Can’t Stand Sitting from Toronto Canada presented The S#it at the Orlando International Fringe Festival. The show opened with writer-star Matti McLean seated on a stool half naked. The stool was meant to stand in for a toilet. This hard edged solo show was a perfect fit for the venue of Ten10Brewing. It was a small venue for a cramped bathroom setting.
A passionate romance had turned sour leading not only to loss of passion but a deep resentment. The toilet was in a apartment with little to no privacy. This historic bowel movement was happening just feet from where his partner was seated.
Part comedy and part gut wrenching confession the audience was taken along for the ride as the honeymoon period flickered out between the seated protagonist and his partner in the next room. Although they were pulling apart there was still comfort in being close to someone who knew every quirk of personality. How can you let go of someone when you are both so close? Were they better off apart or could the rift be healed? All of this existential though occurred while seated on the royal porcelain throne.
I always root for the underdog and hope that love with find a way. But sometimes even when the love is still there, the passion flickers out as people move apart. Just like a long exhausting s#it there can be some relief and even bliss when it is all over and the bowl is flushed.
The explicit nudity in the show reinforced that we are all exposed when we are deep in a relationship. Sensuality isn’t always pretty but being truly understood and accepted is so rare that it is hard to let go once it is found.

Zeek Tech Productions from Toronto Canada presented 1-Man No-Show at the Orlando International Fringe Festival. In the lobby as people lined up to go in the theater, Isaac Kessler the performer was shouting to the crowd in a scratch battery powered microphone speaker system that he wore on his chest. I couldn’t understand a thing he said. At the time I didn’t realize her was the performer for the show I was about to see, I just thought, “That’s odd.”
Artifakt from Vancouver B.C., Canada presented Home Cumming starring Magalie Rouillard-Bazinet. The show is about a woman who has lost her ability to have an
Onwards! presented by Big Empty Barn Productions from Montreal Canada starred Bremner Fletcher Duthie who sang and played instruments while telling stories. Around the stage were a series of lamps which could be activated with foot switches. Each of his variety acts would require different lighting which he initiated with taps of his toes.
In the final months of World War II, the area around Islerohn Germany saw the surrender of German forces to the American troops. My father, 1st Lieutenant Arthur Thorspecken with his C-Company in the 75th Infantry Division, moved into Hemer to help liberate Stalag VI-A, one of Germany’s largest POW camps.
Two cemeteries were established for the mass graves for all the men who were dying. The exact number of men who died is hard to calculate. Some researchers think 24,000 men lie in the two cemeteries. Others think that number is too high, while others think that number may be far higher, based on the rising numbers of inmates who died at the end of the war. The goal of commemorating is to never forget. Future generations need to know what man is willing to do in the name of an ideology and how quickly a society is willing to throw away basic moral principles.



