Snap!

I stopped by Snap (Cameo Theater, 1013 E. Colonial Dr., Orlando, Fl ) on the day before my retrospective exhibit went up. The gallery was open till 4pm. Emily Jordan and Diana Rodriguez were working as interns at the front desk. This was the last day that “Flight” was on display. As I sketched the last of the arts patrons explored the gallery. Three pieces of drywall proclaimed the gallery’s mission statement: Contemporary, Creative and Spontaneous. Patrick Kahn, the gallery’s founder had to step out.

Diana’s son, Josiah Portillo, stopped in and hung out for a while.  As he and Diana talked, he decided to water the potted orchid on the reception desk with his bottled water. He then headed out to hang with some friends in the park. Diana offered him some money in case he wanted a snack but he said he would be fine.

I discovered later from Holly Kahn, that the lamp on the reception desk was from her son Luke‘s room. Emily and Diana were chatting and getting to know each other. Emily is a photographer who takes society shots for a local magazine. Diana is an actress and avid supporter of the arts. When she discovered that Emily had never been to the Fringe, she excitedly explained what the Fringe is all about. Diana suddenly shrieked and stood up. A large puddle had mysteriously formed and was spreading across the table. They both quickly removed books, paper and art. The potted orchid was leaking. Diana put the potted plant on the floor as they mopped up the spill. “How much water did Josiah put in this plant?” Diana said. On the floor the plant was still gushing out water.

Disaster was averted since the angle of the table made the puddle flow away from the art and papers on the desk. Just when things returned to normal, Patrick came back and the women were free to go home. Diana told me about a dress rehearsal for “Cat on a Hot Tin Roof” by Tennessee Williams, which I will be sketching next week. Patrick explained to me that she is one of the most active supporter of the arts that he knows.

Mark your calendar and come on out to the opening of my retrospective showing of sketches of Orlando on March 21st from 7pm to 10pm at the Cameo Theater (1013 E. Colonial Dr., Orlando, Fl). The show will remain open through April 17th.

Differing Views

On June 22nd, I went to the opening reception for “Differing Views” at the GLBT Community Center of Central Florida (946 N Mills Ave, Orlando, Florida 32803). This was a  group art show featuring:
Parker Sketch, Jon Glassman Gardner,
Patty Sheehan  and
Karen Cate.

When I arrived, a little early, John Glassman Gardner was still hanging pieces. He had these wonderful one inch square  pieces of glass with vibrant patterns that looked like aerial views of river valley topography. He told me that the pattern had been discovered by accident when 2 pieces of glass had been pushed together with a small drop of paint between them. Like a microscope slide, the paint spread. When pealed apart, this organic pattern would appear. John then glues magnets on the back. He was placing dozens of them on a metal support column. He gave me one of these pieces and it is proudly displayed in my home. It isn’t signed unfortunately so someday I hope to catch him to sign it.

Commissioner Patty Sheehan had a show the previous week at the Peacock Room. She had sold 75% of all the pieces there. She therefor had to do more than a dozen paintings in a weeks time to have something for this show. All her paintings were of black cats with wide eyes and a Cheshire grin. She called them “Bad Kittys” and they sell like hot cakes. She gave me a button with one of these kitty’s on it and a pink equal sign. Of course this was “Equality Kitty”.

Parker’s Sketch’s work is ubiquitous to the Orlando art scene. His pieces use pop commercial imagery portrayed with bold brush work and a liberal display of spattering. The boldest piece was of a faded American flag. He was voted the Best Arts Advocate in this years Orlando Weekly. Karen Cate only had a few pieces in the show.  I had never seen her work before.

Shooting Orlando Live

After spending 82 hours on the streets of downtown Orlando, Peter Murphy went straight into shooting a video broadcast of Orlando Live. The show began at 10 pm at the City Arts Factory. Cameras were set up in the hallway entry. There was the frantic activity of getting ready with time running out. Wires snaked everywhere in the hallway. Singer, songwriter, Britt Daley who was setup right outside the entry gave a live performance. Peter looked tired, his eyes glassy, but he lit up once the cameras started rolling.

His first interview was with Hannah Miller. Hannah is a puppeteer and she had several of the puppets she made for an upcoming show titled “Gift of the Magi.” One puppet hung from a light. A stagehand was concerned the light might topple with the added weight, but Hannah assured her that the puppet was extremely light. The conversation quickly turned from the world of entertainment to the experiences Peter had on the streets of Orlando. He discovered that Hannah volunteered for an organization called iDignity, which finds identification papers for the poor. Without IDs it is impossible to get a job. The organization’s mission is so simple and yet empowering, allowing people to take control of their lives.

Hannah had wonderful ideas about how to revitalize downtown by allowing street performers to work and improving the downtown culture through art. The only big business downtown at night now seems to be the sale of alcohol. Just then a gaggle of college girls started yelling and screaming because they saw the cameras. As Hannah walked back to her car, some jerk snatched a puppet out of her arms ripping it in the process. When she got to the parking lot space she had paid for, she found her car had been towed. She spent the rest of the night trying to find her car and extricate it from the impound lot all the way out by the airport. The towing pirates even made her wait an additional 40 minutes before they showed up to the lot. Rather than holding a grudge, she had this to say, “I’m going out of my way every time I leave my house for the next week to be super, super nice to everybody. I think Orlando needs it.”

82 Hours on Pine and Orange

Peter Murphy the host of Orlando Live, an internet video podcast, set himself a mission to raise awareness regarding homelessness in Orlando by spending 82 hours on the corner of East Pine Street and South Orange Avenue downtown. I arrived on day four of his sojourn. At first I didn’t notice him, but then I spotted him across the street from City Arts Factory. He had some stubble on his face and his hair was matted. In his pocket was a tiny stuffed toy dog which a little girl had given him for good luck. He was happy to see me and he quickly related everything that had transpired over the last four days. He was about to film another short segment for his show, and I used that time to drop off the food items I had brought inside the City Arts Factory. He confided in me that his notion that food was a top priority had been false. There are a number of spots all within walking distance where homeless are given meals. He discovered that plastic garbage bags to keep things dry and blankets were priorities. He quickly realized sleeping in the empty lot across from the Cite Arts Factory would be a frightening proposition. A homeless man related how he had been awakened with a knife blade planted between his eyes and robbed. He had the scar to prove it.

Peter ended up sleeping in an empty alleyway across from Mad Cow Theater. He said one evening he tried sleeping near a church but a policeman told him to move along. He was also told he could not stand in the empty lot where he began his mission since it was private property and he was blocking pedestrian right of ways. He had a cardboard sign which asked for donations of food for the homeless. Since this is considered panhandling rather than charity, he was told he would have to stand in one of two blue boxes which have been painted on sidewalks for panhandlers. I have never noticed these blue boxes. I’ll have to look for them.

Weather had been terrible every night. There was torrential rain and freezing cold temperatures. Peter said he only really got perhaps six hours of sleep total. As I sketched him in front of the City Arts Factory, he would shout out any time he spotted someone who might be homeless. “Hey! Where you headed?” Invariably they would walk over and he would offer them bottled water or some snack food. Everyone was grateful. Within minutes of starting my sketch, a policeman on a bicycle stopped to look at what I was doing. I said hello, but in the back of my mind I imagined him forcing me to stop sketching. He soon left. Peter shouted to me, “Your lucky your good!” I shouted back, speaking for the officer, ” Yeah, ‘That drawing sucks, move along!” I comically wiped my brow. Large fork lifts laden with kegs and bottled beers kept rolling past me on the sidewalk. One particularly tall stack of beers wobbled threatening to topple over on me.

Two homeless men in particular had helped Peter adjust to life on the streets. Science Dave, wore a pith helmet decorated with silver studs. He once worked for the Science Center but he had been fired. A series of unfortunate incidents landed him on the streets. When he saw I was an artist he started telling me the life story of Toulouse Lautrec. Toulouse is one of my favorite artists, yet Dave knew more about his life story than I did. Pete, in a wheel chair, rolled up to talk to Peter Murphy. He was very soft spoken so to hear him speak, you had to lean in close. When he saw the sketch I had done of him he whispered, ” You are blessed.” I admired the quick camaraderie that was shown by these people who happen to live on the streets of Orlando.

I only spent maybe four hours watching Peter Murphy greet and share food with people on the street. For him this must have felt like the home stretch in a very long marathon. Between the winds and the constant shadows of the tall buildings it was cold. Peter often blew his breath into his cupped hands. I did the same with my drawing hand. I couldn’t imagine trying to sleep on the pavement in the dropping temperatures. Yet some people do that every night. More important than any food offered, Peter bought respect and an honest concern to every homeless person he met. I was moved and humbled. For Peter, this must have been a life changing experience.

Rachel Leona Kapitan Reading

Rachel Kapitan had a reading from her upcoming book of short stories titled, Small Town Heretics of the Emerging Sciences. I arrived a little early at Neon Forest Art Gallery, and found Rachel seated in the front row in a room full of folding chairs. She took a sip of her Rockstar energy drink. She was reading her manuscript and next to her there was a pile of graph paper note pads with strips of type written copy taped down in rows with yellow stickies protruding everywhere.

I said hello then let her focus on her work while I walked around to see the art in the room. The gallery show was titled, Grab and Go. Every piece of art was on sale for less than $100. Most pieces were around $50. Tonya Dickie entered the gallery and she spoke to Rachael about how clients she gives massages to would sometimes share their darkest secrets while lying on the massage table. Rachel had similar experiences with costumers at Infusion Tea. It is so true that reality is often so much stranger than anything that an author could make up.

Soon the room filled with people. Rachel was talking to another author about Modernism and Post Modernism. She mentioned her ideas about Poetic Terrorism which would wake people up from their complacency. She is developing a literary style she called Synthetic Fiction. It was all way over my head, but I was intrigued. I was introduced to Caitlin Doyle the current resident author at the Kerouac house.

Her first story was a straightforward reading of one of her short stories called “This is not a Beach.” The story contained some sexual exploits that would have made Anais Nin blush. What followed was fascinating and unexpected. She had cut up one of her stories into 64 segments which were taped down with 8 segments per page on 8 pages in several graph notepads. She asked members of the audience to pick a number between 1 and 8 for the page of the draft and then a number between 17 and 31 representing the draft of the story which had been reordered 64 times. Based on these random choices, she read the story, titled “Jubilation Saints”, out of order. There were sections of the story that would repeat again and again as if the refrain in a song. Rachel said that randomizing the story like this allowed the author a chance to re-experience the work as a reader. Even though the story was randomly shuffled, it always made sense. This story graphically related the sexual affair between two wildlife researchers of squirrels. The repeated attraction played out over and over in the reading as if this couple kept making the same irreversible choices again and again. I began to anticipate and take comfort in the repetition. As a listener I had to fill in the blanks thus personalizing the story in my mind, recreating it for myself. It was a fun exercise allowing the audience to step into the creative process.

Walkman Muse

On the third Thursday of December, Asaan “Swamburger” Brooks was in the Redefine Gallery working on a series of canvases showcasing his brand of Urban Art. The evening before he had done a large mural on the wall opposite the one I show him working on in this sketch. Redefine Gallery is in the front room at City Arts Factory. I arrived early to find Swamburger busy at work on a large canvas. He was always willing to take the time to stop and chat when people like myself would interrupt. He gave me a warm handshake and briefly explained the premise of the show. None of the pieces hanging was completely finished. He continued painting throughout the evening and he worked in rotation from one painting to the next. He let the music inspire and guide him. The space in the gallery was tight and there was no where I could stand without standing right in front of a painting, so I stood outside sketching through the glass door. The RE logo was printed on the door. Swamburger used one of the printed invitations as his makeshift palette for the evening. The boom box was constantly playing.

The gallery got more and more crowded as the evening progressed but I kept my focus on Swamburger as he stood on a chair to reach the top of his painting. One of the outdoor vendors introduced himself saying he follows my progress here online. We became instant Facebook friends. Another artist started talking to me about a drum circle down in the Keys that I should get down and sketch someday. All the art in City Arts Factory was on sale for less that $200 that night. After the sketch was complete I wandered through all the galleries getting a bit depressed that artists were willing to sell their work so cheap these days. Outside the mobile art show which is hosted by Mark Baretalli in a rented u-haul truck had a large quilt titled HOARD, by Tess Bonacci which was made from hundreds of stuffed cat hides. For the first time Mark was charging people $1 to walk up the ramp into the truck. Someone lent Brian Feldman $1 so he could walk in and take a look. I didn’t go inside. I met Terry and we went out to get a bite to eat. After dinner, Terry went home and I wandered over to Avalon to see the Group show there. The place was pretty deserted when I arrived but a musician was still playing in the bar area. I considered sketching but figured he would most likely pack it up soon since no one was listening.

What Moves You?

City Arts Factory for Third Thursday in August had an exhibition called “What Moves You” which featured installation art. In a far back room, Jessica Earley had an installation with two projectors which were decorated to look like space shuttles. On one of the two screens she could be seen crying animated tears. Brigen Gresh had an installation in which railroad spikes hanging from the ceiling caused a traffic pattern which directed viewers to a corner of the room where a whimsical sculpture with multiple wheeled modes of transportation looked like they were balancing on a high beam. In the hallway a toilet bowl was lined with firecrackers.
Outside Pine Street was shut down and the Mobile Arts Show U-Haul was parked with the back of the truck facing the City Arts Factory. White curtains were draped from the rear of the truck. Near the ramp leading up to the truck, three monsters had set up a kissing booth. Terry was feeling quite bohemian this night, but what happens at the Mobile Art Show stays at the Mobile Art Show. Inside the truck was the work of Karen Russell. I identify with her angst filled figurative work.
A large weather balloon was perched in the middle of the street. This was an installation called “Connections”. This sphere had video projected on it by students from UCF. I wandered the street because for a solid block artists were out and working on their creations for the duration of the evening. It had been raining rather hard at the beginning of the evening and most artists were under awnings. I followed their lead and sat down under an awning across the street from City Arts. Antonio Santos was painting right in front of me. He was working on a religious themed painting with the figures glowing in a mystical cloud. Jimmy Margary was painting two rather cartoony frogs.
Michael Moore was set up on Orange Avenue somewhat isolated from the rest of the artist crowd. His work uses stencils and spray paint for a quick effect. I started my sketch since I was trapped by the rain. I hoped he might work on his painting but he ended up talking to a friend for the duration of my sketch. Around the corner a woman and man were arguing. She yelled, “I’m waiting to have fucking dinner with you! That is what our fucking plans were!” The man was yelling back, “I show up and you’re all like…” I lost track of what he was saying as I walked away. A homeless man looked at me smiled and shook his head. I smiled back, amused.

B-Side Artists

On the third Thursday of the month, I went down to the City Arts Factory (29 South Orange Avenue) to do a sketch of the B-Side Artists show opening. This group of artists had seven original members lead by Swamburger and more artists have joined the ranks over the years. The B-Side name came from the flip side of Albums in the 1980’s, it was common knowledge then that the B-Side of the album would have the more experimental and cutting edge performances. Some of the work in this show had the feeling of emerging from the streets, having an urban feeling whose roots go back to graffiti. B-Side Artists is the urban youth underdog that continues to surprise pop-culture with it’s style, bold content, and willingness to create in artistically a-typical conditions.

Sketching a gallery opening is an insanely difficult challenge. I leaned back against a wall on my portable stool and got to work. The difficulty comes from people standing in front of you as you work. I have trained myself to not get frustrated but instead to wait or look elsewhere and draw some other detail not blocked by the person in front of me. Swamburger greeted me with a warm handshake and smile. Outside he related to me the dream he has of someday finding a project where all the arts groups in town can come together and collaborate on a project which shows the world what the Orlando arts scene has to offer.

Guerrier Peterson was the artist who’s work was on the wall opposite from where I was sitting. One painting had elephants across the base of the painting and then rising up behind them was the torso of a woman with no head and a knot of organic looking roots twisting upward out of the neck. Another painting depicted a demonic looking freak show clown with a long tongue. The longer I drew and studied the work, the more I liked it.

TheDailyCity.com Mobile Art Show #7

Mark Baratelli of TheDailyCity.com and I discussed the idea of exhibiting my work downtown for some time, and on the third Thursday of March everything fell into place to make this event happen. Mark rented the truck and drove it to Frames Forever & Art Gallery, owned and run by Katie Windish. Katie offered advice on how to hang the work in the truck. I did a huge version of a previous Mobile Art Show sketch and I blew it up so it covered the side of the truck facing the gallery. It was a fairly easy job to tape the large sketch to the truck. I used a hanging strategy I created at FRESH where the sketchbooks were framed in shadow boxes and hung from the ceiling. The plan then was to wallpaper as much of the inside of the truck as I could with prints of sketches I had done over the last year. Hanging this work simply involved two pieces of scotch tape for each sketch; not really as much of a task as I had figured it might be.

When six o’clock rolled around, I met Mark down at the CityArts Factory parking spot. He pulled up and honked. We quickly started taping and hanging Christmas lights, wires and sketches. I managed to drop one of the shadow box frames and it shattered on the floor of the truck. I had to use scotch tape to hold it together for the duration of the show. People started entering the truck and looking around even as we worked. The prints started selling immediately. Every time I walked in the truck I sold one or two prints.

Through Facebook, I arranged with Tamara Gray to get a model who works at Universal Studios dressed up for Mardi Gras and on stilts making her nine feet tall. The idea was that the model, Lyn Sky, would grab people’s attention as they walked down the street towards the CityArts Factory openings. We invited artists to come out for a free sketching session right on the sidewalk and perhaps five or seven artists in all came out and took advantage of this free modeling offer. I started this sketch, but kept getting pulled away for radio and TV interviews. There was a Kerouac House fundraiser going on at Urban Flats right up the street. Summer Rodman and Kim Buchheit both from the Kerouac House stopped by and admired the show. Emma Hughes stopped by to pick up an original sketch I had done for her parents. It seemed like my attention was being diverted every few seconds. The sketch of Hannah Miller in her wedding dress sold while Hannah was in the truck looking at other works. She wondered aloud, “Why would they want a sketch of me?”

Just as I sat down and started putting on some final washes on this sketch, I realized the evening was over. Now we had to break down the show and load everything into my truck. After everything was packed away, Mark, Brian Feldman and myself went to IHOP for some pancakes and some lively late night discussion. The whole quirky show was an exciting whirlwind of activity, a once in a lifetime experience.