Bridge of Spies hits theaters October 16th.

I went to a free preview screening of Bridge of Spies starring Tom Hanks and directed by Stephen Spielberg on October 13th. I arrived several hours early an hours early and decided to sketch this larger than life chess set. A young couple set up the board and began to play. Across the street at the Regal Winter Park Cinemas, two large lines had already formed to get in the theater. I overheard that one was for Goosebumps the movie, and the of he was for Bridge of spies. As I was finishing my sketch, the spies line moved forward into the theater. There was more than an hour before the movie was to be screened, but I went inside to assess the situation.

Two co-workers from Elite Animation Academy were in the lobby. They were waiting for friends and family. Guards were collecting and bagging cell phones so the no one would record video of the movie prior to it’s release on October 16th. I waited with them since Terry planned to arrive minutes before the screening. All the heightened security seemed appropriate for a movie about Soviet and us relations as the  Berlin wall was raised. Everyone was patted down and scanned by y metal detector as we went through Check Point Charlie to go into the screening room. I had purchased a large popcorn and realized the had I hidden my phone in the popcorn I could have smuggled it into the theater.

During the Cold War, the Soviet Union captures U.S. pilot Francis Gary Powers after shooting down his U-2 spy plane. Sentenced to 10 years in prison, Powers’ only hope is New York lawyer James Donovan (Tom Hanks), recruited by a CIA operative to negotiate his release. Donovan boards a plane to Berlin, hoping to win the young man’s freedom through a prisoner exchange. If all goes well, the Russians would get Rudolf Abel (Mark Rylance), the convicted spy who Donovan defended in court. Although Rudolf was clearly a spy, I rather liked him since he was also a rather go representational artist. He seemed unfazed during the court hearing in which he was found guilty. His lawyer kept asking, “Aren’t You worried? to which Abel replied “Would it help if I were?  This became a running joke between them.

At times the film  reminded me of “To Kill a Mockingbird” in which Atticus Finch had to defend a black man in a racist Southern town. Like Donovan, he and his family were threatened for taking the case. Spielberg’s influence can be seen in the interrogation scenes in which the windows are brightly illumined behind the actors. Negotiations in Eastern Germany involved as much strategy as a game of chess. The film is smartly written and brilliantly directed.

The Orlando Shakespeare Theater presents “To Kill a Mockingbird”.

I went to the dress rehearsal for “To Kill a Mockingbird” at the Orlando Shakespeare Theater. I was surprised to find an audience waiting to get into the theater.  I decided to slip into the theater and start the sketch before the house was open. I paused for a long time, because the balconies had their metal railings removed. I realized they were now part of the stage set. Directed by Thomas Ouellette, Christopher Sergel‘s adaptation of Harper Lee‘s Pulitzer Prize winning novel came to life on the Margeson Theater stage.  The movie based adaptation is a classic and one of my favorite films, so this show had some big shoes to fill.

The audience was full of students from Columbia College and many were African American which made this particular performance quite compelling. I knew about the students and faculty because one man introduced himself to me saying we had met at an event a while back.  For some reason he thanked me and explained that many of the people from his campus would have never been to a play. I realized after he walked away that he must have mistook my for someone else. I guess when you are busy sketching, you look like you are in charge. Whoever invited the Columbia College group, you should know that they are thankful.

The story is told through the eyes of six year old Scout (Kennedy Joy Foristall ). As a tense tug of war
between justice and racism heats up, Scout and her family must learn to
temper violence and hatred with courage and compassion. Based on the
Pulitzer Prize winning novel, To Kill a Mockingbird continues to inspire
hope in the face of inequality. The moral of the story as told by Atticus Finch (Warren Kelley) is “You
never really understand a person until you consider things from
his point of view . . . until you climb into his skin and walk around
in it.” Scout held her own as a tom boy who always gets into fights and has no filter when speaking her mind.

The set, designed by Bert Scott gave a strong backdrop of the depression Era south. This really is an important show to see since there are always injustices that some accept. Sometimes a person is called on to shake off the dust of these backwards beliefs. The shows title relates to the idea that “Mockingbirds don’t
do one thing but make music for us to enjoy . . . but sing their
hearts out for us. That’s why it’s a sin to kill a mockingbird.” Toward the end of the production, Sheriff Heck Tate (John Ahlin) explained to Atticus, “To my way of thinking, taking the one man who’s done you and this town a
big service and dragging him with his shy ways into the limelight – to
me that’s a sin.” Sometimes a community isn’t best served by following the letter of the law but rather the spirit of the law. “Let the dead berry the dead.”

To Kill a Mockingbird

What: A drama written by Harper Lee and adapted for the stage by Christopher Sergel

Where: Orlando Shakespeare Theater,  Margeson Theater 812 East Rollins Street, Orlando FL

When: Opens Friday, Jan. 21; 7:30 p.m. through March 8.

Cost: $10 to $45

Call: (407) 447-1700

Online: www.orlandoshakes.org