The Fringe Closing Ceremony and Awards.

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On the final night of Fringe, Awards are handed out to all the best shows.On this 25th Anniversary of the Fringe Festival, over 50,000 tickets were sold. That resulted in $400,000 going to Fringe Artists. There were 119 sold out performances this year. The Fringe keeps getting bigger and better.

The out door Stage Tent got crowd for the ceremonies. Those who couldn’t fit inside the tent, sat in lawn chairs on the lawn of fabulousness. As awards went to the show with the most sold out performances the sky grew dark and it began to rain. Performers crushed inside the tent. I had been sitting on the outside of the front row but the wind whipped the rain onto my sketch page. I decided to move into t center of the tent and I sketched Beth Marshall and those around her as they watched the ceremonies.

So many awards were given out that I started to feel like I was the only person in the tent who didn’t get one. A new award was created for a Fringe Patron of the year, Dewey Chaffee and Douglas McGeoch presented the award. They reminisced about a. Fringe show that was going great, Dewey had the audience entranced in the palm of his hand, when a drunk audience member got sick and had to be escorted out of the theater. Dewey  tried to make it appear as if this was all part of the show. When the sick patron was gone, silence enveloped the theater. A very old lady sat the front row, and Dewey said to her, “If you are going to pick a moment to die, this would be the perfect time.” The audience couldn’t stop laughing and the show u back on track. Douglas then explained that Helen, the woman in the front row, then wrote the performers often, encouraging them to keep the faith as they struggled in New York City. Dewey got choked up as he spoke about her generosity. It took her some tin to get on stage to accept the award with her walker and the supporting hand of friends. It was a heart warming moment.

Edgar Allan performed by Katie Hartman, and Nick Ryan was named the best show by local critics. Other Critics Choice Awards winners included…

• Best play — comedy: ‘The Animatronicans’

• Best play — drama: ‘Thomas Jefferson: My Master, My Slave, My Friend’

• Best play — musical: ‘Simpleton: The Legend of President Trump’

• Best solo show — comedy: ‘Stewart Huff: Sense Ain’t Common’

• Best solo show — drama: ‘Rocket Man and Kaleidoscope, by Ray Bradbury’

• Best solo show — musical: ‘From Broadway to Obscurity’

• Best dance show: ‘VarieTease: Carnivale’

• Best physical-theater work: ‘Trick Boxing: Swingin’ in the Ring’

• Best original script: ‘Inescapable,’ by Martin Dockery

• Best female performance: Katie Hartman (‘Edgar Allan’)

• Best male performance: Jim Braswell (‘Thomas Jefferson’)

• Best ensemble performance: ‘5 Lesbians Eating a Quiche’

• Technical achievement: ‘Space’



Patrons Picks resulted in each show having an extra show added on Memorial Day.

• Blue – Sex With Animals

• Blue – Shirley Gnome: Real Mature

• Brown – 5 Lesbians Eating a Quiche

• Brown – Slut Like Me

• Gold – Simpleton: The Legend of President Trump

• Gold – Taffy and Tonya Live! At the Ramada Inn Key West

• Green – Fruit Flies Like a Banana – Alphabetical Disorder

• Green – Doro & Diega Explore Middle Class America!

• Orange – VarieTease: Carnivale

• Orange – Lil Women: A Rap Musical

• Pink – Bella Culpa

• Pink – The Foreplay: An Exploration of the Birth of our Nation

• Purple – 21 Chump Street – The Musical

• Purple – Murder Sleep

• Red – Inescapable

• Red – Women Behind Bars

• Silver – The Road To Zamboria

• Silver – God Is a Scottish Drag Queen IV

• Yellow – The Animatronicans

• Yellow – Peter Pan-ish: The Musical

Little Shop of Horrors on the Fringe Outdoor Stage.

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One of my favorite musicals is Little Shop of Horrors. I used to blast the songs a I painted in my dark ramshackle apartment in NYC and dreamed of living in a greener more magical place. Disney Feature Animation fulfilled that dream bringing me to Orlando, but all dreams come to an end.

A lanky tall actor and sexy actress sang “Suddenly Seymour“. That song gave me hope that anyone can find love given the right circumstances. I was, and perhaps still am the innocent nerd dreaming of a better life full of love and mutual respect. I should be jaded in a world without trust, but I keep hoping regardless. Just as I fell, with broken wings, someone stood beside me to listen and share. Long honest conversations offered hope that someone can understand. Others have walked this path alone.

The karaoke DJ raised his iPhone which showed a lighter flame flickering. Had there been a crowd, they would have went wild. Little Shop of Horror was followed by Rent and then Jesus Christ Superstar. It was a great afternoon of music.

Stephanie and Arias on the Fringe Outdoor Stage.

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Stephanie and Arias performed on the outdoor stage at this year’s Fringe Festival. They harmonize beautifully.  I imagine they are a young couple very much in love. Their original music resonated with me. Love in my life however has become confusing with no solid bedrock. My past haunts me and forgiveness is something I will never be granted. The music was sweet and sincere but my heart was in a different place. I chased imagined ideals and ignore the reality of what is in front of me. Perhaps sketching is a distraction to keep me from facing who I am or what I have become.

One friend forced me to face mistakes I have made. Were morals lost along the way? I am rootless, a tumbleweed. I realize now that grief must be faced alone. Grief can and probably should last for years. Perhaps turning to my sketching will help me find my roots again. I always claimed that writing these posts would help me put down roots in Orlando. I need to put down roots of devotion. I have no solid floor. Some tiles shift and fly up with no mortar. Others cling tightly refusing to let go. There is no sure footing. I lost trust in love, and then I thought I found joy and affection again by opening up to a friend. There was a level of intimacy in some of these conversations that I had never experienced before. I then discovered that this friend had no trust in me. Trust needs to be earned. This stung worse than the even larger losses I am going though right now. I am transparent and easily judged. Perhaps I need to turn to meditation. I have no clear, open, sane, relaxed point of view about how to live a fulfilling life. I have no home. Isn’t sketching a form of meditation? It makes me fully present, and it drowns out the noise. This one simple action of doing one sketch a day is the one strength I fall back on. I need to find other sources of strength. I realize that I am lost… How did all this come from listening to this couple sing. They seem so happy. They seem to be living on love alone. Ideals get dashed. Time is short.

On the tent wall behind the performers, Carl Knickerbocker, a local artist was projecting a short film memorializing the life of artist, Morgan Steele. I met Morgan at an Eco Action lake cleanup this past February. He was curious about my art and we talked for some time. He remained on shore with me as volunteers in canoes explored Lake Virginia cleaning up it’s shores of garbage. I sketched him as he leaned up against a cross in the shade of a live oak. Shortly after that day, he lost control his car, which careened into some cement construction barricades as as he returned home from Stardust Video and Coffee. Some claimed that my sketch of Morgan prophesied his early death. Life is short and love fleeting. Art crumbles.

Sarah Purser Performed at the Fringe Outdoor Stage.

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Sarah Purser is an incredible singer. She has performed with the Opera and she also performs more modern tunes. She sang sultry and sad Joni Mitchell covers in the Fringe Outdoor Stage.   Sarah’s husband Marco Bojorquez played the electric bass.

The out door tent was constantly active the year. Orlando’s best singers and bands set up on stage about every hour. Jessica Pawli orchestrated the incredible line up of talent. She turned the sleepy outdoor stage into a major attraction in it’s second year. I could have been happy sketching in the outdoor tent everyday but of course the lure of the odd and obscene drew me inside to the ticketed Fringe shows as well.

Salvador Live at the Outdoor Fringe Tent.

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The world’s most dynamic break dancing speed painter known as “Salvador Live!” brought his talents to Fringe making a special live performance during Hop Hip Night at the free outdoor stage. Salvador wowed Fringe goers with his compelling live painting experience with the added twist of dance and theatrical elements. Using his performance expertise and incorporating a variety of special characters and themes, Salvador Live engaged, inspired and impressed his spectators delivering a truly unique, unforgettable experience.

I had to work quick to catch him in action. Prince songs inspired his creation. Within minutes Prince‘s purple face began to appear on the five foot canvas. I wondered how he could get a likeness so quickly. After watching him work, I have my theories, but prefer to simply accept it as theatrical and artistic magic. Salvador would break dance and spin on his head between songs. He spent as much time dancing and voguing as he did painting. Amazed spectators took video and or photos on their cell phone. The performancebuild up to Prince’s “Purple Rain.” Before I knew it, he us done. I had to keep adding color washes after he left the stage. I was exhausted from just watching him. While walking on Park Avenue in Winter Park, I passed an angry youth sitting on a bench shouting into his phone. “You know they killed Prince don’t you?” As conspiracy theories build, Prince’ myth lives on.

Sterio Type performed at the Fringe Outdoor Stage.

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Stereo Type which hails from Daytona Beach, Florida performed at the Fringe Outdoor Stage. Band members include, Vincent Victor Oath on Guitar and Lead Vocals, Brian Topp on Drums.
Their genre is Punk and Hard Rock. We came across the band performing during the Fringe Sketch Tour. Music sets on the outdoor stage are seldom over an hour long and usually much less, so I rushed to get something on the page. My Sketch Tour protege was a bit tired, having already done about 5 drawings that day. She decided to listen to the music and just watch me work. In a sense this sketch became a demonstration on how to work fast and furious. Hopefully it helped.

The music was also fast and furious as band members banged their heads to the beat. When sketching live performances, the beat and rhythm often work their way into every line and wash on the sketch. After the initial frustrations subside, I often reach a point where I’m no longer drawing things, but a feeling or flow through the scene. It is magic when it happens but I’m to harsh a critic to decide if it worked. I put the sketch aside and start hunting for my next scene to capture.