
After the experience with Jeff Wirth as part of the Play Coach Story Swap, Stella Arbeláez and I decided it would be nice to do a painting in Langford Park. Stella had her full painting set up in her car and I had my usual sketching supplies. Langford Park and Dickson Azalea Park are right next to one another. The little stream that runs through Azalea Park also runs through Langford Park. Langford park is more open and expansive with some of the oldest trees in Orlando.
Stella and I set up on a sort of peninsula that is between several paved hiking trails. The advantage of this spot was that few people would walk buy as we were working. It offered privacy in the otherwise very public park. While we were painting and sketching, a large group of after school children were being guided on a forced march around Langford. The adult in charge would shout at the top of her lungs, “ Sarah, stop right there! Let everyone catch up!” The fits and starts of the forced march were punctuated with constant commands from the supervising adult. Was my childhood that structured and highly supervised? Dear god I hope not. Rather than enjoying the sights and sounds of nature these kids were being hearded to the point of squeezing away any joy.
Stella set up her easel and was doing a full on painting while I sat in my tiny artist stool and sketched the tree and stream. Stella got to play with magnificent warms and cools in her study , while I cranked out my dark sketch of a beautiful live oak with it’s twisted limbs. The focus of my composition was the horizontal light gap below the gnarly branches. The grass was sun lit on the distance while the live oak was a dark mass casting much of the scene into the shadows.
I got up a few times to see what Stella was up to. I liked the vibrant colors she was playing with. I have been getting frustrated lately at how dirty the colors are that I end up using thanks to of my filthy everyday watercolor palette. It is almost impossible for me to get a clean blue sky without some green getting thrown into the mix. I just purchased 3 tubes of primary colors of gouache yesterday and want to start using them to mix more opaque passages in my sketches.
In this sketch, I wanted to make the hanging Spanish moss more obvious but the areas had already been painted with dark greens. I lightened up the moss with some white colored pencil but gouache would have worked much better. It would also be nice to paint in some light gaps between the bulk of the leaves. I have some of the parts to assemble a compact easel. I just need to settle down long enough to actually screw the parts together.
There is something very reassuring about working beside and artist whose work I respect, knowing that they are experiencing the same doubts, and frustrations while creating. There is a dopamine rush that comes as the many mistakes and corrections start bringing the sketch or painting to life. I get lost in the process and despite the many questions and doubts, I feel good about having gone through the process each time. I need to feel that rush every day. It is an addiction.

Jeff Wirth is a dynamic theatrical powerhouse in the interactive Orlando Theater Community. I sketched some of his unique workshops and productions early in my Orlando sketch a day journey. In one workshop he demonstrated the proper way to roll up electrical chords. You wind the chord between your wrist and elbow and every other turn the chord needs to be flipped to take away some of the rotational tension. Anyway, I think of Jeff every time I roll up a chord after working in the shop.
I have been helping Stella Arbelaez with several large art projects. After a day of working in the studio, we went for dinner and a sketch at Olive Garden (10027 US Highway 441 Leesburg Fl). She had a coupon for a free dinner from years ago. She wasn’t sure it would work, but it was still valid. We ordered a big salad and pasta and then we both started to sketch while we waited for the food to come out. The menus on the tables were electronic. The displays flickered with adds constantly. I am amazed at how digital displays are invading even the simple act of going out to eat.
I have been staying in an AirBnB in Thornton Park Orlando Florida for the past week. It has been wonderful to be able to walk to venues each day to sketch. One of the first places I wanted to sketch was at Stardust Video and Coffee. At this coffee house, Doug Rhodehamel has been assembling a magnificent display of brightly colored cardboard fish in honor of a dear friend David Plotkin.
I went to Venetian Gardens in Leesburg Florida with a friend to paint. We made the mistake of getting to the gardens right before sunset. The golden hour light illuminated the far shore of the lake a golden orange. Two fishermen were out in small boats pulling in the last of their catch. It was a beautiful scene but we had to work supe fast to try and catch it.
I have been staying in an AirBnB in Thornton Park Orlando. I like the place because I have been able to walk to event sketching opportunities every evening. There is one big problem however is that the place does not have working Wi Fi. I need Wi Fi to write these articles every day and I need it twice a week to teach virtual online classes. I walked to the Downtown Orlando Public Library to use it as my office yesterday. I have been thinking that I would like to keep staying in Orlando through the Orlando International Fringe Festival which runs from May 19 to 27. After that my plan is to drive north to New York State where I hope to rent and then possibly buy a place to settle down.
I went to Howie in the Hills to sketch a small town Christmas Festival. I fell on love with a home in Howie in the Hills which looked like a
Stella Arbeláez Tascón has wanted to build a large puppet for some time. When she found out that a No Kings Protest was being staged nation wide, and in Orlando Florida, she decided it was time to build a 14 foot tall puppet of Donald Trump as a Jailbird in Chief. Such large puppets are often build in Europe but it is a tradition that has not yet taken root in America. I became Stella’s studio assistant to help bring this behemoth to life.
In an attempt to locate arts events in Lake County, I found out that Brooklyn Pizza has live music on Thursday nights. Stella Arbelaez agreed to stop out for the sketch opportunity. It is always fun to sketch with another artist. When we got to Brooklyn Pizza on highway 27, we f0und out that there was no live music. The website had been wrong, or rather misleading. Live music was a rare occurrence. It is more likely to happen in the summer months rather than leading up to the Christmas holidays.
From the home I was c0nsidering buying pn F0rest Avenue, I walked up Bumby to the Plaza Live Theater. I havnt sketched at the Plaza Live since before Christina Grimmie was shot by a fan on the evening before the Pulse Nightclub Massacre that took 49 lives. There was a long line t0 get through security to get into the event which was staged in the Plaza Live parking lot. I stood in the block long line that made its way to a huge inflatable cow. The cow makes sense since the Plaza Live theater is in the Milk District. Officers checked peoples bags as they moved through the belly of the beast. Just as I exited the butt, it started to rain. I ran to some cover near the theater and considered sketching the security check point but the driving rain would have soaked my sketch page.