T-Rex outside Union Station Kansas City

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I decided to take a trip to visit the Nelson Atkins Art Museum in Kansas City. I took the free trolley to its southern terminus at Union Station. Outside the station was a T-Rex sculpture. Tourists would stop to take selfies with the dinosaur. The Kansas City Science Center was inside the station and dinosaurs were on display. Look at the muscular legs on that dinosaur. Visible in the background of the sketch is the tower of the World War I Museum.

There was another exhibit of small gauge railroad displays which filled a large back room in the station with quirky and odd towns with railroad trains circulating the circumference. Some displays were of idealized small towns but others had dinosaurs wandering the streets and or mermaids and penguins in the waterways. One village was made entirely of Legos. It was an odd assortment of worlds.

From the station there was still a several mile trip to the museum. I decided to try and rent an electric scooter. These scooters are scattered throughout downtown Kansas City. You rent it and then just leave it wherever when you are done with it. To rent it you scan the URL code with your phone. I found three scooters across the street from the station. It took half an hour to get all the info into my phone. The scooter was like a skate board with handlebars. It was fun to use to start reaching 15 miles per hour. There was a bit of a learning curve, to figure out how to balance on it. After about a mile, I was up to speed.

Then I started scooting up a hill. Now in Florida there are no hills, so I wasn’t surprised that the scooter started to struggle going up the hill. I had to start pushing off with my foot to get to the top of the hill. Why was I paying for an electric scooter that didn’t have enough power to get up a hill? I came to the conclusion that the scooter battery had died. I left it parked at the top of the hill and started walking the rest of the way to the museum.

The remaining walk turned out to be much longer than I suspected. I walked through the full length of several long parks and through a ritzy neighborhood. I was exhausted by the time I got to the museum. Then I hiked every hall of the museum to see all the art. By the end of the day I had a severe case of museum burn. There were several Vincent Van Gogh paintings, and quite a few Thomas Hart Benton paintings. It was an impressive collection.

I decided I could not walk all the way back downtown, so I used Uber for the very first time. It was nice to finally relax in the back seat seeing all the neighborhoods I had just explored on foot. Pam and I used the scooters again another night to explore all the murals that are scattered around Kansas City. Pam showed me how to check the battery level before we rented the scooters and they lasted the duration as we explored up and down the alleys.

Van Gogh Find Yourself at the Orlando Fringe Festival

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Van Gogh Find Yourself can be found in the Gold Venue inside the Orlando Museum of Art (2416 N Mills Ave, Orlando, FL 32803.) A woman in line had said that she thought Van Gogh would be sketching everyone in the audience. I let her know that would likely not be the case. No artist works that fast. He sat on the stage sketching as the audience filtered into the theater. I sat in the front row to sketch him, and he immediately started to sketch me. He really does look like Van Gogh with the thick red beard and furrowed brow. He invited members of the audience to join him on stage, saying, “people kept a distance from me my whole life.”

He invited someone on stage to be sketches by him and the comedian Polly Esther, from Dammit Jim, I’m a comedian not a Doctor took the seat offered. He stood at the easel and sketched her. She pitched her show as she was being sketched but then he explained that silence while creating is alright. He started talking about his life as a minister in a coal mining town. When he saw the suffering around him, he gave up his possessions to live more like the people he was preaching to. His father intervened and told him to stop being so dramatic. Ultimately this was not to be his life’s work.

His brother Theo suggested Van Gogh learn to paint. This he picked up with an equal passion. Theo helped support Van Gogh’s painting obsession and ultimately he settled in the south of France. He had dreams of starting an artists colony and Gauguin took Theo’s several hundred dollar stipend to join Van Gogh painting in the south of France. The two artists had totally different views on art and were soon fighting.

Van Gogh said that many of his best paintings were done in the insane asylum. Starry Night was projected on the screen. He found peace away from people. The towns people tormented him. He dispelled the notion that he cut his own ear off saying Gauguin cut him with a saber. He did admit to giving the ear fragment to a prostitute. He also dispelled the notion that he committed suicide. He claimed he was shot by a boy he approached in the fields where he painted. He didn’t want the boy to be in trouble so he kept the incident to himself. After he died, a doctor took some of his best paintings. Theo died shortly after wards of a broken heart.

When the artist on stage announced his true name was Walter DeForest, the illusion was broken. Walter was born on the day Van Gogh died.  Surprisingly the original Star Trek doctors actual name is DeForest Kelly. I had  learned many alternate truths about one off my favorite artists. As an artist this was a fun show to watch and sketch. I give it 8 of 10 sunflowers.

Tickets are $12 plus a Fringe button needed to get into any show.

Remaining show dates are:

7:15 PM

2:30 PM

Orlando Drink and Draw 10

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Orlando Drink and Draw ventures to a new bar each month to sample beers and sketch. There is no model fee and no instruction. This is just a chance to get out, meet fellow artists and draw.

Big Daddy’s (Orlando
3001 Corrine Dr, Orlando, Florida 32803) is a traditional dive bar in the Audubon District.  New owner Frankie Guerrero has made some amazing improvements including a new game room and additional table seating area.

This ODD event wasn’t very crowded, but quality artists showed up like Audrey Zindler, Noga Grossman and also Wendy Wallenberg. The place had the rich thick smell of cigarettes which for me was a draw back. I breathed shallow as I sketched. My goal has always been to find Orlando’s true dive bars and I have to live with some smoke to get some of these sketches on location. My clothes had a good washing when I got home.

The space reminded me of the strangely sinister pool room Vincent Van Gogh painted in the south of France as he slowly lost his mind. At the time of this sketch I was contemplating separation and a few weeks later I had left. It is almost two years since I left and the divorce is still held up as the value of my art work is being argued. Most of my sketches are in hard bound sketchbooks which are impossible to sell since there is another sketch on the back of each page.

Lorne’s Swinging Bridge becomes a backdrop for a wedding photographer.

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I asked Josie Browne advice on picturesque places to sketch in Lorne Australia. She drove me to the swinging bride, which is a small footbridge that crosses a quiet stream right before it trickles into the ocean. At the beach, the stream breaks apart into a series of tiny deltas. On the far side of the bridge is the Swinging Bridge Boat house and Cafe (30 Great Ocean Road, Lorne VIC 3232, Australia).  Terry, Josie and I ate lunch here after a long walk on the beach. The food tasted great after so much fresh air and exercise.

The  bridge reminds me of a painting Vincent Van Gogh did in Provence of a small yellow bridge. In his painting, women stone washed their laundry at the river’s shore. I had no such luck, darn washing machines. I did notice an oriental couple posing repeatedly on the far shore.

A wedding photographer was shooting photos of the couple. They moved out onto the bridge and the photographer coached them to get ever sillier with each shot. The soon to be bride was quite a ham. Soon all three of them were standing behind me. The photographer asked if it was alright if he took a few shots of me. I said it was fine. After what seamed like an eternity of constant, persistent clicking they wandered away.  So now in some couples wedding album there is a photo of this couple acting stunned and amazed as they look over my shoulder.

Teaching Through the Arts Book Signing

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Susan Bright hosted a book signing at her home in Winter Park on April 7th. The book, Teaching Through the ARTS: WRITING Volume 1, was written by Susan Rosoff and Mary Palmer. I was one of the first guests to arrive and I sketched the dining nook where the authors were going to sign books. Gradually the place grew crowded, but I kept my attention focused on the authors. I’ve met Mary Palmer often at other arts and charity events around town. She is a huge supporter of incorporating art in education.

I was introduced to several intriguing artists at this signing. One artist, Susan Sorenson, did the colorful wire sculptures that were in front of the Orlando Museum of Art. Her work is exhibited across the country and apparently the pieces are quite heavy. Another artist, Que Throm, has a second home out in San Miguel Mexico with an art studio that she shares with her husband, Cicero Greathouse, who is also a renowned abstract painter. I was pleased that she knew about and respected the work that I do. It seems that my sketehes were used as inspiration for a drawing workshop that Que attended. Such a small world.

I quickly thumbed through the book, Teaching Through the Arts, and was pleased to see that Vincent Van Gogh‘s paintings were used to illustrate principles talked about. A letter written by Vincent to his brother Theo discussed what Vincent was trying to express in his work. Theo helped support his brother’s addiction to art by sending small sums of money that often went towards paint rather than food.

The dining nook windows offered a scenic view of a lake and sunlight filled the room that buzzed with excited conversations. I had two Cokes that kept me buzzing as I sketched.

Emotions Dance Rehearsal

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Emotions Dance Company is rehearsing for the premiere of “Art Evolution“, a collaborative arts experience. Larissa Humiston the Emotions founder and choreographer invited me to be a part of the experience.  At first I thought I would do a series of sketches of the rehearsals but it is a long drive to the dance studio, and I try to reserve Sundays as family time.

Art Evolution is inspired by the famous works of well-known artists such as Leonardo da Vinci, Salvador Dali, Andy Warhol, Vincent Van Gogh, Degas and more. Audiences will experience live contemporary dance by Emotions Dance Company, including a piece created by special guest choreographer, Genevieve Bernard of Voci, and spoken word poetry by artists such as Jessie Bradley, Mark Harriott and more.

I love the idea that the dance is inspired by famous paintings so I’ve started a series of paintings that show the dancers as part of the paintings. For instance the dancers gestures are evocative of the spiraling night sky in Van Gogh’s Starry Night. Video reference of the rehearsals is giving me the luxury of picking gestures that work best for my paintings. In all there will be ten paintings I need to complete that will be displayed at the Shakespeare theater during the show. I’ll likely make affordable gift cards from the series of paintings as well.

 This contemporary dance, visual art, and spoken word collaboration will
be performed twice: Friday, June 13 and Saturday, June 14, 2014, at 8
p.m. at The John and Rita Lowndes Shakespeare Center’s Mandell Theatre (812 E. Rollins
St. Orlando).

Pre-sale tickets for the performance are $18 for General Admission and
$14 for Students/Seniors and will be on sale starting May 1 and will be
available through June 5. After that, tickets can be purchased at the
door for $20 General Admission or $15 for Students/Seniors.

Paint Nite

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On March 4th  I went to Avenue Gastrobar (13 S. Orange Ave. Orlando, FL) to see what Paint Nite was all about. For $45 patrons registered to paint a simplified version of Vincent Van Gogh‘s Irises. The event was Sold Out. About half of the bar was filled with small easels with blank canvases, brushes, along with plastic cups of water and plastic plates for palettes. Thirty to forty people showed up to “drink creatively.” Each artist was given a green grade school smock.

Avenue Gastrobar offers a casual refined atmosphere that welcomes beer and cocktail drinkers, along with fussy eaters and foodies alike. Avenue is not quite a bar, and not quite a restaurant, but an innovative & modern pub hub to sip, grub and socialize. I had a sandwich and a Coke while I sketched.

I had contacted artist Megan MacGregor and since I wasn’t using any of the art supplies, she was fine with letting me sit on the sidelines and sketch without the $45 cover. Megan graduated from New College of Florida with a bachelor’s degree in Fine Arts. Apart from studying art, she also specialized in animal psychology, focusing on animal training. Her senior year of college she worked as a marine mammal intern at Dolphins Plus in Key Largo, Fl. Her senior thesis, “Fragmented Perspective,” focused on redefining the stereotype of dolphins, came about as a result of her experience working there. After graduation, Megan was accepted into a six month marine mammal internship at The Seas in Epcot, Orlando, Fl, which has continued the inspiration of her paintings. She currently lives in Orlando, and is looking forward to taking her paintings out of the water and into new realms on land.  I like how her work breaks one large image into a series of panels. She works in watercolor which of course I also find appealing. I kind of wish she had coached everyone to paint a dolphin portrait, but that would have required much more drawing skills from participants.

In the workshop, all the artists were first instructed to cover the entire canvas with a coat of yellow acrylic paint. Then large green brush strokes defined the leaves. Every one’s painting was unique. The purple Irises were the last item added to all the paintings. Megan coached everyone from a small stage at the head of the room. She had a head mic which amplified her voice giving the impression of a fitness trainer rallying everyone to exercise their creative muscles. I imagine the amount of wine consumed might have resulted in some liberal abstractions. Participants liked joking with each other as they questioned their creations. Paint Nites are happening all over town with many different paintings to choose from. Though I was skeptical, I must admit that a Paint Nite would certainly be a fun date. Everyone is searching for adventurous distractions and this fits the bill.

Chronic Damage

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I went to the Baldwin Park First Friday Art Stroll for the first time. I bumped into Brad Biggs who organizes the event and he said artists were happy with sales leading into the holiday season. The art stroll used to take place in Ivanhoe Village but since it has moved to Baldwin Park, It has grown in size. Artists set up tables on the sidewalks along New Broad Street. I settled in to sketch the work of Shane Malesky of Chronic Damage. His work is marketed as horrifically delicious. His wife Heather was helping him set up. They found an electrical outlet which meant  they had plenty of light. I liked that he had a bold study of a Vincent Van Gogh painting of the artist walking on the roadside. He explained to a passer by that the image showed the artist forging his own path, even if it was a lonely path.

I rather liked the work because of its bold bright colors and dark subject matter. A human skull with is jaw propped open held his business cards. Artists would visit each others booths. One artist vowed to murder the squirrels in his attic by any means necessary. Next to Shane was Jose Tores who came from Deltona to show his decorative art on wood. He spoke with me for a while about how Japanese animation had inspired him to start sketching. Brian Stuckey had photo prints of sculptures done in a bold cartoonish style. They looked like complete scenes from an animated short. Vaughn Belak was having great sales in October and perhaps his quirky dark imagery will continue selling right through the new year. First Friday’s Art Stroll is TONIGHT starting at 6PM. It is a great place to get some original art. Then again you could just order a print or original from this site.

Saint Remy

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Terry and I drove to Saint Remy, France from Avignon on market day. The ancient cobbled streets were all lined with vendors selling their wares. Some vendors sold tourist trinkets like cicada sculptures that chirped if you stood too close, or wooden frogs with ridged backs that made noise when a stick was rubbed across it’s back. There were clothing vendors and a huge fresh fruit and produce market. Fish were stored on ice and one lady had a large shark for sale. I heard music in the air and walked towards it. Vincent Van Gogh walked these cobbled streets and perhaps he frequented this market trying to stretch the money his brother gave him or supplies.

Terry shopped, as I hunted for a sketch opportunity. Musicians were playing outside Cara-Ann Boutique. Shoppers, stopping to listen stood at a polite distance. The band was called Dos Amigos with Joselo Gonzalez and Louis Pousa on guitars. They were joined by a cello player whose name I didn’t catch.  I tapped my foot to the beat as I sketched their hip fedoras and slick black silhouettes. Crowds gathered and left between sets. Cara-Ann came over to inspect my sketch and she seemed delighted although I didn’t understand a thing she said. Joselo talked to me once they were done playing and he gave me his business card.

Arles

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I was excited when we got to Arles, France which was the home base for Vincent Van Gogh when he did hundreds of his vibrant post impressionistic paintings. We went inside the asylum where he was interred after he cut off his ear. The inner courtyard  garden was supposed to be planted exactly as it was when he painted it a hundred years ago. It was instead ripped up with all the soil in chaotic piles. It was a depressing sight so I decided to settle instead in a bustling public square called Place de La Republic. The street to my left was full of shops which Terry explored as I sketched.

In the center of the square is a fourth century Roman Obélisque. It was first erected by the Roman Emperor Constantine II in the center of the a large open-air venue used for public events in Arles. After the circus was abandoned in the 6th century, the obelisk fell down and was broken in two parts. It was rediscovered in 14th century. And it was re-erected in its
current location in 17th century on top of a pedestal designed by
Jacques Peytret. A fountain at the base was designed by Antoine Laurent Dantan in 19th century.

Diet Coke was being offered for free from a tricycle with a portable refrigerator on the front of it. Large groups of boisterous school kids sat at the base of the of the Obélisque. Empty coke cans littered the ancient paving stones at my feet. It is a shame I don’t like Diet Coke, I was offered some every fifteen minutes or so.