Weekend Top 6 Orlando Fringe Picks.

Saturday May 23, 2015

A $10 Fringe Button is needed for entrance to all shows. Available at the Shakes box office. (good for entire 14-Day Festival.). Anyone can Fringe. I will be at Fringe from 10am to 4pm all weekend doing a Fringe Sketch Tour. If you spot me, be sure to say hi.

11:45pm to 12:45pm $11 + service charge. Moonlight After Midnight. Green Venue (Rep Black Box). 60 minutes. Rated 7+ years old. “A beautiful woman meets a mysterious man in a midnight hotel room.
Starring Martin Dockery & Vanessa Quesnelle”. I have seen Martin Dockery tell stories on the Fringe stages for the past several years and I am always spellbound.

2pm to 2:55pm $11 + service charge. Tales Too Tall for Trailers. Brown Venue (Shakes inside former Philharmonic rehearsal space). 55 minutes. All ages. “Comedian / Storyteller Paul Strickland  and Erika Kate MacDonald  join forces in this off-kilter musical family
comedy! Funny songs, strange southern stories, shadow puppetry, a pet
named “Peeve” and more. The final installment in Paul’s trailer park trilogy.” I saw this show and was delighted with it’s humor, innocent and clever use of shadow puppetry and wit.

4:30pm to 5pm $5 + service charge. Judy Garland. Orange Venue (Shakes Margison Theater). 30 minutes. Rated 18+. “That Judy Garland show from last year that sold out four times and
wasn’t even listed in the program is back in a bigger venue with cheaper
tickets.” This show had me laughing out loud last year, and I have to see it again.

Sunday May 24, 2015

12:30pm to 1:30pm  $11 + service charge. Hoodies. Silver Venue (Large Rep Theater). 60 minutes. Rated 13+. “The third piece in our Beth Marshall Presents: The Trayvon Martin
Project year – long exploration of racism, profiling, gun control and
the tragic loss of too many black teens. A raw and powerful
socio-political play delving deeply into the core of race relations
between blacks and whites today with the purpose of greater
communication, healing and celebration of diversity.” Theater at it’s best. That opens a raw and much needed discussion of race in America.

3:15pm to 4:15pm $11 + service charge. Autobahn. Red Venue (Shakes back courtyard and then upstairs) 60 minutes. Rated 18+.  “From the playwright of reasons to be pretty, Neil LaBute’s Autobahn is a
provocative, darkly comic portrait of America – “from a make-out
session gone awry to a kidnapping thinly disguised as a road trip” – set
within the confines of the front seat of a car, a gritty fable about
the words we leave unsaid.” Incredibly compelling theater. One of my favorite shows this year.

4:20pm to 5:20pm $11 + service charge. Janis Joplin, Little Girl Blue. Gold Venue (In the Orlando Museum of Art theater). 60 minutes. Rated 18+.  “Kaleigh Baker and an all-star band of Orlando’s finest musicians,
including director Andy Matchett, present an in-depth and passionate
look at the life, music and untimely death of one of Music’s greatest
icons: Janis Joplin. Baker swells in volume as she moves from a solo
rendition of “What Good Can Drinkin Do?” to an explosive 8 piece band
backing her on hits like Peace of My Heart and Get It While You Can.” Kaleigh is the one singer who can truly capture the spirit of Janice when she sings. At the rehearsal I was transported back in time.  If you also see Autobahn the same day, you will literally have to run across the parking lot to catch this show but it is worth the effort.

Bubble Gum Party blows up the Brown Venve.

The Bubble Gum Party is a splash of color at this year’s Orlando International Fringe Festival. The  Silver Dollar Productions singing trio consists of Robbie Bubble (dad),
Debbie Bubble (mom), and
Abby Bubble (daughter). They sing sugar sweet pop songs with a twist. The show stars Summer AielloSarah French, and Keven Kriegel. The book and lyrics are by Kevin and Sarah, and the music by Ned Wilkinson. I met the cast briefly before the show and Kevin gave me a “Blow Me!” button that I proudly sport on my art bag. Blue Estrella had invited me to the show.

The show is billed a wholesome family fun, yet every song has hilarious double meanings. As the poster says, “Fun for the whole family” and “Not suitable for children”. Sarah was adorable as the child in this high octane Partridge family. Dad dropped hint after hint that he enjoys a muscular mans body while Debbie seemed oblivious to his wandering lust. Sarah announced that she likes “sexting” but to her that is any text with some hip urban attitude.

Every song in the show was laugh out loud funny and the audience was on there feet clapping and dancing. The show began with Sarah shouting out to the audience, “Who’s been to a Bubble Gum Party before!” The audience sat silent. “Well who hasn’t been to a Bubble Gum Party before!” The audience cheered. “Yay!” From that moment on, the energy never dropped. Abby wondered how many bubble gum balls she could fit in her mouth.  Debbie thought two balls were enough for her, but Robbie could fit or dreamed of fitting far more. What followed was a fun hour of laughter and sexual innuendo. I laughed so hard, that at times it was hard to draw.

The sock puppets that represented stereo typical racial types made me a bit uncomfortable but they were so un-pc that I had to laugh.  Robbie held a guitar but clearly couldn’t play. Perhaps this was a poke at lip syncing divas. This boisterous family did however know how to sing into their brightly colored mics! If you love laughter and having a good time, this is the show for you.

Bubble Gum Party

Remaining show times:

Friday May 22,  9:45pm to 10:45pm

Saturday May 23, 3:15pm to 4:15pm

Sunday May 24,  3:15pm to 4:15pm

Venue: Brown (Shakes former Philharmonic rehearsal space)

Rating: 13+

Length: 60 minutes 

Tickets: $9

Nick Paul’s Impossible Feats of Fake Magic offered comedy and Magic.

Nick Paul’s Impossible Feats of Fake Magic in the Fringe bronze venue inside the Orlando Museum of Art was a highly entertaining hour of magic. Nick is an Orlando native and this was the first time I had to sketch his act. A helium balloon was suspended in the middle of the stage. Nick eyed the balloon and with a flourish decided to cut the ribbon that held the balloon to the stage. Amazingly the balloon remained hovering where it was rather than floating to the ceiling. He then waved his hands around the balloon to show that there were no rods or supports holding the balloon in place. Next he tried to move the balloon by pushing and pulling it with no effect. I actually used to show a YouTube clip to my Full Sail students in which a mime tried to move a helium balloon. Darko Cesar, a former Disney Animator turned me on to this entertaining piece. We used it to show students how an animators job is to imply stress and strain by using exaggerated poses. When done right the unbelievable becomes plausible.

Nick asked an audience member to pick out a long word in the Fringe program. An envelope taped to the back of the trunk was opened and somehow that work was written on the sheet of paper inside. I tried to figure out the trick but in the end enjoyed simply being amazed. Nick’s wife joined him at the end of the show and somehow she was quickly transported inside a small box when behind a curtain for a minute. Her hand waved from a small hole in the box and that was the end of the show. People didn’t know if they should leave. At the exit several audience members approached Nick, concerned that his wife was still locked away in the box.  I don’t know if she ever got out. Of course all magic is fake, but Nicks physical comedy and audience participation made it a fun and entertaining show. He performs magic regularly at Walt Disney World where magic is expected.

Venue: Bronze

Length: 50 minutes

Rating: 13+

Tickets: $10 (+service charge)

Remaining Show Times:

Wednesday May 20, 2015  5:30pm to 6:20pm

Sunday May 24, 2015        8:15pm to 9:05pm

Valence explores the psycology of touch through dance.

I thought I had sketched every dance company in town, but Explore Theatre and Dance Company from Winter Park presenting Valence at this year’s Orlando International Fringe Festival was new on my radar. The show began with the entire line of dancers walking in slow motion towards the audience, then an elegant and solidly built female dancer pivoted at a 90 degree angle to the stage grid. What followed was dancers balancing and supporting each other in a slow abstract choreography. Bonds seemed to form and then break apart.

Between scenes audio recordings would showcase a dancers insecurities, doubts and accomplishments. I kind of dreaded these audio prologues since I couldn’t sketch in the dark and I didn’t have anything for my hungry eyes to soak in. When the lights came up, each dance was fluid and focused on relationships and isolation. It seems like isolation always won in the end. I loved that not all the dancers where thin. Every imaginable body shape and size moves in fluid elegant ways. Even the dance company’s founder,  Chris Gonzalez, is a solid brick of a man who is willing to experiment and take chances. I love sketching dance despite the challenges, so I was a kid in a candy shop. You might notice that sitting in an audience is not my MO. I like being on the outside looking in, a voyeur to the whole theatrical experience. Perhaps that is why I identify with the theme of isolation in the show.

Remaining Show Times:

Thursday May 21  7:00pm

Thursday May 24, 7:00pm

Run Time:

60 minutes

Venue: 

Red  (behind the Shakes, 2nd floor)

Rating:

13+

Tickets: $7 (+ service charge)

Janice Joplin brings her amazing voice to the Fringe.

Andy Matchett the show’s author and director invited me to a dress rehearsal for Janice Joplin, Little Girl BIue starring Kaleigh Baker.  The rehearsal was in Castle Door Recording Studio on Kentucky Avenue in Winter Park. This was the perfect setting for this show. From the moment I entered the recording studio, I felt like I had stepped back into the 60s.

 As I approached the sound studio on foot, I saw costume designer Sara Grey struggling to push a tall rack of 60’s outfits towards the entrance. The wheels caught on every bump in the pavement causing her to have to pause every few feet to lift the rack up. Because of her I knew I was in the right place. I helped her get the costumes through the door. It turns out that Kaleigh and a band member had to perform at the Fringe opening ceremonies that night, so that gave Sara an hour to hand out costumes and make any adjustments. When Andy arrived, he offered me a Yuengling  before the rehearsal started and I felt the
thrill of being in a recording studio with so much raw talent. I had
sketched Kaleigh Baker before at smokey dives like Tanquerey’s downtown and I knew that she is the one person who could sing like Janice.

The show presents an in-depth and passionate
look at the life, music and untimely death of one of Music’s greatest
icons: Janis Joplin. Baker swells in volume as she moves from a solo
rendition of “What Good Can Drinkin Do?” to an explosive 8 piece band
backing her on hits like “Peace of My Heart” and “Get It While You Can“. Laura Joplin (Amanda Warren) sat and spoke about her sister Janice. She painted a picture of Janice as a child that never fit in who was bullied and harassed by fellow students. There was a hint of envy in her words and I loved that Janice had overcome her past and her music helped her soar.

The scene that I saw rehearsed several times involved Jimmy Hendrix (Pascal Sacleux) taking the place of one of the guitarists on stage (Jeff Nolan).  In shock the guitarist walks off stage. The following instrumental performance blew the roof off. Hendrix exuded confidence and he made love to Janice with his guitar with wild abandon. By the end of the performance he lay the guitar on the ground and caressed its strings like an out of control lover. After one performance in which Janice sang her heart out, a band member shouted out “I don’t know what that was, but it was out of control!” “Damn right!” I thought. “That was absolute wild magic!” I thought the scene had ended and I laughed and shouted in delight. The scene hadn’t ended I had forgotten this was a rehearsal. For a moment I was in the studio with the real Janice Joplin and I wanted her to burn bright. I loved how she could let go.

Magic happened in the studio that night. Janice Joplin will blow your mind at this year’s Fringe Festival.

Venue: Gold (in the Orlando Museum of Art)

Length: 60 minutes

Rating: 18 and up 

Remaining shows:

May 19  8:15pm to 9:15pm

May 22  10:00pm to 11:00pm

May 23  10:00pm to 11:00pm

May 24  4:20pm to 5:20pm

Tickets: $11 (+service. Charge)

Lay Ms parodies Le Miserables set in the swinging 60s.

Lay Ms written by Paul C Tugwell and lyrics by Brian Rewis used the songs from Les Miserables and changed the lyrics to tell the story of BDSM, porn and gay rights in the 60s. It followed the story of a young girl who decided she needed the money that a strip club could offer. The club lead to her downfall but her child found a protector. Trying to compress the plot of the epic Les Miserables into 90 minutes resulted in a somewhat rushed production. Set changes came at a break neck pace after every song. Each time the theater went black, I had to stop sketching. Having only seen the movie version of Les Miserables, I had a hard time assimilating the characters French names. I would have kept better track with Dick, Jane and Harry. The premise of Lay Ms is genius and at times I did sympathize with the plight of gay and transgender characters who were not treated as equals.  Gay bashing is sadly still prevalent in America.  The songs resulted in several inspired performances but the off stage synthesizer didn’t offer much in the way of back up.

One scene involved actress and director Tara Rewis as Eponine a lesbian who is forced by her scheming parents to star in a heterosexual porn film. A bartender, who was a long time friend offered to help out. The scene featured the only nudity in the show and her performance singing the song, flat on her back and her head leaning over the edge of the bed was admirable. She tolerated the heterosexual sex while trying to imagine her female lover. When she straddled him, she took her bra and placed it over his breasts and then cupped his breasts in her hands with eyes closed. It was an inspired and hilarious scene.

When the revolution culminated in the Stonewall Riots the crowd sang the battle cry in unison with flags waving and protest posters highlighting the continued inequality. Marriage equality now exists in 37 states. 13 states remain in the dark ages. 40% of gay youths commit suicide. Changing attitudes takes time so the battle rages on. I found myself humming the tune for the rest of the day although I didn’t remember the lyrics. The show had some rough edges which is to be expected since this was a rehearsal. Some of the dialogue seemed forced as if to rush the plot along to get to the next song. The overall premise is fun and the music kept me thinking about the battle for equality long after the show was over.

Remaining Performances:
Saturday, May 16 – 12:30 PM — 2:00 PM
Monday, May 18 – 8:45 PM — 10:15 PM
Tuesday, May 19 – 7:00 PM — 8:30 PM
Friday, May 22 – 10:00 PM — 11:30 PM
Saturday, May 23 – 4:00 PM — 5:30 PM
Sunday, May 24 – 8:00 PM — 9:30 PM

Length: 90
Venue: Silver in the REP
Price: $9 (+service charge) and Fringe Button!
Rating: 18+ – Nudity|Language|Adult Content|Some Violence

Restrictions:
All Patrons Over Age 13 Must Have a Fringe Button
No Late Entry Show-All Shows Start on Time
No Re-entry Into Any Venue
No Refunds or Exchanges
100% Of All Ticket Sales Are Returned to Artists

Poe follows the last days of the master of the macabre.

This year’s Orlando International Fringe Theatre Festival
has just begun. If you haven’t been before, you are missing thirteen days of non-stop theater at venues all around Lock Haven Park. Fringe plays are selected by lottery.Fringe is… 100% UNCENSORED, 100% UNJURIED, 100% ACCESSIBLE, 100% of $ from ticket sales go directly to the ARTISTS. Anyone can Fringe.

I went to a rehearsal for Poe presented by Theater Downtown in the Green Venue which is in the black box theater of the Rep. It seemed fitting that Poe, Written by Stephen Most and directed by Frank Hilgenberg, should be staged in a black box. The play follows the final tormented days of the author of “The Raven” and “The Tell Tale Heart”. Chris Prueitt breathed life into the tortured poet.  Before the rehearsal started cast members joked and wrestled playfully. It is a shame some of that playfulness never seemed to play a part of Poe’s life. His pompous airs didn’t impress towns folk and as he recites one of his poems he is beaten and robbed. His father considered him a lazy vagrant. Their contentious relationship comes to a head as Edgar imagines himself murdering his dad and hiding the corpse below the floor boards.

Biographical fact mixed with fiction is retold through the authors own tales. Darci Ricciardi did the shows choreography. Before the rehearsal, she welcomed me dressed in a whispy white dress that made her look just like Marilyn Monroe, all that was missing was a subway grate. The dress made sense when she and three other dancers moved in mystical fluid motion around the fallen poet. Bawdy prostitutes and violent thugs haunted the poets life. Family life offered little solace.

Poe fell madly in love with a young cousin played by Jolie Hart. Their happiness was quickly cut short when illness struck and Jolie lay motionless on a platform like Sleeping Beauty. The poet couldn’t accept her death, believing she would return to him. Had she been buried alive? She ultimately did return in dreams wearing a white expressionless mask. Darci and the dancers also wore white masks and black gowns and danced in a scene that managed to make my skin crawl. The show has it’s horrors, it’s tortured misgivings. If darkness you seek, it might be quite thrilling.

Tickets $11 plus required Orlando Fringe button (available at Fringe box office).

Green Venue – The Orlando REP (Black Box theatre to the left of The Rep main stage)
1001 East Princeton Street, Orlando, FL.

Thursday 5/14     9:00pm
Saturday 5/16     10:30pm
Monday 5/18      9:00pm
Wednesday 5/20 5:30pm
Thursday 5/21     7:30pm
Saturday 5/23      8:45pm
Sunday 5/24        11:30am

Division The Trayvon/Jordon Project opens a discussion on bridging the divide.

“Division The Trayvon/Jordon Project” was one year in the making. John DiDonna co-wrote and directed the production in which his students conducted about 140 hours of interviews with people who were intimately involved in the aftermath of the two killings. The students had to learn the important art of listening. Most people only listen with the intent of coming up with an abrupt response. With some interviews the students might have wanted to argue points being discussed. As one character in the production noted, “You have to check your shit at the door.”

This is the second installment in a trilogy of theatrical productions that examine these Central Florida events. Part one was a Beth Marshal production called “The Trayvon Martin Project” which was staged in the same Valencia Black Box Theater in October of 2014. Division is the second installment and the third will be a production called “Hoodies” which will be staged at this year’s Orlando International Fringe Festival.

What was incredible about this world premiere, is that many of the people interviewed showed up to see the production.  Francis Oliver is the Sanford activist who managed to bring in 50,000 demonstrators into Sanford as people reacted to Trayvon Martin’s death. She sat in the front row with her blond curly locks setting her apart from the crowd. John DiDonna told me several times about what a beautiful person she is. It turns out that her son is moving into a home right next to John. Avis-Marie Barnes plays Francis’s part in the play and her steadfast determination echos throughout the production.

Photo Journalist Barry Kursch is played by Dean Walkuski in the production. He started taking pictures for the media at the tender age of 17 but after years of documenting violence, he has grown tired of documenting the dark side of human nature. The media have become more interested in clicks and views on the internet. Stating an opinion is now more important than accurately covering the news. He shot photos of all the demonstrations in both Sanford and Jacksonville.

Also in the audience was Ron Davis, who is the father of Jordon Davis who was shot and killed while seated in the back seat of a car in a gas station because Michael David Dunn didn’t like the music that was playing.  Ron Davis was born in Harlem. His son saw a photo of Trayvon with a hoodie on and he said, “Dad, that looks like me.” Six months later, Jordon was shots. Ron Davis has been fighting the stand your ground statute. “It has brought us back to the dark ages” he said. People with guns have no responsibility to retreat. It was first written with the intention that a gun in a home would keep you safer. Then it was extended to people having guns in their glove compartments in their cars. Whenever shots arc fired, there is often collateral damage, people are killed who were innocent bystanders, like a girl who was recently shot in a club in downtown Orlando. Stand your ground means families of people shot for no good reason can not seek criminal or civil damages. Ron wants us to seek to change the statute from “Stand your ground” to Duty to retreat.”

This show addresses stereotypes and Florida itself has become a national stereotype. A student who was considering going to college in Florida was told by friends, “don’t go there, you’ll get shot.” People from all walks of life were interviewed for this play. What emerged was a very human story, not just a black and white issue. Ron found that other countries consider the United States is guilty of human rights violations. We need to teach the next generation the principles of love and acceptance. We are all traveling through life on this tiny sphere together. We are stronger when we work together rather than being divided. This play had me choked up quite a few times. It is a good first step towards opening a dialogue towards change.

WHAT:
“Division: The Trayvon/Jordan Project”
A World Premiere Docudrama

WHO:
The Valencia College Theater
Written and Directed by John DiDonna
Written in collaboration with Valencia students

William Adkins, Aidan Bohan-Moulton, Carolyn Ducker, Phillip Edwards,
Nathan Jones, Anneliese Moon, Elina Moon, Dennis Ramos, Stelson Telfort,
Michael Sabbagh.


WHEN:
Only 2 Performances Left
Feb 14 and 16 at 7:30 p.m.
Feb 15 at 2 p.m.
WHERE:
Building 3, Black Box Theater
Valencia College East Campus, Performing Arts Center
701 N. Econlockhatchee Trail, Orlando, FL.

TICKETS:
$12 general admission
$10 for Valencia students, faculty, staff and senior citizens
Box Office: 407-582-2900
Online: www.valenciacollege.edu/arts