COVID Dystopia: On the Red Carpet

Posted on by Thor

On Sunday November 3rd at 8pm there was a second screening of COVID Dystopia at the Orlando Film Festival. I had quite honestly not realized there was a screening Sunday, so I hadn’t promoted it like usual with a Facebook invite.

I feel it is important to always go to any screening to be there for the question and answer sessions that follow the screening. I went early to get a sketch done in the theater lobby. There was a red carpet set up so film makers could pose in front of all the corporate logos. I took a selfie but haven’t had an official shot taken yet. I have one more chance with my final screening on Tuesday. I shared a shot of myself in front of the COVID Dystopia movie poster and that shot got more engagement than any of the trailer of stills from the film I had shared. It wasn’t my smiling face that got the likes because I was as usual wearing my formal black KN-95 mask. One of the staff took the photo. I usually cross my arms for such a shot, but the lanyard got in the way, So I ended up putting one hand on my hip. On this trip to the festival I finally brought along some COVID Dystopia cards and buttons. The cards have an early poster on one side and the lyrics to the other side. The buttons have a laurel and “COVID Isn’t done with us yet”.

I figured an 8pm screening might be better for getting a crowd in the theater. I was wrong. The producer for the animated short Matty Cat sat in the back and there were two others seated house right. I had met the producer at the first screening where there were lots of filmmakers and about 5 audience members. I joked with him about how I had hoped for a more packed audience. We had a very pleasant conversation about the trajectories of our careers, and lives, then the films started.

Seeing all the films a second time I got to better appreciate things that worked well in each film. With the first screening I cringed every time animation seemed flawed. I put that aside and just looked at textures, lighting and all the aspects that I could learn from should I once again commit to making an animated short.

The two person audience filtered out when the lights went back up so there was no point to a question and answer session. One of the staff however asked us both questions. He was fresh out of film school and just breaking into the film business. Talking to him was awesome since he was in touch with all the Hollywood gossip and so passionate about wanting Independent films to make a mark. There is a horror film that was just made with a budget of $15,000 and it made about 6 million dollars in theaters. That is a one in a million shot but it is what keeps filmmakers motivated.

The last Orlando Film Festival showing of COVID Dystopia will be on November 7, 2024. The November 1st screening 2pm, theater 9. At 8pm on November 7 is the Awards Ceremony which I will also attend in case I need to pick up another award. The Orlando Film Festival runs from October 31 to November 7 at the CMX PLAZA CINEMA CAFE 155 S. Orange Ave, Downtown, Orlando FL. A one day pass is $20 and you can see a whole lot of films in one day. When I attend a film festival I treat it like a movie marathon. If you go to a screening, I will be easy to find as the one person in a KN-95 mask. We might be done with COVID, but COVID is not done with us.

Macbeth Act II

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Macbeth with music by Giuseppe Verdi was presented by the Orlando Opera at Steinmetz Hall in the Dr. Phillips Center for the Perf0rming Arts.  During the intermission I finished up adding watercolor washes to my first sketch.

The second Act opened up once again in the witches cave. I am loosing sight in my left eye which causes me to see two overlapping images. I decided to use my opera glasses to do a second sketch. The advantage of the opera glasses is that the double vision is no longer a problem. One actor or actress fills my vision as I sketch. The problem is to keep my head still as I sketch and resist looking don at the sketch. Both of my fountain pens failed as I sketched and I found that colored pencils became blunt too fast. Despite the technical issues I enjoyed sketching each with in turn, knowing full well it would be a quirky result. I think I will do drawings more often using the opera glasses. It puts me right on top of the action.

Macbeth

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Orlando Opera presented Macbeth with music by Giuseppe Verde at Steinmetz Hall in the Dr. Phillips Center for the Performing Arts ( 445 S Magnolia Ave, Orlando, FL), on October 25 and 27, 2024.

The opera opened with the conductor walking out and conducting the small orchestra in the pit.  A witches cave which had a black scrim with 2 openings at the top of the two ramps. I suspected there must be more behind the scrim so I resisted sketching the openings, instead sketching the audience. The theater went pitch black, so I used my iPhone to illuminate the sketch. The witches predicted the future to two generals.

The scrim opened to show the kings castle. Lady Macbeth convinced her husband that he must murder the king to rise to the throne. He had a vision of a dagger and realized that this was his future. The king was murdered in a large projected silhouette, and Macbeth walked on stage with very bloody hands.

The lyrics were in Italian. Since I was sketching, I didn’t have time to read the subtitles above the stage. The emotion behind every aria however was clear. I have seen several productions of Macbeth as written by Shakespeare, so the story line was familiar. I let the music guise my hand as I struggled, putting lines on the page in the dark.

COVID Dystopia: 1500 Minotaur’s Tear up the Street

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This was definitely one of the more challenging scenes to animate. I worked each of the Minotaur runs backwards so the scene would end looking like the final painting.

I animated all the minotaurs once and then realized that the resolution of the animation was too low. I had to re-animate in 4k.

Yesterday was the first screening of COVID dystopia at the Orlando Film Festival. I arrived several hours early to watch another block of films. When I arrived one of the staff recognized me and pointed me out to the tech guy. He was having trouble downloading the film MP4. I walked with him back through the maze of hallways to the tech booth. I knew that I had sent the link and made the MP4 fully acceptable. Looking at the Film Freeway site we discovered that the Film Download button was missing. Though I knew the film was easily accessible since other festivals had no problem with the download, I was stumped but agreed to run back to my studio to attack the problem from that end.

I ran several blocks and then got a call from the tech. He had gone to the festival producer who had turned off the film access button for staff. This was an annoying start to the day, but I was thankful that the emergency was averted without a half hour drive back to the studio. The screening of my film went off flawlessly. Other animated films however had many tech issues. One film was submitted in 4K and only one quarter of the film showed up on the screen. The film had sexy Drone Hunters and you might only see a tit or the curve of a hip on screen. Another issue that occurred with many of the films was that they were way too loud. Stella, a former Disney Feature Animation effects artist had ear plugs. I spent much of the time plugging up my ears with my pointer fingers. The bombastic sound tracks might die down for a moment but then they would blaze back and I would have to plug my ears to save my ear drums.

I kind of likes seeing my film with live action horror films at other festivals. Seeing in in a full animation block forced me to sit through some terrifyingly bad animation. People were weightless and when they talked they just flapped their jaws, not always in sync with the words.

I will attend the second screening of COVID Dystopia at the Orlando Film Festival on November 7, 2024 at 2pm, in theater 9. At 8pm on November 7 is the Awards Ceremony which I will also attend in case I need to pick up another award. The Orlando Film Festival runs through November 7 at the CMX PLAZA CINEMA CAFE 155 S. Orange Ave, Downtown, Orlando FL. A one day pass is $20 and you can see a whole lot of films in one day. When I attend a film festival I treat it like a movie marathon. If you go to a COVID Dystopia screening, I will be easy to find as the one person in a KN-95 mask. We might be done with COVID, but COVID is not done with us.

COVID Dystopia: Corpses Clogged up Every Creek

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In this shot from COVID Dystopia, all the hazmat wearing men are animated as they carry caskets and load them onto the truck.

Now looking at the scene, I wonder if the semi driving down the highway at full speed, might swerve and jack knife when cut off by traffic. Caskets would crash and scatter all over the highway. I have no idea why such scenes flash into my head.

I went to the opening night of the Orlando Film Festival last night and saw Tapawingo which was a fun low stakes film set in the 1980s. It had Napoleon Dynamite vibes. I was laughing out loud at times and it reminded me of my first job which was sorting junk mail. Two thumbs up. It is screening one more time on Saturday Nov 2 at 8pm, and the director will be attending that screening.

I found it fascinating that the film was going to be filmed in Las Angeles but the city shut down due to COVID. The film was later filmed in Virginia. I am always surprised when people refer to the pandemic in the past tense.

Today I will be attending the screening of my film COVID Dystopia at 4:15pm in Theater 9 in the CMX Plaza Cinema Cafe 155 S. Orange Avenue, Downtown, Orlando FL. I am hoping that the write up in Florida Politics and the NPR radio interview will also bring out a few friends. Actually I might have scared off the NPR folks since I spoke at length about the lasting effects of repeat COVID infections. I forgot that my goal should have been to promote the film not save lives. Some flowery talk about how art can alter a persons world view would have been more appropriate. Oh well, there is no undo button.

I just found out there was a mass shooting at the Halloween festivities in Downtown Orlando on the night of the Orlando Film festival opening. I was walking through  the intersection where the shooting happened two hour before it happened. Had I decided to stay for the Film Festival After Party or if I had decided to start sketching the chaos and amazing costumes on the streets. I might very well have been at the location when the shooting happened at 1:07am. 2 people died and seven were injured. The show must go on, I am off to my film screening in a couple of hours.

COVID Dystopia will also screen at the Orlando Film Festival on November 7, 2024 at 2pm, in theater 9. At 8pm on November 7 is the Awards Ceremony which I will also attend in case I need to pick up another award. The Orlando Film Festival runs through November 7 at the CMX PLAZA CINEMA CAFE 155 S. Orange Ave, Downtown, Orlando FL. A one day pass is $20 and you can see a whole lot of films in one day. When I attend a film festival I treat it like a movie marathon. If you go to a COVID Dystopia screening, I will be easy to find as the one person in a KN-95 mask. We might be done with COVID, but COVID is not done with us.

COVID Dystopia: Copses Rained

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The former president signed his name and sent it to every American at the height of the lock downs. He was truly obsessed with the idea that he was better than Abraham Lincoln. He always wanted to be seen with the man.

This scene has a depth map, camera move and subtle animation of the former president  raising his hands.

COVID Dystopia will screen at the Orlando Film Festival on November 1 and 7, 2024. The November 1 screening is at 4:15pm and the November 7, 2024 screening is at 2pm, both in theater 9. At 8pm on November 7 is the Awards Ceremony which I will also attend in case I need to pick up another award. The Orlando Film Festival runs from October 31 to November 7 at the CMX PLAZA CINEMA CAFE 155 S. Orange Ave, Downtown, Orlando FL. A one day pass is $20 and you can see a whole lot of films in one day. When I attend a film festival I treat it like a movie marathon. If you go to a screening, I will be easy to find as the one person in a KN-95 mask. We might be done with COVID, but COVID is not done with us.

Native Voices

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Playwrights’ Round Table will present Native Voices: Future Shock at Imagine Performing Arts Center ( 1235 Oviedo Mall Boulevard, Oviedo Florida.) Seven brand new play will be presented by Florida Authors. The website outlined the production as, “A future of AI that knows everything about you. Where AI can decide whether you’re worthy of life. A future of transporters, and clueless ghosts, and murder by chocolate, and how to get in touch with your feline self. And of course, just making your way in a world that changes by the day.”

Director, Chuck Dent invited me in to sketch a tech rehearsal which was my only option since tech went late until 11pm. When I entered two actresses were performing a scene seated at a table. I believe one actress was Susan Woodbury, who I admired for a previous performance I had seen of Control of the Dirt. The other actress was Olivia Rocha. I blocked them into the sketch but then erased them since the scene ended shortly after I started sketching. In general the two were anxious about loosing one another. Susan remained quite animated for such a controlled scene. The larger context of the scene, I may never know.

The stage was reset for a whole new production, which seemed to be film noir detective themed. A Femme fatale actress  was quite proud of her large black wig. She was actually quite comedic. In tech the actors don’t really run lines, they just pose in certain scenes of the play so that the lighting tech can figure out what color and intensity of light to use. For me as an artist, it was perfect since, the actors would stay still for extended periods allowing me to sketch them. The challenge came when the theater would go black repeatedly between new light settings. Once the director and light tech were in agreement the settings, they would be set as a cue of the show. The actors must be eternally patient since they were their as mannequins rather than actors. They knew how to keep the rehearsal light and playful.

As I prepared to leave, another play directed by Jac LeDoux, was being set for a tech run through. I can’t really offer any review about the shows. I am not even certain which of the shows I saw. I can say the film Noir looked fun, with a kidnapping, and the female lead clicking a rifle upstage. I suspect it was her partner who was kidnapped but that was never fully established in the rehearsal. I have so many questions and want to see the shows for the answers.

Playwrights’ Round Table will present 7 new plays by local playwrights Nov. 1-3  at the Imagine Performing Arts Center, in Oviedo. Tickets are $20 general admission$ 15 seniors, students and military with ID, and $10 for theme park employees with ID. Tickets may be purchased at the theater or online.

COVID Dystopia in Florida Politics

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COVID Dystopia has made an appearance in Florida Politics. In any interview there end up being things you wish you had said. For instance one statement made it seem inevitable that I will be infected. However to this day I have not caught COVID.

In the first stage of the pandemic people banded together and fought the virus with the only tools they had, namely masks and social distancing. When vaccines became available people relaxed thinking they were invincible. The vaccines to blunt hospitalizations and death, but they don’t stop infection. COVID has been creating havoc with everyone’s immune system. It is a vascular disease that attacks every organ of the body particularly the heart and brain. Since I value my brain, I still mask indoors and in crowded outdoor settings. We might be done with COVID but COVID is not done with us.

COVID Dystopia will screen at the Orlando Film Festival on November 1 and 7, 2024. The November 1 screening is at 4:15pm and the November 7, 2024 screening is at 2pm, both in theater 9. At 8pm on November 7 is the Awards Ceremony which I will also attend in case I need to pick up another award. The Orlando Film Festival runs from October 31 to November 7 at the CMX PLAZA CINEMA CAFE 155 S. Orange Ave, Downtown, Orlando FL. A one day pass is $20 and you can see a whole lot of films in one day. When I attend a film festival, I treat it like a movie marathon. If you go to a screening of COVID Dystopia, I will be easy to find as the one person in a KN-95 mask.

COVID Dystopia: In the Pittsburgh Shorts Film Festival

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COVID Dystopia is now an Official Selection of the Pittsburgh Shorts Film Festival. It will screen online starting Thursday, November 14, 2024 to Sunday, November 24, 2024. It will be  available to watch in Pennsylvania, West Virginia, and Ohio.

I have seem three of the other films listed near COVID Dystopia at other film festivals. Complications is a wonderful film from Norway about a virtual dominatrix who berated an old man on the other end of a Zoom call. The heated moment goes haywire when he collapses from a heart attack. She then dose everything in her power to save his life. There is a tenderness to her when the speak again, but tenderness isn’t what he needs. Confessions was a charming and hilarious film about two nuns who find another sister dead at the alter. They confide in one another considering what they have not yet done with their lives. The older actresses were stellar and this is one film I hope becomes a feature film. Dandelion is a computer animated film about a robot who breaks away from his drudgery of a job when he discovers a dandelion. His curiosity leads to the chaos of joyous discovery for all.

I will be flying to Pittsburgh for one day to see a few films and go the the awards ceremony. I need to leave myself open to the possibility that I might bump into someone who understands and needs my off balance world view.

COVID Dystopia: Rebound

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Rebound COVID infections are common after a course of Paxlovid. President Biden who proclaimed victory over COVID, tested positive for COVID a second time.  He experienced a rebound infection after one course of treatment with Paxlovid.

The media downplayed his symptoms but that same week he pulled out of the presidential race. The president isolated for 5 days, though 10 days are “suggested”. He then went to public events unmasked , to share the virus with others. the White House Press Secretary said his being unmasked was fine since he was more that 6 feet from others. However the virus is airborne and can travel much further than 6 feet. It lingers in the air like smoke or perfume for hours, drifting around the room. Biden proved himself as inept as his predecessor in handling an airborne virus.

COVID Dystopia will screen at the Orlando Film Festival on November 1 and 7, 2024. The November 1 screening is at 4:15pm and the November 7, 2024 screening is at 2pm, both in theater 9. At 8pm on November 7 is the Awards Ceremony which I will also attend in case I need to pick up another award. The Orlando Film Festival runs from October 31 to November 7 at the CMX PLAZA CINEMA CAFE 155 S. Orange Ave, Downtown, Orlando FL. A one day pass is $20 and you can see a whole lot of films in one day. When I attend a film festival I treat it like a movie marathon. If you go to a screening, I will be easy to find as the one person in a KN-95 mask. We might be done with COVID, but COVID is not done with us.