Crealde Student on Sculptural Bench

Posted on by Thor

In the Urban Sketching class I teach at Crealde, we have one solid day devoted to sketching each other. Poses are fast and the goal isn’t to produce a detailed portrait, but to create a scene.

I keep stressing the importance of grounding the figures. In this scen the base of the sculptural bench is critical to seeing the ground plane. The bench itself unfortunately is seen straight on. Seeing another plane of the sculpture would have made it more three dimensional.

Another point of the demo however was to treat the person and the bench as one single bold shape. With just two large washes the page was covered and the sketch felt complete although it could use plenty of loving care adding details if time allowed. For instance there is a hint of the shape of the shoes but I haven’t gone back in to add the detail to describe the shoes shape and make.

Crealde Student

Posted on by Thor

In my Crealde Urban Sketching class, we take one class to do fast five or ten minute poses with each student taking a turn.

As a demo I sketch each student in turn and try and encourage the students to capture more that the person but the entire scene.

There is a frantic energy to working so fast and the goal to get the students to work just as fast and frenetic. Sketches become less detail oriented and more simplified. Detail is only added where it is needed.

I am always pushing students to look for the curve of the back so in this sketch there is one curve drawn behind the figure to show that curve. It was the first line to go on the page.

Tiny Home Orlando

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This sketch was done as a demo for a student. Sketches done for students are usually done much faster and with full knowledge that I will not have time to put the usual amount of detail into the sketch.

Most students want to do many sketches with little detail. This is a rare example therefor of how one of my sketches start before I put in detail and layers washes of color. Color is applied in large washes that gradually get smaller with each pass.

The simple building is a tiny house outside of the Orlando Science Center. It has solar panels on the roof. I have looked at tiny homes as a studio option. I would have to get my giant Disney animation desk inside somehow. Part of me thinks the tiny home might topple over once the desk throws off the balance.

I am looking around for a place to live and I look at homes in just about every state to get a feel for what I need in a home studio. One priority is large windows with northern light. For some reason I am finding myself drawn to homes with red metal roofs. I am also finding I like rustic cabins with either mountain views of a creek nearby. What I seem to want is a fortress of solitude, but within driving distance of a community with a thriving arts scene.

Pulse: First Responder

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Yesterday I saw an article in Watermark that Barbara Poma and her husband Rosario were cleared of any wrong doing in relation to the Pulse Nightclub shooting that resulted in 49 deaths.

The shooting happened June 12, 2016 and the wounds are still raw.

This sketch was done in the office of Pam Schwartz, then the director of the Orange County History Museum. She conducted an interview with Mathew Hairs who was a first responder at Pulse after the shooting. I loved that Mathew’s pup was so attentive. Maybe an hour into the oral history the pup curled up on the floor.

Disney Feature Animation Building Demolition

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I got an unexpected shock to her that Disney is planning to demolish the Disney Feature Animation Building on the back lot of Disney;s Hollywood Studios.

I stated work in this building and the trailers in the parking lot with Lion King, Pocahontas, Hunchback of Notre Dame, Mulan, Lilo and Stitch and Brother Bear, to name a few. It was an amazing decade and this studio produced some real gems.

Disney is planning to replace the Feature Animation building with a Monsters Inc ride. Apparently, the folks in the building were told on Friday August 16, 2024 that they will be relocated to new offices. Unfortunately Disney Executive never fully grasped the creativity that went on inside these walls. The  legacy of all the artists will probably be destroyed to make way for a roller coaster. It is kind of ironic that Roller Coaster Rabbit was also created in this building.

Disney Feature Animation Internship: Final Thumbnails

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This was one set of thumbnails I did to plan out the final project animation for the internship. The assignment was to have Baloo from The Jungle Book pull something.

I had him scratch his back against a tree so  much that he caused a fire. He then ran, and pulled an elephant into the scene by the trunk to put the fire out.

This was an insanely over ambitious project involving animating two characters along with the effects animation of fire and water. I attempted it simply because I didn’t know any better. I still have the animation on a huge VHS tape that I haven’t looked at for over 30 years. I tried to convert the tape to digital a while back and they didn’t have any way to play the tape in order to convert it. The scene was pretty much a train wreck of mistakes and yet surprisingly Disney still hired me to work on animated films for the next 10 years.

Disney Feature Animation Internship: Baloo

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The final project for the Disney Feature Animation internship involved animating a scene in which Baloo from The Jungle Book, pulls on something.

These are just a few of the quick studies I did to get a feeling for how to construct the character. These are just a few of the many sketches I did to get a feel for the character before animating. There were just 22 days to go before the internship ended. I was going quite stir craze and longed to get back to NYC.

My plan was to have Baloo pull an elephant’s trunk. I don’t know why I couldn’t just have him pull a rope or a vine. I always have to over complicate things. This would mean I would be animating two characters instead of one.

Disney Feature Animation Internship: MGM

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Since the Disney Feature Animation Studio was on the back lot of the Disney MGM Studios theme park, I often walked into the park to sketch at lunch time. I didn’t have an art stool, so I would always sketch from whatever bench happened to be available. Benches are seldom situated in scenic spots.

I do believe that is the Brown Derby Restaurant. They had a really good Cobb Salad that I liked. A very rough sketch of the Tower of Terror is off to the left.

After a day of animating, I would see the search lights probing the sky above Epcot. It always resembled an air raid over London although I doubt that is the effect they were looking for. Perhaps my impression just matched my mood. The final project was an ongoing battle. I didn’t feel I was fully grasping the animation principles that had been thrown at me the past few months.

A day of work on Lion King production felt like a welcome vacati0n. Production work felt real and practical.

Disney Feature Animation Internship: Discovery Island

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As interns we got to go on sketching field trips.I liked Discovery Island which had a small zoo of animals to be sketched. Unfortunately Discovery Island is a thing of the past. I particularly liked sketching the howling monkeys who were always a blur of motion.

I had finished about two seconds of animation on the final project. Progress was slow. I was starting to feel the stress. Too much hinged on this one bit of animation. I never felt fully rested and my right eye was starting to twinge.

We watched The Black Cauldron which was a Disney animated film made back in the 1980s. This was a darker film from a darker time. Disney was being threatened with a corporate takeover by Steinberg. Disney ended the take over by buying back the 11.1% interest he held in the company for $300 million dollars and they added 28 million for out of pocket expenses.

Disney Feature Animation Internship: Disney Resorts

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There was a boat launch near the animation studio which was an easy way to boat over to the Disney Resorts. I liked to walk around this lake to clear my head. It was also an easy walk to Epcot. I started a series of sketched around the Epcot lagoon. The idea was that each sketch would be a full 180 degree view and lead into the next sketch so they could all work together as a scroll. That project got sidelined since I had so much animation to do.

My idea for a final project was approved and I began animating. From this point to the end of the internship I would have my head down animating full time. It is odd that I never showed these sketched to the Disney approval board. These sketches were done for myself to ground myself in reality.