The Anatomy of a Short Film

As part of the Florida Film Festival, a panel discussion was held on Wednesday, April 10, 2013
between 1:30 and 3PM
in the Full Sail University in the Entertainment Business Auditorium, located next to the Full Sail Live Venue, (141 University Park Drive, Winter Park, FL).  The panel discussion featured industry experts and members of the Full Sail University Film degree program faculty as they took a closer look at the unique components of the short film genre. From story structure issues and thematic considerations, to logistical considerations and new modes of marketing and distribution, this event offered an inside look at the anatomy of the living, breathing short film making process.

The main theme that was stressed again and again was that short films need to be character driven and involve universal themes. The short film is a great place to experiment and it is a safe place to fail. It was pointed out that many beginning film makers will try to do too much in their first short. There can’t be sub plots and too much back story. Bottom line, the short needs to be, well, SHORT! Three minutes was the suggested duration. Longer films don’t get placement in film festivals because the promoters want to show as many films as possible. Students fall into the trapping of using complex camera moves and crane shots but you need to ask yourself, “is the shot really forwarding the story?” Story is king and queen.

A student walked up to the microphone and asked, how he could get backers interested in his idea. A moderator said, “First and foremost, you are selling yourself and then the movie idea.” He asked the student to give him his elevator pitch for the movie. The student began and honestly I stopped listening because the convoluted story took too long to tell. The moderator shouted,”Bing! Time is up, this is my floor.” Everyone laughed. He stressed that the student needed to trim his elevator pitch to be sure he had the person’s interest. The internet has made it so that stories need to be told quicker.

Panelists offered up films that they love that should help a film student to develop story. Films included, Touch of Evil, The Third Man, When Worlds Collide, and Some Like It Hot. That evening I went to the Enzian to see a program of animated shorts. My favorite film was, “Marcel, King of the Tervuren“. it was a great character driven story about a rooster who looses his eye and his brood of hens to his son in a cock fight. Marcel returns and then fights and kills his son. The style was painterly and bold. The Bill Plympton film, “Drunker Than a Skunk“, had it’s world premiere at the festival. It is a Western drawn entirely with ball point pen. The character designs are quirky and amazing. At the film maker talk back afterwards, Plympton said that an animated short costs him about $1000 per minute to produce. Drunker Than a Skunk cost him $5000 to produce. He traded an amplifier for someone’s work on the sound track. His wife Sandrine did all of the color work and once his son, Luca, is old enough, he’ll be part of the production team. Of course, being able to do 100 drawings a day helps. He stood on the stage holding his new born son along with his wife who helps him with each film project.

Plympton’s three rules for making a short film are…

1. Make it SHORT!

2. Keep it CHEAP!

3. Make it FUNNY!

As he said, that describes many of his past girlfriends.

The Search for the Holy Grail

My wife, Terry, agreed to meet me at the Florida Film Festival to see the Animated Shorts. I got to the Enzian a little before Terry and ordered an Orange Blossom Pilsner. There wasn’t anyone in the box office so I sat at a table and sipped my beer, watching people as they arrived. I waved hello to Kim Robinson from the Mennello Museum. She sat down at my table and began knitting the tiniest baby slipper I have ever seen. She had seen at least ten films already although she stopped keeping count. She essentially takes the week off and sees all the independent films she can. A line started forming for “Single Ticket Holders.” I wondered out loud if there was a line for “Married Ticket Holders.” Kim decided she had better stand in line so she could get a good seat.

Terry arrived and she checked with the box office. The Animated Shorts program was sold out. A woman in blue was at the head of the “Standby Line.” We sat down in the second and third standby spots and waited. The group of people behind us all knew each other. Director Sari Gilman approached from the Eden Bar. She recognized these long lost friends and her face lit up. There were hugs and a quick flurry of conversation as they tried to catch up before the line started moving. Sari is a film maker from San Francisco. Her film “Kings Point” is about the need for companionship and the difficulties of growing old in America, of being alone. Terry and I looked at each other and our eyes grew large. Sari spends most of her time alone in a dark room cutting and editing scenes together. Between screenings of her documentary short, which is half an hour long, she hopes to promote the film. Promoting the finished product is difficult for any artist. The film is being screened one more time on April 21st at 1pm at the Regal Park Village. I will not have a chance to see it since I have class that day.

The line started moving and we made it into the Enzian Theater in Siberia at the back of the theater. An announcer asked someone from Lure Design to stand up. Lure was the sponsor of the Animated program. She then thanked Full Sail and asked Full Sail staff to stand. I remained seated. My favorite animated short was “Notes on Biology.” With stop motion jitter, children entered a classroom, sitting at their desks. Notebooks are opened, some neat and tidy and some a mess. A student starts animating a wheel turning as the teacher drones on about Biology. The notes spark to life when he draws a robot elephant. I learned a new word, ectoecology, which is how an organism abopts to its environment. A Film Festival staple, Levni Yilnaz, entertained with his “Random Observations about Sex.” Animator Bill Plimpton was in the audience and he had two shorts in the show, my favorite being “Summer Bummer“.

After the screenings, there was a free screening of Monti Pithon and the Holy Grail, outside on the brand new inflatable movie screen. The thing looks something like one of those inflatable kids romper rooms or slides. I’ve actually never seen “The Holy Grail”, so I was excited. The film had already started and the hillside lawn next to the Enzian was packed to overflowing. I sat right next to the screen, and looked up the hill at the audience. I couldn’t really see what I was doing but at least I caught an impression of the couples lying on blankets enjoying the show. Terry found me and shouted in my ear that she was going to go. That morning I had my heart carved out with a dull knife. Luckily, it was just a flesh wound and my hand can still put marks down on a page. I finished the sketch in no time flat since I couldn’t see any detail. I looked up at the thin elongated knights on the screen which billowed in the wind. A few drops of rain fell and I left before the movie was over. Someday I hope to see the whole film.

Animated Shorts

Each year, I have to see the animated shorts at the Florida Film Festival. This year Bill Plimpton had a display of artwork from around the world used in his Global Jam. He invited artists to each tackle a scene in their own style from his Academy Award winning film Guard Dog. The invitation went out via the Internet. Bill waited an hour, no response. He waited another hour with no response. He went home depressed. The next day he was told that too many artists responded causing the server to go down. The resulting film was hilarious being even quirkier with all the different looks. Bill said the film cost him $20 to produce with animators around the world volunteering their time.

Anyway, the Animated Shorts screening was sold out. The line stretched back as far as I could see. There was a chance I might not get in, but house manager, Brian Feldman, stepped in and made sure I got a ticket. I found a seat in the very first row. Brian joked and said I should sit on the stage and sketch the audience. I was tempted but really wanted to see some animation. I leaned back and let the screen filled up every inch of my glasses. Tales of Mere Existence by Lev Yilmaz is always in the lineup and is always funny. This year he talked aimlessly about how he had imagined relationships with women in the Ukraine via Facebook. There were a few artsy shorts with no apparent story. I always get annoyed at these aimless films.

My favorite film of the night was “The Fantastic Flying Books of Mr. Morris Lessmore“. Though it could use a shorter title, the film is magical. It basically stresses how books offer refuge bringing color and life into people’s lives. The main character was modeled after Buster Keaton. One of the co-directors daughter died, and his wife became paralyzed during production of the film. Moonbot the new studio that made the film is located in Louisiana, so when Hurricane Katrina hit, it ended up becoming a major part of the story. There is something very sad about seeing peoples books in among the rubble of destruction. Several of the story and visual development artists were originally from Orlando but unfortunately I didn’t know them. They asked if anyone in the audience worked at Disney Feature Animation. I started to raise my hand but stopped halfway up thinking “well, not anymore.” Seeing no hands he said, “Damn Michael Eisner.”