My Portraits of Pulse

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The Orlando Gay Chorus and J.D. Casto presented My Portraits of Pulse in front of the Dr. Phillips Center for the Performing Arts (445 S Magnolia Ave, Orlando, FL)) on June 8, 2021.

The lawn in front  of the Center which was once covered in flowers and memorial items left behind after the massacre of 49 people  at Pulse Nightclub on June 12, 2016. The lawn is now covered with metal staging areas meant to promote social distancing for outdoor concerts and screenings. Food and drinks can be ordered by scanning a bar code and the orders are delivered to each table which avoids crowded lines at the concessions stand.

Three large screens were set up to project photos taken by J.D.Casto a local photographer. J.D. stood on stage talking about his perspective of what happened in Orlando following the shooting. That day he checked to be sure his camera batteries were charged and immediately went to The Center which became mission central for community outreach and a donations. In the Center a crowd was gathered watching TV and they all heard the official number of people who had died for the first time. Shock swept through the room. Photos taken that first day were largely of grief and sorrow.

National and international media flooded into Orlando and J.D. suddenly found himself shooting photos along side some of the best photographers in the world. His view of his self worth wasn’t that elevated, but he couldn’t stop taking photos and sharing them. The images captured slowly changed because along side all of the pain and grief, he saw a community filled with love. Many of his photos were used for a photo wall that is now part of the temporary memorial at Pulse. After each segment of his story, the chorus would stand and sing to a photo montage projected on the screens. The idea of telling the story of what happened after Pulse through the lens of one individual seems rather limiting, but the stories of thousands are also impossible to tell all at once.

 

Pre-Pandemic: The Accidental Historian

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The Accidental Historian Exhibition was at the Orange County Regional History Center through January 20, 2020, so the exhibit came down just prior to the start of the pandemic. On January 21, 2020, The Centers for Disease Control and Prevention (CDC) confirmed the first case of COVID-19 in the United States in the state of Washington. The patient had recently returned from Wuhan, China.

The exhibit featured people who might be historians without even realizing it. That’s certainly true of many bloggers, urban sketchers, photographers, and more. This engaging exhibition, created at the History Center, was about individuals who are absorbed in documenting the world of today accidentally becoming some of Central Florida’s finest historians for the future. The exhibit offered a glimpse into some of our favorite collections that were created for the now – more than 100 years ago.

The Accidental Historian featured both historic and contemporary work and collections, including drawings by the renowned artist and teacher Ralph Bagley and Urban Sketchers Orlando, poetry by Orlando’s inaugural poet laureate Susan Lilley, audiovisual work by food blogger Ricky Ly, historic images by photographer T.P. Robinson, and more.

This panel discussion featured three contributors to the exhibit. At the podium Catherine Duffy asked each panelist questions in turn.

Photographer J.D. Casto had documented the Pulse Nightclub shooting’s aftermath. His photos capture Orlando’s love and hope following the shooting. One of his photos of an auditorium hung next to a similar photo from one hundred years ago and it was as if time had stood still.

Ricky Ly founded Tasty Chops, a blog for local foodies. The exhibition featured several of his videos of local restaurant owners discussing their offerings.

Robin Katz, is a member of Urban Sketchers Orlando. She uses her sketchbook as a journal to document the Central Florida community. Samples of Robin’s sketches were featured in the exhibit.

 

 

Pulse Temporary Memorial Dedication

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The interim memorial design was created by the team of by Kody Smith, Christina Hite, and Greg Bryla, of the landscape architecture firm of Dix.Hite + Partners, and David Stone of Phil Kean Design, all of who worked closely with onePULSE Foundation’s memorial task force. Pam Schwartz of the Orange County Regional History Center worked on supplying the hundreds of photos from the history museum’s collection used on a winding wall that surrounds the club. Many of local photographer J.D. Casto‘s photos cover the wall. He was at the GLBT Center on the morning following the shooting and his photos document the outpouring of love and support that followed this horrible tragedy.

The scene was already crowded when I arrived at the club. Families of victims and survivors were seated. Since I had my own artist stool, I set up in front of one of the new trees on site and started to sketch. I focused on Christina Hite while she spoke at the podium. Greg Bryla is a dedicated Urban Sketcher, so I was pleased to know he had a hand in helping design this temporary memorial. An unexpected aspect of the temporary memorial is that there is a window in the surrounding wall allowing visitors to see the spot where the club was breached by the swat team so that the hostages held in the bathrooms could escape. Bullet holes litter the brickwork around the blast hole. This is where the terrorist was finally killed.

The architect firm of Coldefy and Associés has recently won the deign competition to create a permanent memorial at this site. Their design surrounds the Pulse Nightclub building with a pool and fountain that has 49 colors in concentric circles radiating from the pool’s center. The typical rainbow, (ROYGBIV) only has 7 colors. If you multiply that by 7 you get 49 colors. Another aspect of their design that I like is a circular canopy that supplies shade for anyone visiting the site. They also had elegantly incorporated a wall separating the quiet space from the sound of traffic on Orange Avenue. The most striking feature is that the club is cleaved in half, creating a canyon like space that people can walk through. 49 trees will cover the site creating a garden to celebrate life.

The Pulse Museum design looks a bit like a futuristic reactor. It has a slatted white exterior that is squeezed in the middle with an undulating
roof profile. Glimpses inside show a twisting staircase and plants,
echoing features of the memorial, and a large circular opening that
floods natural light into the space. There are large public areas where the community can gather to learn and have events. It is an exciting design that would immediately become a defining landmark of the SODO area. Green spaces radiate from the club beautifying the district. Only time will tell how much of this amazing design will become reality. The Museum and Memorial are both intended to open in 2022.

Photographer J.D. Casto remembers Pulse.

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J.D. Casto is a filmmaker turned photographer. The day before the Pulse night club shooting on June 12th 2016, he was dog sitting. That evening he started to get texts asking if he was safe. He immediately started checking online news sources and once he found 3 sources that confirmed that there was a shooting at the Pulse nightclub, he packed his camera in his bag. at 10:07pm he found a report that the first shot was fired. at 11:20 he found a report that five were dead and others injured. He rushed out to shoot photos. He caught an amazing series of photos at The Center as everyone watched the news in disbelief. He watched the entire city go through the stages of grief. All city organizations became fatigued. As an artist he had a war board to keep track of all the events he shot photos of. He worked 20 hour days. The camera offered security. For him photos give some form of closure.

After Pulse crazies crawled out of the wood work. One con-artist used the outpouring of generosity following the Pulse shootings to convince organizations to give him money which he then pocketed. The same thing happened after the Boston Bombings. On Facebook, angry people sent survivors photos of victims. Gift cards were donated for victim’s families and the FBI sat on them. Peoples moral compasses were off. On his right arm, JD got a rose pattern compass tattooed on his arm. The tattoo faces him and he considers it his moral compass. An event like this rips the blinders off and says look, the world is shit and I see it, but how do we make it better? He. wanted to be the one who who says no and stays on course, due north, while others manipulate an already horrific situation.

There was an after party for a Cabaret on the evening of the shooting. Two members walked out as the shooter walked in. A fraternity brother of J.D.’s escaped, but he lost a friend named Xavier Emmanuel Serrano Rosado that night. He became extremely active n the Orlando Gay chorus after Pulse. He talked about a huge chorus gala held in Colorado shortly after the shooting. When the Orlando Gay Chorus arrived they found banners of support hanging everywhere. The performances were in a huge opulent opera house. When the Orlando Gay chorus performed “You Will Never Walk Alone”, the entire audience of 5000 people sang along. Shocked by the outpouring of love, there were unexpected tears on stage. The Orlando Gay Chorus has performed over 400 times since the Pulse shooting. They sang at just about every event I sketched.

Six months after the shootings J.D. was still in triage mode, still shooting photos. Being gay shouldn’t define a person. Intolerance is intolerance, is
intolerance. This horrific event forced peoples hands so that perhaps
some good can come of it. He hasn’t had time to settle in here in Orlando. He still doesn’t have a couch. However, Orlando has become his home. He has found his groove and is rooted in Downtown and found his place in the community.