Emma Kruch of United Arts invited me to go to the Orange TV Studio for an on air interview. The TV studio is located just south of the Orlando Convention Center on a small service road. The white metal building looks like an old airplane hanger. When I entered the secretary told me to follow the “Studio” signs back to the green room. I walked past glass walls behind which were the infinite dials and screens of the editing suites. I yearned to sit down and start a sketch but of course all that detail would take hours to complete. The green room wasn’t green. It had a few couches and in the corner a TV was broadcasting a live feed from the studio where Cory Warren was about to conduct an interview. I sat down and then noticed that Emma was curled up in a chair next to the door. I have seen her at arts event all over town but we had never been introduced. She started talking about a recent move she had made which turned into the move from hell. She said she leaned up against a wall in the new place only to have her hand crunch through the termite infested wood. Well she said there were no bugs left but the wooden wall was like tissue paper. It was fun to joke and laugh to relieve some of the anticipation. She realized she was laughing so loud that they might hear her in the recording studio. She opened the studio door, poked her head in and asked the cameraman if he had hears her. She was in the clear but we kept it down from that point on.
With the first interviews over I was lead into the studio and set up with a mic. I felt surprisingly calm like I did this every day. After I sat down make up was applied to my face. Cory and I talked about possible questions and our relaxed conversation resulted in the questions that were to follow. The program by the way is called “Participate – The Cultural Advantage.” The interview will air July 15th through August 15th at different times during the day. Emma explained that a schedule can be found on the Orange TV website. I am also going to get a DVD of the interview so I will post that video her when I get it. From somewhere in the room a voice shouted out, “We are rolling, we have speed, and in 5, 4, 3, 2, ….. Cory read the prompter and the interview was off and running. The interview with Cory was relaxed and simple. I got to explain how this site came to be and how I offer a unique view of the Orlando arts scene as seen through the eyes of an artist. Cory wanted me to recount the events of September 2009 when I reported on an event at Lake Eola called “Push Play.” At this even a group of activists trying to raise funds for free school supplies thanks to “A Gift for Teaching“. At this event participants had MP3 players and they all listened to a file downloaded off the Internet. The audio told them to dance and other quirky behaviors. The problem was the police showed up and the behaviors like lying down on the benches and holding up piece signs looked like a demonstration. Police shouted to find out who was in charge but no one could hear. The participants all laughed as if mocking the police. Everyone was forced out of the outdoor stadium and Jane Thompson the president of “A Gift for Teaching” was issued a summons banning her from the park for one year.
With so many amazing stories collected over the year and a half, the most difficult question was, “What was your favorite event to sketch?” This sent my mind reeling and I finally just decided to relate the details of the post which had gone live that day which was about a fundraiser called Passport to Haiti. I was surprised at how fun it was to relate the stories that I collect each day. If you keep your eyes open and look where the action is there is so much to be discovered right in your own backyard. When my interview was over I sat down behind the cameras and watched Cory interview John DiDonna and Autumn Ames about the red chair project. I worked feverishly to get a sketch to document the occasion.
Chemonologues
Marilyn Wattman, a cancer survivor, wrote Chemonologues and I went to the first reading of the play at Theatre Downtown (2113 North Orange Avenue). The play reading was supported by a professional development grant from United Arts. When I got to the theater, the front doors were locked. Tommy Wingo was also waiting with a huge collection of sound equipment. He made a cell phone call to Brian Feldman, Marilyn’s son, and was told to knock loudly. Sure enough, after several loud knocks the doors opened. Marilyn immediately greeted us and showed us into the theater. Tommy set up in the center section and I sat down at stage left and started sketching the stage area. I used my time by penciling all the chairs in the proper locations and when the actors arrived I sketched each in ink on a chair. The theater is a dark intimate space and I fell in love with it immediately.
Chemonologues is set up as a cancer survivors support group. Marilyn interviewed dozens of cancer survivors in order to find the different voices in the play. She began as a reporter but over time realized she was personally and intimately involved. During the talk back after the reading, Mr. Feldman got choked up as he described how Marilyn hated going to support groups. He continued by pointing out the never-ending costs of cancer; medical bills keep piling up and there is no way for the family to deal with it.
Several times during the reading characters clashed and disagreed, but overall the play was more educational rather than dramatic. The information is presented in a preachy manner at times rather than being presented through conversation and action. For me, the play ran too long, but I can see the amazing potential in the premise. One audience member pointed out that too many of the characters in the play were in the acceptance stages of the disease. She wanted to see other stages of grief and denial, like anger, bargaining and depression. She pointed out that it would be nice to get more of a feeling of the day-to-day struggles of living with cancer, and how our health care system often leaves survivors up the creek without a paddle.
The harsh realities presented in this play are difficult to face, but I do feel I understand and can empathize more with families that have to live with the disease. Most everyone I know has had their family touched by cancer at some point and yet it is not something that we talk about very often. This play is a diamond in the rough that could still use some more polishing.
Thumbs up to the cast who only read the play once before this reading and to Marilyn who is taking bold chances, and I hope she continues to do so.
United Arts Professional Development Grants
I assumed that attending the United Arts Professional Development Grants Panel meeting, at the Enzian Theater, would be a boring experience. Sketching this process was quite the opposite. I arrived a bit late, and embarrassed, sat at the table closest to the entry door. I agonized for a moment thinking maybe I should move up closer to the panel table to get a better view. Then I noticed that Aradhana Tiwari and Zac Alfson were sitting at the table in front of me, and Beth Marshall, Dewey Chaffee and Douglas McGeoch were seated at the table to my right. I was surrounded by friends and decided an overall view of the room full of artists was the correct vantage point for my sketch.
After I started blocking in the sketch, one of the first orders of business was Michael Poley talking about how he wanted to produce a half hour documentary about an artist who explores Orlando, sketching every aspect of the arts scene. Several panelists didn’t know what he meant by sketches, were these theatrical sketches, poems or moments in time? Some panelists who knew of my work started praising what I am doing. This was something akin to sitting in on my own eulogy. None of the panelists knew I was in the room sketching. I finally decided to march up to the panel and hand over my most recent sketchbook as people’s exhibit A. Michael said this stunt helped him gain some points, and I certainly hope he gets the $1000 grant: which, if he does, will still have him investing over four thousand dollars of his own money into the project. This is humbling. I hope my sketches and stories do not let him down.
Artists who were submitting applications for grants had to defend their positions, often being asked how the grant money would help them grow as artists rather than focusing on the techniques of their craft. Dewey Chaffee has just taken a huge plunge by not renewing his contract to work at Disney. He certainly could use the boost a grant would offer now, but the panel seemed convinced that his character Wayburn Sassy was fully developed with no room for growth. One panelist seemed to think Wayburn just offers shock value, but Dewey explained that the character gives people a way to laugh at bigotry and narrow-mindedness. Orlando, in my mind, certainly needs Wayburn Sassy.
When Hannah Miller was asked to discuss her puppetry show called “Thunder Hag“, one of the panelists leaned back too far and broke their chair. There was an awkward pause, and Hannah asked if he was alright. Aradhana Tiwari put in a grant to study Viewpoints with the SITI Company and its artistic director Anne Bogart in NYC. Aradhana walked up to the panel and sat as close as possible. She was poised, confident and eloquent. She discussed “Project F” at some length and from the panelists responses, it sounds like she is sure to get the grant. As one panelist remarked,”You are up and coming, go to New York and make it happen.”
After the panel discussion broke for lunch, a small group of artists remained standing around the snack table, eating the free pretzels. For me, this was lunch before I went to the next location to sketch. Brian Feldman remarked, “All the real artists in the room are still here.” It was fun joking around with these artists, all of them friends, and discovering how they felt about the process. For some, it was like facing the Spanish Inquisition, but there was also comedy and unlimited human potential to be discovered in the room that day.
Newcomers Meet the Arts at the Shakespeare Theater
This informational meeting to introduce people to the arts was held at 8Am at the Shakespeare Theater so people could stop in and then head off to work. John Thiesen the campaign manager introduced the event and explained that representatives from six Arts organizations would talk about what they offer the artistic community. First Sharon Lasic of the Orlando Shakespeare Theater gave a brief history of the building in which we were meeting. The building was for many years the Science Center and History Center of Orlando. After the New Science Center was built, the building was almost torn down to make room for more green area in Lock haven Park. A petition was passed around and the building saved. The Shakespeare Theater started in 1989 at the Lake Eola Bandshell and performances happened outdoors for many years.
Corry Warren from United Arts talked about Arts Fest which will be happening next month. This ten day festival is going on from February fifth to the fourteenth. It is a way to experience theater for FREE although some events have limited seating. Tickets will be available in advance starting at 10 AM on Tuesday February second. Be sure to check the Arts Fest Schedule and get a jump on this amazing opportunity! My calendar is already stuffed full of all the places I plan to go sketch.
Henry Maldinado talked about the offerings at the Enzian Movie Theater. The Enzian is unique in the country in that it is a fantastic place to have dinner and a movie. The Enzian is home to the internationally acclaimed Florida Film Festival as well. I also found out that the Enzina is showing old classic movie on the big screen. This is the one place where you could see Casablanca with Humphry Bogart and Ingrid Bergman. When you experience a movie like that on the big screen you realize why it is a classic.
Suzan Bright talked about the Orlando Philharmonic and how they are helping keep Opera alive by offering limited staged operas with the Philharmonic no longer in the pit, but up on the stage right behind the singers. This new Opera series will include Carmen, and Porgy and Bess. Carmen will be performed February 26th at 8PM and February 28th at 2PM. Porgy and Bess will be performed on April 9th at 8PM and April 11th at 2PM. As usual I dream of sketching these shows from the wings. Get tickets early.
Scott Evans talked about the importance of keeping Arts Education alive and well in the Orlando School System. In a study, the students that took arts classes achieved higher grades than students who didn’t take arts classes. Autumn Schafer spoke about the Red Chair Project which offers ways to save on tickets year round. Red Chair offers such amazing deal as two for one tickets and a $99 Arts Sampler which offers a ticket to each of the following, Orlando Ballet, a Broadway Musical, The Orlando Museum of Art, the Philharmonic, Shakespeare Theater, and the Orlando Rep. With so much going on, I can’t understand why anyone would want to be a couch potato at home.
After each person spoke an item was raffled off and I won a United Arts Card which offers discounts to arts events all over town. Whooo Hoo! Look like I will be covering alot more arts events in 2010!
United Arts Board Meeting
Yesterday the United Arts Board of Trustees voted to decide if United Arts would help in an attempt to keep Opera alive in Orlando. The Orlando Opera company filed for chapter 7 bankruptcy on April 24th, and the Orlando Philharmonic has offered to help produce limited staged productions where opera singers could perform before the Philharmonic. This endeavor would cost an additional $200,000 and United Arts is offering to help. Over a thousand people had subscribed for Opera season tickets and they were shocked that they could not get their money back when the Opera went bankrupt. Of the $200,000, being invested by United Arts, $50,000 will be used for vouchers to allow the subscribers to attend the Enzian Theater’s “Opera on Film Series”, and OPO’s semi-staged concert Operas.
I had heard that this meeting might get heated since some board members feel that United Arts should only support existing organizations and since the Opera is bankrupt it no longer exists. It was pointed out that all arts organizations are struggling in the present financial climate and the money might be better put to use if it helped keep existing organizations afloat.
The board meeting was actually quite civil. Both sides stated their causes and then a vote was taken by a raise of hands. In the midst of the heated discussion, trumpeting Elephant calls could be heard emanating from the next room in the Shakespeare Theater. This rather surreal moment tended to lighten the mood among the board members. In a final plea, Mark Hagel summed up all the arguments with a simple question, “Do we want Opera in Orlando?” The votes tallied were 20 votes for helping produce limited stage Opera productions, and 3 votes against. With this vote an executive committee will further look into the particulars of the plan and by August 15th the plan will either be a go or no-go. Orlando was once able to boast that it was the only city in Florida with the “big 3” professional companies for Opera, Ballet and a Symphony. Today a crippled Opera continues to tread water.