Pulse Temporary Memorial Dedication

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The interim memorial design was created by the team of by Kody Smith, Christina Hite, and Greg Bryla, of the landscape architecture firm of Dix.Hite + Partners, and David Stone of Phil Kean Design, all of who worked closely with onePULSE Foundation’s memorial task force. Pam Schwartz of the Orange County Regional History Center worked on supplying the hundreds of photos from the history museum’s collection used on a winding wall that surrounds the club. Many of local photographer J.D. Casto‘s photos cover the wall. He was at the GLBT Center on the morning following the shooting and his photos document the outpouring of love and support that followed this horrible tragedy.

The scene was already crowded when I arrived at the club. Families of victims and survivors were seated. Since I had my own artist stool, I set up in front of one of the new trees on site and started to sketch. I focused on Christina Hite while she spoke at the podium. Greg Bryla is a dedicated Urban Sketcher, so I was pleased to know he had a hand in helping design this temporary memorial. An unexpected aspect of the temporary memorial is that there is a window in the surrounding wall allowing visitors to see the spot where the club was breached by the swat team so that the hostages held in the bathrooms could escape. Bullet holes litter the brickwork around the blast hole. This is where the terrorist was finally killed.

The architect firm of Coldefy and Associés has recently won the deign competition to create a permanent memorial at this site. Their design surrounds the Pulse Nightclub building with a pool and fountain that has 49 colors in concentric circles radiating from the pool’s center. The typical rainbow, (ROYGBIV) only has 7 colors. If you multiply that by 7 you get 49 colors. Another aspect of their design that I like is a circular canopy that supplies shade for anyone visiting the site. They also had elegantly incorporated a wall separating the quiet space from the sound of traffic on Orange Avenue. The most striking feature is that the club is cleaved in half, creating a canyon like space that people can walk through. 49 trees will cover the site creating a garden to celebrate life.

The Pulse Museum design looks a bit like a futuristic reactor. It has a slatted white exterior that is squeezed in the middle with an undulating
roof profile. Glimpses inside show a twisting staircase and plants,
echoing features of the memorial, and a large circular opening that
floods natural light into the space. There are large public areas where the community can gather to learn and have events. It is an exciting design that would immediately become a defining landmark of the SODO area. Green spaces radiate from the club beautifying the district. Only time will tell how much of this amazing design will become reality. The Museum and Memorial are both intended to open in 2022.

Pulse 2 Year Memorial

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June 12, 2018 marked 2 years since the massacre of 49 people at the Pulse Nightclub in Orlando. Barbara Poma the owner of the club held a vigil at the nightclub to honor those lost. She founded Pulse for her brother who was gay and died from Aids. The name of the club was meant to keep his pulse alive. Now that Pulse is looking to keep 49 other peoples memories alive as well. An interim memorial was installed on the site featuring landscaping and design from Dix Hite Partners. A large photo mosaic mural was wrapped around the the building. The mural incorporates hundreds of photos pulled from the Orange County History Center‘s collection.

Pam Schwartz and I went to the memorial on June 12, 2018 just before sunset for the memorial and celebration of life. I decided to stop and sketch the iconic Pulse sign since I figured it might be difficult to get a view of the stage. Pam ended up sitting close to the stage since she is involved with the Pulse memorial task force. The base of the sign had been encased in a solid plastic case which lit up as it grew dark. People could sign the plastic with whiteboard markers that were supplied. These messages could be periodically erases so new messages could be added. A father stood his small daughter on his shoulders so she could sign high up.

Several of the Sisters of  Perpetual Indulgence stood on the far side of the sign. They wore black nun habits and one wore a rainbow veil held in place by Mickey Mouse ears. The angels were out in force although I doubt all 49 were there with their PVC and bed sheet fabric wings. Jen Vargas was an angel and she sat in her electric wheel chair wearing the large wings. She has been through surgery and seeing an angel in a wheel chair seemed appropriate for the occasion. A teenage daughter hugged her mom in front of me. Barbara Poma spoke, but her voice was so soft I couldn’t catch a word.

Politicians took to the stage. Each had a set script which was interpreted in Spanish on a teleprompter so Spanish speaking members of the audience could understand what was being conveyed. County Mayor Theresa Jacobs went off script and the planned interpretation had to stop. County Commissioner Patty Sheehan was in the crowd early on,  but she disappeared before all the political speeches. One man had sound muffling ear phones on and he shook and hugged his dog. I thought he might be crying, but I think he just isn’t used to being out in public.

Blue and her dancers performed on the stage which unfortunately I couldn’t see since the crowd was so thick. A chorus sang a bilingual Somewhere Over the Rainbow medley that incorporated songs from Wicked. The song Changed for the Better was included and it is a song I have found inspiring since the day I first saw the show. A rainbow formed across the club and cell phones rose in tribute to record the moment.

The Orange County Regional History Center Clears the Pulse site to make way for the Temporary Memorial.

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In February, just 11 days after the mass shooting in Parkland Florida that killed 17 students and faculty, the staff of the Orange County Regional History Center cleared the Orlando Pulse Nightclub site of the last of the memorial items left there. It was a hot day, and the media was out in force. As the staff placed items in archival boxes the cameras rolled. 49 potted succulents had survived months in the intense Florida heat, one for each victim of the mass shooting here in Orlando. A large three dimensional rainbow included the names of the victims. At either end of the rainbow were two clouds created with spray can foam. Those clouds had soaked up the many Florida rains becoming insanely heavy and attracting a small army of palmetto bugs.

This collection day was relatively easy compared to the 31 days of constant collecting that occurred the weeks following the first vigils here in Orlando in the summer of 2016. Organic matter would be slated for compost and the last of the memorial items would go to the off site storage facility of the Orange County Regional History Center. Rose pedals strewn on the pavement ended up looking like blood spatter when added to my sketch.

The rainbow colored fence covering, with designs by local artists, was rolled up and it was one of the last things loaded up onto the U-Haul truck the History Center had rented for the day. TV News camera men were looking for anything to film and they ended up shooting over my shoulder as I worked on my sketch. I have been told that footage was on the news that night.

Shortly after the final collection, a new construction fence was erected much closer to the street. Dix Hite Partners redesigned the area around the nightclub with input from the onePULSE Special Task Force to include far more landscaping along with new trees for shade. That project would progress over the next two months.

The Imperial at Washburn Imports

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The Imperial at Washburn Imports (1800 N Orange Ave, Orlando, FL 32801), is a neighborhood bar housed in a furniture store offers micro-brews and boutique wines, plus patio seating.
I met staff from Dix.Hite and Partners here when they wanted advice on setting up a sketch outing at lake Eola. Greg Bryla in particular  is a very talented Urban Sketcher. The firm designs environmental landscape settings and is now designing a temporary improvement to the Pulse Nightclub setting.

The sketch walk they organized was very well organized. They even catered food after all the sketching was done, although Orlando bike police insisted they take down the table that was set up to serve the food.

An Orlando city ordinance prohibits sharing food with large groups in downtown parks more than twice a year. Members of Food not Bombs were arrested in Lake Eola Park in 2011 for feeding the homeless. A compromise was ultimately found in which they can share vegan
food at Orlando City Hall every Monday morning and Wednesday night.

Our group was maybe 10 artists and landscape architects in all and not homeless but the ordinance still stands. So don’t think you can have a large family picnic in the park, especially with a table, you will be shut down. The food that Dix.Hite served was home made Polynesian fare that was delicious.

The First onePULSE Foundation Town Hall Meeting.

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The onePULSE Foundation‘s first Town Hall meeting was held at the Rep Theater (1001 E Princeton St, Orlando, FL 32803). 400 people reserved tickets to attend. The meeting was a panel discussion exploring why and how we create memorials and museums, and what is involved in the process. Experts from around the country came to share their experiences. Barbara Poma, the Pulse Nightclub owner and onePULSE Foundation executive director, said, “Building a permanent memorial and museum at the site is the most powerful way to pay respect for the lives taken, and to all those affected on that awful night.” The moderator for the night, was journalist Indira Lakshmanan.

Kari Watkins, the Executive Director of the Oklahoma City National Memorial was the first panelist on the left. The event was being held just one week after the mass murder in Las Vegas. She explained that the community memorials had already begun. An empty lot was acquired from the city and 58 trees were planted, one tree for each victim. At the Oklahoma City Bombing site one tree had survived and saplings were being handed out. 168 people died. Initially, the Chamber of Commerce was not on board with the plans for a museum and memorial, they didn’t want their city to be known as the city that had been bombed. The site is now the most visited tourist attraction in the state.



Ed Linenthal is a PhD and author of several books such as Sacred Ground, Preserving Memory, and The Unfinished Bombing: Oklahoma City in American Memory. He explained that the process of deciding what to put on a site is incredibly difficult because you are dealing with an open wound. We need to get rid of psycho babble words like “closure”. People in Orlando will be living along side of the Pulse tragedy for a very long time and that is OK. There is a new “normal”. The process involves many, many people who are very personally involved. Everything is a razor’s edge issue. Should there be 49 hearts, trees, or points of light here?… on and on and on. How could it not be agonizing? Memorials are a protest of the anonymity of mass murder in our times.

Jan Ramirez, is the Executive Vice President of Collections and the Chief Curator of the National September 11th Memorial and Museum in NYC. She explained that the NYC site is an unplanned cemetery. 40% of the close to 3,000 people who died when the towers fell, have no remains. The families never had the comfort of a burial. Our work is never done. Only since the museum opened have many victim’s families decided to share their stories and artifacts.

Anthony Gardner is the Senior Vice President of Government and Community Affairs at the 9/11 Memorial and Museum. He became involved after his brother Harvey died in the tower collapse. The process of building a memorial is going to be painful. It needs to be. The reaction to people visiting the 9/11 memorial is universal, they pause and say to themselves, “I am there.” They know it is a tragic story, they know it is painful, but they leave inspired, because this is a story in which the best of humanity responded to the worst of humanity.

Anthony’s brother Harvey loved history. The night before he was killed, he was watching a documentary on WWII. He became a part of the history he cherished just several hours later. Harvey is one of the 40% who were never identified after the towers fell. The family didn’t have anything of his that was recovered. He found himself trapped in that office. The one call that got through to Harvey allowed the family to overhear him comforting his colleagues, who were starting to panic. He was directing people and he was calm and brave in those acts, so the family holds on to that. Anthony values the authenticity of place and setting. He feels some authentic fabric of Pulse should be left behind. Authenticity of place helps people connect that didn’t have that direct experience.

Pam Schwartz is the Chief Curator of the Orange County Regional History Center. “…Typically museums collect, “old stuff”. We  have historical perspective on that… When doing rapid response or contemporary collecting, you have to rely 50% on your training and education, and 50% on intuition, or what we think might be an important historical story…That can change very rapidly. It took 9 years for Orlando to get the title of the worst mass shooting after Virginia Tech. It took just 16 months to give that title to Las Vegas. The history of our event is already changing based on what is happening in Vegas. The question goes from, “How could this happen to us”, to “Is it ever going to stop?…”

Pam explained, a mass shooting is when four or more people, not including the
shooter, are “shot and/or killed” at “the same general time and
location.” This year there have been at least 276 mass shootings in America. That is close to one mass shooting a day. We can’t memorialize every single event, but each time there are people who lost their loved ones, there are emotional and mental scars. Everyone feels the most strongly about the event that affected them. You focus on the stories and try to make it a teachable moment. We are dealing with a lot of different demographics here in Orlando. Our event at Pulse is unique in that it speaks to a broader situation in our world today, in politics an in the fights we are still fighting.


She went on to say that the memorial items come from the community. They are outpourings from the heart. They are often items left because people don’t know what else to do. One thing they collected was a cooler from Pulse. If you went to the Pulse site, you would have seen the big white cooler left by the police. The church down the street kept filling it every day because it is HOT in Orlando. So this artifact was one of support. 

Pam and the History Center staff were out there collecting every single day and  drank some of that water. One day, they showed up and it was just covered in signatures. There were all these signed banners full of love and support, and then people were like,  “What else can we sign?” So they collected this cooler, it is sort of a living history of the memorials. 

The History Center staff also went into the club after the site was released back to Barbara Poma. Pam approached and asked if things could be collected from inside. That might seem a bit macabre, but think of it as Abraham Lincoln’s hat or the artifacts you might see at the 9/11 museum. These are very real artifacts that tell a story. Should they be displayed now or put them on exhibition, no, but in 200 years there will be people who were not here, did not experience it, and it is very real evidence that this event truly happened to people. The History Center also has items from Pulse before this event. Pulse has a very rich history before June 12, it was home to so many people.


In response to a question from the audience about ensuring the process is inclusive, Pam explained that this series of community conversations are the first link to inclusivity for everyone. Everyone should fill out the online Survey for the Memorial. The results of which will become the design brief that will go out to the potential designers for the memorial and museum. This is not a fast process. It takes time, so we have several years to figure this out together. This is at its heart a community event. It happened to us all in some way shape or form. It will be a community conversation and ultimately a community decision in how we move forward. That is why they are starting to have meetings with families of survivors and other community members. Talk to onePulse Foundation members. They want to know what everybody is thinking. They do not have all the right answers for what this can look like or what it should look like right now, but they are beginning the process and want everybody who feels attached to this to be involved.


In other Pulse related news, the City just approved a temporary memorial designed by Dix.Hite + Partners which will add landscaping to soften the area while replacing the fence with more aesthetically pleasing elements. A rainbow colored sidewalk crossing was also approved by the City and already painted into place.  I filled out the survey and it took no longer that 10 minutes. Be sure to fill out the survey as well. Your voice matters, your opinion matters. Help shape the future of the Pulse memorial site. Earl Crittenden offered a quote that pointed the way towards a solution, “The best way to predict the future is to create it.” – Abe Lincoln

Sketch Orlando Workshop at Lake Eola.

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I co-hosted a sketch outing with Greg Bryla, a Senior Landscape Architect at Dix.Hite + Partners. Viviana Castro
and Kristen Koehnemann helped organize the event. Every artist that attended, got a small travel size watercolor palette, sheets of watercolor paper, a pencil and water brush. We all met outside the Eola House (512 E. Washington St, Orlando, FL). The newly formed Orlando Urban Sketcher’s group joined with landscape architects for a morning of sketching a the Lake Eola Farmers Market. We met in the open field next to the Eola House and all the supplies were placed a folding table for artists to pick up. A bicycle cop stopped by and told us the table wasn’t allowed in the park, so it was broken down and supplies went on the ground. Artists are all about breaking rules.

Greg and I gave short talks about how to catch a quick scene in a sketch. Then we all scattered to do a 20 minute sketch. I usually take an hour to two hours to complete my sketches so I really had to pick up the pace. Luckily the sheet of watercolor paper was small allowing for just a quick thumbnail study. I focused on the BBQ guy setting up for the morning. He had to stoke the fire and put out all his wares. I just sketched him over a over again to populate the scene. There was only enough time to throw in a few light washes before heading back to the base camp.

We all placed our sketches on the lawn to see what worked and what might need improvement. It is always wonderful to see how different and unique each sketch is. Variety is who makes sketching so exciting. Two artiss couldn’t draw the same scene the same way if they tried. Each sketch involves millions of decisions that make each sketch unique. Any advice is just a guiding suggestion. I would never want to change the way an artist interprets a scene. Instruction is just a way to help artists truly see. Most of sketching is patience and perseverance.

Then it started to rain, so we all ran to World of Beer (431 E Central Blvd, Orlando, FL) where we sipped beers and sketched on the outside patio. I sketched the artists on the couches refining their sketches. The shower was short lived, just long enough to down one beer and pay up. The landscape architects had one more surprise up their sleeve. Across the lake they had a table set up with a delicious Polynesian pulled pork lunch spread.  I must say that landscape architects really know how to organize a sketch outing. Remnants of the Pulse memorial items still surrounded the lake. There were tons of candle holders and dead flowers everywhere. Had it not rained this emotional refuge would have certainly been the topic of my sketch. A bicycle cop once again stopped to inform us that it is illegal to serve food in the park. The table was broken down and the buffet was dropped in the grass. Once again the artist, anarchists were caught trying to picnic in the park. After the mass murder of 49 people I would think the police might have loftier goals.