20th, 3:00 pm

Wednesday, May 23rd, 7:30 pm

Friday, May 25th, 5:00 pm

Saturday, May 26th, 7:45 pm

Sunday, May 27th, 1:45 pm

Tickets are available on the Orlando Fringe website. Prices are $10 per show and there is a $1
handling cost. (If you are a card carrying member of the 501st or Rebel
Legion you get a $1 discount.) It is also required that in order to see
a Fringe performance that you have a Fringe button which is $8. All information is available on the Orlando Fringe Website.

Eclipse Theater

On the Celebrity Eclipse, I took the glass elevator down to deck five. Dropping down I watched the library slip by and I watched people in the opposite elevator as they rose up. I walked down a long hallway past flashy boutiques, the Molecular Bar and the flashing lights of the Fortunes Casino. Terry was in our cabin reading, while I made my way to the Eclipse Theater to see an Iron Chef style cook off. I sat in the nose bleed section of the upper level to try and capture some sense of the enormous space.

The chipper activities coordinator announced the contestants. Two passengers had been picked to compete against each other with the help of some of the ships chefs. I believe they only had 15 minutes to prepare their dish using the raw produce available on the back tables. The female contestant talked smack by saying her opponent wasn’t even working his pans over the burners. She had a point, the crew chef was helping out quite a bit.

When it came time for the judging, an oval platform rose up with three passenger judges. One judge was from France and she said that the female contestants dish reminded her of her childhood. The male contestants dish however had too much spice. Every judge actually didn’t like the male contestants dish. They didn’t hold back their criticisms. The female contestant won.

I was still working on the sketch as everyone rushed out of the theater. It seems that these cruise ship activities are designed for audiences with short attention spans. A tech came out of the sound booth and approached me. He told me I would have to leave the theater. I can’t believe it. This was the second time I had been interrupted while trying to finish a sketch on the cruise. I asked why. He said they had to rehearse that evenings performance. I asked if I could do another sketch of the rehearsal. No, he had rules to follow and I left fuming. I don’t like being herded around like cattle. The final color washes were added in the cabin. We never returned to the theater to see the show.

The Way of the Cards

The Way of the Cards” is a new play written and directed by Aradhana Tiwari. It will have its World Premiere tonight at 8:30PM in the Lowndes Shakespeare Center, Mandell Theatre (812 E. Rollins St, Orlando). I went to a tech rehearsal a few days before the opening. Aradhana welcomed me warmly and introduced me to Tom Mangieri, the set designer. This was the first time the cast saw the set, so stage manager, Brenna Nicely, gave them a walk through. Apparently the steps could be hazardous. The set wasn’t complete yet, but the sink had running water. Everything was a bit off kilter, giving the domestic scene an unsettled feeling

Aradhana said to the cast, “Don’t let
the largeness of the space take away from your power.” She pushed the
actors repeatedly to project to the back row. As the scenes were
rehearsed, she moved to different seats in the theater, getting a feel
for the scenes from all angles. 
She handled the music cues from her iPhone.

The play is about the dysfunctional Arlington family. Tip, played by Anthony Pyatt, narrates the plays opening, structuring his narrative around a single
hand of Texas Hold ‘em. He teaches cards in order to
relay the most tragic hand of his life. He spends much of the play munching cereal trying to remain disconnected from the drama swirling around him. His mom, Sass, played by Kate Ingram
may have been the “First Lady Of The
Vegas Strip” at one point in her poker career, but now she is simply a
tired hack who plays on a riverboat. Tips sister Tally, played by Olivia Richardson, tried to bring some order to the home but she never could fulfill her absent mothers expectations. The youngest member of the family, Lucky, played by Gabe Patrick, dreamed of someday being a “Mechanic” which is someone who knows how to cheat at cards.

Sass needed to convince Lucky that cheating at cards was disrespectful to the game. “In life there are players and there are dealers, you don’t want to look back and wish you had played a hand. The way of the cards is in the people that hold them. There is always some sucker hoping there is a special card that will save the day.” “Don’t worry mom, I’ll earn my wins.” Lucky replied.

This is a powerful heartfelt drama born right here in Orlando. Get out and experience this show for yourself. Be a player, not a dealer. We all have to work with the hand we have been dealt.

When:

April 27th through May 6th
Fri 4/27- 8:30PM
Sat 4/28- 8:30PM
Sun 4/29- 2:30PM
Mon 4/30- 8:30PM Industry Night
Thu 5/3- 8:30PM
Fri 5/4- 8:30PM
Sat 5/5- 2:30PM(Matinee, no night show)
Sun 5/6- 2:30PM

Cost:
General Admission: $15

Industry Night: $10 (Guaranteed seating with previous reservation, we
are also offering a walk-up admission of pay what you can, it’s not
guaranteed seating, but you can pay whatever you want!)

Time:
Fri/Sat/Mon- 8:30PM
Sun/Sat(5/5)- 2:30PM

For tickets and more info: Visit PlayTheMoment.Com.
(Tickets are now on sale )

The Search for the Holy Grail

My wife, Terry, agreed to meet me at the Florida Film Festival to see the Animated Shorts. I got to the Enzian a little before Terry and ordered an Orange Blossom Pilsner. There wasn’t anyone in the box office so I sat at a table and sipped my beer, watching people as they arrived. I waved hello to Kim Robinson from the Mennello Museum. She sat down at my table and began knitting the tiniest baby slipper I have ever seen. She had seen at least ten films already although she stopped keeping count. She essentially takes the week off and sees all the independent films she can. A line started forming for “Single Ticket Holders.” I wondered out loud if there was a line for “Married Ticket Holders.” Kim decided she had better stand in line so she could get a good seat.

Terry arrived and she checked with the box office. The Animated Shorts program was sold out. A woman in blue was at the head of the “Standby Line.” We sat down in the second and third standby spots and waited. The group of people behind us all knew each other. Director Sari Gilman approached from the Eden Bar. She recognized these long lost friends and her face lit up. There were hugs and a quick flurry of conversation as they tried to catch up before the line started moving. Sari is a film maker from San Francisco. Her film “Kings Point” is about the need for companionship and the difficulties of growing old in America, of being alone. Terry and I looked at each other and our eyes grew large. Sari spends most of her time alone in a dark room cutting and editing scenes together. Between screenings of her documentary short, which is half an hour long, she hopes to promote the film. Promoting the finished product is difficult for any artist. The film is being screened one more time on April 21st at 1pm at the Regal Park Village. I will not have a chance to see it since I have class that day.

The line started moving and we made it into the Enzian Theater in Siberia at the back of the theater. An announcer asked someone from Lure Design to stand up. Lure was the sponsor of the Animated program. She then thanked Full Sail and asked Full Sail staff to stand. I remained seated. My favorite animated short was “Notes on Biology.” With stop motion jitter, children entered a classroom, sitting at their desks. Notebooks are opened, some neat and tidy and some a mess. A student starts animating a wheel turning as the teacher drones on about Biology. The notes spark to life when he draws a robot elephant. I learned a new word, ectoecology, which is how an organism abopts to its environment. A Film Festival staple, Levni Yilnaz, entertained with his “Random Observations about Sex.” Animator Bill Plimpton was in the audience and he had two shorts in the show, my favorite being “Summer Bummer“.

After the screenings, there was a free screening of Monti Pithon and the Holy Grail, outside on the brand new inflatable movie screen. The thing looks something like one of those inflatable kids romper rooms or slides. I’ve actually never seen “The Holy Grail”, so I was excited. The film had already started and the hillside lawn next to the Enzian was packed to overflowing. I sat right next to the screen, and looked up the hill at the audience. I couldn’t really see what I was doing but at least I caught an impression of the couples lying on blankets enjoying the show. Terry found me and shouted in my ear that she was going to go. That morning I had my heart carved out with a dull knife. Luckily, it was just a flesh wound and my hand can still put marks down on a page. I finished the sketch in no time flat since I couldn’t see any detail. I looked up at the thin elongated knights on the screen which billowed in the wind. A few drops of rain fell and I left before the movie was over. Someday I hope to see the whole film.

Olive Garden Italian Cinema Night

This Florida Film Festival staple tasting night has become a beloved ritual for Festival attendees. The tasting reception was preceded by “Marriage Italian Style“, with Sophia Loren, inside the theater. People arrived at Eden Bar for a tasting of Italian treats and delights courtesy of festival supporter Olive Garden Italian Restaurant. Film tickets were $10 each. The tasting reception was complimentary.

I arrived an hour early to block in the sketch composition before the crowd got too thick. I ordered a Orange Blossom Pilsner and sat at a metal table on the sidelines. Volunteers at the Festival this year are wearing bright red shirts that say “Scan me”, with a giant QR code on the back. One volunteer weaved through the crowd with a questionnaire to find out where Festival attendees came from and how much they planned to spend. Another woman approached me and asked if I had a program yet. I didn’t, and I assumed she was going to give me the one she was holding. She had a program and was given a second one. She wanted to sell me her second program, I declined.

Mary Ann De Stefano arrived and she was kind enough to get me several tiny sampler plates. There was a crispy toast with crushed tomatoes on top, a sharp white cheese and some olives. As people arrived there were hugs and compliments. After the tasting there was going to be a screening of “Dead Dad” which is the premiere feature film of FSU student, Ken Adachi. Ken developed an urge to complete a feature length film while working primarily in short formats. New to Los Angeles with limited funds, he and his collaborators embraced a grassroots approach and worked tirelessly to make it happen. The result is “Dead Dad“, Adachi’s feature film debut. I believe that Ken, his family and friends were at the table next to mine judging from the hearty congratulations.