ODD 19 at Wally’s Liquors.

Once a month, I host a free sketch outing called, ODD (Orlando Drink and Draw). The first ODD event of 2017 was held at Wally’s Mills Avenue Liquors, (1001 N Mills Ave, Orlando, FL 32803).
Wally’s is a landmark dive bar with a rocking jukebox, serving beer and stiff drinks since 1954. My original goal for ODD was to visit Orlando’s best dive bars. Wally’s definitely is x epitome of a drive bar. 

Upon entering, there is a liquor store to the right with a wide assortment of bottles. Opposite that, two men sat at a table looking at a sports event on the tube. The bar itself is in the back. A U shaped bar fills the tight space. The wallpaper of nude women is the first thing the caught my eyes. I picked a stool at the corner of the bar and ordered a Rolling Rock. Two guys and a gal sat opposite me. Patrons go to Wally’s with one objective, and that is to get drunk. The two guys seemed pretty wasted. The woman, sporting a nose ring and a skull cap fingered her phone and kept her friends amused with the latest Facebook news.  Within minutes of starting the sketch, one of the guys came over to see what I was up to. It turns out he is an artist himself and he spoke for some time about the quick two minute sketches he once did of the patrons at the bar. I overheard some of their conversation which was largely about who had slept with whom and the emotional ramifications. Orlando is a small down, and news travels fast on the streets.

Another bar patron approached me and he said my sketch reminded him of the work of a short little French artist. He got down on his knees to demonstrate the artists height, and I shouted, “Toulouse!” He had seen a movie about Toulouse Lautrec which was made back in the 60s. He said if Toulouse were to enter Wally’s, he would be sketching, just like me. Though my sketch wasn’t finished, he asked if he could share what I was doing. He lifted the sketchbook like a sacred document and shared it with everyone who was in the sketch. A poet entered the bar through the back door. He was asked to chime in on t sketch and he said, “I only can express an opinion about literature, I don’ know much about visual arts.” Then he looked at the sketch and simply shouted “Damn!” He is a man who knows how to use words. The bar maid checked on my progress several times.

Linda Saracino showed up and then Viviana Castro. Viviana could only stay for 20 minutes so she rushed to get a thumbnail sketch done. Then Wendy Wallenberg showed up and she lit up the Internet with a selfie and controversy. Online, Elizabeth Maupin said she had bee warned to never go in the place. She is an artist but I haven’t convinced her to whip out her sketchbook yet. Out in the parking lot Wendy kept yelling at cars that parked to near her Porche. The guys windows were rolled down, so they might have heard her. I was afraid she might start a brawl. 

The night was an adventure. We listened to some good Beetles music on the Jukebox, joked with the regulars and had a couple of beers while sketching. Then Wendy stepped in despite the smoke to make the evening true ODD.

Sketch Orlando Workshop at Lake Eola.

I co-hosted a sketch outing with Greg Bryla, a Senior Landscape Architect at Dix.Hite + Partners. Viviana Castro
and Kristen Koehnemann helped organize the event. Every artist that attended, got a small travel size watercolor palette, sheets of watercolor paper, a pencil and water brush. We all met outside the Eola House (512 E. Washington St, Orlando, FL). The newly formed Orlando Urban Sketcher’s group joined with landscape architects for a morning of sketching a the Lake Eola Farmers Market. We met in the open field next to the Eola House and all the supplies were placed a folding table for artists to pick up. A bicycle cop stopped by and told us the table wasn’t allowed in the park, so it was broken down and supplies went on the ground. Artists are all about breaking rules.

Greg and I gave short talks about how to catch a quick scene in a sketch. Then we all scattered to do a 20 minute sketch. I usually take an hour to two hours to complete my sketches so I really had to pick up the pace. Luckily the sheet of watercolor paper was small allowing for just a quick thumbnail study. I focused on the BBQ guy setting up for the morning. He had to stoke the fire and put out all his wares. I just sketched him over a over again to populate the scene. There was only enough time to throw in a few light washes before heading back to the base camp.

We all placed our sketches on the lawn to see what worked and what might need improvement. It is always wonderful to see how different and unique each sketch is. Variety is who makes sketching so exciting. Two artiss couldn’t draw the same scene the same way if they tried. Each sketch involves millions of decisions that make each sketch unique. Any advice is just a guiding suggestion. I would never want to change the way an artist interprets a scene. Instruction is just a way to help artists truly see. Most of sketching is patience and perseverance.

Then it started to rain, so we all ran to World of Beer (431 E Central Blvd, Orlando, FL) where we sipped beers and sketched on the outside patio. I sketched the artists on the couches refining their sketches. The shower was short lived, just long enough to down one beer and pay up. The landscape architects had one more surprise up their sleeve. Across the lake they had a table set up with a delicious Polynesian pulled pork lunch spread.  I must say that landscape architects really know how to organize a sketch outing. Remnants of the Pulse memorial items still surrounded the lake. There were tons of candle holders and dead flowers everywhere. Had it not rained this emotional refuge would have certainly been the topic of my sketch. A bicycle cop once again stopped to inform us that it is illegal to serve food in the park. The table was broken down and the buffet was dropped in the grass. Once again the artist, anarchists were caught trying to picnic in the park. After the mass murder of 49 people I would think the police might have loftier goals.

Orlando Urban Sketchers outing to Pulse.

On September 11th, I hosted a sketch outing for local artists to the Pulse nightclub. This was the site of the horrific shorting that happened on the morning of June 12, 2016 that left 49 people dead and 53 injured from the gun shots of a madman.  The fence that was put around the nightclub has become a memorial where people come from around the world to pay their respects to those that died.

I chose the date because September 11th was the date that 9/11 happened in New York City and September 12 would mark 3 months since the June 12th shooting. I decided to set the time at 6pm since sunset would happen at 7:30 that evening. It would be cooling down and there would be shade from the fence.

I started sketching as soon as I arrived. One other sketcher, Viviana Castro stopped by with her boyfriend.  When you sit with a sketchbook in your lap at a site like this, people consider something of an expert. A man in green military shorts told me that he had visited the site often and he had brought his girlfriend from Ohio to the the site for the first time. “It changes every time I come here.” He informed me.

He shot cell phone photos of the items that he liked the best. As I was rustling through my art bag for supplies, I came across a gold foil butterfly that a fashion designer had given me a while back. For the first time, I decided to leave something behind, and I let the butterfly flutter to the ground. I noticed a ten year old girl writing in a notebook and her dad watched what she was doing. It turns out she was sketching and her dad brought her out to the sketch event. She drew teddy bears, a heart and a church. Beautiful Latina women inspected the site. one wore a tiara. There must be millions of cell phone photos shot of items at the memorial. Two large cable spools formed a shrine in wh7ch wooden panels honored the 49 lives lost. Hours could be spent reading all the notes left behind, but soon it becomes emotionally overwhelming.