Disney Internship: Going to Epcot

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I went with a group of the Disney Feature Animation Interns to Epcot. I explored a bit with the group but eventually branched off to sketch.This is a sketch of the Sensory Fun House with its audio and interactive screens. I sketched this since I knew people would sit still for a moment while they watched the screen or listened.

In the evening, all the Feature Animation Interns got together in my apartment for dinner. I put the pen down for once and relaxed. When we are in the studio all our heads are down focuses on the animation disk. This was a rare moment to get to know everyone. Everyone seemed younger than me and for many this was their first job after college. I thought the Disney animation gig would be short lived, but these people became my family and I ended up staying at Feature Animation for 10 years until the bottom fell out because computer animation had swept its way onto the stage.

Looking back, these were some of the best of times, even if they are only preserved with a few pen scratches on a page.

Disney Internship: Disney University

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As an intern for Disney Feature Animation we all had to go to Disney University for what was called “Traditions.” This was a seminar on how to interact with guests.

As animation interns we never interacted with guests since we spent every waking hour at our Disney animation desks cranking out drawings.

My favorite story from this seminar was from a character actor who was assigned to play Winnie the Poo. The costume is massive and limits visibility and movement. On one occasion he was on his own and a group of high school boys surrounded him and lifted him up and threw him head first into a bush. From that moment I realized it would be much safer to draw the characters rather than play them in the theme parks.

On lunch breaks I sometimes went into the parks to sketch but no one would know that I worked backstage. I never interacted with a guest as a Disney staff member.

Disney Internship: The Ball Bounce

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This is our group of Disney Feature Animation interns listening to a lecture I believe by Sam Ewing about the mechanics of a ball bounce.

I worked closely with Sam when he was the clean up lead animator on Koda in Brother Bear. Among the interns in my sketch I recognize Darren Webb, Peter Clark. He blew me away with the amount and quality of the animation projects he completed. He was an absolute machine. Yes that is a compliment, He was building whole worlds while I struggled with basic mechanics of getting my drawings to move. On Dinosaur, Peter got to shine doing what he does best which is visual development and creating whole new worlds.

I was surprised to discover that Darren Webb went on to work in the the animation department of many amazing computer animated films from Dreamworks like How to Train Your Dragon. I would love to find out his story some day. The main thing I remember about him as a roommate is that he took very long showers. I was in a room full of great artists.

COVID World Premiere Screening Tonight!

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These are the opening shots of the short 2.5D animated film titled COVID, whose world premiere screening is tonight May 19, 2023 at the Orlando Shakespeare Theater, 6pm in the outdoor courtyard as part of the 3rd annual “Film as Visual Art” Fringe event.

Here is the press release about the film:

FOR IMMEDIATE RELEASE

 Local Artist to Premiere Shocking Film Chronicling Pandemic

Over 200 original artworks detail global experience in four minutes

ORLANDO, Fla. (May 16, 2023) – Central Florida artist Thomas Thorspecken (Thor) who formerly worked for Disney Feature Animation, will premiere his newest project featuring more than 200 original digital paintings in a four-minute film. The premiere can be seen at Fringe’s “Film as Visual Art” event this Friday, May 19, 2023, at 6:00 pm in the outdoor Orlando Shakespeare Theater courtyard.

Since January 2009, as a New Year’s resolution, Thorspecken has created at least one watercolor or digital sketch a day documenting arts and culture in Central Florida for his blog, Analog Artist Digital World, culminating in more than 4,000 individual works of art illustrating the vibrancy of this community and beyond. When the pandemic hit in early 2020, he shifted his focus to creating a daily artistic commentary on COVID, politics, and both the global and local impacts of this devastating and unprecedented time in history.

“From the start of the COVID pandemic, minimizers falsely claimed the virus was no worse than the flu. After more than a million COVID deaths in America and mass infection becoming the accepted norm, minimizers persist,” Thorspecken cited as part of the rationale for his having created the jarring revue. The artist completed the film on May 11, 2023, when the United States officially lifted the COVID Emergency, despite Covid’s persistence. The paintings combat the willful denial and obfuscation of the facts of the past three years. The airborne virus cannot be seen, but in these paintings it takes center stage, a statement that ignoring the virus is deadly.

Inspired by an Artificial Intelligence-generated Tik Tok video illustrating Billy Joel’s “We Didn’t Start the Fire,” Thorspecken crafted his own AI (Artist Intelligence) generated film to the music from popular local musician, Andy Matchett’s, song “Just Can’t Wait (For the Game to End)” from his apocalyptic rock musical Key of E. Each gripping artwork flashes by, building on the dark time capsule of our shared experience. Though representing a mere fraction of his overall pandemic series, each was meticulously selected and timed to Matchett’s lyrics before being custom depth mapped and animated.

 More information about the making of this film can be found at AnalogArtistDigitalWorld.com. The film will premiere as part of the 3rd annual “Film as Visual Art” on Friday, May 19, 6 – 7 p.m. before becoming available on the artist’s social media channels.

Thomas Thorspecken (Thor), is an artist, Urban Sketcher, animator, and illustrative journalist living and working in Central Florida. He attended the School of Visual Arts in New York City, before working as a freelance illustrator designing magazines and publications. Thorspecken relocated to Orlando as an animation artist for Disney. He currently teaches at Elite Animation Academy and the Crealdé School of Art. Thor is always seeking new challenging projects, commissions, and ways to capture local life through art. Follow Thor on Instagram: @analogartistdigitalworld, Twitter: @analogartist, Facebook: Analog Artist Digital World, and subscribe to his blog: www.analogartistdigitalworld.com

Apollo 13

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In June there was a free screening of Apollo 13 starring Tom Hanks at Winter Park‘s Central Park. I saw the film when it first came out in 1995 on the big screen. It was about the third attempt to land men on the moon. The one thing I remember form that showing was that I was seated in a front row of the theater and the film gave me a huge headache. At the time I was working at Disney Feature Animation and we had a box lunch session in which producers of the film showed us how it was made. The film was directed by Ron Howard of The Andy Griffith Show fame. Some scenes in the film featured astronauts in weightlessness. Back then there was no Digital Effects to recreate that effect so they actually got permission to build a set inside a plane known as the Vomit Comet or KC-135 airplane. It got that illustrious name because it would fly extremely high and then nose dive towards the earth creating a momentary weightlessness inside the fuselage. The remaining scenes in the capsule were usually close ups and to get the effect of weightlessness in those shots the actors would be on sea saws which would gently rock them up and down. Watching the film again I couldn’t help but wonder which scenes featured those rocking horses or sea saws.

I sketched as people set up their blankets on the Central Park Lawn. As it grew darker I made my painting darker as well. Twice the film had to be stopped as an Amtrak Train roared by. I finished my sketch about half way through the film as Tom Hanks announced, “Houston we have a problem.” An on-board explosion deprives their spacecraft of most of its oxygen supply and electric power, forcing NASA’s flight controllers to abort the Moon landing, and turned the mission into a struggle to get the three men home safely.
What followed were very exciting solutions to very difficult problems. Oxygen was being vented into space, and the astronauts had to move into the lunar landing vessel which acted as their life raft. With CO2 levels rising they realized that the filter could not keep up with the CO2 they were exhaling. The filter form the capsule they abandoned could not be used because it was round rather than square. On the ground engineers were tasked with finding a way to use the wrong shaped filter. It involved ripping the cover off a manual, some tape and tubing. When reconstructed with step by step instructions the astronauts held their breath hoping the filter would work and it did.

When the aborted mission returned to earth, the astronauts had to go back inside the capsule and jettison their life raft into space. When re entering the earths atmosphere they had to hope that the heat shield on the bottom of the capsule had not been damaged in the explosion which had been caused when they stirred the oxygen tanks. As the capsule was engulfed in flames as it dropped towards the earth everyone in the audience saw a shooting star streak above the movie screen. Apollo 13 was an amazing film about perseverance hope and steely eyes determination in the face of seemingly insurmountable life and death decisions. It was a nail biting ride from launch to splashdown. And watching it under a shooting star shower was and ethereal experience.

Tai Chi in Central Park

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I rented a place in Winter Park two summers ago. Since I lived there, I started looking for local events to sketch and when I found out that Tai Chi was offered in Central Park, I had to go out and sketch. I arrived early, sat on a bench in the shade and started sketching where I assumed they would set up in the grass.

Back in 1998 I was working for Disney Feature Animation on the film, Mulan which is set in China. During the making of that film I studied Tai Chi as a way to unwind from the stress of production. I knew the moves and could have joined in on this day, but I decided instead to focus on the zen of creating the sketch.

When the Tai Chi participants showed up they set up on the main stage which is usually reserved for musical performances. Rather than start the sketch over, I just placed them on the green grass where I felt they belonged. Of course Tai Chi could be interpreted as a form of dance and an art form.

Creating art is forbidden by city ordinance in Winter Park. According to the Ordinance, artists a lumped together with street performers…”Perform and performance means to engage in any of the following activities: acting; singing; playing musical instruments; puppetry; pantomiming, miming; performing or demonstrating magic or acts of illusion; dancing; juggling; or the public display of and composition or creation of crafts, sculpture, artistry, writings, or compositions, including the application of brush, pastel, crayon, pencil, or other similar objects applied to paper, cardboard, canvas, cloth or to other similar medium.” I still wonder if a digital sketch is exempt.

“Prohibited public area means the pedestrian accessed public areas of the Central Business and Hannibal Square Districts along Park Avenue from Fairbanks Avenue to Swoope Avenue, and along New England Avenue from Park Avenue to Pennsylvania Avenue including the area within fifty (50) feet of the public right-of-way of Park A venue and New England Avenue on the public lanes, streets, thoroughfares, and ways, including the Winter Park train station and the public property at

what is  known as the Winter Park Farmer’s Market and the Winter Park Historical Association located at 200 West New England Avenue, excluding public performance zones as provided in subsection ( d)(2). ”

The city of Winter Park does allow for a “Weekend of the Arts” in February. Thankfully, no police wrestled me to the ground to take my pencil and the shops on Park Avenue hummed and generated profits despite my anarchistic decision to sketch performers at their craft.

Little Shop of Horrors on the Fringe Outdoor Stage.

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One of my favorite musicals is Little Shop of Horrors. I used to blast the songs a I painted in my dark ramshackle apartment in NYC and dreamed of living in a greener more magical place. Disney Feature Animation fulfilled that dream bringing me to Orlando, but all dreams come to an end.

A lanky tall actor and sexy actress sang “Suddenly Seymour“. That song gave me hope that anyone can find love given the right circumstances. I was, and perhaps still am the innocent nerd dreaming of a better life full of love and mutual respect. I should be jaded in a world without trust, but I keep hoping regardless. Just as I fell, with broken wings, someone stood beside me to listen and share. Long honest conversations offered hope that someone can understand. Others have walked this path alone.

The karaoke DJ raised his iPhone which showed a lighter flame flickering. Had there been a crowd, they would have went wild. Little Shop of Horror was followed by Rent and then Jesus Christ Superstar. It was a great afternoon of music.

With the T-Rex at Downtown Disney.

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A former Disney Feature Animation background painter was having a show at one of the Disney Stores at the Downtown Disney.The invite was wrong however and he wasn’t in the store when I stopped by to say hello. Since I was there, I walked around to find something to sketch. The Marketplace is a hectic place to sketch. Everyone seems to be in a rush to make last minute purchases before they head home. The eye catching Dinosaur bones stop tourists in their tracks for a brief photo opportunity. The Dinosaurs are part of a themed restaurant Called T-Rex Cafe, (1676 Buena Vista Dr, Orlando, FL) that is always jam packed. They serve adventures rather than ordinary meals. American eats plus animatronic dinosaurs and an underwater aquarium draw crowds in Downtown Disney.

Loves First Kiss.

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Rusty Pliers returned to Stardust Video and Coffee (1842 E Winter Park Rd, Orlando, Fl) to read a short story entitled “Love’s First Kiss” at an open mic night.  I worked with Rusty Pliers back when Disney Feature Animation created films the old school way with millions of drawings done by hand. A small army of artists were required to make the films. I’m fascinated at how the many talented artists re-invented themselves after animated films turned to computers rather than drawings. Rusty Pliers took up the pen an started writing. At the first reading he explained the his alias Rusty Pliers came from a sideline career as a porn star. There were some rusty pliers on the set and they were used in ways that are probably better left unsaid.

This second reading on Memorial Day was much softer and innocent, recalling his first love in high school. She loved horses and although he considered horses to be monstrous beasts, he told her that he adored horses to get close to her in the barn. Their first kiss was tender and sweet and it stirred feelings below the belt that he didn’t expect. It was abruptly cut short by the girl’s father however. The young pair drifted apart and never rekindled that moment.

Another author told a story that resonated for Memorial Day. She had a career in the military and was good at he job. She got married and was starting he new life. Her husband was in the military as well, and they were not always stationed together. Life was good, but then she got news that changed everything. She had Multiple Sclerosis and this would take away her mobility. She eventually got medical disability. She moved and open boxes lay everywhere. She didn’t know what to do with the rest of her life.

What made he story so compelling is that she would occasionally stop reading and just relate her story from memory. The point of her story was that although her life was upended she needed to find a way to restore order. She started with a task that many overlook. She began organizing her spice rack in her apartment filled with unopened boxes. She cried as she worked, but with that one task done she could move on to the next. She was a brave veteran who had found a way to reinvent her life after all the structure and discipline of the military and she wouldn’t let MS define her life. Clearly as a writer she had rediscovered a way to let her spirit sour.

Rusty Pliers shocked the crowd at Stardust Video and Coffee.

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Saw Ewing was a lead cleanup artist at Disney Feature Animation. I worked under his guidance on the character Koda in Brother Bear. After Disney closed the Florida animation studio, I started work at Full Sail University and I worked closely with Sam as we taught college students the principles of animation using traditional pencils and paper. Sam had a dream of someday becoming a writer. He left Full Sail to follow that dream. I was happy to hear that Sam started a blog titled “Rusty Pliers.”

Soon everyone referred to Sam as Rusty Pliers. I wondered what the moniker meant. My thought was that each artist that worked for Disney was a tool. For the duration we were tools with a set purpose, to create ageless films. When the studio was shut down there was little need for Animators who draw. We were discarded tools left to rust (rusty pliers) until we found new outlets for our talents. The Florida humidity has caused all the tools in my tool chest to rust. It is unavoidable with age.

This reading at Stardust Video and Coffee set the record straight. When Rusty Pliers got on the stage, he had an eye patch that made him look a bit like a pirate. He started reading tentatively at first outlining his early dreams of becoming an animator.  Half way into the reading he took a moment to adjust his eye patch. He moved it from his left eye to his right eye which caused laughter to erupt. “That’s so much better.” he said. “I didn’t realize there were so many of you out there.” It was a full house. Standing room only.

Rusty then read about his next career move into the porn industry. This is apparently a hard industry to break into. It was during the filming of a hot kitchen sex scene where rusty earned his name. He discovered some pliers on the set and he worked them into the scene in kinky ways best left to the imagination. When the scene had reached it’s climax the director shouted, “You are going to be a star!” He wasn’t referring to the actors however. He was referring to the rusty pliers.

When the reading was over, my sketch was done. Back by the bar, there was a table full of former Disney colleagues. John Pierro has been doing a painting a day of his quirky and somewhat sinister intertwining figures. Merritt Andrews has been working for Universal Studios the past few years. Pam Darley turned me on to a bar her husband loves called the Brass Tap and I hope to go there on a Drink And Draw outing soon. Darko Cesar and his wife Mirjana were there as well. Darko is discovering how to use TV Paint which is the industry standard for producing traditional animation using a digital tablet. Kathy Blacmore is still teaching art to kids and illustrating children’s books. It was awesome to see Rusty Pliers laughing with friends. I had one grapefruit flavored beer and since I’m a light weight drinker, I laughed at even the simplest jokes. I was just happy to be surrounded by so much talent.