Lay Ms parodies Le Miserables set in the swinging 60s.

Lay Ms written by Paul C Tugwell and lyrics by Brian Rewis used the songs from Les Miserables and changed the lyrics to tell the story of BDSM, porn and gay rights in the 60s. It followed the story of a young girl who decided she needed the money that a strip club could offer. The club lead to her downfall but her child found a protector. Trying to compress the plot of the epic Les Miserables into 90 minutes resulted in a somewhat rushed production. Set changes came at a break neck pace after every song. Each time the theater went black, I had to stop sketching. Having only seen the movie version of Les Miserables, I had a hard time assimilating the characters French names. I would have kept better track with Dick, Jane and Harry. The premise of Lay Ms is genius and at times I did sympathize with the plight of gay and transgender characters who were not treated as equals.  Gay bashing is sadly still prevalent in America.  The songs resulted in several inspired performances but the off stage synthesizer didn’t offer much in the way of back up.

One scene involved actress and director Tara Rewis as Eponine a lesbian who is forced by her scheming parents to star in a heterosexual porn film. A bartender, who was a long time friend offered to help out. The scene featured the only nudity in the show and her performance singing the song, flat on her back and her head leaning over the edge of the bed was admirable. She tolerated the heterosexual sex while trying to imagine her female lover. When she straddled him, she took her bra and placed it over his breasts and then cupped his breasts in her hands with eyes closed. It was an inspired and hilarious scene.

When the revolution culminated in the Stonewall Riots the crowd sang the battle cry in unison with flags waving and protest posters highlighting the continued inequality. Marriage equality now exists in 37 states. 13 states remain in the dark ages. 40% of gay youths commit suicide. Changing attitudes takes time so the battle rages on. I found myself humming the tune for the rest of the day although I didn’t remember the lyrics. The show had some rough edges which is to be expected since this was a rehearsal. Some of the dialogue seemed forced as if to rush the plot along to get to the next song. The overall premise is fun and the music kept me thinking about the battle for equality long after the show was over.

Remaining Performances:
Saturday, May 16 – 12:30 PM — 2:00 PM
Monday, May 18 – 8:45 PM — 10:15 PM
Tuesday, May 19 – 7:00 PM — 8:30 PM
Friday, May 22 – 10:00 PM — 11:30 PM
Saturday, May 23 – 4:00 PM — 5:30 PM
Sunday, May 24 – 8:00 PM — 9:30 PM

Length: 90
Venue: Silver in the REP
Price: $9 (+service charge) and Fringe Button!
Rating: 18+ – Nudity|Language|Adult Content|Some Violence

Restrictions:
All Patrons Over Age 13 Must Have a Fringe Button
No Late Entry Show-All Shows Start on Time
No Re-entry Into Any Venue
No Refunds or Exchanges
100% Of All Ticket Sales Are Returned to Artists

Being a victim at Petrified Forest

Sylvia Katherine Viles the show director at Petrified Forest let me stop in for a walk through. I arrived early along with the cast who had to get into costumes and make up. In order for me to blend in on the trail as I sketched, Sylvia suggested I get into costume and makeup myself to become a victim on the trail as I sketched. A victim is just as important as a scare actor in that they distract the unsuspecting so that the scare isn’t anticipated.

I realized that I had enough time to sketch as all the actors lined up to get their make up done. This was face painting triage style with each painting job taking 10 minutes to do at most. Like a barber, some face painters liked to chat with the actors as they worked. The lead makeup artist might shout out “That is enough, on to the next!” To all an actor to the makeup chair the artist would shout out, “Next victim?” One actor was leaning back in the makeup chair and he lost his balance toppling backwards. Another actor asked for my help because he couldn’t find his glasses. I scoured the ground and was just about to give up when I spotted the glasses under the makeup table.

I was the last person to get make up applied. I asked what type of paint was being used but didn’t get an answer. The actor next to me explained that baby oil was best for taking off thick stage makeup. I froze as the first cool blast of paint darkened my eye sockets. The spray paint smelled toxic to me or at least that is what ran through my paranoid thoughts. I tried not to breath but couldn’t hold my breath long enough. I breathed through my mouth each time I needed another breath of air. I was told I only needed to look dirty and weathered. I was being spared from being bloodied. Apparently blood is rather sticky and they didn’t want it to get all over my drawing. At first glance, I looked a bit like a reptile.

Actress Tara Rewis walked me back through the maze of pallets and fencing to where she was staged. I decided that the haunted school bus was the perfect spot to sketch. My costume consisted of a simple jacket that seemed as if it was from the Civil war era. It had on big brass button. The rest of my clothing was all black that night which was perfect camouflage for the evening.

Sylvia shouted, 10 minutes to house open!” The professional actors in the group shouted back, “Thank you 10!” Before the actors all took their places there was a pep rally in the front staging area. Standing on a picnic table, Kimmy Clark shouted out, “Boo Rah!”  Everyone shouted back, “Boo Rah!” This was repeated until the woods were filled with the shouting. Actress Carol Jacqueline Palumbo walked me back to the school bus where she was working along with 2 young girls, Madison in a white dress and Jordyn in a red dress, Ken was inside the bus and he gave the guests the biggest scare. He was hidden behind one of the seats and he would shout out, “What are you doing on my bus!” Strobe lights blinded people and he had a creepy photographers studio set up with an umbrella to deflect the light. any model that volunteered might not survive the photo shoot.


Carol lay on top of a shopping card looking dead as her scarf draped down to the ground. One couple stopped to look at her for several minuted waiting for her to blink. Amazingly Carol kept her cool until the guest were distracted and they went into the bus. Madison kept stopping over to see how the sketch was progressing. She seemed quite amazed and entertained. Jordyn is the daughter of Nichole Scott. I met Madison when I sketched the auditions for the Forest. Everyone in the bus staging area were made to look like burn victims. Creepy dolls were strewn about. The girls often implored trail gusts to play with them. “You would make a good dolly.” they might say. A camp fire emitted a warm glow and there was a toilet which was often used as a thrown. We knew that any time we heard a band saw that the guests were about to enter our area. Madison and Jordon would scramble back to their staging areas to be ready. Once Madison tripped on a root in her haste. Jordan had an allergic reaction of some sort from the bug spray or make up. Imaginary horrors became real. I was terrified that mosquitoes might eat me alive, but I survived.


Tara told me that even as I sat still, some guests would be frightened by my presence. She was right. I laughed each time someone turned with a start. I must have a creepy laugh. I was hidden behind the door that leads into the bus area. I stared opening the door towards me which I imagined might create a ghostly feel as people entered. When the sketch was done, I had t walk the trail to find my way out. I caught up to two ladies being walked through the trail along with Elaine, one of the face painters. Suddenly Elaine was lifted up by a cast member and she screamed as he dragged her away like a cave man. The women shouted in terror as Sam screamed. I laughed out loud. It was definitely the bast scare of the night. Later the women ware reunited with their friend. They chastised her. She has an ongoing agreement with certain members of the cast that they can carry her away if she walks the trail.

When I got home, Terry looked puzzled by my appearance. I then walked towards my pet cockatoo and he let off a blood curdling scream and he fluttered away from me in terror. I would have to wash off the paint since he was so upset. We don’t have any baby oil and Terry experimented with her body lotions and then some Vaseline. Nothing worked to get the make up off. Ultimately I took a very long shower and using soap and a harsh luffa, I managed to remove the make up along with a top layer of skin as well.

Mark Your Calendar! You don’t want to miss this attraction. It is located on S.R. 436, just 1/4 mile West of 17-92. Just look for the huge inflated black cat. 1360 E Altamonte Dr, Altamonte Springs, FL. You can get tickets online or at the Forest. Check their calendar to see which dates work for you.

True West

The Dark Side of Saturn Productions is presenting Sam Shepard‘s True West at the Orlando Shakespeare Center. I was surprised by the intricate set by Tom Mangieri. I had just been in the Mandell Theater multiple times at Fringe and got used to seeing a bare stage. Fringe just ended two days ago, so this set was created incredibly fast. This was the first time the actors got to move around in the actual space. Director Kevin Becker was in the audience seating while Chaz Krivan who plays Austin, and Cory Volence who plays Lee sat at the breakfast nook table on stage.  Lighting levels were being adjusted, so the actors got to relax for a bit.

After all the lights were adjusted, Bill Warriner, the fight director, put the actors through the paces as they fought in the kitchen. The fight began with Austin breaking a beer bottle over Lee’s head. He then slammed Lee into the counter. As Lee lay on the floor recovering, Austin grabbed an electrical chord and wrapped it around Lee’s throat. Now, this was a rehearsal, and the action was supposed to be at 1/4 speed. The safe word for Cory was “Hold”. He called out to stop the action several times. He stopped the action when he was slammed into the refrigerator, because he was concerned it might topple over. He was concerned that Chaz was getting too aggressive. In a staged fight, both actors need to feel they are in control of the action. In the heat of the moment, the fight accelerated. There was a long moment where Austin was chocking Lee. Lee’s face was beet red as he struggled. Was he struggling to say the safe word? Was this acting, or had the fight crossed over the fourth wall? Austin said, “I could easily kill him, all I have to do is twist.” Lee’s eyes bulged in his head before he fell limp to the floor.

After the fight rehearsal, there was a full run through of the play. Tara Rewis picked up the broken glass and other refuge had to be cleaned up before the play could begin.  Dorothy Massey who did costuming, had to help Cory figure out how to use his belt. “This is why I get paid the big bucks!” she joked.

The play is about two brothers, Austin and Lee. 
Austin was writing a screenplay while he watched his mother’s home. She
was on vacation in Alaska. Lee,who is the black sheep of the family,
showed up wanting to drink beer, borrow Austin’s car and in general cause mischief. He had a knack for bullying, scheming or stealing anything that he wants. Arguments erupted
but, despite their differences, these brothers did care about each other, or they would do just about anything to steal each others lives. When
Hollywood agent, Saul, played by Jim Cundiff comes to the home to check the progress on Austin’s screenplay, Lee schemed his way into convincing Saul that his true life experiences in the desert would make for a great screenplay. The brothers collaborated on writing the script outline but the writing sessions never went smoothly. When the mom, played by Barbara Blake, returned home, she found the house a mess. Her crowning moment came when she grabbed a bottle of rum off the table to spare it when the brother’s brawled.

This was a powerful drama that dives deep to explore the relationship between brothers who are polar opposites, yet united by a dark past. If you are missing the mad rush of Fringe, then head to the Shakes to see True West. Nothing beats a hangover like a nice cold beer. Don’t miss it!

The Mandell Theater
Orlando Shakespeare Center

812 E Rollins St, Orlando, FL

May 31 at 8PM
June 2, 6, 7, 8 at 8PM
 

Tickets are:

$16 in Advance
$20 at Door
$15 at the Door with a Fringe Button