Brian Feldman Reads the Fringe Program in its Entirety

Brian Feldman read the Fringe program in its entirety. A small makeshift stage was set up outside the Shakespeare Theater and his signature marquee sign sat at the foot of the stage. Two LED theatrical spot lights were on the ground but their purple light was hardly needed in the bright Florida sunshine. There were two rows of folding chairs set up in front of the stage and Beth Marshall was in the skeletal audience. There were several video cameras set up recording every minute of the reading. Tommy Wingo operated one camera and Tisse Mallon operated the other.

Beth was enjoying the performance. Periodically she would shout out, “I wrote that!” A few curious people stopped to try and figure out what was going on but they seldom sat and lingered. Brian read, “No alcoholic beverages are allowed outside the lawn of fabulousness. Beth laughed loudly and took a sip from her cup. A giant penguin sat in the front row holding a program in its flippers so it could follow along. After perhaps ten minutes the penguin got up to leave. But then it realized there were video cameras running and it did a silly dance in front of the stage. Brian laughed as he tried to continue to read. What does it all mean?

Hench Bots

Some thought it couldn’t be done. Dog Powered Robot was an instant flash fire hit at last year’s Fringe. Back then the show was just three minutes long. Every night it won an award that said it would make a great full length Fringe show. Tons of dedicated hard work went into making the show a runaway hit at this year’s Fringe. Now there is a small army of new robots all built from cardboard yet seeming high tech on a shoe string budget. It’s the simplicity that continues to give DPR it’s charm. In this sketch, “No Bones” lies on his flaccid bean bag chair. His delicate inflated ego needs constant re-enforcement from his two “Hench Bots” who were programed to offer constant praise and adulation. They weren’t designed with legs however so they move on simple coaster wheels using their robotic arms for propulsion.

In one magical sequence in the play, a simple overhead projector shows transparencies that animate YouTube pop cultural viral clips. I was laughing uncontrollably when “Keyboard Cat” started tickling the ivories. I laughed so hard I couldn’t breath. You could see the operator’s fingers as he moved the transparencies to animate the cat’s paws and pink head. But this is just one example. I laughed just as hard throughout the rehearsal. These two bickering “Hench Bots” played off each other like Laurel and Hardy but with metallic voices and endless robotic charm.

When Dog Powered Robot finally appears, the epic robotic battle still has an adorable humor to it because Fisher, the dog nestled inside the chest of Dog Powered Robot, steals the show. The show is cleverly written and expertly directed yet there is a playful quality that come’s out in rehearsals and is sure to hit the stage. I can imagine flash mobs across the country breaking out and doing the Dog Powered Robot Ddddance!

5/26 THU 7:40PM
5/27 FRI 6:40PM
5/29 SUN 1:25PM

Storyteller Country Joe Rosier

Joe Rosier was the first person to pose for the Mennello Museum mural I am working on. I met Joe at the Shakespeare Theater several hours before his tech rehearsal. After sketching him standing in line I then asked him to sit for an informal portrait sketch. I believe I first met him at poetry readings at Infusion Tea. He resembles Henry Wadsworth Longfellow with his grey beard and character filled face. I have seen him at the Orlando International Fringe Festival every year that I attended.

Joe is a lawyer by trade but very much a storyteller who understands the power, cadence and lingering power of the spoken word. I know that around Halloween Joe conducts a night time ghost story tour. He has brought some of these “Scary Stories” to this year’s Fringe for adults and children. He has shows in the Patron’s Room, Kid’s Fringe and at the outdoor stage. His stories speak for themselves.

Patron’s Room
May 25 Wed. 6:40pm
May 27 Fri. 5:30pm
May 28 Sat. 9:00pm

Kids Fringe
May 29 Sun. 11:00am

Outdoor Stage
May 28 Sat. 5:00pm
May 29 Sun. 8:00pm

Fringe 0pening Night Gala Show

The Fringe Gala Show was hosted by the Oops Guys, Dennis Giacino and Fiely Matias. They introduced a game show spoof entitled, “Drop your Balls!” This was an adult themed game show, so parents don’t let your children read this post! The five contestants were introduced and they sat in metal folding chairs in a neat line. Each contestant was given a clear nylon sack with several colorful balls. The sacks were tied to the contestants belts and they dangled between their legs. The rules were simple. At the end of the evening, the contestant with the most balls would win.

First in line for the brave contestants was an eating challenge. The challenges included, down that banana, spread the icing, suck a Twinkie or go down on Little Debbie. The first contestant was David Lee who is in the Pulitzer prize winning Fringe show titled, “Thom Paine” in the yellow venue. To find his challenge David had to “Spin the Asian” which involved gently pushing Fiely allowing him to spin in place. When he decided to stop spinning, he announced, “Suck that twinkie!” A chair was bought out to center stage and a plastic drop cloth was spread out on the floor with help from Katie Thayer dressed in a sexy red dress and knee high red leather high heel boots. She turned out to be from the show, “Big Swinging Dick’s Topless Bar and Naked Drag Queen Farting!” a hilarious show written by Carl F. Gauze in the green venue. The twinky was placed on the chair and gentle music began to play with the chirping of birds. David removed the Twinky from its wrapper, then he re-wrapped the twinky theatrically in the drop cloth implying he would only perform the act if it was done safely. He shouted, “This kind of reminds me of a Lucille Ball sketch.” He was awarded two balls for his performance.

Kevin J. Thornton from the show “I Love You, Were Fucked” was given the challenge to, “Down that Banana.” He turned his back to the audience as he gently peeled the banana which he held at his crotch. He then got on his back and lifted his legs and hips touching his toes way above his head. He then lowered his hips until he was able to nip off the tip of the banana. I wasn’t aware a person’s back muscles could stretch that much! The crowd went wild! He was awarded 3 balls.

Rob Gee who is in “Smart Arse” was given the challenge to “Lick that Pie.” He teased the pie by gently tapping it at first with his index finger until the crowd couldn’t take it anymore. He licked the red filling once and then devoured the pie in one ravenous mouth filled, masticating gulp. Lisa Sleeper was the only woman contestant. She plays Sleeping Beauty in “Bitches of the Kingdom” which is a musical satire about the pissed off princess’ of the Disney classics. Lulu Picart sang a song from the show. She plays Mulan. Since I worked so hard on that film with pride, doing so much overtime, I listened intently. The song was lyrical as she sang about how Asian girls are beautiful with those blossoms in their hair. But then she wondered why she was the only princess who didn’t get the guy. She realized she might be a lesbian. Fairy tails might be fine with some Gertrude Stein! Now this was a twist I didn’t expect, but I loved it, as did the audience! So Lisa had to contend with some sloppy banana action, she slipped the peeled banana in and out of her mouth multiple times before she dipped it in whipped cream and took a big ravenous bite. She was awarded two balls.

Pepe, who was there representing for Kids Fringe, was hilarious in every challenge. When asked to demonstrate how to give a flyer to an unsuspecting Fringe patron, Pepe provocatively insisted the audience member grab the flyer from his crotch with their teeth. When it came time for the contestants to count their balls, Pepe’s sack split open spilling all his balls on the stage. When his balls were collected, Pepe was the winner with eight balls.

Dog Powered Dreams

This was the first full run through of Dog Powered Robot that I got to see at a rehearsal. The laughs started right from the moment Lollybot came out to introduce the show. Lolly offered a lollypop to John Bateman’s wife who had also come to see the rehearsal. When she sashayed up to me and offered a lollypop I was stunned. In her metallic voice she said, “You can have my sweets anytime.” I swore I saw her bright pink pupils dilate and then she winked at me. I swooned. I love Lolly!

No Bones played by John Bateman is integral to the epic drama that followed. While the large cast of robots all move stiffly, John flails his limbs around like wet noodles. In the opening scene when I sketched him, his controlling manipulative ways became obvious as he played a futuristic holographic version of a video game. He isn’t a villain, he is just someone who always has to win at any cost. I have had friends with a similar world view.

In a strange dream sequence, Allissa Foley came out as a slice of watermelon. She was a sinister slice who planted the seeds to a truly diabolical plot. Of course she was simply a recreation of No Bones’ warped imagination and she sounded strangely like his mother with whom he had a contentious relationship. Much like the relationship between Norman Bates and his mother in Psycho.

5/24 TUE 5:15PM

5/26 THU 7:40PM

5/27 FRI 6:40PM

5/29 SUN 1:25PM

Dog Powered Rehearsal

When I arrived at the Chandler Art Market the entire Dog Powered Robot cast was gathered around a table eating pizza talking and laughing. Fisher, the dog behind the robot was dancing on his hind legs for scraps. He doesn’t seem fazed by his sudden rise to fame. He still appreciates the little things in life like pizza crust. Christie Miga got things started by reading off what robot and set parts people would be responsible to get off the truck during load in. They would only have 20 minutes to get everything off the truck and get it set up in the theater.

For the first part of the rehearsal Katie Green, the stage manager, asked everyone to move all the robots, set pieces, and technological wonders from the back room to the main room. She set the stop watch on her iPhone and shouted go. The cast rushed through the narrow doorway and they scrambled like frantic worker bees to get everything in place. Once everything was in place, they then had to “suit up.” Alyssa Folley who plays Lollybot squeezed into a shiny black nylon or spandex body suit with a hood. Christie was helping her slip on the glove. Center stage Doug LoCicero quickly maneuvered into his Henchbot. Fisher scrambled around until Christie picked him up. They were ready for showtime with time to spare. Of course at the Repertory Theater they would have to move everything a bit further depending on how close they could park the truck. Dog Powered Robot was ready to roll!

At the Green venue at the Rep Theater. Tickets.

5/22 SUN 9:20PM

5/24 TUE 5:15PM

5/26 THU 7:40PM

5/27 FRI 6:40PM

5/29 SUN 1:25PM

Fringe FLASH!

In the weeks leading up to Fringe an intrepid core group of dancers met on the green lawn of fabulousness to rehearse for a Fringe Flash mob. I promised the PR people that I would not show the sketch of the top secret rehearsals until after the flash mob had actually been performed. Having sketched several Flash mobs to promote tourism in the City Beautiful, I was used to seeing a much larger crowd rehearsing, but what they lacked in numbers, they made up in heart. I donated a design for the Fringe Flash Facebook page to help this grassroots promotion.

The music used for the choreography was from every high school musical film. For the first part of the rehearsal everyone was organized in lines as they followed along. Later they circled around a garbage can which symbolized a fountain that exists at Church Street Station. I particularly liked the music from Fame. I had worked on animation that used this music when I was in college in New York City so the song hits a chord in me of yearning to fulfill ones potential. I can’t help but sing along!

I didn’t make it to the final Flash performance at Church Street Station, but the video shot shows that the Flashers took everyone by surprise. I also got to see a second performance right after the ribbon cutting on the green lawn of fabulousness. I discovered that I messed up this year and I am not a Fringe performing artist like I was last year. I brought you coverage of as many shows as I could sketch last year. It was a magnificent theatrical drawing marathon. This year I feel naked, stripped of my lanyard. Not having a lanyard seems a sure sign that the Rapture is here and I am doomed to five months of torture. I will only be able to beg my way into a few shows where I know the performers. Oh well, there are other events to sketch and besides I need to focus on the Mennello Museum mural. Which reminds me, I plan to sketch particularly outrageous performers on the green lawn of fabulousness for the mural and to help promote their shows. I will be sketching the sensual performers from “Big Swinging Dicks” as well as Voci Dancers. I’m thinking that I should make a T-shirt that says, “Will sketch for tickets.” I need to keep working the angles to get the next sketch.

I was told the Rapture will happen at 6pm today. Since I doubt I will rise to heaven, I should say it will be an honor and privilege to party with all the sinners left behind at the Fringe!

Fringe Festival ribbon cutting.

The Orlando International Fringe Festival began May 18th. I got to Loch Haven Park around 5:30pm and the Green Lawn of Fabulousness was already crowded. Classic rock musician, John Lowbridge, was playing guitar on the outdoor stage. The large tented area was packed with people sampling food and drink. I rushed past the beer tent, but stopping to shake Mike Maples hand. He was offering red and white wine to help promote the show he is in called “Big Swinging Dick’s Topless Bar and Drag Queen Farting.” The title says it all.

Inside the Shakespeare Theater I bumped into Jeff Ferree who has the smallest venue at the festival, a walk-in closet where he is staging a puppet show. He says 13 people can squeeze in but it looks tight. I arranged to try and sketch his theater between performances. I doubt I could sketch with a standing room only crowd, I get claustrophobic. Then I ran into Pepe who was leaving a trail of white feathers from his flamboyant boa as he paraded back to the outdoor stage. There he took to the stage to announce to all the “mommys and poppys” that the ribbon cutting ceremony was about to begin. The Fringe cheerleaders held the ends of the purple ribbon. Beth Marshall, Matt McGrath and an assortment of board members were on hand. Patty Shehan made a proclamation announcing the beginning of the 20th annual Fringe Festival and with a quick snip the two halves of the ribbon fluttered to the ground.

After the ceremony most people went inside the Shakespeare Theater for the Fringe Gala Show in the Margeson Theater. John the guitarist started packing up his amplifier and the endless miles of electrical cords as he got ready to leave. We talked for a bit about music and art and then I packed my things to see if I could get another sketch inside the Shakes of the Gala show.

Team Dog Powered Robot

I went to some of the final rehearsals for Dog Powered Robot. Rehearsals were held at the Chandler Arts Market in Winter Park where Christie Mega works. Joey Corcoran was busy building a bot as the actors started to rehearse. The robot’s skeleton was being built from pvc tubing. Joey measured his own leg and arm bones and then transferred those measurements to the PVC. He cut the PVC using a circular saw which was outside the back door. . With all the bones cut, he assembled the skeleton in minutes using PVC elbow joints and T-joints. Then the skeleton had to undergo numerous tweaks to to give the bot just the right crumpled gesture. Fisher, the dog behind Dog Powered Robot pranced around the rehearsal space inspecting all the action.

The rehearsal involved the actors practicing the choreography involved in the epic fight scenes. It felt more like elementary playtime rather than a serious rehearsal as the actors moved in slow motion pretending to be huge menacing robots. No one was “suited up” since they wanted to practice the movements without the bulky robotic limitations. Joseph Geoghagen jotted down notes whenever any improvised line seemed particularly funny. I’m sure when the actors are encased in the incredible robot suits, the scenes will become even more epic. Everyone in the room was laughing.

This is one Fringe show you do not want to miss. I predict that these shows will sell out. I would get tickets early, or you might only hear rumors of the awesomeness as you drown your sorrow at the beer tent for having missed a historic Fringe sensation.

Show times are…

5/20 FRI 7:55PM

5/21 SAT 12:00PM

5/22 SUN 9:20PM

5/24 TUE 5:15PM

5/26 THU 7:40PM

5/27 FRI 6:40PM

5/29 SUN 1:25PM

Here Come the Mummies!

Carl Gauze had an extra ticket to see “Here Come the Mummies” at the Plaza Theater. I met him there and we waited with the crowd to get in. We grabbed some beers and sat in the lobby. Carl wrote and is producing a Fringe show titled “Big Swinging Dicks topless bar Presents the Naked Drag Queen Farting.” Without a doubt this had to be the longest and most controversial title of the year. He presented me with a matchbook with all the show dates and a sexy pinup girl on the cover. I had seen a read through of the play and we talked about it for a while. Then the house lights flashed and it was time to go inside.

I was surprised to see that most of the theater seats had been removed leaving standing room for everyone. Barricades separated the standing crowd from the stage. I squeezed my way through the crowd to get close to the stage. When Here Come the Mummies ran out the crowd went wild. They stomped and danced in place. The lead mummy came out in a red carnival barkers jacket with tails. He thrust his hips towards the audience as he sang, “Carnal Carnival.” The rowdy rock & roll music has a flavor of New Orleans jazz, and is pure sinful fun. Libido Knieval had the whole audience dancing in place and singing the refrain.

The high energy performance never let up. Here Come the Mummies were constantly on the move as they belted out tune after tune. I loved it! I wondered how it was that they didn’t sweat to death given their non-stop aerobics. They must have been wrapped in the lightest of gauze. At one point the lead singer came out with a cowbell attached to a leather codpiece. The mallet was suggestively attached by a hinge below it. He played the instrument by thrusting his hips at every woman in the audience. Now that must be a fun instrument to play.