Top 10 Posts of 2010 (As picked by AADW Readers)

The Top Post is…


1. Thor Sketches the Audience With 38% of the votes.

2. 67 Books With 19% of the votes.

3. Two Hearts One Love With 16% of the votes.



4.East Orange Shooting Sports With 16% of the votes.

5. Turned Away from the Holy Land (Again) With 13% of the votes.



6. Boudoir Bombshells With 8% of the votes.

7. FRESH – The Coffee Mound With 5% of the votes.

8. The Artist is Present With 5% of the votes.



9. Triathlon With 5% of the votes.



10. Orlando Improv Festival With 2% of the votes.

11. This wouldn’t be a daily sketch blog if I didn’t include a recent sketch. This one is of the Mounted Police Unit Barn right before the Citrus Bowl Parade. This year I once again rode with the Pooper Scooper Brigade! More to come… Happy New Year.

ColORLANDO an Arts Community Mural

During the Sonesta Hotel’s ColORLANDO event benefiting the Downtown Arts District, I didn’t have a single moment to sketch. All night I danced an exhausting ballet trying to keep everyone who wanted to paint busy while also doing enough of the painting myself to give the huge canvas a unified look. I was like an alchemist quickly pouring acrylic paints into plastic cups and searching for the right colors. I had to use a transparent glazing medium to make the paint act like the watercolors I use every day. With so many guests approaching the canvas at once, I couldn’t always advise people, and sometimes paint was glopped on with abandon, hiding and weakening the sketch. Most of my time was devoted to reworking spots which drew attention to themselves. My attention was constantly being pulled in many directions at once.

A friend who offered to show up early and help, didn’t show. Two interns who were going to assist me never showed. Terry offered to watch the prints and T-shirts that were for sale. She ended up abandoning the table to party upstairs. With sunlight streaming through the lobby windows, the canvas was translucent. By the time we were painting, the sun had set. While some friends fell to the wayside, others quickly recognized the need and stepped in to help, sometimes for hours at a time. I am blessed to have such amazing friends. Doug Rhodehamel painted a tree to make it look like a mushroom.

The party going on upstairs offered free drinks and plenty of food. Later in the evening, guests would stop down who had definitely had a few drinks. Keeping their work on task was the greatest challenge of the evening. It is a fine line trying to allow some individual expression as long as it worked with the whole piece. Only once did I have to grab a paint brush to stop someone who seemed to be thickly painting a whole building deep purple. Sultana, the event organizer, groaned and turned to me saying, “Stop her!” I rushed in and made changes before the paint dried.

I hadn’t eaten, and there was no way I could abandon the canvas, but someone finally got me a slice of cake and a beer. I don’t know the brand, but that was the best cup of beer I ever tasted.

After the bar closed upstairs there was a rush of people who wanted to help. Several people were conspiring to put Mickey Mouse ears on the castle and one woman complained that Harry Potter and Universal weren’t displayed. I joked that I had never seen the new attraction. It turns out she works for Universal so I may sketch the new attraction soon. (There is still time f0r me to paint it in, hint.) The mural now on display in the Sonesta Hotel lobby has all the signatures of everyone who helped me that night. Thank you all for this amazing experience similar to Tom Sawyer’s whitewashed fence.

The abandoned merchandise table had two $200 prints mysteriously disappear along with many T-shirts. Three friends who knew me, paid for shirts as I continued to paint. The T-shirt I was wearing was stained with sweat all night.

The next day I had no desire to be around any people. I drove to Cocoa Beach and sat staring at the sandpipers who ran from the oncoming waves then chased the waters edge as the thin film flowed back. Scurry and peck, an active full life. There wasn’t a soul within fifty yards of me all day.

I returned to do this sketch of the mural on display in the lobby the following day. As I sketched, a busload of young models entered the lobby and the place exploded with conversation and girlish laughter. A woman with Kelly written on her name tag asked if I was Thor. She is an artist and she uses the same sketchbook I do. She was in the hotel attending a wisdom seminar and I was invited to sketch the next day’s session. Life and the blog, marches on. Mark Moravec, the hotel’s general manager, saw me sketching and expressed how happy he was with the event. Even with the setbacks, I was proud and satisfied to have been part of such an amazing collaborative experience.

ColORLANDO


On Thursday September 23rd I will be unveiling a 16 and a half foot long mural of the downtown Orlando skyline at an event called ColORLANDO at the Sonesta Hotel Orlando Downtown

(60 South Ivanhoe Boulevard Orlando, FL).

Eat, Paint and Party while benefiting the Downtown Orlando Arts District!
Experience the best of Orlando in food and entertainment as the Sonesta celebrates our vibrant local arts community. You are invited to preview Sonesta’s stylish, newly renovated property and mingle with artists in a whole new way!
ColORLANDO is your chance to be a part of creating a community masterpiece with award-winning sketch artist Thomas Thorspecken that will adorn the walls of the Sonesta Hotel while enjoying local entertainment at its finest including:
– Music by the Olga Feroni Jazz Trio
– Live DJ
– Celebrity lookalikes
– Live dance performances
– Opportunities to win great prizes, including a Cruise on the Nile in Egypt.
– Much, much more!
This will be an event you don’t want to miss, featuring an exclusive Silent Auction benefiting the Downtown Orlando Arts District! The party starts at 5:30pm .

For this event I needed to enlarge a sketch I did of downtown Orlando. I considered doing this at Full Sail using an overhead projector to project the sketch on canvas duck taped to the classroom white board. The setup worked but I was suddenly shocked at the size of the mural. I would need a large ladder in order to sketch the top half of the image. I quickly realized that would be a painful process. Two different people suggested I take the sketch to Triangle Reprograhics. When I went in to drop off the sketch, David Magagni walked me through the printing plant back to an area where I could compare various canvases. I immediately wanted to sketch. After checking a proof later in the week, I asked about sketching the mural when it went to press. At first the request was turned down by the foreman, but someone suggested I call Reg Garner, the VP of sales,and he loved the idea.
The 16 foot long mural was to be printed on the Vutek 5330 EC press. Eli Melendez wearing his New York Yankees baseball cap showed me how the press works. The canvas is threaded through a series of rollers and then flows over the top of the machine. A large box moves back and forth adding the inks to the canvas. I arrived at Triangle Repro shortly after 5pm. The night crew works till 11pm. Unfortunately the operator who set up my job wasn’t in, so the press sat silent. My nerves grew raw as I sketched knowing the mural was just a button push away from being finished, and the grand fund raising party at the Sonesta hotel was fast approaching.
So please come out tonight and help me add acrylic color washes to help finish up this huge canvas. Tonight promises to be an amazing party!

Thomas Thorspecken Sketches the Audience

This staged performance, where I sketched an audience at the Orlando Shakespeare Theater, would never have happened if friends I had met over the last year and a half of sketching had not stepped in to help. Aradhana Tiwari invited me to take over the theater for one night and Brian Feldman had the vision for this show close to a year ago. The staging consisted of me sitting in a lone spotlight facing the audience and doing what I do every day – sketch. One video camera shot the sketch I was working on and projected the image on the theater wall behind me, while another camera, operated by Brian, shot footage of the audience just as in a baseball or football game. This would be the first time my work process was ever projected bigger than life for an audience to scrutinize. At leastthree video cameras were recording the proceedings the whole time. This has to be the most documented event I have ever been a part of. The program gave the audience plenty to read and a blank page to sketch if they so liked.

73 of my sketches were hung around the theater clothesline style using fishing line, electrical tape and alligator clips. Ron and Maisy Marrs arrived early and worked tirelessly for over an hour and a half before curtain call. Tommy Wingo handled all the technical aspects of the two video cameras and all the wiring. Evan Miga lent us his digital projector and operated the video camera pointed at my sketch during the whole performance.

At first I envisioned music from “The Illusionist” soundtrack playing the whole time I sketched, but Aradhana and Brian both felt it had too dark and brooding a mood. We agreed to play some Bach performed by Yo-Yo Ma when people entered the theater and looked around at the art. The music was silenced and Brian Feldman walked out into the spotlight to offer an introduction. He mentioned how he and I met over a year ago at the Kerouac House for a performance of his called “txt.” Since that night I have documented over 25 of his performances. When the audience applauded, I walked on stage and took my seat. I couldn’t see a thing with the spotlight in my face, so I grabbed a baseball cap out of my backpack. I was a bit nervous to start and dropped a pen. I had difficulty seeing since the house lights were at half. I called out to the lighting booth, asking if she could raise the lights a bit. When I could see, the sketch started to progress. At first the room was silent, but soon people forgot about the cameras and artist recording the proceedings and the mood lightened. Ashley Gonzalez, Tommy Wingo’s fiance, walked right up on the stage and stood looking over my left shoulder. She whispered the one question I cannot stand into my ear, “Are you an artist?” I laughed and asked, “Did Terry put you up top this?” Clearly she had.

About one hour into the performance, just as I was about to finish up the pen line work, a large group of audience members decided to get up and move to the opposite side of the space so they could be in the sketch a second time. I shouted out “Anarchists!” I placed them the best I could in the new location. Then the watercolors came out and I started to work faster.

People talked and mingled. At times people joked with me and the artist and model exchange became playful. An artist named James Barone wore a kilt and sat in the front row with his wife who held an umbrella. He drew a robotic version of me sketching. Maisy drew all over her questionnaire. What was amazing about this audience as a whole was how much talent was gathered in one room. There were visual artists, authors, poets, dancers, comedians, directors and photographers all mingling in a shared creative experience. It turned out to be a fun way to meet new people while sharing my art. Life as theater, theater as life.

Thomas Thorspecken Sketches the Audience


Facebook event page

Media Release
Play The Moment Productions
Brian Feldman Projects
@PlayTheMoment
@AnalogArtist
@BrianFeldman
When referencing on Twitter, use hashtag
#SketchTHIS
Orlando Shakespeare Theater on foursquare
Orlando Weekly Listing
Brevard Art News Listing
Orlando Sentinel Listing
TheDailyCity.com Listing
Out and About with Jeremy Seghers (WPRK 91.5 FM) Interview
Orlando Weekly Review of the show
A Blog Review
Hannah Miller video edit

TheDailyCity.com Mobile Art Show #7

Mark Baratelli of TheDailyCity.com and I discussed the idea of exhibiting my work downtown for some time, and on the third Thursday of March everything fell into place to make this event happen. Mark rented the truck and drove it to Frames Forever & Art Gallery, owned and run by Katie Windish. Katie offered advice on how to hang the work in the truck. I did a huge version of a previous Mobile Art Show sketch and I blew it up so it covered the side of the truck facing the gallery. It was a fairly easy job to tape the large sketch to the truck. I used a hanging strategy I created at FRESH where the sketchbooks were framed in shadow boxes and hung from the ceiling. The plan then was to wallpaper as much of the inside of the truck as I could with prints of sketches I had done over the last year. Hanging this work simply involved two pieces of scotch tape for each sketch; not really as much of a task as I had figured it might be.

When six o’clock rolled around, I met Mark down at the CityArts Factory parking spot. He pulled up and honked. We quickly started taping and hanging Christmas lights, wires and sketches. I managed to drop one of the shadow box frames and it shattered on the floor of the truck. I had to use scotch tape to hold it together for the duration of the show. People started entering the truck and looking around even as we worked. The prints started selling immediately. Every time I walked in the truck I sold one or two prints.

Through Facebook, I arranged with Tamara Gray to get a model who works at Universal Studios dressed up for Mardi Gras and on stilts making her nine feet tall. The idea was that the model, Lyn Sky, would grab people’s attention as they walked down the street towards the CityArts Factory openings. We invited artists to come out for a free sketching session right on the sidewalk and perhaps five or seven artists in all came out and took advantage of this free modeling offer. I started this sketch, but kept getting pulled away for radio and TV interviews. There was a Kerouac House fundraiser going on at Urban Flats right up the street. Summer Rodman and Kim Buchheit both from the Kerouac House stopped by and admired the show. Emma Hughes stopped by to pick up an original sketch I had done for her parents. It seemed like my attention was being diverted every few seconds. The sketch of Hannah Miller in her wedding dress sold while Hannah was in the truck looking at other works. She wondered aloud, “Why would they want a sketch of me?”

Just as I sat down and started putting on some final washes on this sketch, I realized the evening was over. Now we had to break down the show and load everything into my truck. After everything was packed away, Mark, Brian Feldman and myself went to IHOP for some pancakes and some lively late night discussion. The whole quirky show was an exciting whirlwind of activity, a once in a lifetime experience.

Analog Artist Digital World 2009 Retrospective Opening

The opening for the Analog Artist Digital World 2009 Sketchbook Retrospective was a lively and crowded five hour event at Dandelion Communitea Cafe. The ten sketchbooks created last year were framed in shadow box frames I had built myself. I had Frames Forever frame several assignments I had done for Orlando Home and Leisure as well. The number of pieces framed was just enough to fill out the space, and one sketch wasn’t hung.
On opening night I arrived early to set up a tablet PC, which I hung on the wall to play a flickr slide show of all the drawings posted to the blog in 2009. Patrons who were from the various arts boards were some of the first people to show up right after work. The band called Hymn for Her set up to play alternative folk music for the people arriving later. The cafe is used as an unofficial after party for the people who go to First Thursdays, which is a monthlt themed art event at the Orlando Museum of Art.
Dandelion Communitea Cafe was packed all night. People who I had sketched during the year kept arriving and introducing themselves. Once the music started it became impossible to talk, so at that point I got the sketchpad out to document my own opening. An artist/author from the last Sketch Crawl also stood in a corner of the room furiously working in his pad. The little child at the table playing with the crayons is the performer’s child. He had a large headset on to protect his fragile eardrums. The rest of us experienced the music full blast. I asked the performers to place one of my framed sketchbooks on the amplifier behind them. It frames Pierce’s head in the sketch as he plays banjo. Maggi is playing a cigar box with a broomstick attached. The instrument actually has a really good sound.
When I finished this sketch, someone showed me a sketch on their digital camera and he said it would be a blast from my past. He said the sketch was mine, and for the longest time I didn’t believe him. My eyes started to tear up from the strain of staring at the musicians and drawing. Julie Norris, co-owner of Dandelion, asked if I was Okay, as I kept rubbing my eyes with my sleeve. Perhaps there was an emotional reason for the tears as well, rediscovering a sketch from a vibrant and exciting time in my life. The lines on the sketch he was showing me digitally, were vibrant and flowing, dark and confident. I really liked the sketch, yet couldn’t believe I had done it. It showed a New York City street scene with a crowd of people. He finally explained that it was from a sketchbook which had been passed around the Florida Disney Animation Studio. I had done that drawing on the backlot of MGM (now Disney’s Hollywood Studios) more than fifteen years ago. Darn, I was a good draftsman back then!
All night, people offered new ideas on places I could sketch in 2010. By the end of the night my head was spinning. I only had one white wine. With all the conversations and activity, I never had time to take a sip. Eventually, a large crowd of us had to be asked to leave so the place could be cleaned up and closed down for the night. What an exciting night! The show will hang at Dandelion Communitea Cafe at 618 North Thornton Avenue Orlando through January 30th. Go by, grab a tea, and enjoy the events, places and people that defined Orlando culture in 2009.

2009 Sketchbooks on Display!

The Analog Artist Digital World blog was started January 1st of 2009 by artist Thomas Thorspecken with the commitment to post a sketch a day documenting Orlando culture. Assembled for the first time are all the sketchbooks from that year long journey. As the blog rolls into another year, we look back at the events, people and places that defined Orlando in 2009. People start to wander in around 8PM often after attending First Thursday at the Orlando Museum of Art. Dandelion offers a fun after party.
At the opening there is going to be a band and there are two other shows going on in the back rooms. One show features records painted with musicians portraits by Rebecca Rose. The other room features photography. Come on down. It will be a great way to kick off the New Year!