The Art of Aging

Posted on by Thor

In May, I turned 65 years old. That officially makes me an old man. What better event to go to than one titled, The Art of Aging. I have no intention of slowing down as an artist and neither did any of the artists assembled on the Timucua Arts Foundation stage. The event was a thought-provoking panel discussion where artists shared how their relationship with art has transformed across different phases of life. Through personal stories and open conversation, the panelists explored how art shapes perspective, fuels resilience, and reflects the passage of time. The audience discovered how creativity continues to redefine itself at every age.

Leah Love acted as the host for the evening, by asking each artist in turn questions about their art and process.

Dr. Antonio Andrade is a musician and Ear Nose and Throat doctor in Altamonte Springs, who has over 50 years of experience in the medical field. He played a short musical composition to familiarize the audience with his work.

Terry Olson is an arts instigator and multifaceted arts enthusiast whose life has been defined by building spaces where the arts can thrive. Now, he draws from decades of leadership experience in creative roles to serve as Timucua’s President of the Board. Terry has been prolific in having exhibits of his photography work all around Orlando. I also often see him at the arts events I sketch so he is well entrenching in the arts scene.

Mimi Hwang is a contemporary abstract painter; Mimi’s work is shaped by her Asian heritage and Western birth. Her paintings are poetic landscapes where abstract modern expressionism is combined with elements of traditional Asian art. Mimi’s paintings were on display on the walls of the venue so she referred to several when discussing her work.

Fringe: Automatic Orchestra, Just Add Music

Posted on by Thor

At this year’s Orlando International Fringe Festival, Automatic Orchestra: Just Add Music in the Blue Venue of the Orlando Shakes is an immersive improvisational orchestra where the actors are inspired by the music created by the audience. Entering the venue, there were various methods of making sound in every audience seat. I moved a rattle from my seat over to the next seat. There were kazoos, cooking pans, one of those metal barrels with metal beads wrapped around it, and so much more. I was hoping to play a trumpet while I sketched, but I didn’t see one. I would just be making the sound of a pen scratching on the page.

Actors entered from back stage and through magic portals. There were duels, fights, peaceful negotiations and so much action.  No actor ever spoke, they simply listened to what sounds came from the audience to decide what they should do next. The audience also fed off of the action. The fellow seated in front of me to my right banged a pot any time a gun was fired. It was as if the entire audience was hired to act as folly artists. Since my hands were busy sketching, I simply hummed and made other vocal noises.

If there was a story line, I missed it. Not knowing what was happening made sketching a challenge. I like to think of what the verb is before I start sketching someone. Chaos begets chaos. Kayla Fischl from her show Unconditionally, acted as the guest conductor. She had a music stand in front of her, but every member of the audience had their own agenda in terms of making sound. Conducting would be like trying to herd stray cats.

It was an hour of nonsensical experimentation. With a drink or two in you and a very open mind, you will likely have a blast. Just don’t go in expecting any three act play with  a well-defined character arc. Go in to laugh and make plenty of noise.

Here are the remaining show times for Automatic Orchestra, Just Add Music presented by Renie and Bob Productions of Altamonte Springs Florida. In the Blue Venue in the Shakes. Rated for all ages. Run time 60 minutes. Tickets are $13. Be sure to pick up a Fringe button for entry.

Saturday May 23, 5:24pm

Sunday May 24, 6:55pm

Mu Detected in Local Sewage

Posted on by Thor

The Mu COVID-19 variant (B.1.621) has been detected in Altamonte Springs, Florida sewage. The virus is shed it in stool or urine. Tests are done on the waste water as a predictor for possible transmissions in a community.

The variant has also been found in 49 other states. As of Oct. 29, 2021 the Mu variant accounts for less than 1 percent of all COVID-19 infections in the U.S., according to the GISAID Initiative, which is an organization that promotes the rapid sharing of data from all influenza viruses and COVID-19. It is still the dominant strain of COVID-19 in Colombia, where it was originally found.

People did not consider Delta to be much of a concern when it came to the United States from India back in June. When a virus takes a foothold it grows at an exponential rate. By the time everyone realized it is a problem it is already too late.

Mu has mutations already in Delta ( B. 1.617. 2) but it also has mutations from Alpha (B.1.1.7), which was also known to be highly transmissible. A lab study pre-print suggests, that Mu is the most immune evasive virus we’ve seen in the pandemic. It could be able to evade the immunity provided by vaccines and prior infections. It has been listed as a a “variant of interest” by the World Health Organization since August 30, 2021.

“Mu looks potentially good at immune evasion,” Danny Altmann, PhD, an immunologist at Imperial College London, told The Telegraph. “For my taste, it’s a stark reminder that this isn’t by any means over. On a planet of 4.4 million-plus new infections per week, there are new variants popping up all the time, and little reason to feel complacent.”

 

God Still Dreams of Eden

Posted on by Thor

Sandra Lacey wrote a musical called “God Still Dreams of Eden.” I saw it performed several years ago in the black box theater inside the Orlando Shakes. The musical was light hearted fun. “For 20 years Minerva Morgan had let her long-held secret come between her and the only man she ever loved. The appearance of a run-away bride added a dangerous complication…” Sandra told me that bringing the story to the stage lead to further development of the characters. The actors breathed new life into the characters she had imagined. To further expand the story, she developed it into a novel.

On January 3rd, Sandra signed copies of her book at Longs Christian Book and Outlet, 1140 East Altamonte Drive, Altamonte Springs FL. I checked with Roger Long, the bookstore owner before I started to sketch. Sandra hadn’t arrived yet, but a table was set up where she could sign books. She set up a little stand next to the table where she placed chocolate chip cookies. Anyone who stopped by would get a quick synopsis about the book. Sandra gathered e-mail addresses and signed books which were 30% off on that day only.

Most patrons in the store were looking for Christian music. There was a station with head phones which allowed people to search for particular tunes. Staff often had to help out people who didn’t know the name of the artist or the song title. One lady was in the store the entire time I sketched. She wasn’t staff, and she never seemed to find what she was looking for. She spoke to a couple for a while and then insisted on praying with them. I’m convinced that if I returned today, she would still be wandering the isles.

Sandra told me that “God Still Dreams of Eden” will be returning to the stage in about a year. Don Hopkinson is the musical director and the plan is to bring the musical back to the Shakes or the Abbey. I’m curious to see how the story has been further fleshed out.