Division The Trayvon/Jordon Project opens a discussion on bridging the divide.

“Division The Trayvon/Jordon Project” was one year in the making. John DiDonna co-wrote and directed the production in which his students conducted about 140 hours of interviews with people who were intimately involved in the aftermath of the two killings. The students had to learn the important art of listening. Most people only listen with the intent of coming up with an abrupt response. With some interviews the students might have wanted to argue points being discussed. As one character in the production noted, “You have to check your shit at the door.”

This is the second installment in a trilogy of theatrical productions that examine these Central Florida events. Part one was a Beth Marshal production called “The Trayvon Martin Project” which was staged in the same Valencia Black Box Theater in October of 2014. Division is the second installment and the third will be a production called “Hoodies” which will be staged at this year’s Orlando International Fringe Festival.

What was incredible about this world premiere, is that many of the people interviewed showed up to see the production.  Francis Oliver is the Sanford activist who managed to bring in 50,000 demonstrators into Sanford as people reacted to Trayvon Martin’s death. She sat in the front row with her blond curly locks setting her apart from the crowd. John DiDonna told me several times about what a beautiful person she is. It turns out that her son is moving into a home right next to John. Avis-Marie Barnes plays Francis’s part in the play and her steadfast determination echos throughout the production.

Photo Journalist Barry Kursch is played by Dean Walkuski in the production. He started taking pictures for the media at the tender age of 17 but after years of documenting violence, he has grown tired of documenting the dark side of human nature. The media have become more interested in clicks and views on the internet. Stating an opinion is now more important than accurately covering the news. He shot photos of all the demonstrations in both Sanford and Jacksonville.

Also in the audience was Ron Davis, who is the father of Jordon Davis who was shot and killed while seated in the back seat of a car in a gas station because Michael David Dunn didn’t like the music that was playing.  Ron Davis was born in Harlem. His son saw a photo of Trayvon with a hoodie on and he said, “Dad, that looks like me.” Six months later, Jordon was shots. Ron Davis has been fighting the stand your ground statute. “It has brought us back to the dark ages” he said. People with guns have no responsibility to retreat. It was first written with the intention that a gun in a home would keep you safer. Then it was extended to people having guns in their glove compartments in their cars. Whenever shots arc fired, there is often collateral damage, people are killed who were innocent bystanders, like a girl who was recently shot in a club in downtown Orlando. Stand your ground means families of people shot for no good reason can not seek criminal or civil damages. Ron wants us to seek to change the statute from “Stand your ground” to Duty to retreat.”

This show addresses stereotypes and Florida itself has become a national stereotype. A student who was considering going to college in Florida was told by friends, “don’t go there, you’ll get shot.” People from all walks of life were interviewed for this play. What emerged was a very human story, not just a black and white issue. Ron found that other countries consider the United States is guilty of human rights violations. We need to teach the next generation the principles of love and acceptance. We are all traveling through life on this tiny sphere together. We are stronger when we work together rather than being divided. This play had me choked up quite a few times. It is a good first step towards opening a dialogue towards change.

WHAT:
“Division: The Trayvon/Jordan Project”
A World Premiere Docudrama

WHO:
The Valencia College Theater
Written and Directed by John DiDonna
Written in collaboration with Valencia students

William Adkins, Aidan Bohan-Moulton, Carolyn Ducker, Phillip Edwards,
Nathan Jones, Anneliese Moon, Elina Moon, Dennis Ramos, Stelson Telfort,
Michael Sabbagh.


WHEN:
Only 2 Performances Left
Feb 14 and 16 at 7:30 p.m.
Feb 15 at 2 p.m.
WHERE:
Building 3, Black Box Theater
Valencia College East Campus, Performing Arts Center
701 N. Econlockhatchee Trail, Orlando, FL.

TICKETS:
$12 general admission
$10 for Valencia students, faculty, staff and senior citizens
Box Office: 407-582-2900
Online: www.valenciacollege.edu/arts

The Travon Martin Project touches raw nerves.

On the night of February 26, 2012, in Sanford, Florida, United States, George Zimmerman fatally shot Trayvon Martin, an unarmed 17-year-old African American high school student. George, a 28-year-old mixed-race Hispanic man, was the neighborhood watch coordinator for the gated community where Martin was temporarily living and where the shooting took place George was told not to follow the youth but he followed anyway.  Responding to an earlier call from Zimmerman, police arrived on the
scene within two minutes of the shooting. He was taken into
custody, treated for head injuries, then questioned for five hours. The
police chief said that Zimmerman was released because there was no
evidence to refute the claim of having acted in self-defense. The police chief also said that Zimmerman had had a right to defend himself with lethal force. An arrest was finally made after the incident became national news and protesters filled Sanford. George was given a trial and found not guilty.

Producer Beth Marshal wanted to create a show that deals with the huge divide that Trayvon Martin‘s death caused in Central Florida and the country. Her son is about the same age as Trayvon and if her son was seen walking through suburban Sanford, quite frankly he would be alive. The show opens with Billy Holiday singing “Strange Fruit” as the audience entered the theater. The song referenced “blood on the leaves” in a sorrowful anguished voice. The show opened with a congressional hearing about the ban on certain items. There were long heated debates about how these items needed to be outlawed for everyone’s protection. One committee member had smuggled the item into the hearing like a knife into a courtroom. The committee erupted in chaos as he showed them the hoodie which is quite functional on a cold evening.

  

John DiDonna acted as the show’s narrator. He talked about Sanford‘s past and how racism has been woven into the fabric of the towns history. Back in 1946, the city of Sanford ran Jackie Robinson out of town while he was playing for the Montreal Royals, the Brooklyn Dodgers AAA team, which trained in Sanford. Then there was the story of schoolteacher Harry Tyson Moore,
who was the founder of the first branch of the NAACP in Florida’s
Seminole County, where Sanford is located. Moore fought tirelessly for
racial equality in Sanford, including voting rights for African
Americans. That made him a dangerous man to many white people in town. On Christmas night of 1951, the home of Moore and his wife
Harriette Vyda Simms Moore was fire bombed. It was the couple’s 25th
wedding anniversary. Moore died on his way to a Sanford hospital and his
wife died 9 days later of her injuries. In Sanford’s more recent past, the 2010 case of Sherman Ware had some troubling similarities to the Trayvon Martin tragedy. On Dec. 4, 2010, 21-year-old Justin Collison, was captured on a YouTube video leaving a Sanford bar, when he walked up behind an
unsuspecting Ware, a homeless African American man, and punched him in
the back of the head, which drove Ware’s face into a utility pole and
then onto the pavement breaking his nose. Sanford police questioned Collison who was not cuffed that night and had
possession of the video but did not arrest him. You see, Collison’s
father is a Sanford police lieutenant and his grandfather is a former
circuit judge and wealthy Florida landowner.

20 years ago when I moved to Orlando, the Ku Klux Klan held a demonstration at the Jewish Community Center in Maitland.  There was a heated debate at the time about if there should be a counter demonstration. Some argued that by counter demonstrating, we would be giving the KKK the attention they wanted. Hundreds of counter demonstrators showed up verses six or so KKK members hiding behind robes. Janine Klein spoke of isms in her monologue in the show. She was a Jewish school teacher and did grow up facing racism. In the talk back after the show she said that she realized that she wants to be more of an activist to help bring about change. Silence isn’t the answer.

The talk back triggered an amazing conversation with the audience. One woman in the audience was of Cuban heritage. One of her cousins had light skin and she was treated differently than all the other children with dark skin. So there was racism even within a family. Sheryl Carbonell, from the cast is inter-racially married to a white police officer. He has been bitten, beaten and shot at on the job. 14 incidents were all caused by black men. None of these incidents were ever covered by the media. The Jordan Davis shooting happened during production of the play. It is clear that these type of shootings continue. Kerry Alce who plays Trayvon said that he is desensitized and frightened by all the shootings of black children. The talk back was every bit as powerful as the production itself. Change only happens when you open a dialogue.This is a daring production that certainly opened that dialogue. “Injustice anywhere is a threat to justice everywhere.” – Martin Luther King

There are only 2 shows remaining of The Trayvon Martin Project

October 4, Saturday at 7:30pm

October 5, Sunday at 2pm

at the Valencia College East Campus Black Box Theatre building 3 (701 North Econolockahatchee Trail Orlando FL).

Tickets are $20 general admission and $15 students. Proceeds from this event benefit The Travyon Martin Foundation.