COVID Balast

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America has surpasses 1.5 Million dead due to COVID. That number is likely much higher since COVID causes brain, heart and other vascular issues that result in death long after the initial infection. Those deaths are not attributed to COVID.

Politicians are satisfied with the number of deaths. These people will not need social security. Politicians are promoting mass infection in the hope that herd immunity will set in and eventually stop the cull. Politicians are presenting the vulnerable at less than the average American. The problem is that every American becomes vulnerable after repeat infections with COVID. The number of disabled Americans due to COVID continues to grow. On Long COVID awareness day the media promoted the idea that we should no longer use the term Long COVID. The first social group the Nazis murdered on mass during WWII were the disabled. Care wards were emptied and the Nazis experimented on killing the disabled using carbon monoxide from auto exhaust. This next election cycle we have a former president who fancies himself becoming a dictator.

For minimizers Long COVID is not a problem until is has seized a member of their own family. For them COVID is not a problem unless they see bodies piling up in the streets. America is however very efficient at disposing of bodies. The government has done an excellent job of convincing people that they should not care about the vulnerable. The vulnerable are to be discarded so the nation can “return to Normal”.

 

COVID Film: Title Shuffle

Posted on by Thor

The working title for my film has always been COVID. I discovered that COVID is the title of a feature film coming out in December of 2023.

I was excited to rename my film COVID APOCALYPSE. Apocalypse tied in with the quote I had placed at the end of the titles. I spent a day redesigning the posters and press material. Then while online that evening I found out a book had the title COVID APOCALYPSE. WT actual F.

Hell, the distressed type on the cover was even similar to my poster design. The book came out 3 months before I started chasing a unique and searchable title for my short film. Unfortunately I had contacted the Chicago International REEL Shorts Film Festival and told them I was renaming the film to COVID APOCALYPSE. As I was scrambling to redesign everything they updated their website.

Yesterday I changed the title to COVID DYSTOPIA. So far I have not found a book or film with that title. But give it a week and I bet one will pop up. Rather than ask the festival to once again change the title, it will screen as COVID APOCALYPSE at that one screening.

A week ago, I  printed 50 post cards with the title of COVID. Those post cards will be real collectors items like the upside down airplane on a postage stamp.

I added COVID DYSTOPIA to the opening scene and the end credits. Lets hope it sticks.

Canada Wildfire Smoke

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What if COVID was as visible as Canada wildfire smoke? Would people mask up then or would it still me a matter of “freedom” to inhale a level 3 bio hazard virus? Officials are advising people, especially those with pre-existing respiratory conditions, to wear an N95 mask. Canadian Health Minister,  Jean-Yves Duclos said, “So, for all of these people, including others that may want to protect themselves against the bad consequences of bad quality air, wearing an N95 mask is the recommended procedure by health authorities.”

When it comes to filtering out COVID from the air in health care facilities, work or home, no one cares because COVID can not be seen. Hundreds of people continue to die every week but the numbers are far less than the thousands who died every week during COVID spikes of the past. One in five will suffer from Long COVID. To return to normal everyone has surrendered to disability and death.

Biden hopes to get re elected by convincing Americans that the smoke has cleared.

COVID: Shot 9

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The hazmat suit theme dominates the opening shots of the film. This shot shows a huge crowd of people crushed together as they rushed to get back to the United States before borders were closed. The move to close the border happened far too late to stop any spread of the virus. The crowd in actuality was unmasked, and unaware they might be bringing the virus back home to family and friends. The airports did a horrible job of checking for the virus since the tests the United States had developed were faulty. This was just one of many absolute fiascos that lead to the United States becoming the most infected and deadly place on earth.

I executed the shot using landscape mode in VoluMax Pro. It is a rather fast pan down the crowded hallway and because of that movement some of the parallax depth is less noticeable but it is there. From this point forward all the shots incorporate a fast zoom transition which adds to the frantic pace of the film.

I have submitted the film to about 5 film festivals so far. Researching which festivals might be a good fit for the film is a full time job. The goal is to possible submit to about 100 festivals. My thought is that maybe 10% might accept the entry, which means I would travel to 10 different festivals. I will have to harden myself to a high rate of rejection. I know this is a film that no one wants to see as everyone wants to delude themselves that life has returned to “Normal.”

COVID: Premiere

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The film, COVID had it’s premiere at Fringe this year in the visual artists area. I had screened a film several years ago and that screening happened in the outdoor tent behind the Shakes. In my Facebook invite that is where I directed people. I got to the outdoor tent about half an hour before the screening began. It was surprisingly light outside but I started blocking in my sketch, thinking I would sketch the audience as they arrived.

I was still blocking in my sketch in pencil when I began to realize that the movie screen had not been set up yet. Pam and several friends arrived. And Pam decided to go in the shakes and figure out where the screening was happening. Andy Matchett, who wrote the amazing single that is the basis of the short, showed up and we went inside together to see if the screening was indeed inside.

The screening was actually in the round planetarium room which was being used for visual Fringe. There was a full crowd. I realized that I didn’t have the time to complete a sketch, so I sat and relaxed for the show. The pencil sketch I had started is under the sketch I have posted here. I didn’t have an erased so it can be seen faintly underneath this quickly executed sketch.

Most of the seats were taken so we sat at the kids table to watch which was separated from the main audience. Since chairs had run out a comfy recliner was pulled away from the wall and I offered it to Andy. He deserved it since his music is amazing and the show Key of E had premiered at Fringe 10 years prior. The singe I built the short around is “I just Can’t Wait (for the game to end)” and every word feels like it is about the COVID pandemic and a desire to return to normal. The song was written in 2013 but it feels like it was written in 2020 or today. I consider Andy a profit, though he hates for me to say that.

My film COVID was the only one that required a warning in case people wanted to shield themselves from the reality I was showcasing. After the screening we went to the outdoor beer tent. I was masked all night except for the moments I was downing a Hefferweisen beer. Being unmasked I was calculating wind directions and my distances from others. I usually insist on 22 feet of distance but that distance broke long enough for me to drink the beer and try the schnitzel. Pam went to order some schnitzel and in the time she was getting that I finished this sketch. I realized that I had left my pen at home, so this sketch was done with a colored pencil.

Before I finished the sketch, a singer in a captains cap and a uniform came over and asked if I was Thor. He thanked me for the work I had done for the opera in the past and he was glad I was out sketching theater on location again. It was nice to sketch live theater again but it is exhausting navigating in a world where people think the pandemic is over and I know the pandemic is far from over. A black N-95 is now a part of my everyday sketch uniform.

 

COVID: Shot 8

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Shot 8 shows Fun Spot which refused to close its doors when the pandemic hit hard. They put out some hand sanitizer stations and called it a day. For those who aren’t aware, COVID is airborne, it floats through the air like smoke waiting to be inhaled to infect a new host. Sanitizer is a nice gesture but it does not stop an airborne virus.

This shot was created with landscape mode of VoluMax Pro 7. I then re did the shot using a depth map for the background and separate layers of each group of hazmat workers. The challenge then became to keep the workers solidly placed on the ground. It took some work to get that right.

Things never got quite this bad in Orlando but with well over one million deaths in America, I wasn’t far off the mark in the paintings I produced in the first weeks. According to USA Facts,  Orlando Florida has had 88,288 COVID deaths so far and that number continues to grow. Where are they all buried? Someone dies about every three minutes from COVID.

Americans have been duped into accepting mass infection. They can accept the risk of infection as no worse than a possible auto accident. However with an auto, you at least can wear a seat belt and steer clear of oncoming traffic. There is no steering clear of COVID when literally no one masks.\

 

I am starting to enter this film in Film Festivals. I have come to realize that it is a film no one wants to see. I therefor have to pay festival entry fees to get an audience to see it.

 

COVID: Shot 7

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In the first weeks of the pandemic people rushed to the store to hoard toilet paper and fist fights broke out in the aisles. Videos of fights broke out all over social media. Of all the survival needs this seems to be the most mundane.

This was the first shot in the film that used a fast paced zoom transition that I used for the remainder of the film. This effect at first was done by zooming in 75% each time. The timing of that zoom was consistent over time but very quick. After the whole film was edited together I abandoned that technique and instead used adjustment layers to create a transition that ramped up to happen super quick.

Most of the shots would involve a quick zoom in a settle and then zoom in again. This gave each shot the impression that they were part of a much bigger scene. I listened to the whole soundtrack and put down beats on the timeline by pressing the M key on the keyboard. Each shot would last for one or two beats at most.

The pandemic rushed towards us at an insane pace with some crazy story popping up each day. The pandemic continues with a person dying from COVID every 3 minutes but the media has become complicitly silent. The only way Joe Biden can get re-elected is if the country believes the war against COVID is over. Over 700,000 Americans have died since Biden became president but that is never discussed.

I have come to realize that what I have created is a film that no one wants to see. In the rush to return to normal, the nation has suffered a complete amnesia of what has happened and is still happening today.I offer harsh realities but people prefer false hope and denial.

COVID: Shot 6

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Shot 6 was the first time I tried using Volumax Pro 7 Smart to try and get some sense of a third dimension to the monkey. I drew depth maps with a pen tool and adjusted the 4 or so layers I creates to that the hand was light and things grew darker moving back. I then painted the mouth to be darker to get some depth. The effect is subtle but it is there. I can see the teeth turn obsessionally as the monkey screams.

I used Volumax Ai to create a depth map for the background monkeys and then moved each of the hands separately. I doubt people notice all the hand movements but they should get a general sens of chaos. By this time I was used to animating breath and COVID spatter using positioning and scale. As each shot progresses the breath expands and the spatter moves with it. Each painting has a different way of visualizing breath. I must have used every color of the rainbow in visualizing how airborne COVID floats through the air like smoke.

The public was lead to believe that the virus could only spread 6 feet but it can travel so much further. My general rule of thumb has been to mask up if I get within 22 feet of anyone else. That applies inside and outside.

For the first time I am paying attention to how many times this film has been seen. I am disappointed since the day before I posted this online a woman posed a video of her singing a song about masking. That video had 80,000 views on the first day. This film has only been seen several hundred times. I don’t understand how ti use social media. I don’t think I ever will. I knew people didn’t want to be reminded of what has happened and what is still happening. Oh well, I need to muster up the courage to keep creating.

You can see the full COVID film here.

 

COVID: Shot 5

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I was amazed at how quickly mass gathering for sports became the norm. COVID infected players can literally have their hearts explode and collapse on the field and the fans still cheer. Entitled players were some of the first to express their ignorance about vaccines and the virus. Positive roll models are rare. Most celebrities are required by contract to hide their COVID infections. Bruce Springsteen and a rash of other musicians are forced to cancel concerts due to a mystery illness. Don’t think I am bashing Bruce because I respect him also canceling a concert to protest North Carolina’s newly signed anti-gay bill.

COVID-19 has hit the Giro bicycle race hard. 16 riders to date have headed home after falling ill with the virus, which returned in the peloton in the weeks leading up to the race. This seems to be the new normal with athletes and performers dropping like flies.

This shot was completed like the previous shots with each row of audience members isolated by erasing around them and touching up areas that might usually be hidden. I did try and animate each layer to get the effect but that didn’t result in a natural movement. Stacking them three dimensionally and moving the camera gave the the natural movement I needed.

When played at speed in the film, no one has the time to pick out all the subtle details in each shot. Each scene happens in quick succession much as the pandemic itself unfolds like a freight train on a collision course.

The entire COVID film is now viral on youTube. You can see the entire film here.

 

COVID: Shot 4

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This shot consists of 5 rows of audience members. Each row was isolated by erasing the audience behind them. Each row then had to be touched up so that they might appear as the camera zoomed in. Sometime I had to make judgement calls about who was in what row. For instance is the guy picking his nose in the second row of the third row? The right choice could make or break the scene. The cool effect I learned was to arrange the layers in a three dimensional space in After Effects sort of like the multiple curtain wings on a theater stage.

I could then simply animate the camera moving it forward and up or down as needed to get a string sense of parallax. If I wanted I could also add depth maps to each layer which would make for instance the knees appear closer to the camera but for such a quick shot I felt that was overkill.

I spent my birthday adding closed captions to the film since someone made that request. It turned out that was a more challenging process than I expected. It look two tries but I got it done.

COVID is now going viral on youTube, you can see the entire film here.