COVID Dystopia: Zeus Came Down With a lightning Bolt

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This shot has no actual animation, but a depth map and camera movement.I could have had his hand physically point but I decided to keep it still so the the lightning bold movement is the center of attention.

The lighting bold was animated in after effects. I hand animated the bolt as well but liked the procedural animation better. I did hand animate lightning in another shot with basketball players jumping to tap the COVID ball.

COVID Dystopia will screen at the Orlando Film Festival on November 1 and 7, 2024. The November 1 screening is at 4:15pm and the November 7, 2024 screening is at 2pm, both in theater 9. At 8pm on November 7 is the Awards Ceremony which I will also attend in case I need to pick up another award. The Orlando Film Festival runs from October 31 to November 7 at the CMX PLAZA CINEMA CAFE 155 S. Orange Ave, Downtown, Orlando FL. A one day pass is $20 and you can see a whole lot of films in one day. When I attend a film festival I treat it like a movie marathon. If you go to a screening, I will be easy to find as the one person in a KN-95 mask. We might be done with COVID, but COVID is not done with us.

COVID Dystopia: Snatched Up All the Chicks

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COVID Dystopia will screen at the Orlando Film Festival on November 1, 2024 at 4:15pm in Theater 9, in the CMX Plaza Cinema Cafe 155 S. Orange Ave, Downtown, Orlando FL.

It will also screen on November 7, 2024 in the same theater at 2pm in the same theater. It is part of the Animation block 1, so there will be plenty of other animated films to see.

At the height of the pandemic, I went to downtown Winter Garden with a roommate and we ordered hot dogs which we ate outside. When there is an outdoor seating option my mask will come off to eat. As we were eating a huge group of high school students in tuxedos and gown rushed by. They went into the central park area and were taking selfies. Crowds kept walking by and I started wolfing down the hot dog or I think it was a thicker brat. Anyway a large chunk got lodged in my esophagus. My fried knows CPR, but didn’t try the Heimlich. I jumped up and down paced and tried to wash it down with the drink but the fluid wouldn’t go down. It was a horrifying situation. Thankfully I could breath fine. I threw out the food and started walking, hoping it would settle itself out. By the time we got back to the car the chunk had finished its course down my tight gullet. This happened a second time around family. It seems I have difficulty eating around people pretending the pandemic is over.

COVID Dystopia will screen at the Orlando Film Festival on November 1 and 7, 2024. The November 1 screening is at 4:15pm and the November 7, 2024 screening is at 2pm, both in theater 9. At 8pm on November 7 is the Awards Ceremony which I will also attend in case I need to pick up another award. The Orlando Film Festival runs from October 31 to November 7 at the CMX PLAZA CINEMA CAFE 155 S. Orange Ave, Downtown, Orlando FL. A one day pass is $20 and you can see a whole lot of films in one day. When I attend a film festival I treat it like a movie marathon. If you go to a screening, I will be easy to find as the one person in a KN-95 mask. We might be done with COVID, but COVID is not done with us.

COVID Dystopia: Jesus Snatched Up all the Chicks

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Adobe decided to update the Premiere Pro software overnight. Now when I play the edit of COVID Dystopia quite a few shots are offset and partially out of frame. This shot is one of those shots. I had to go in and re-edit the start and end positions of the clip.

As I share scenes I will be digging in and redoing the work that was already done. The only other thing I might need to do to the movie is add captions in case a film festival requires them. I added captions once before but took them back out since they distract from the scenes. The film moves at such a breakneck speed that there is not time to read and also see that is happening in each shot.

I always liked the concept of this shot. Since Jesus has holes in his hands from the crucifixion nails, his hands make for very ineffective masks when held over one’s face.

COVID Dystopia will screen at the Orlando Film Festival on November 1, at 4:15pm and November 6 at 2pm in theater 9 of the CMX PLAZA CINEMA CAFE (155 S. Orange Ave, Downtown, Orlando FL). The film is part of Animation Block 1. Orlando Film Festival passes are on sale now. A 1 day pass is $20. You can see a lot of films in one day if you are up for a marathon.

COVID Dystopia: Jesus Dropped a Cluster Bomb

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In the weeks leading up to the Orlando Film Festival, I feel I should share shots from COVID Dystopia. I do this leading into each film festival.

This festival feels special since the film was created in Orlando and so many of the shots relate to Florida’s failed COVID response. The film has been rejected multiple times for other Florida Film Festivals and I thought it would never be shown in this state.

The animated film is controversial  and rather hard edged. It is perhaps too controversial to be shown at your average Film Festival. When it is shown, it wins awards. It won the Best Short Animation Film Award at the Chicago International Reels Film Festival. It won as the Best Short Short Film at the Berlin Shorts Film Festival, and it has won an Honorable Mention at the Charlotte Film Festival and it was a Nominee for the Best Animated Short at the Iowa Independent Film Festival.

COVID Dystopia: Screening Times at Orlando Film Festival

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COVID Dystopia was placed in Animated Film Block 1 at the Orlando Film Festival which starts October 31, 2024 and runs through November 7, 2024.

The Orlando Film Festival takes place at the CMX PLAZA CINEMA CAFE (155 S. Orange Avenue downtown Orlando FL).

COVID Dystopia will be shown twice. The first showing is on Friday November 1, 2024 at 4:15 PM in theater 9. The second showing is on November 6 at 2 PM also in theater 9.

This film shouts into the void that wishful thinking does not stop an airborne virus, the effects of which are hard to ignore if you are paying attention. I honestly thought this film would never be shown in Florida since so many scenes mock Florida governor DeathSantis’ handling of the pandemic. We might be done with COVID, but COVID is not done with us.

Passes are now available for the Orlando Film Festival. One day passes are $20, seven day passes are $100, VIP passes are $150 and VIP Elite passes are $350. You can experience independent films for a day of a solid week.

The Orlando Film Festival is now in its 16th year of showcasing incredible cinema from around the world. The CMX Plaza Cinema Café is the Festivals home. The Cinema has twelve beautiful theaters with high-end digital projection located right in the heart of Orlando. All of the Film Festival events take place in or around the theater. Audiences do not just watch quality cinema but also get an immersive experience full of spirited Q & A’s, panel discussions, script reads and fantastic parties. This is the perfect opportunity for filmmakers and screenwriters to directly interact with their audience, as well as others in the industry.

COVID Dystopia is an Official Selection for the Orlando Film Festival

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I really didn’t think COVID Dystopia would ever be screened in Florida. There are so many scenes that feature Florida Governor Ron DeathSantis that I assumed any juror who is conservative would guarantee the film is never seen.

The Orlando Film Festival runs from October 28 to November 4, 2024. That means COVID Dystopia will be screened right before the November presidential election. The film also features many scenes of Trump’s failed COVID policies. This is, I am assuming, another reason many film festivals consider the short to be poison for the big screen.

A Rhode Island film festival organizer e-mailed to let me know that she contracted COVID-19 at the the in person screenings at the film festival. This meant that approvals for the festival had to be delayed while she recovered. I thought, that might mean that COVID Dystopia might have a better shot at approval, but the film was still side lined. People prefer to pretend that life has returned to normal even as they get repeatedly infected. Every film festival is a super spreader. One in 35 people are infected right now. We are just now starting to come down from a COVID wave that peaked in late August 2024. I think I am still a COVID virgin. Even though I take every precaution, I will likely become infected at one of these Film Festivals as I promote COVID Dystopia.

I am finishing up the design work on a 200 plus page book with over 600 COVID themed illustrations. If the copy editing is done by late October, I could publish the book in November of 2024. The COVID Dystopia book gives a more sweeping overview of everything that has happened in the ongoing pandemic. The short animated film would become a teaser to promote the book.

Iowa Independent Film Festival

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COVID Dystopia screened of the first day of the Iowa Independent Film Festival. That evening there was a party for filmmakers at The Boulevard (1311 Bayou Road Clear Lake Iowa).

After COVID Dystopia screened I was approached by a crew of 5 filmmakers who had a music video in the festival. Their music video Infinite Battleground was about two men struggling to balance work with their passion for music. The production is as dark and sinister as my own film, so we hit it off. Director Kristopher J. Gathercoal is in my sketch holding a beer. He wasn’t actually playing pool but I put him in as the second player to fill out the scene. The drummer hooked me up to the groups Through the Darkness youtube page. One of their music videos featured a sketch of a classroom and he wanted me to check it out.

Most of the filmmakers crowded into a back room consuming flat bread and drinks while chatting. The seating arrangement made it so that you would stay with on click the whole time. Since I had to plan to eat indoors, I decided instead to sketch the music video filmmakers as they played pool. The pool table I drew had a definite slant to is so that the balls always rolled to one corner. After two games at that table they switched to the table to my right. I had to get up a couple of times to allow for clean shots. One played became unbeatable once he had a few drinks. He explained that the buzz made him focus extra hard. It was a fascinating use of beer to promote zen.

The bar owner came up to me while I was sketching to talk. He was also a graphic designer and had designed the blue and gold mural on the wall. He was quite pleased that I was sketching it. He took a few pictures as I sketched.

At the awards ceremony, the filmmakers from Infinite Battleground sat next to me in the back row. Their film was nominated for best music video and my film COVID Dystopia was nominated for best animated film. I had no expectations, but they had been at this festival multiple times before and were looking forward to their first win. I was pleased that a good chunk of the intro to my film was played. That was the most eyeballs to view my film in Iowa. I think there were about 22 people in the theater when the film first screened, but this theater was packed for the awards ceremony, so there were hundreds of eyeballs. I paused my sketching when the winner for best animated film award was about to be announced. My fountain pen snapped in half and a big blob of ink splashed on to the sketch. I got distracted and tried to clean up the mess.

COVID Dystopia: Reno Plans

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I update the laurels and re-post the poster each time COVID Dystopia is accepted into a new film festival.

I booked plane tickets and the hotel in Reno. The full cost of the hotel will be reimbursed by the festival but the airfare is on me. The hotel room has a king size bed which is such a waste. I couldn’t find a smaller room in the Silver Legacy casino hotel which is where all the film makers will be staying.

Booking decent round trip flights is a challenge I haven’t yet mastered. Only after the tickets were booked did I discover that I have a 3 hour layover in Minneapolis. Well if I go out or sketch in the airport that will take carer of two hours. I have a similar 3 hour layover in Salt Lake City on the way back but that one goes until 1am. I might be less enthusiastic about sketching Salt Lake City that late at night but we will see. Hopefully I have learned from my mistakes. Actually the layovers are intentional. Had I paid several hundred more dollars for the tickets I could have flown much faster. In Iowa I am driving 6 hours to avoid a similar layover. I would rather watch the road flow by than sit inside an airport. No matter how challenging, this is all an adventure and I need to embrace that.

COVID Dystopia is an Official Selection at the Charlotte Film Festival

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COVID Dystopia is an official selection of the Charlotte Film Festival. The festival which runs September 24th to September 29, 2024.

I will likely drive up to the festival and spend some time exploring Charlotte, North Carolina with my sketchbook.

I am discovering that once I resign myself to repeat rejections, that is when I am surprised by an acceptance. Since my expectations are low, I can be infinitely delighted when the film finds an audience. I assume that few will accept a film that disrupts the new normal. The message that, “we might be done with COVID but COVID is not done with us”, is one that few want to hear. Yet there are some realizing that the pandemic is indeed far from over. I keep throwing it out there, in the hope that a few will pull their heads out of the sand.

The COVID Dystopia book is now 2/3 complete but it will not be done before the Charlotte Film Festival. September is going to be a crazy month of Film Festival hopping.

Maitland Art Center Demo

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This sketch was done as a demo for one of my students. It was a nice day, cool and sunny. We did several sketched on the property.

I am always stressing the importance of perspective when doing a sketch on location. The sign in the foreground and the building inn the background have the same vanishing point. The fact that the vanishing point is off the pace often throws a beginning sketcher.

There is also a vanishing point off the page to the right which defines that sidewalk triangle shape in the lower right corner and the angles in the roadway.

Now that I am on my own, I am feeling the need to get out and sketch on location more often. The trouble is that most days I teach until 8pm and most events start earlier.

I might just start doing nocturnal digital paintings after 8pm. I am thinking I can go to event venues and sketch from outside. A COVID cautious artist doing outsider views of crowded venues might be interesting. I used to document each hellish superspreader event, but those are happening every day now.

Yesterday I started designing the COVID Dystopia book. The format I am considering is a hardbound book 10 1/4 by 13 1/4 inches. Learning InDesign is proving problematic. I have the cover set up but there are many technical issues I need to address. I made a mistake downsizing cover art, and now it is pixelated. Well. if I can teach myself Premiere and After Effects, I should be able to tackle InDesign.