Mygration Films

Posted on by Thor

I sketched the evening that the filmmakers met their subjects for the MYgradion film series. I was therefor excited to see the end results of these films that had to be shot and crafted over just 2 days.

At the filmmaker meet an greet, one filmmaker, David Yanovich, found out that because of a mix up, he didn’t have a subject to work with. He was asked to just hang out since sometimes a filmmaker might just not show up. Sure enough someone didn’t show and David was matched with a subject. This was his first time crafting a short documentary. He worked with Idrees Khan and created the film, Ties to Trinidad.

Of the 13 or so films I was most excited to see the film about Stella Abelaez by Michael Elliott called The Path to Healing. I had met Stella at Disney Feature animation back in the 1990s.  Of all the films shown at the screening, the film about Stella was the only one that had me wiping away tears and yet feeling absolute joy at the end of the journey. It was a five minute emotional roller-coaster. At the end of the screenings, the audience got to cast their vote for the best film of the series.

The winner of the best short film was Culture to Canvas, a film about artist Nelson Cardenas by Ariana Castillo. I met Nelson at an art opening of his large paintings on wood of healthcare workers wearing masks which were shown during the lull after the second wave of the pandemic at the Orange County Regional History Center. I liked the work since so few artists have documented the pandemic. At the time of that opening the number of COVID infections was far lower that they are today. Today we are coming down from the 9th wave of the pandemic and about every 45th person is infected. People have been groomed to think repeat infections are the new normal. I was the only person masked person at the screening.

In this film I got to see some of the amazing paintings Nelson created about his emigration experience from Columbia. One painting of three men lying in the trunk of a car really stood out. He paid particular attention to the detail of one of the men’s stylish cowboy boots. Nelson and his mother had to squeeze into the same trunk with the men. Part of me is thinking that just this aspect of his story could be crafted into a powerful short animated film. The seed is planted, we will see if it will grow.

Mygration Films Meet and Greet 2

Posted on by Thor

The first sketch I did of the Mygration Films meet and greet was done while the filmmakers were looking over the envelopes they had picked to learn about the subject of their documentaries. The room was quiet as they read and thought.

Once the artists entered the room and were introduced to the filmmakers the room buzzed to life. There was a definite excitement as plans were hatched for the following two days of shooting. Unfortunately I am not sure who the artists or the filmmaker was who was seated right in front of me. They stood in for all the excited conversations that were happening at all the tables in the room. I will learn the story about the creative people seated in front of me when the films are shown as part of the Global Peace Film Festival.

I introduced myself to the filmmakers at Stella’s table briefly but didn’t want to interrupt the flow of the conversation.  A creative marathon was about to begin. Mygration films will capture the stories of Central Floridians who came here from around the world in short 3 to 5 minute documentaries. The filmmakers had just 2 days to shoot the films. The title of the film about Stella Arbelaez is titled Path to Healing and I can’t wait to see how it turned out. The films will be shown on September 22, 2024 starting at 5PM at Afro TV, 7220 International Drive Orlando Fl. Tickets are $10. Stella’s wrote her story in Footprint Magazine should you want to read more and see some of her art. I am curious to see how such an epic story can be told in a 5 minute short.

 

Mygration Filmmaker Meet and Greet

Posted on by Thor

Stella Arbelaez let me know about a filmmaker meet and greet happening at Full Sail. Lori Turchin was running the event.

Fusion Fest was having filmmakers create short documentaries about local creatives. The films had to be shot over the course of 2 days. It was to be a fast marathon of creativity.

I arrived at Full Sail a bit early to start the sketch. Lori explained that pairing so many creatives was an arduous process. Filmmakers would meet their prospective subjects in the Tree House, which was a student lounge with a small stage up front. When a filmmaker would arrive they would meet Lori who had a series of numbered envelopes they could choose from. Each envelope contained the name of a local artist along with biographies and other pertinent information. The filmmakers sat at their tables and poured over the material in the envelope.

Stella explained that she did quite a bit of work prior to the meet and greet. She acquired permits for the shooting locations and UCF required a script, so she essentially build a script around the questions the filmmakers would be asking. The theme of Stella’s short would evolve around her love of nature and the sense of place the brought her back to Orlando where she put down roots. She knows who she is creatively and she knows what brings her joy.

Stella’s filmmakers, M.D. Elliot and Ethen Paonessa, came from Ringling and after this initial met and greet they went out for dinner to continue to plan the filming production. The following day Stella’s daughter arrived. Five hours of footage might be shot which would need to be edited down to 3-5 minutes.

One aspect of Stella’s story  of healing that really fascinated me was her decision to walk the full 1,500 mile length of the Florida Trail. She had a home made backpack. Her small dog followed her on the journey. Hikers on this trail often are given nicknames and hers became acorn. She met up with other hikers along the way and there is a sense of community among those who feel the drive to walk the length of the trail. When blisters halted her progress, other hikers carried her gear so she could keep moving forward. COVID hit when she had just 80 miles to go to complete the trail. The trail was shut down. The open air of the trail was probably the safest place to be, but she had to return to civilization. That final 80 miles stretch was completed much later when lock downs were lifted. A person’s strength and resolve is tested on such a journey, and a love of nature is given room to blossom. The trail will provide.

All of the short films, which are referred to as Mygration films, will be screened as part of the Global Peace Film Festival on Sunday September 22, 2024 at Afrotainment, 7220 International Drive Orlando Fl. The screenings start at 5pm. Tickets are $10. I will be there to cheer on my fellow Florida Creatives.

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ODD at Elixer.

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The June Orlando Drink and Draw (ODD) was going to be held at another bar on Orange Avenue, but that bar was closed. At the last minute I sent out a message on Facebook letting artists know that we would have to go to Elixer (9 W Washington St, Orlando, FL 32801) right down the block. Pam Schwartz and I arrived first and I started working on the panoramic view of the bar right away.

I got a text from Stella Arbelaez saying she would be there soon with her daughter Laura. Laura is taking a summer theater class and so they were right nearby. She spent the duration of the ODD event going over her lines at the next table. I tried to arrange a chance to sketch a rehearsal but the schedule never worked out.

Anna Ast also managed to find our group. She recently moved here from Russia and according to her, my book is used as a text book there for a group of artists who gather to do Urban Sketches. This is pretty exciting news, and I am hoping to see a copy of the book in Russian at a future ODD outing. Anna founded a cake decoration business here in Central Florida and her husband is a pilot.

We all just drew the bar for the first hour, and then I decided we all needed to sketch each other. I timed the drawings at 5 minutes, and artists had to face off to sketch one another. The artist being drawn, would sign the sketch made of them which makes for a simple way to learn the names of everyone at the table. One of my sketches was done blind, which means that I never looked at the sketch as I put lines on the page, only at the person’s face. These sketches are always fun since you never know what you are going to get.

All sketches are available for sale as a print or original. Contact the artist for details.