The Football

Posted on by Thor

I woke up this morning and felt inspired to do another sunrise sketch at the Yalaha studio. Front and center in the sketch is the ginormous pine tree root ball that I have been cutting roots off of for the past several weeks. Looking at the sketch it looks like I have accomplished nothing and yet I light a root fueled fire every evening.

The bamboo are so tall and graceful. They clatter together with any breeze. Stella Arbelaez used these bamboo as inspiration and as the building material for her sculpture, The Cathedral: Within and Without. Some bamboo were knocked down with hurricane Milton, and others were cut and treated for the sculpture.

A compost pile is started in hay under the shed. I just realized that it needs to be watered and the last couple of days I did that and the thermometer temperature in the pile spiked up. The heat shows that the composting is taking place.

My Instagram feed is full of idyllic homesteads with lush gardens. I am starting my journey to start learning what to plant and when. I placed garlic in a cup held in place with toothpicks to see if I can get it to root and I am doing the same with a carrot top. I wanted to start a potato tower but I have to wait until November to start that project since it likes cold soil. Hopefully there will be mature compost by then. I am just starting to grow the vegetables I tend to eat every week and will expand from there assuming I have success. The Yalaha studio, homestead is starting to show signs of new growth.

The Cathedral Comes Down

Posted on by Thor

On February 25, 2025 Stella Alberaez  asked me to help her dismantle and pack away The Cathedral into a U-Haul. I got up at 5am for an early morning drive down to the UCF Gallery. It was a glorious drive with literally no traffic until I got close to Orlando. Stella had to pick up the U-Haul truck and there was some type of complication. I was thankful, since it gave me time to sketch the installation piece.

While sketching, a flock of herons few overhead. They made an amazing honking racket. They glided down to a grass field beside The Cathedral. Once on the ground they continued honking. Something about the herons flying overhead was truly beautiful. The piece is meant to allow the viewer to experience the enormity of the natural world, while bringing forth a profound awareness that we are a small part of a large but delicate ecosystem.  As Stella said, “The Cathedral offered deeper appreciation of life by prompting reflection on the fleeting nature of human existence, contrasted against the timeless and majestic presence of the environment that surround us.” I felt all of that as the herons flew overhead on the cool, misty, and otherwise quiet morning.

Slowly the parking lots filled with cars and the art students filed into the building. A grounds keeper fired up a loud edger and the herons flew off. The noise and clutter of humanity began to encroach. The Cathedral felt so much larger on that peaceful morning. The last time I had sketched it was at night and it blended into the dark night sky. Here its bold silhouette was predominant against the sky which turned from a dark grey to pure light.

I tried pulling up some stakes before Stella arrived but, like King Arthur’s sword, they were stubbornly impossible to pull up. I decided there must be a tool needed to do the job. Many bamboo stalks were tied to the metal ring with natural string. I tried untying one with my fingernails but the knots just got tighter.  Bolts refused to budge as I tried to loosen them with my fingers. This sculpture wanted to remain standing. When Stella arrived she had a tool box with all the tools we would need. I snipped the strings with a wire cutter but better yet, she had an Exacto Blade which made the job simple. One by one the bamboo poles were walked over to a spot in the grass where Stella would later park the U-Haul.

With few poles left the metal ring became unstable and Stella had to hold it up by balancing it on her shoulders. She looked like Atlas holding up the world. When the final bold let loose the ring was gently lowered to the ground by both of us. It then rolled a short bit, and fell to the grass. It too needed to be disassembled into two strips of metal. I asked about the price of The Cathedral but Stella told me it is not for sale. It would make a magnificent centerpiece to a homestead garden.

The shortest bamboo poles were the first to be loaded on to the truck . The larger poles would have to be loaded corner to corner and they barely fit. One pole in particular had to be repositioned multiple times before the trucks back gate could be lowered. A student approached to ask Stella a question since she is a teaching a drawing class. A professor also approached to ask a question.  Stella seemed quite at home in the university setting. Stella has so many opportunities in the hopper as the Masters Program winds down for her. Only time will tell which way her path might turn. Of one thing I am sure, she will get her masters which was well earned.

Stella Levels Up

Posted on by Thor


Stella Arbelaez Tascón presented her thesis defense at the UCF Art Gallery (12400 Aquarius Agora Dr, Orlando, Fl.)

Having heard her rehearse for the presentation, several times, I was familiar with many of the threads that inspire her work, so I sat a bit distant from the crowd and sketched.

The sculpture by Stella in the foreground of this sketch is called The Broken Woman. She had a  mannequin which she busted open with a sledge hammer. The distressed surface is covered in gold and hot pink. A sacred heart is in the open chest cavity representing sacrifice. Golden beams radiate from the heart. The crotch is busted open and dollar bills rest chaotically, illuminated from inside, representing the commodification of woman. The broken cage where the head would be is also broken open while a cell phone played static until it shorted out and died.

Stella expressed the idea of a work’s aura, of bringing the presence of it into your life. Her work is about healing. When asked if the healing is for her or others, she pointed out that she hopes to connect to others, but as she is not one of them, she can not know what a person viewing her work might feel. She wants to be honest about what she feels. She hopes the work will be healing to others.

The Cathedral, was set up on the lawn outside the gallery. It is comprised of over 20 foot high bamboo stalks arranged in a circle outside the gallery. In The Cathedral the visitor is greeted by the sounds of chirping birds when they enter into the circle, which would usually  be silent in the evening. The feeling is of being engulfed by nature. Several people I overheard at the opening, expressed a sense of peace. The person is meant to feel elevated as if transported elsewhere. One thought to make the piece more permanent, was to recreate the cathedral with live bamboo, but Stella is also considering the option of recreating it in bronze. The Cathedral reminded me of the bird cage which was broken open above The Broken Woman.

Some work in the exhibition was small in size like intimate etchings of Memories of a Dead Love. Whereas The Cathedral was monumental in size. She feels that her work is moving from the micro to the macro. The larger work can be seen and experienced by more people. Each piece dictated its size. She wanted to experience the labor of chopping down the bamboo with a machete, it is physical sweet labor. Much of the bamboo was already collapsed in her yard, after hurricane Milton. When discussing the materials she used, she said, “This is me, I am the cell phone, I am that bamboo. The choice of materials is important to each piece.” The perfect home for The Cathedral would be as a permanent installation in a garden. She also feels a good location would be in a large city where it could have a large outreach.

In 2020, Stella walked the whole length of the Florida Scenic Trail which is over 1,100 miles, and it was a reset for her after the trauma of divorce. Her work reflects her journey of healing and growth. Soon after walking the trail, she created a persona called The Nature Goddess. She wears a black gown, has horns and a found animal skull on her staff.  She performed in a park lying on the ground and crying for the devastation of nature imposed by humanity.  She was asked why she does not do more performance art. She feels the action of physically moving the materials is in itself a performance. Painting is a private act of performance. These acts of performance are done as the work is created. She does imagine more performance art in her future.

Her work has begun to act as an advocate for the preservation of nature. The job of stopping humanities destruction of nature is too large for one person, so she has become a part of a movement. She wants to help make people aware so they can heal themselves and the earth they are a part of.

Stella is a semi finalist for the 2025-2026 Fulbright Grant and hopes to return to Colombia to research the role that technology and media play in an indigenous community there. She wants to share her knowledge of 2D animation and sees herself as a tool. She is part indigenous herself and wants to contribute to the empowerment and dissemination of their voices, while they author their own stories.

The work shown is just the beginning of her artistic journey. The work will continue to evolve. Three years ago she had no idea she would be producing the monumental work that is on exhibit today. She is excited to see what is yet to come. The art is intending to spark peoples empathy. Even a one degree shift towards empathy can make a difference in a world intent on division. Her work lets the viewer know that there is a way out, and there is hope. Anyone can overcome feelings of entrapment. When she moves her studio back to her house, the work might scale down, but  she knows that as life happens, she will continue to grow and large scale work will take form and evolve as she does. For her, monumentality contributes to the presence of a piece.