Cleveland Airport

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When departing the Cleveland International Film Festival I flew out of the Cleveland Airport. Waiting to get on the plane back to Orlando, I sat away from the crush of people standing in line waiting for boarding to be announced. I managed to get a sketch of the only other person I saw in the airport wearing an n-95 mask.

He was oriental and tapping away on his laptop computer. He didn’t wear the mask the whole time. I think his mask policy was to only wear the mask if someone sat right next to him. The rest of the time he wore the mask as a chin strap. I actually sketched him in  chinstrap mode but erased it when he wore the mask correctly.

COVID hospitalization continues to drop and Florida has minimal cases for the first time since the pandemic began. I continue to mask indoors but take it off when outside. I always have a kn-95 in my breast pocket the way that British dandies used to wear folded hankies in their breast pockets.

I haven’t heard of a new variant to take JN-1’s place so hopefully America’s insane COVID infection rates will drop to a manageable baseline for the first time. However, I am not holding my breath. Well, actually I do for 5 seconds as I pass anyone walking outside.

COVID Dystopia: Golden Toilet

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This shot from COVID Dystopia has the former president tapping his iPhone while sitting on his golden toilet. The only animation is his finger poking the screen.

The camera pans down to show his pants wrapped around his ankles. The depth map for this scene works surprisingly well the sink in particular appears quite dimensional.

For a film made by traditional means using paintings and hand drawn animation the added layer of depth maps helps push each scene to a new level. It is a low tech Analog film with the added benefit of depth maps for a Digital dimensional World.

Now that production on the film is over. I am considering the idea of starting a second animated film. This one would have a more linear story line. I want to read a few books on story structure before I start.

Last night I typed out the events that would transpire. I need to edit that more today to fill in holes that I discovered. I probably will not write much about this project until I am 1000% committed. For whatever reason all the elements of this story surfaced when I had to move my studio.

COVID Dystopia: Till the Internet Went Down

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Animation in this shot form COVID Dystopia is limited to a depth map and camera move. You would think that this man would be out of the news by now but he still gets endless coverage due to his criminal trials and the fact that he is running for office again.

Now he sends out tweets during his trail claiming that thousands of his followers might invade the courthouse and he claims the judge isn’t qualified. It is just the usual rantings of a mad man. I should have put him in a straight jacked in this shot, but then he could not hold his precious phone.

Yesterday I finished the last two shot that I had correction notes for. I will go over the notes I wrote her over the past several weeks but I am feeling the film is complete.

No I face the challenge of what to do next. I can start designing the book, but I wold prefer to have a publisher rather than self publish. I would hate to print a whole lot of books that then say in boxes unsold.

H5N1 is also on the horizon with American cow herds being infected far more than previously suspected. One dairy farmer in Texas was infected from direct contact. Human to human transmission has not yet happened. At the start of the COVID outbreak in China all officials claimed the virus could not spread between humans as well. THey wanted to pacify the populace rather than warn them.If that does happen the h5N1 pandemic would be far worse than the COVID pandemic with a possible 56% mortality rate. The virus has been detected in commercially available milk but it is believed that those are viral fragments that can not cause infection. If this virus does spread we have the tools to stay safe but people have bee too well trained in denial and dark ages ignorance. People can not take precautions against something they can not see.

COVID Dystopia: No One Really Panicked

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This scene from COVID Dystopia of people running in the street of New York City was done at the height of the first COVID wave which hit the city hard. That first wave of the coronavirus pandemic remains one of the deadliest in the world, having killed almost 23,000 residents, in just three months.

During its worst 12 weeks, from March 19 to June 10, 2020, NYC reached a higher Covid-19 mortality rate than 85 percent of countries that have reported for the entire three-and-a-half years of the pandemic. The city’s peak 12-week mortality rate was the second highest of any city worldwide, just behind Mexico City.

Each person running in this scene had to be animated twice since I first animated the scene at too low a resolution. The mechanical virus is animated using puppet pins in After Effects. It crouches down while one arm moves on an arch.

For some reason I keep getting apartment walk through videos of apartments in Brooklyn which are cheaper that the rent I am now paying in Orlando. The places are surprisingly spacious. I am completely solo right now and wondering where I should live for the next chapter of my life.

Traveling to film festivals is offering me a chance to day dream of different cities. Chicago was decent but it must be bitter cold in the windy city, Berlin is out of the question, it was rainy and cold the whole time, Cleveland was very impressive, it is just a little bigger then downtown Orlando. I hope more festivals accept COVID Dystopia since I want to travel to their cities and day dream. I should travel to a city or country that has handled the COVID pandemic well. New Zealand is on that list but I haven’t found a film festival there yet.

COVID Dystopia: Breach the Grave to Claim the Crown

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Queen Elizabeth died after a bout of COVID 19. Her cause of death was listed as “Old Age”. She died 7 months after her initial COVID infection. She reported that the virus left her feeling very tired. Old Age is not a cause of death. It is a shame no better report is available.

One online gossip site, website Hollywood Unlocked, falsely reported in February of 2022 that the she had died at the age of 95 from COVID-19. The site didn’t credit any official royal sources, but Hollywood Unlocked CEO and founder Jason Lee took to his Twitter at the time to back up the outlet’s report. “We don’t post lies and I always stand by my sources,” he wrote at the time. After the palace reported that the Queen was still alive, Hollywood Unlocked issued a statement on social media apologizing for the incorrect story and blaming the report on an “intern journalist” who “published the draft post by mistake.

The queen did die 7 months later on September 8, 2022 at 96 years old. I am not saying the COVID infection killed the queen,  but it didn’t help her health. COVID attacks the heart, the brain and every organ that is a part of the vascular system. Even “Mild” cases of COVID damage the immune system and damage organs that can cause death months or years later.

In this shot from COVID Dystopia, I used Volumax Portrait to build a depth map of the queens face. She gently rotates for the duration of this one second shot. No other animation is needed since it is simply a portrait shot.

Today I am working on making a framework rural home explode. I have it worked out where I need to animate 14 frames of the building expanding and roof tile flying upwards.

The challenge is in deciding how much of the house I should hide behind the explosion and how much of the framework I should keep showing. I worked until I dropped last night and I hope to finish that today.

I have started getting to rehearsals to sketch, so those are being interspersed among the film I shots I am posting in order.

I looked back at a Facebook post from back at the beginning of the pandemic. Back then people loved what I was doing and suggested I should make a book of the work. Today, I am convinced people hate the work and wish it would quietly go away since they are pretending that life is back to normal, just with more sickness and death.

What SAG-AFTA can do for you.

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The Winter Park Public Library  hosted a talk about SAG-AFTA. I had not been to the new library building, so I decided to go.

There is a huge arched structure in front of the very modern building so I walked through those arches into one of two adjacent buildings that sweep outwards a precarious angles from the base.

I masked up and entered the building which turned out to be an events space. There were no books to be seen. I felt I was on the wrong track, so I exited and went to the other building which actually did have books inside. There were tow computer consoles inside the entrance instead of a receptionist. I would need to search around for the talk in question. Luckily it was right behind the computerized reception desk. Off to the left was a recesses staging area with chairs set up and two actors seated at a table center stage. Video cameras were set up at the top of the mini amphitheater taping. The event had started 15 minutes early, so I felt I would not have much time to sketch. I decided not to sketch the cameras and instead walked half way down the seating area. I wanted to show that there were a few people in the audience.

SAG-AFTA is an actors union. Carol Baily and Adam Vernier have both done lots of commercial work as actors. Much of their talk was about doing work as extras on sets. Adam was particularity upset since Florida once had incentives for film production companies to shoot in the state. Rick Scott then became governor of Florida and he killed those incentives. Georgia offers incentives and so they get all the film production work instead of Florida. Even if a film is supposed tp take place in Florida it is usually shot somewhere else.

Carol listed instances on a film set where a production company ignored guidelines by not offering breaks for actors for instance. She listed the infringements and called SAG-AFTA. A union representative then came out and quietly pulled the producer aside and made sure things were set right. She noted one instance where she was an extra but was then upgraded since she was in so many scenes. Once lines are delivered salaries can jump up to six figures. Royalties are offered any time a commercial is shown. Royalties are an actors bread and butter, but they can be just a fraction of a percent, meaning a check might arrive for just a few cents. But hey as an artist every penny counts.

A question came from someone in the audience. He said his daughter had caught the acting bug and wanted advice on how she might someday get her SAG-AFTA membership. Adam was blunt. He said she should  get out of acting while she can, but if she really has the bug there is no stopping her. Actors are born not made.

I looked up Carol and Adam on IMDB to see their credits. I had no luck finding information on Carol but found plenty on Adam. Adam Vernier was born in Manassas, Virginia. While living in Chicago at 5 years old, Vernier auditioned for and was the second choice for the part of “Danny” in the movie The Shining. Adam has worked for years on stage (Equity), television shows (SAG-AFTRA), feature films (SAG), straight to television movies (SAG-AFTRA), commercials (SAG), industrial training videos (SAG) and on and on. He is often cast as an officer or military guy. Now I am wondering if either of them are in one of the films being shown at the Florida Film Festival.

Danny Loyd who did play the roll of Danny in the Shining, retired from acting at the age of 10. In 2019, Lloyd appeared in a cameo role as a spectator at a baseball game in the Shining sequel Doctor Sleep, his first acting role in 36 years. I do not know if he was in SAG-AFTA.

Facebook for some reason has recently started flooding the social media site with photos of celebrities. Because of that I have started to ignore the platform.

COVID Dystopia: Breached the grave

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I had to animate this scene twice because I first animated the scene a resolution that was too low. The scene is working fine now. The film was rejected by another film festival yesterday. This has to be the most hated film festival jurors see. I feel it is my responsibility however to keep putting it out there to be seen. I feel I have to keep reminding audiences that the airborne virus has not magically disappeared just because a politician lifted the National Emergency. COVID is a seasonal virus the seasons are Spring, Summer, Fall and Winter. The virus is not getting milder. The virus is not a cold. The virus is not a flu. The virus wreaks havoc on the immune system making people more prone to there infections. The virus fuses brain neurons and damages blood vessels and the heart. The virus is airborne traveling long distanced in the air like smoke or perfume. We always has simple measures to stop the spread such as properly worn N-95 masks, HEPA air filters and proper ventilation. The vaccines to not stop infections from happening. They do help prevent hospitalizations and immediate death. Each repeat infection makes it probably that the person will develop long COVID and become disabled.

I only have a few more scenes that need touch ups in this film. Yesterday I wanted to refine the Zeus scene but I was unable to find the After Effects file. I will have to search for the scene again today. I will be teaching virtual art classes for six hours and then sketching a production of Who is a Afraid of Virginia Wolf. Hopefully I will find the file I am looking for late tonight.

I am searching for late night sketching opportunities. Many of my virtual classes end at 8pm so sketching rehearsals is often out of the question. If anyone has suggestions on late night events that are ripe for sketching, let me know. I usually have topics ready to pursue and sketch, but right now, I am searching for what is next.

Who’s Afraid of Virginia Wolf?

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Who’s Afraid of Virginia Wolf by Edward Albee was presented at the Le Petit Théâtre on the Seminole College Campus. Actor Stephen Lewis had suggested I sketch a performance. Stephen helped me find the sound technician who mixed a surround sound track for my film COVID Dystopia.

Who’s Afraid of Viginia Wolf won the Tony Award for Best Play in 1963, and is considered one of the most important American plays of the 20th Century. Martha and George, a middle-aged couple, have a complicated and contentious marriage. After a university faculty event, they invite a new biology professor and his wife over for a late night of entertainment.

Martha and George spar all evening like two seasoned gladiators taking endless jabs at one another and dragging the young couple into their unfolding drama.

Freshman year of college I was asked to read this play and it convinced me that I would never want to become a university professor with hopes of tenure. The play was three hours long with two intermissions, so there was plenty of time to sketch. I looked around to see if there was any HEPA filtration for the air in the small black box theater. Since I didn’t see anything, I was masked for the length of the performance. An online student told me just before I left for this performance that her friend had just caught COVID and she felt she might be coming down with it as well. She had been infected about three times so far. A couple in front of me were coughing off an on. They say the goal of a good performance is to keep the audience from coughing. It is hard to do that in a pandemic.

The performances in this production were stellar. The angst and a light spark of affection between George and Martha was palpable as they pushed each others buttons. The young and ambitious professor tried to keep up with George but he fell victim to the vicious mental acrobatics that ensued. I wish I could convince more people to go and see this production, but unfortunately the show run is over.

Whisky Duo at Eden Bar

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I decided to cover the Florida Film Festival as an outsider. My film, COVID Dystopia was rejected by the festival. My thought is that the Florida politics shown in the film probably disqualified it. It is a bit too hard edged for the quaint hometown FFF.

I have sketched the festival many times in the past and I know you can rub shoulders with some pretty incredibly film makers just by hanging out at the Eden bar.

I saw more than my share of films at the Cleveland Film Festival which was a truly incredible experience. So I don’t feel the need to review films at the Florida Film Festival. Instead my thought is to cover the Florida Film Festival ancillary activities.

As I walked up to the Enzian Theater I could hear live music. Whisky Duo was performing outside on the patio in front of the Eden Bar. The bar was packed as were most of the outside tables. The front two tables closest to the performers were however empty. Chairs had been borrowed to seat more people at other tables so I set out my art stool. I masked up since it was a dense crowd.

I was enjoying the set until they broke into playing The Bear Necessities, from Disney’s The Jungle Book. Ugh, Disney’s sweaty paw seems to try and permeate all local arts and culture. I liked that yellow blooms had fallen from a tree onto the table and I liked that the Live Music banner reflected the dense Florida foliage that surrounds the Enzian. The performance was free, you can’t beat that.

On the night I did this sketch, International Animated Shorts were to be shown at 9:15pm. The laughing crowd around me were probably waiting for that show to begin.I figured that a crowd interested in seeing International Animated Shorts might have a familiar face but I didn’t recognize anyone. This weekend I will be buying a ticket to see the shorts for myself. I am curious what types of animated films were selected.

The musician announced that they were performing their last song. I panicked and sketched faster. I got some semblance of line work done of the performers before the end of the song. I spent the rest of the time working on the background and adding color. The lights made the painting a challenge since they kept changing color. I settled on the bright purple lights.

COVID Dystopia: Back to Normal

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I like the animation for this Maya sacrifice scene.I did a very fast hand swipe down into the chest cavity with a big smear frame for one of the hands. Once a hand rests on the victim it became a held cell. Even the animation of the blood drops came off pretty effortlessly. The skull mask was added to the animated scene. The original illustration did not have the mask.

There is depth added to the scene but it is hardly noticeable since only the temple in the background is affected. Head tilts on supporting characters finish off the animation.

Yesterday I reworked two of the early scenes in the film, adding a blink to the fortune teller scene and a blink to the guy turning his head n the rhino scene. The rhino scene is a bit low res, but I don’t think it is worth it to totally rework everything. I added a sharpen effect to the head turn animation and hope that improved the look a a bit.

Today I plan to animate some sea foam coming off the bow of a life boat. I also plan to animate the oars as well. As it is now it is very clear it is a held cell being moved. The extra animation should help bring the scene to life. I am also considering adding snap zoom effects back as a transition between each stanza of the lyrics. In the timeline seen above each stanza has a different color. I am not sure if I am committed to this idea but I want to play wit it as a possibility.

By the end of this week I want to consider the film complete. Most festivals refuse to show the film because they have embraced the idea that their festival has moved beyond the pandemic. No one wants to look back and certainly no one wants to be told the pandemic is ongoing. The film now has just a 16% acceptance rate. That seems insanely low to me, but perhaps that is normal. Who knows.