Apollo 13

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In June there was a free screening of Apollo 13 starring Tom Hanks at Winter Park‘s Central Park. I saw the film when it first came out in 1995 on the big screen. It was about the third attempt to land men on the moon. The one thing I remember form that showing was that I was seated in a front row of the theater and the film gave me a huge headache. At the time I was working at Disney Feature Animation and we had a box lunch session in which producers of the film showed us how it was made. The film was directed by Ron Howard of The Andy Griffith Show fame. Some scenes in the film featured astronauts in weightlessness. Back then there was no Digital Effects to recreate that effect so they actually got permission to build a set inside a plane known as the Vomit Comet or KC-135 airplane. It got that illustrious name because it would fly extremely high and then nose dive towards the earth creating a momentary weightlessness inside the fuselage. The remaining scenes in the capsule were usually close ups and to get the effect of weightlessness in those shots the actors would be on sea saws which would gently rock them up and down. Watching the film again I couldn’t help but wonder which scenes featured those rocking horses or sea saws.

I sketched as people set up their blankets on the Central Park Lawn. As it grew darker I made my painting darker as well. Twice the film had to be stopped as an Amtrak Train roared by. I finished my sketch about half way through the film as Tom Hanks announced, “Houston we have a problem.” An on-board explosion deprives their spacecraft of most of its oxygen supply and electric power, forcing NASA’s flight controllers to abort the Moon landing, and turned the mission into a struggle to get the three men home safely.
What followed were very exciting solutions to very difficult problems. Oxygen was being vented into space, and the astronauts had to move into the lunar landing vessel which acted as their life raft. With CO2 levels rising they realized that the filter could not keep up with the CO2 they were exhaling. The filter form the capsule they abandoned could not be used because it was round rather than square. On the ground engineers were tasked with finding a way to use the wrong shaped filter. It involved ripping the cover off a manual, some tape and tubing. When reconstructed with step by step instructions the astronauts held their breath hoping the filter would work and it did.

When the aborted mission returned to earth, the astronauts had to go back inside the capsule and jettison their life raft into space. When re entering the earths atmosphere they had to hope that the heat shield on the bottom of the capsule had not been damaged in the explosion which had been caused when they stirred the oxygen tanks. As the capsule was engulfed in flames as it dropped towards the earth everyone in the audience saw a shooting star streak above the movie screen. Apollo 13 was an amazing film about perseverance hope and steely eyes determination in the face of seemingly insurmountable life and death decisions. It was a nail biting ride from launch to splashdown. And watching it under a shooting star shower was and ethereal experience.

Tai Chi in Central Park

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I rented a place in Winter Park two summers ago. Since I lived there, I started looking for local events to sketch and when I found out that Tai Chi was offered in Central Park, I had to go out and sketch. I arrived early, sat on a bench in the shade and started sketching where I assumed they would set up in the grass.

Back in 1998 I was working for Disney Feature Animation on the film, Mulan which is set in China. During the making of that film I studied Tai Chi as a way to unwind from the stress of production. I knew the moves and could have joined in on this day, but I decided instead to focus on the zen of creating the sketch.

When the Tai Chi participants showed up they set up on the main stage which is usually reserved for musical performances. Rather than start the sketch over, I just placed them on the green grass where I felt they belonged. Of course Tai Chi could be interpreted as a form of dance and an art form.

Creating art is forbidden by city ordinance in Winter Park. According to the Ordinance, artists a lumped together with street performers…”Perform and performance means to engage in any of the following activities: acting; singing; playing musical instruments; puppetry; pantomiming, miming; performing or demonstrating magic or acts of illusion; dancing; juggling; or the public display of and composition or creation of crafts, sculpture, artistry, writings, or compositions, including the application of brush, pastel, crayon, pencil, or other similar objects applied to paper, cardboard, canvas, cloth or to other similar medium.” I still wonder if a digital sketch is exempt.

“Prohibited public area means the pedestrian accessed public areas of the Central Business and Hannibal Square Districts along Park Avenue from Fairbanks Avenue to Swoope Avenue, and along New England Avenue from Park Avenue to Pennsylvania Avenue including the area within fifty (50) feet of the public right-of-way of Park A venue and New England Avenue on the public lanes, streets, thoroughfares, and ways, including the Winter Park train station and the public property at

what is  known as the Winter Park Farmer’s Market and the Winter Park Historical Association located at 200 West New England Avenue, excluding public performance zones as provided in subsection ( d)(2). ”

The city of Winter Park does allow for a “Weekend of the Arts” in February. Thankfully, no police wrestled me to the ground to take my pencil and the shops on Park Avenue hummed and generated profits despite my anarchistic decision to sketch performers at their craft.

Little Shop of Horrors on the Fringe Outdoor Stage.

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One of my favorite musicals is Little Shop of Horrors. I used to blast the songs a I painted in my dark ramshackle apartment in NYC and dreamed of living in a greener more magical place. Disney Feature Animation fulfilled that dream bringing me to Orlando, but all dreams come to an end.

A lanky tall actor and sexy actress sang “Suddenly Seymour“. That song gave me hope that anyone can find love given the right circumstances. I was, and perhaps still am the innocent nerd dreaming of a better life full of love and mutual respect. I should be jaded in a world without trust, but I keep hoping regardless. Just as I fell, with broken wings, someone stood beside me to listen and share. Long honest conversations offered hope that someone can understand. Others have walked this path alone.

The karaoke DJ raised his iPhone which showed a lighter flame flickering. Had there been a crowd, they would have went wild. Little Shop of Horror was followed by Rent and then Jesus Christ Superstar. It was a great afternoon of music.

With the T-Rex at Downtown Disney.

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A former Disney Feature Animation background painter was having a show at one of the Disney Stores at the Downtown Disney.The invite was wrong however and he wasn’t in the store when I stopped by to say hello. Since I was there, I walked around to find something to sketch. The Marketplace is a hectic place to sketch. Everyone seems to be in a rush to make last minute purchases before they head home. The eye catching Dinosaur bones stop tourists in their tracks for a brief photo opportunity. The Dinosaurs are part of a themed restaurant Called T-Rex Cafe, (1676 Buena Vista Dr, Orlando, FL) that is always jam packed. They serve adventures rather than ordinary meals. American eats plus animatronic dinosaurs and an underwater aquarium draw crowds in Downtown Disney.

Loves First Kiss.

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Rusty Pliers returned to Stardust Video and Coffee (1842 E Winter Park Rd, Orlando, Fl) to read a short story entitled “Love’s First Kiss” at an open mic night.  I worked with Rusty Pliers back when Disney Feature Animation created films the old school way with millions of drawings done by hand. A small army of artists were required to make the films. I’m fascinated at how the many talented artists re-invented themselves after animated films turned to computers rather than drawings. Rusty Pliers took up the pen an started writing. At the first reading he explained the his alias Rusty Pliers came from a sideline career as a porn star. There were some rusty pliers on the set and they were used in ways that are probably better left unsaid.

This second reading on Memorial Day was much softer and innocent, recalling his first love in high school. She loved horses and although he considered horses to be monstrous beasts, he told her that he adored horses to get close to her in the barn. Their first kiss was tender and sweet and it stirred feelings below the belt that he didn’t expect. It was abruptly cut short by the girl’s father however. The young pair drifted apart and never rekindled that moment.

Another author told a story that resonated for Memorial Day. She had a career in the military and was good at he job. She got married and was starting he new life. Her husband was in the military as well, and they were not always stationed together. Life was good, but then she got news that changed everything. She had Multiple Sclerosis and this would take away her mobility. She eventually got medical disability. She moved and open boxes lay everywhere. She didn’t know what to do with the rest of her life.

What made he story so compelling is that she would occasionally stop reading and just relate her story from memory. The point of her story was that although her life was upended she needed to find a way to restore order. She started with a task that many overlook. She began organizing her spice rack in her apartment filled with unopened boxes. She cried as she worked, but with that one task done she could move on to the next. She was a brave veteran who had found a way to reinvent her life after all the structure and discipline of the military and she wouldn’t let MS define her life. Clearly as a writer she had rediscovered a way to let her spirit sour.

Rusty Pliers shocked the crowd at Stardust Video and Coffee.

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Saw Ewing was a lead cleanup artist at Disney Feature Animation. I worked under his guidance on the character Koda in Brother Bear. After Disney closed the Florida animation studio, I started work at Full Sail University and I worked closely with Sam as we taught college students the principles of animation using traditional pencils and paper. Sam had a dream of someday becoming a writer. He left Full Sail to follow that dream. I was happy to hear that Sam started a blog titled “Rusty Pliers.”

Soon everyone referred to Sam as Rusty Pliers. I wondered what the moniker meant. My thought was that each artist that worked for Disney was a tool. For the duration we were tools with a set purpose, to create ageless films. When the studio was shut down there was little need for Animators who draw. We were discarded tools left to rust (rusty pliers) until we found new outlets for our talents. The Florida humidity has caused all the tools in my tool chest to rust. It is unavoidable with age.

This reading at Stardust Video and Coffee set the record straight. When Rusty Pliers got on the stage, he had an eye patch that made him look a bit like a pirate. He started reading tentatively at first outlining his early dreams of becoming an animator.  Half way into the reading he took a moment to adjust his eye patch. He moved it from his left eye to his right eye which caused laughter to erupt. “That’s so much better.” he said. “I didn’t realize there were so many of you out there.” It was a full house. Standing room only.

Rusty then read about his next career move into the porn industry. This is apparently a hard industry to break into. It was during the filming of a hot kitchen sex scene where rusty earned his name. He discovered some pliers on the set and he worked them into the scene in kinky ways best left to the imagination. When the scene had reached it’s climax the director shouted, “You are going to be a star!” He wasn’t referring to the actors however. He was referring to the rusty pliers.

When the reading was over, my sketch was done. Back by the bar, there was a table full of former Disney colleagues. John Pierro has been doing a painting a day of his quirky and somewhat sinister intertwining figures. Merritt Andrews has been working for Universal Studios the past few years. Pam Darley turned me on to a bar her husband loves called the Brass Tap and I hope to go there on a Drink And Draw outing soon. Darko Cesar and his wife Mirjana were there as well. Darko is discovering how to use TV Paint which is the industry standard for producing traditional animation using a digital tablet. Kathy Blacmore is still teaching art to kids and illustrating children’s books. It was awesome to see Rusty Pliers laughing with friends. I had one grapefruit flavored beer and since I’m a light weight drinker, I laughed at even the simplest jokes. I was just happy to be surrounded by so much talent.

Nick Paul’s Impossible Feats of Fake Magic offered comedy and Magic.

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Nick Paul’s Impossible Feats of Fake Magic in the Fringe bronze venue inside the Orlando Museum of Art was a highly entertaining hour of magic. Nick is an Orlando native and this was the first time I had to sketch his act. A helium balloon was suspended in the middle of the stage. Nick eyed the balloon and with a flourish decided to cut the ribbon that held the balloon to the stage. Amazingly the balloon remained hovering where it was rather than floating to the ceiling. He then waved his hands around the balloon to show that there were no rods or supports holding the balloon in place. Next he tried to move the balloon by pushing and pulling it with no effect. I actually used to show a YouTube clip to my Full Sail students in which a mime tried to move a helium balloon. Darko Cesar, a former Disney Animator turned me on to this entertaining piece. We used it to show students how an animators job is to imply stress and strain by using exaggerated poses. When done right the unbelievable becomes plausible.

Nick asked an audience member to pick out a long word in the Fringe program. An envelope taped to the back of the trunk was opened and somehow that work was written on the sheet of paper inside. I tried to figure out the trick but in the end enjoyed simply being amazed. Nick’s wife joined him at the end of the show and somehow she was quickly transported inside a small box when behind a curtain for a minute. Her hand waved from a small hole in the box and that was the end of the show. People didn’t know if they should leave. At the exit several audience members approached Nick, concerned that his wife was still locked away in the box.  I don’t know if she ever got out. Of course all magic is fake, but Nicks physical comedy and audience participation made it a fun and entertaining show. He performs magic regularly at Walt Disney World where magic is expected.

Venue: Bronze

Length: 50 minutes

Rating: 13+

Tickets: $10 (+service charge)

Remaining Show Times:

Wednesday May 20, 2015  5:30pm to 6:20pm

Sunday May 24, 2015        8:15pm to 9:05pm

AADW work on view at Maxine’s on Shine.

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Sketches from Analog Artist Digital World are now on display at Maxine’s on Shine (337 Shine Ave, Orlando, FL), through mid-April. Maxine’s was recently voted the best neighborhood restaurant and also best place for a date night. The opening for the exhibition was on April 12th. Complimentary cheese, crackers, fruit and vegetables were in a private quaint back room that resembles a mini temple. I was told that wedding ceremonies were indeed once held there.On the 2nd Thursday of every month guests are invited to “Meet the Artist, Meet the Winery, Meet the Brewery” as part of
Thornton Park’s Art and Wine Walk.

Friends came out to share their support. I had a small table set up outside with some books, cards and information about the art. Jessica Pawli was set up beside me offering free samples of wines. The white wine had a faint scent of oak that I rather liked. Sam Ewing, a former Disney Feature Animation, and Full Sail colleague came out to check out the show. He might be helping out by teaching my Elite Animation students while I travel to Turkey this year. Wendy Wallenberg posed by the doorway several times. That part of the sketch was already finished however. I joked with her that she was blocking my view of the dog.

When the sketch was done, I joined a large group of artists, authors and musicians who were gathered at a large round table outside. Maxine pointed out that this is how she always envisioned this place being a melting pot for the arts. Michael McLeod, came up with the catch phrase that this was the “Max Scene.” Maura Lucchese, had her work on the walls of Maxine’s the month before my show. She was taking down her pieces as I put mine up. It was like a whirlwind, Grand Central Station day as we rushed in and out the front door. Maura’s work is bright and sensual being created from thousands of bits of magazines assembled onto canvas. We traded cards. I did a sketch of her show and she gave me a sensual nude in greys, reds and blues. Some of her work showed couples kissing. The pieces are large and bold, and come together seamlessly from a distance.I’m a fan of her work now.

There was a long conversation about a live action feature film that featured angry chickens. The chickens were Hollywood executives who would pray on the innocent souls who sought fortune and fame. The puppet chickens were based on real life characters whose rude behaviors were exaggerated. It sounds like this is a film I should see. There seemed to be just one degree of separation between each person at the table. For instance Maura’s friend had worked on the sound track for Carl Knickerbocker‘s latest film. She had done the sound effects and yet this was the first time that they met in person. Wendy mentioned that Maxine had once been Miss New York State. I’m always amazed at peoples brilliant histories.

Donna Dowless spoke to everyone at the table, saying that we are the core group of people who always show up at events. Each of us contribute to the arts scene in our unique way. It is through the dedication of our efforts and the efforts of others that this city is becoming an exciting place to live. It was a heart warming thought, coming from Orlando’s Ambassador of Love. Her heart shaped pendant necklace caught the evening light. I felt the love on this warm southern night and felt grateful to be among such amazing artists.

Mysty Forest Becomes an Animation Studio

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Travis Blaise, a former Disney Animator offered a class at Misty Forest (N Hyer Ave, Orlando, FL) which had the students working towards completing an animated short. The story was called “Rosalie and the Bottle Tree“. A bottle tree is simply empty bottles put on the end of tree limbs and a bottle tree can bring good fortune. The narration was complete and the children’s drawings were used as the story boards.

What Misty Forest lacked in terms of cameras and light tables, it made up in the children’s enthusiasm. I don’t believe the film was ever completed, but the kids had a great time getting to collaborate on  what might one day become an inspired little film. All it takes is on determined soul to reignite the spark and take on the Herculean task of finishing the animation.

Travis Blaise Works on His Cintique

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Travis Blaise worked with students at Misty Forest to help create storyboards for a short animated film titled “Rosalie and the Bottle Tree.” As I sketched Travis, he told me about the equipment he was using, and I decided to purchase the same scanner and printer he was using. The Epson has been serving me well. Misty Forest is a small private school that offers kids creative courses after regular school hours. A bottle tree consists of bottles stuck onto branches and they are created to bring good luck. Travis had the kids create all the storyboards and he was using the Cintique to edit together the images along with the sound track.

Travis is an amazing animator that worked at Disney Feature Animation when hand drawn animation was in it’s hay day. He is a master at working straight ahead, letting the scene develop organically.  He showed me how he uses the Cintique to animate using Flash. I was amazed that the program could be used to create organically drawn animation. I always assumed that Flash created flat, cut out type characters that were then moved like puppets.

Travis ended up leaving Orlando to work at Digital Domain, a computer animation studio. Digital Domain then closed down and I’m not sure where Travis went after that. Working in the animation industry is like tap dancing on quick sand.