The Black Lives Matter shot is a straight forward pan down the street towards the White House. D.C. Mayor Murial Bowser is screen left. It is a fast pan and I had to pause long enough to give people a chance to start reading Black Lives before the fast camera move. The shot still might be too fast, but that is true of most of the shots in the film. This isn’t a leisurely stroll , but a fast paced fever dream. The shot feels complete.
Yesterday I was editing the 30 second trailer for the film, and the computer crashed while it was open. This morning I opened up the complete edit of the entire film. A window opened asking if I wanted to save the file that was open when the computer crashed. I accepted, of course I want to save every version of the film that I had worked on. I just discovered that the 30 second trailer overwrote the entire long edit of the film. WTF.AAAAAAAAAAAAAAAAAhhhh!!!!!!!!! The shot shown here had to be re-edited to get it to work correctly.
The convoluted way Adobe Premiere Pro force saves files has been a major problem throughout the process. I now have to go over a much older version of the film and start making repairs. Adobe updated the software and many scenes moved partially off screen. The programmers must have decided ti change the way X and y coordinates are calculated. This will waste an entire day to recover and is par for the course for Adobe.