COVID Dystopia: Black Lives Matter

Posted on by Thor

The Black Lives Matter shot is a straight forward pan down the street towards the White House. D.C. Mayor Murial Bowser is screen left. It is a fast pan and I had to pause long enough to give people a chance to start reading Black Lives before the fast camera move. The shot still might be too fast, but that is true of most of the shots in the film. This isn’t a leisurely stroll , but a fast paced fever dream. The shot feels complete.

Yesterday I was editing the 30 second trailer for the film, and the computer crashed while it was open. This morning I opened up the complete edit of the entire film. A window opened asking if I wanted to save the file that was open when the computer crashed. I accepted, of course I want to save every version of the film that I had worked on.  I just discovered that the 30 second trailer overwrote the entire long edit of the film. WTF.AAAAAAAAAAAAAAAAAhhhh!!!!!!!!! The shot shown here had to be re-edited to get it to work correctly.

The convoluted way Adobe Premiere Pro force saves files has been a major problem throughout the process. I now have to go over a much older version of the film and start making repairs. Adobe updated the software and many scenes moved partially off screen. The programmers must have decided ti change  the way X and y coordinates are calculated. This will waste an entire day to recover and is par for the course for Adobe.

COVID Dystopia: Rebound Paint

Posted on by Thor

This is another example where I post a scene here and decided it needs more work. Seeing this still, made me realize that the darks on each player are different. On the defender the darks are pure black whereas the darks on the player taking the shot are greyed down. I think I will grey down the blacks on the defender to match. The goal isn’t to focus on the players but on the virus.

The scene took a solid day to animate and paint and is should take an hour or so to refine the darks one more time. In the illustration the painting of the players focused on subtle gradients of paint that describe the round forms. For the animation I instead painted the players with bold poster like brush strokes. They jump and fall away so quickly that no one will analyses the way their faces are painted.

I added turbulence to the background clouds to add some motion. Most people will not notice that subtle addition but they will feel it.

I should be ready to render the whole movie again today, but I know that the Adobe render engine is malfunctioning. The last time I tried to render whole scenes would render off screen and drift around in a black void. It is frustrating to keep working, not sure if the results will ever render correctly.

COVID Film: Adobe Glitch Nightmares

Posted on by Thor

Overnight, Adobe seemed to have updates its software without consulting me.Imagine working on a film for months and then wanting to render the final product but finding that dozens of shots are not longer able to render. What I see instead are color bars. I had to go through the entire film and re-render shots in Adobe After Effects.

Besides the color bars a program called the Media Encoder was thrown out with the upgrade. I re-downloaded the Media Encoder but the program didn’t recognize it. I wasted over half a day trying to find a work around to get the scenes to render. I found a youTube video by an Indian artist describing a work around. I had trouble understanding what was being said but I could follow the movement of the cursor. I had to copy source code and navigate multiple menus to finally manage to get some renders to work.

This final shot in the end credits is a stubborn hold out. It refuses to render. The clip works in After Effects but any time I try and render it I get color bars. I will be spending hours again today searching online forums to see if other are experiencing the same nightmares.

For now however I plan to step away from the problem for a bit. Attacking the problem in frustration could do more harm than good. The programs may need to be thrown out and then re-downloaded and I am not up to that level of destruction and reconstruction.

Instead I plan to focus on marketing. I need to create 50 five by seven inch cards that can be used as marketing swag at the Chicago International REEL Shorts Film Festival. I also created buttons that I think filmmakers might want to wear with the film title and laurels. The buttons were ordered online, and now I need to find a printer for the cards. Pam had a great idea of printing the lyrics to Andy Matchett‘s song Just Can’t Wait on the back. I also will offer web links should people want to order the music. All my web links will also be on the back.

Pandemic Film: Queens Depth

Posted on by Thor

This is the depth map I created for the shot of Queen Elizabeth in the pandemic film. 13 days of production remain. I am now averaging 10 shots a day and I should finish with some extra time to refine some shots. In the above depth map I have not yet added detail to the mid and far depth layers.

Since I had a debilitating Premiere Pro crash in which most of the auto saves were lost, I now back up the file onto an online storage site for safety twice a day. I no longer trust Adobe products to maintain safe back ups on their own. For painting, I have abandoned Photoshop for doing my painting, and it looks like I will have to find another software for the next time I edit a film.

I didn’t bother blurring the harsh line under the queen’s chin, but in the final render with the painting, it really isn’t noticeable. I kind of wish there was a way to generate a depth map for the background and combine that with the portrait mode for the face. I could probably accomplish it with some green screens to comp together several different animated renders. I will try it on a future shot. Since the shot is less than a second long, I can get away with some imperfections as I continue to learn the nuances of creating and using depth maps.

I have managed to have two days where the files were not lost by clearing the cache and saving over the same file repeatedly. I no longer can save iterations of the file with with the date. Every morning I open the program I have some dread that the program might have erased the previous days work.

Pandemic Film: The Queen and COVID

Posted on by Thor

Working on a quick shot of the queen for the COVID film.This shot uses the portrait mode of VoluMax Pro 7 to add some dimensional to her portrait. I also added a few masks to help make the throne and statue more dimensional. It all worked fine and the shot was added to my Premiere Pro timeline.

A problem arose at the end of the workday where the edit I was working on reverted back to a version from two days ago. All files I had added for the last two days disappeared from Premiere Pro and I had to re-add them at the end of the day. In all I had to re-add 12 shots, and I was blurry eyed before I went to bed. I checked the playback to be sure everything worked and re-saved the project. Then I closed it down for the night.

The next morning all my changes were once again lost. This is the type of infuriating issue that can drive a person insane. If I had more hair I would be tearing it out. I searched forums for anyone having a similar problem and it seems this is a known issue and had been happening for years. From all my reading I didn’t see a solution.

I managed to find a version of the film in the auto saved files. I simply opened the file with the largest file size. I am disheartened to work on it more until I figure out what he  issue is so it doesn’t happen again. Pam advised me to save the file on my desktop. When I did that all the auto saved files also moved to the desktop.

I am maybe a third of the way into the project and need to move forward. Unfortunately I suspect that before the end of the day my work may again be lost. Adobe has certainly managed to loose my confidence. Should there be an expert in file management out there, I certainly need some help.