COVID Film: Dr. Death

Posted on by Thor

I spent most of today animating the Doctor Death scene in Callipeg. The complicated bit was animating the patient on the gurney turning his head to look at the viewer. To accomplish this I did a rough pass in red where I drew the shape of the head as it turned. I then did a clean up pass on top of that with the final line work.

I then animated the green fluid squirting our of the needle, followed by the plunger and the doctors thumb pressing upward. it is all rater subtle animation and who knows if people will see it in the one second the scene is on screen. I watched several videos on water effects before I animated the needle squirt. That animation might only be noticeable on the big screen.

As always the animation and the background with depth were composited in After Effects.

I then had corrections to make in the end credits since several of the animated scenes flashed off too early. I had to re-render that scene 5 times before I got it right.

Now I am considering re-animating the Maya sacrifice scene. I think the animation of the high priest is too stiff so I might fully animate him so he plunges his hand into the chest cavity and raises it up as it drips blood. That is rather complicated and will take several days to complete.

 

COVID Film: Title Shuffle

Posted on by Thor

The working title for my film has always been COVID. I discovered that COVID is the title of a feature film coming out in December of 2023.

I was excited to rename my film COVID APOCALYPSE. Apocalypse tied in with the quote I had placed at the end of the titles. I spent a day redesigning the posters and press material. Then while online that evening I found out a book had the title COVID APOCALYPSE. WT actual F.

Hell, the distressed type on the cover was even similar to my poster design. The book came out 3 months before I started chasing a unique and searchable title for my short film. Unfortunately I had contacted the Chicago International REEL Shorts Film Festival and told them I was renaming the film to COVID APOCALYPSE. As I was scrambling to redesign everything they updated their website.

Yesterday I changed the title to COVID DYSTOPIA. So far I have not found a book or film with that title. But give it a week and I bet one will pop up. Rather than ask the festival to once again change the title, it will screen as COVID APOCALYPSE at that one screening.

A week ago, I  printed 50 post cards with the title of COVID. Those post cards will be real collectors items like the upside down airplane on a postage stamp.

I added COVID DYSTOPIA to the opening scene and the end credits. Lets hope it sticks.

COVID Film: More New Titles

Posted on by Thor

I spent much of the weekend redesigning the poster with a new title. I redesigned everything with COVID Conscious as the title. Conscious to me meant aware, so it made sense. In the designs I made the word Conscious partially transparent as if it were fading away. I planned to literally have Conscious fade away in the trailer.

As I was doing those designs I then considered Conscience, which is more about a moral awareness. I also thought Con-Science could have the meaning of science denial. I was at an inroads and tossed between the two options. I asked Pam her opinion and she offered other options like COVID Collateral, as in Collateral Damage. I thought collateral could however also be interpreted from a financial standpoint.

Since it is October we spent the evening flipping through horror movies on our streaming service. As Pam scrolled. I considered each horror title with COVID inserted. It was a fun game to rename every horror film with COVID themed titles.

As I went to bed, I was still blurting our COVID titles and with each absurd option Pam would simply say NOPE. As I woke up the next morning it hit me. The end credits of the film end with a definition of Apocalypse which is based on an early Greek meaning of the word. The definition is… “A revelation, a disclosure of truth in an age of falsehood and misconception.”  Of course!

When working at Disney Feature Animation I remember there was a time when they considered renaming the film Brother Bear.It turned out there was a TV show that also had the title Brother Bear. The Disney lawyers managed to the the rights to the title despite the fact that the TV Show had been around for years.

If I do an online search of COVID there are thousands of new articles that pop up from the past 4 years. But in the future if I search COVID Apocalypse, I will find my film and articles related to it. Thankfully I will not get tied in with the COVID feature film that is being released in December 2023. I beat them to the punch with the title but I’m not hiring lawyers to defend the film title of COVID.  Such a title will be lost in a sea of information and misinformation.

If folks search for COVID Film they might get information about my film and the feature film. If the feature film is a success, then it might not hurt my film’s exposure.

COVID Film: New Title?

Posted on by Thor

I got advice that the title of my film should be easily searchable in the Google search engine. If I search COVID I find thousands of articles about the virus but nothing about my short film. Doing the Google search I was also horrified to discover that a feature film with the title COVID is coming out in December of 2023. WTF.

Classified as a thriller, the film synopsis on IMDB stated… “A scientist and his clairvoyant wife are quarantined in a French mansion feverishly working on a cure to save humanity, when supernatural forces begin to interfere with their plans.” Clearly I don’t want my short film lumped in with this feature film starting in December.

A feverish search began last night for a new title.

COVID Pandemicide seemed to long, and pandemicide is a made up word created by a science journalist in 2020 to describe the former president’s pandemic policies.

MASS Infection is hard hitting but too vague.

COVID Amnesia is good to describe how everyone has pushed COVID to the dark place to get back to normal. But my film offers the opposite of amnesia or denial.

This morning I woke up to COVID Conscious. There are very few who remain conscious and aware of the ongoing pandemic. I do think that is the underlying message of the film. I may still change my mind. The title is incredibly important for marketing the film. Conscious is tricky to spell, so that might be a drawback. I may still change my mind.

 

COVID Film: Button

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I designed a button to help promote the film a film festivals. Granted film makers might not want a film with COVID on it, but how could they resist a butting with laurels on it? The button will be 1.5 inches wide which is kind of small, but hey the virus is small. I decided to get 50 of these made up. They are just swag. I will not be selling them.

I also printed up cards with the film poster on the front and social media and lyrics to Andy Matchett’s song, Just Can’t Wait on the back. Again they are swag giveaways to help promote the film. There is a QR code on the back and amazingly it leads directly to the film. I scanned it and saw the film on my phone for the first time. Honestly, most people will likely see the film on their phones but I am continuing to promote it at film festivals.

The post cards are ready but when I went to drive to the print shop, I discovered my car battery was dead. That is how long my car has been sitting idle in the driveway. Pam and I tried to jump it last night without success. We will try again tomorrow for a longer time. The jump we did managed to get a few small light to work but the engine was still dead.

The cards will have to stay at the printer until I figure out how to get the car up and running again.

COVID Film: No Exit Animation

Posted on by Thor

I decided to animate the No Exit scene in Callipeg. In my illustration the woman is looking out the airplane window but I decided she needed to look back over her shoulder. In the illustration she is wearing a shirt with an insane line pattern. I probably will abandon that pattern since it would be a nightmare to animate without the lines vibrating.

I finished the animation this morning and hope to have her painted before I start virtual classes this afternoon. One of the lessons I always teach in my animation courses is how to turn a head and this is a straightforward example of that lesson in practice.

COVID Film: Re-animating Tentacles

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The animation for this tentacle has always bothered me. It flickered because I drew the suckers with haste. Looking back now I also realize the resolution wasn’t as good as it could be, so I an digging in for a second time in Callipeg and doing the animation at double the resolution. With more pixels the lines are more crisp and accurate. I am not changing the animation but rather cleaning it up. My hope is that I might be able to use the painted cells with minor adjustments.

I isolated the head on this pass at the animation because I plan to ass a subtle squash and stretch to the head when the octopus blinks. I will also animate that second oxygen canister a tiny bit in After Effects. Photoshop has crashed twice this morning. I really want to get away from these faulty digital nightmarish programs.

Yesterday I also did quite a bit of work on the promotional postcards and I am ready to sent those off to the printer. I will order the postcards today online and pick them up in person. The button proof came back and that looks fine so those are in the works. I am searching for Chicago media contacts and have found site that sell a list but I don’t want to go that route. There has to be a comprehensive site to research this.

COVID Film: Adobe Glitch Nightmares

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Overnight, Adobe seemed to have updates its software without consulting me.Imagine working on a film for months and then wanting to render the final product but finding that dozens of shots are not longer able to render. What I see instead are color bars. I had to go through the entire film and re-render shots in Adobe After Effects.

Besides the color bars a program called the Media Encoder was thrown out with the upgrade. I re-downloaded the Media Encoder but the program didn’t recognize it. I wasted over half a day trying to find a work around to get the scenes to render. I found a youTube video by an Indian artist describing a work around. I had trouble understanding what was being said but I could follow the movement of the cursor. I had to copy source code and navigate multiple menus to finally manage to get some renders to work.

This final shot in the end credits is a stubborn hold out. It refuses to render. The clip works in After Effects but any time I try and render it I get color bars. I will be spending hours again today searching online forums to see if other are experiencing the same nightmares.

For now however I plan to step away from the problem for a bit. Attacking the problem in frustration could do more harm than good. The programs may need to be thrown out and then re-downloaded and I am not up to that level of destruction and reconstruction.

Instead I plan to focus on marketing. I need to create 50 five by seven inch cards that can be used as marketing swag at the Chicago International REEL Shorts Film Festival. I also created buttons that I think filmmakers might want to wear with the film title and laurels. The buttons were ordered online, and now I need to find a printer for the cards. Pam had a great idea of printing the lyrics to Andy Matchett‘s song Just Can’t Wait on the back. I also will offer web links should people want to order the music. All my web links will also be on the back.

COVID Film: PPE Waste

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I felt I needed to replace a shot titled Beauty, in which a beautiful Victorian woman is trying on masks while a horrifically ugly doctor and nurse scoff at her. The animation consisted of her arm relaxing with a mask. It was a direct homage to a Twilight Zone episode called Eye of the Beholder. I was thinking of animating the pig faced medical staff, but then decided this mask shot was more mysterious and graceful.

In this shot the turtle is fully animated as he swims towards a mask. All the masks move slowly in the water. The turtle opens it’s mouth at the last moment implying that it plans to eat the PPE. I didn’t animate the people since I wanted the focus on the masks and turtle. I might eventually animate the people but they would need to walk very slowly.

With the Chicago International REEL Shorts Film Festival coming up at the end of November, I am turning some of my attention to marketing. Yesterday I designed 1.5 inch COVID pins which I think filmmakers might like to wear. I ordered 50 pins since there are 50 films being shown at the festival. I don’t think

COVID Film: Rats

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This is the final composite of the rats scene in Premiere Pro. I decided to replace several squirrels with rats for this scene in the film. The one drawback is that the tail isn’t as fluffy and therefor harder to notice immediately. The shot before this one is of a Neanderthal in extreme close up. I am thinking that it might help to swap the Neanderthal with a more distant shot like this.

I animated the rat on the carpet pulling back, but decided it drew attention from the rat hitting the skull with her tail. I toned down the animation to a subtle head tilt and subtle tail movement.  This balancing of motions it the biggest challenge with each shot.