COVID: Shot 5

I was amazed at how quickly mass gathering for sports became the norm. COVID infected players can literally have their hearts explode and collapse on the field and the fans still cheer. Entitled players were some of the first to express their ignorance about vaccines and the virus. Positive roll models are rare. Most celebrities are required by contract to hide their COVID infections. Bruce Springsteen and a rash of other musicians are forced to cancel concerts due to a mystery illness. Don’t think I am bashing Bruce because I respect him also canceling a concert to protest North Carolina’s newly signed anti-gay bill.

COVID-19 has hit the Giro bicycle race hard. 16 riders to date have headed home after falling ill with the virus, which returned in the peloton in the weeks leading up to the race. This seems to be the new normal with athletes and performers dropping like flies.

This shot was completed like the previous shots with each row of audience members isolated by erasing around them and touching up areas that might usually be hidden. I did try and animate each layer to get the effect but that didn’t result in a natural movement. Stacking them three dimensionally and moving the camera gave the the natural movement I needed.

When played at speed in the film, no one has the time to pick out all the subtle details in each shot. Each scene happens in quick succession much as the pandemic itself unfolds like a freight train on a collision course.

The entire COVID film is now viral on youTube. You can see the entire film here.

 

COVID: Shot 4

This shot consists of 5 rows of audience members. Each row was isolated by erasing the audience behind them. Each row then had to be touched up so that they might appear as the camera zoomed in. Sometime I had to make judgement calls about who was in what row. For instance is the guy picking his nose in the second row of the third row? The right choice could make or break the scene. The cool effect I learned was to arrange the layers in a three dimensional space in After Effects sort of like the multiple curtain wings on a theater stage.

I could then simply animate the camera moving it forward and up or down as needed to get a string sense of parallax. If I wanted I could also add depth maps to each layer which would make for instance the knees appear closer to the camera but for such a quick shot I felt that was overkill.

I spent my birthday adding closed captions to the film since someone made that request. It turned out that was a more challenging process than I expected. It look two tries but I got it done.

COVID is now going viral on youTube, you can see the entire film here.

 

COVID Blizzard

This phase of the pandemic feels like a blizzard with all data being abandoned and facts being downplayed and obfuscated. A blizzard in itself is not deadly, it is disorienting since you can’t see hour hand in front of your face. Pandemic era support programs have become a thing of the past. Everyone is on their own as COVID treatments will become commercialized. New quack remedies will hit the shelves as no effort is being put into improving air quality and masks.

The Census Bureau reported last year that COVID relief efforts and others sharply reduced childhood poverty. But these programs have now expired.

America is flying blind. Those who claim, “We have the tools”, are lying. With new variants, those tools are being knocked off one by one. Monoclonal antibodies no longer work against the newest variants. Testing has ceased and at home testing isn’t working well to detect the new variants. Most people don’t even know they have COVID when they are knocked off their feet for a week.

The initial infection might be “Mild” but COVID hardens the arteries and is causing blood clots and heart attacks weeks after recovery. COVID is a level 3 bio hazard more akin to HIV that a cold or the flu. President Biden ran on a platform where he claimed he would handle the pandemic. He has instead overseen 700,000 COVID deaths. Within months of taking office he declared victory over COVID and suggested everyone press together for July4th celebrations. It turned out being vaccinated does not stop infections from happening. Sending at home tests effectively made COVID cases disappear since any at home tests were not reported.

COVID World Premiere Screening Tonight!

These are the opening shots of the short 2.5D animated film titled COVID, whose world premiere screening is tonight May 19, 2023 at the Orlando Shakespeare Theater, 6pm in the outdoor courtyard as part of the 3rd annual “Film as Visual Art” Fringe event.

Here is the press release about the film:

FOR IMMEDIATE RELEASE

 Local Artist to Premiere Shocking Film Chronicling Pandemic

Over 200 original artworks detail global experience in four minutes

ORLANDO, Fla. (May 16, 2023) – Central Florida artist Thomas Thorspecken (Thor) who formerly worked for Disney Feature Animation, will premiere his newest project featuring more than 200 original digital paintings in a four-minute film. The premiere can be seen at Fringe’s “Film as Visual Art” event this Friday, May 19, 2023, at 6:00 pm in the outdoor Orlando Shakespeare Theater courtyard.

Since January 2009, as a New Year’s resolution, Thorspecken has created at least one watercolor or digital sketch a day documenting arts and culture in Central Florida for his blog, Analog Artist Digital World, culminating in more than 4,000 individual works of art illustrating the vibrancy of this community and beyond. When the pandemic hit in early 2020, he shifted his focus to creating a daily artistic commentary on COVID, politics, and both the global and local impacts of this devastating and unprecedented time in history.

“From the start of the COVID pandemic, minimizers falsely claimed the virus was no worse than the flu. After more than a million COVID deaths in America and mass infection becoming the accepted norm, minimizers persist,” Thorspecken cited as part of the rationale for his having created the jarring revue. The artist completed the film on May 11, 2023, when the United States officially lifted the COVID Emergency, despite Covid’s persistence. The paintings combat the willful denial and obfuscation of the facts of the past three years. The airborne virus cannot be seen, but in these paintings it takes center stage, a statement that ignoring the virus is deadly.

Inspired by an Artificial Intelligence-generated Tik Tok video illustrating Billy Joel’s “We Didn’t Start the Fire,” Thorspecken crafted his own AI (Artist Intelligence) generated film to the music from popular local musician, Andy Matchett’s, song “Just Can’t Wait (For the Game to End)” from his apocalyptic rock musical Key of E. Each gripping artwork flashes by, building on the dark time capsule of our shared experience. Though representing a mere fraction of his overall pandemic series, each was meticulously selected and timed to Matchett’s lyrics before being custom depth mapped and animated.

 More information about the making of this film can be found at AnalogArtistDigitalWorld.com. The film will premiere as part of the 3rd annual “Film as Visual Art” on Friday, May 19, 6 – 7 p.m. before becoming available on the artist’s social media channels.

Thomas Thorspecken (Thor), is an artist, Urban Sketcher, animator, and illustrative journalist living and working in Central Florida. He attended the School of Visual Arts in New York City, before working as a freelance illustrator designing magazines and publications. Thorspecken relocated to Orlando as an animation artist for Disney. He currently teaches at Elite Animation Academy and the Crealdé School of Art. Thor is always seeking new challenging projects, commissions, and ways to capture local life through art. Follow Thor on Instagram: @analogartistdigitalworld, Twitter: @analogartist, Facebook: Analog Artist Digital World, and subscribe to his blog: www.analogartistdigitalworld.com

Pandemic Film: New Year

This is the most fun shot I worked on yesterday. At first I created a depth map that included the skeleton, but when I started animating the confetti, I quickly discovered that it overlapped him in awkward ways. I decided the skeleton had to have his own layer and he was only overlapped by the upper most confetti animation that I added at the end.

The camera pans down and with the parallax, Times Square seems cavernous. Each confetti layer was moved at different rates. The top layer moved the most and less movement occurred moving back in space.  The shot took several hours to composite but it lasts on the screen for less than a second. It was worth it.

In some ways the film is organized chronologically, in that each year with a new refrain a painting is highlighted for that years Time Square celebration. In other ways the film is arranged thematically based on the lyrics of Andy Matchett‘s song, Just Can’t Wait. The song was written in 2017 for the Fringe show Key of E, which was an apocalyptic rock musical. In so many ways the lyrics are prophetic about the way the COVID pandemic unfolded and continues to unfold.

On May 11, 2023 the United States will end its COVID public health emergency. May 11, 2023 will be this film’s birthday. 1,128,404 Americans have died of COVID-19, with about 200 more still dying every week. 250,000 American children have lost a parent. Millions of Americans are suffering from long COVID. Loneliness may not be the worst thing to come from the pandemic.

COVID is airborne, the pandemic is far from over.

Pandemic Film: Demonically Selfish

This shot shows a selfish Uber passenger knowingly coughing on her driver. The incident was caught on his dashboard camera. The painting is close to how it happened but the visualization of her breath and spatter is missing since I haven’t composited it into the shot yet in After Effects. In most of the shots in the film, breath and spatter are two elements that are animated. The vicious gas expands and the spatter flies through the air as aerosols do. In her case the breath is bright pink. people are selfish and gross.

In some ways social media has helped spread the virus through misinformation and promoting mass gatherings despite the ongoing pandemic. I find it ironic that the CDC just held a superspreader conference to gloat about their victory over the virus. 35 attendees are infected so far. They will get the best possible health care because the CDC doesn’t need it to become more of a public relations train wreck.

Pandemic Film: Living with the Virus

Yesterday I completed 15 shots. I am now feeling confident that at this pace the film will be complete by May 11, 2023. Originally I picked this as the due date since it was the date President Joe Biden would officially declare the pandemic emergency to have ended. Of course the pandemic will still be raging on that date. May 11 also happened to be the date that the Fringe Film Festival needs films to be submitted for the free screening on May 19, 2023 at 6pm in the Orlando Shakes courtyard outside. There are no coincidences, so I submitted the film to Fringe. Now that it is approved I need to finish the final edit pronto.

In this shot I found it odd that the computer neural filters assumed the virus was so bright and thus close to the camera rather than in the mid ground on the couch. I edited the painting and depth map together in After Effects anyway and I decided I liked the effect. I applied a parallax zoom and the virus swelled as the camera moved in. This turned out to be another happy accident that I will keep in the film.

Minotaurs

I have started production on a short film (details to come) and found myself in need of 16 thousand Minotaurs tearing up the street. While researching, the scenes of the Spanish bull runs became my primary inspiration.

The Minotaur, appears briefly in Dante‘s Inferno, where Dante and his guide Virgil find themselves picking their way among boulders dislodged on the slope and preparing to enter into the seventh circle of hell. Dante and Virgil encounter the beast first among the “men of blood”, those damned for their violent natures.

On my occasion scrolls through Instagram videos, I am shocked by the number of videos being posted of fist fights in public. After three years of the pandemic, people are violently mingling in public. They have lost sigh of how to be civilized and care about people other than themselves. Fights break out in airplanes, busses, and public events. Humanity as a whole seems to have become more primal, driven by fear and a hatred fueled by a virus they can not control, and do not understand.

Hate crimes against Asian Americans had been on a steep incline. Domestic violence has also been on a steep incline. It is as if the hoards need someone to blame. The virus is invisible and therefor easy to ignore as it spreads among the masses that have no idea that it is airborne and can cause infection from much further than six feet.

The simple act of wearing a mask has become a heated source of violence. A fight over masks led to gunfire outside a Los Angeles grocery store, according to authorities, and a rapper named Jerry Lewis was killed. When workers in a Michigan pizzeria told a customer that she had to wear a mask, the costumer  flashed a middle finger, and kicked someone in the restaurant.

The wearing of masks has become a catalyst for political conflict, an arena where scientific evidence is often interpreted through a partisan lens. While I was wearing a mask while walking the streets of Charleston, I was accosted by a drunkard and my politics were called into account. I ignored the drunk trying to impress his buddies and a fight didn’t follow. We went about the rest of the evening outside learning about the ghosts of the city from a guide. I don’t care if I am the only person wearing a mask. I know too much to risk the infection.

Some idiot on a crowded plane tried to convince a woman seated near him to take off her mask by offering her 100,000. Besides being a smarmy gesture, the price was far too low. I would need an offer of 4 million dollars in cash to even consider taking my N-95 off in a crowded plane. Even then it is not really worth it.

Wash your hands so you don’t burn to death!

COVID is airborne and can travel much further than 6 feet. At the start of the pandemic people were wiping down their groceries and washing hands incessantly. Washing your hands is important, but it is useless if you go out in public without a mask. Breathing COVID is what makes you sick. A face mask is also a good way to keep you from touching your face.  People touch their face over 2ooo times a day. Touching surfaces is less likely to get you infected. Despite this I still carry a small vile of sanitizer in my pocket and use it on occasion when in public.

COVID is airborne. The virus has been allowed to spread unchecked around the world. It is here to stay. The best way to stay healthy is to avoid breathing the air that others have exhaled. Airborne transmission is elusive since you can not see yourself become infected. You don’t need to be in the same room as a sick person to contract an airborne disease.

For much of the pandemic the CDC was promoting the idea that 6 feet of distance would protect you from being infected. The virus can remain airborne for much further than 6 feet. Since I have started going out in public I work with the idea of maintaining 22 feet of distance from others when possible. If closer than 22 feet I will be masked indoors or out. This has worked so far.

If someone coughs in a bathroom and then you enter, you could be infected. This makes it possible for airborne diseases to infect larger numbers of people and more difficult to determine the causes due to a lack of person-to-person contact. The virus can remain airborne from minutes to hours.

 

 

But, did he die with wildfires or from wildfires?

With of from COVID? That is the question. In April of 2020 the CDC gave specific advice to doctors on how to determine the cause of death that should be listed on a death certificate. If a patient died of pneumonia caused by COVID-19, then Pneumonia would be listed as the cause of death and the patient would have died OF COVID. Those who died OF COVID-19 are considered the number of people whose primary cause of death was due to the virus.

If other  COVID was considered a co-morbidity like obesity, but the person died from an accident or other cause, then the patient would have died WITH COVID.

We have officially entered the COVID exhaustion phase of the pandemic. People grasp at any straw of misinformation in order to pretend the pandemic is over or never happened. I have seen FOX news hosts claim that thousands of people are dying in motorcycle accidents and they just happen to have COVID. This is just lunacy. A doctor would never claim  COVID as the cause of a motorcycle accident.

One patient had cancer and was told he only had months to live. In those final months he caught COVID-19 and was unable to breath. He died OF COVID.

In April of 2021 Dr. Deborah Birx, said, “If someone dies WITH COVID-19, we are counting that as a COVID-19 death.” That lead conspiracy theorists to assume numbers were being inflated. In the spring and summer of 2021 that policy was altered to say that in order for a death to be counted as a COVID-19 death, the disease had to have played a role.

Since the start of the pandemic the numbers of non-COVID excess deaths have been on the rise. Excess deaths are deaths that are above the average number of deaths expected based on an average of the previous 5 years. Many of these rising excess deaths are likely due to COVID causing an increase in  heart attacks, strokes, embolisms, aneurysms, diabetes, and damage to autoimmunity. COVID causes damage to the lungs, kidneys, liver, heart. It causes brain damage, brain inflammation, brain autoimmunity. COVID can cause ongoing illness and disability that can be life changing and may be lifelong.

Regardless of weather the death is OF or WITH COVID, when a loved or friend one dies, the cost is incalculable. I don’t understand the need for the semantics. The pandemic is not over and over 500 Americans are dying needlessly every week.