12th Annual John R. Hamilton Mock Trial: The Crown v. Falstaff

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Falstaff was put on trial at the Orlando Shakes, (812 E Rollins St, Orlando, FL 32803).  He is a disreputable an rather rotund character in Shakespeare‘s Henry IV. The judges in this trial were to be Alisa Smith, Chair of the Department of Legal Studies at the University of Central Florida, Judge Frederick Lauten, former Chief Judge of the Ninth Judicial Circuit for Orange and Osceola Counties, and Scott Maxwell, Orlando Sentinel Columnist. When introduced, Judge Lauten did an admirable and hilarious job of disinfecting his fellow judges and the entire judging area.

Hosted
by the Bard’s Board Barristers, the Margeson Theater was transformed
into a hilarious, interactive courtroom. Actors from Orlando Shakes’
production of Henry IV, Part 1 took the unpredictability of live theater to a whole new level in an
over-the-top, rollicking trial amidst the panel of celebrity judges.

To start Falstaff recounted his heroic fight with some highwaymen who robbed him of the loot he had just hoisted himself. He brandished his sword recreating his every movement in the battle that ensued. With each telling the number of foes he had fought off grew. Then a cloaked figure read off the litany of charges against Falstaff which included larceny, robbery, thievery, lewd and lascivious behavior, public drunkenness, foul oderocity fraud, deceit, embezzlement, false accusations, abuse of power, obstruction of justice, impersonating the king, conspiracy and four counts of claim to murder. The list was hilariously long.

The trial itself began with Darth Vader as the prosecutor and Princess Leia as the defense attorney. Light sabers replaced the more timely swords. During the trial Falstaff got to discuss how honor has no place on a battlefield. The funniest moments came when Bardolph, Falsaff’s side kick was put on the stand to testify. He was incredibly drunk and a very easy witness to sway.

In the end the entire audience was the jury and after our jury instructions, we had to vote on Falstaff’s guilt or innocence. We had to raise out hands and make a guttural Wookiee call when we voted. Despite his clear guilt on many of the counts, he was an important character in the upcoming play, Henry IV Part 2. I voted to acquit, but the final decision was not clear based on the the noise in the theater. Chaos was breaking out. Then Falsaff bounded center stage and shouted, “I have been pardoned!” He ran off stage to murderous applause.

Topographies

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“Topographies” a series of sculptures by Barbara Sorenson are on exhibit in front of the Orlando Museum of Art. These bright primary colored resin and metal creations will be on exhibit through April Fool’s Day. On March 18th, “Art and Dance: A Pas de Deux” a piece inspired by Sorenson’s Work will be performed in this court yard. The piece will feature Orlando Ballet Dancers choreographed by Robert Hill and Eric Yow.

On exhibit inside the museum is “Made in Florida” featuring three exhibitions and a gallery display. Work in the exhibit features artists who were inspired by the sunshine state. Florida’s unique landscape and culture has inspired artists from all ages. The eclectic permanent collection features work of such acclaimed artists as John Singer Sargent, Cecilia Beaux and Robert Rauchenburg.

I found myself in front of the Museum at dusk with an hour to spare since I planned to attend a piano recital across the parking lot at 7pm at the Margison Theater in the Shakes. This recital, which was part of ArtsFest, was to feature Hyung-Min Suh, the third place winner of the second Florida International Piano Competition. There weren’t many cars in the parking lot. At 7pm I walked into the empty theater. The building was deserted. I checked out the intricate set that was built for “Romeo and Juliet“. The set was gorgeous with a root-like structure holding up an isolated platform as well as the infamous balcony. Now, I really want to see, and sketch the play. This was the second time an ArtsFest event I planned to sketch was MIA. This year’s Fest must be in some disarray after United Arts lost Margot Knight and Cory Warren. An unexpected disadvantage of drawing on a tablet at night is that big beetle and tiny gnats were attracted to the screen’s light.

My Pal Izzy

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I met Melanie Galle, the actress from My Pal Izzy, on the green lawn of fabulousness. She was handing out flyers to her show and when I told her I needed models for the Mennello Museum mural she was glad to help. She handed out more flyers and then met me to head across the street to the museum. As I sketched her outside she was enchanted with all the lizards that scurried among the leaves. She had a constant childish delight that made for a fun sketching experience.

Melanie channeled that delight in her performance as Rebecca Rosenstein, a childhood friend of Irving Berlin. She related details from Irving Berlin’s early career as she also related details of her career as a show girl. She dressed conservatively in the beginning of the show, keeping herself wrapped in an elegant purple kimono. When she sang “If you don’t want my Peaches” she let the kimono slip open showing her vibrant yellow dress. She shook her shoulders and sang, “you better stop shakin’ my tree!” Most of the Irving Berlin songs had this fun playful spirit.

Dorothy Goetz was a young singer who approached Irving Berlin with the hopes of singing his next hit. Another singer was there and the two women brawled over the sheet music. Izzy quickly fell in love. His romance with Dorothy Goetz however ended tragically when Dorothy died when she was just 20 years old. In his grief he was unable to write. Friends finally pulled him aside to convince him that he had to go on. The song he wrote next, called “When I lost you” was heart wrenching.

My Pal Izzy was a a nostalgic look back at the heart felt joys and sorrow of a great songwriter. Melanie’s well trained voice delivered the songs with warmth and humor. The performance combined fact and fiction to unravel the secrets of an amazing talent. The music is still fresh and vibrant today.

Fringe Festival ribbon cutting.

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The Orlando International Fringe Festival began May 18th. I got to Loch Haven Park around 5:30pm and the Green Lawn of Fabulousness was already crowded. Classic rock musician, John Lowbridge, was playing guitar on the outdoor stage. The large tented area was packed with people sampling food and drink. I rushed past the beer tent, but stopping to shake Mike Maples hand. He was offering red and white wine to help promote the show he is in called “Big Swinging Dick’s Topless Bar and Drag Queen Farting.” The title says it all.

Inside the Shakespeare Theater I bumped into Jeff Ferree who has the smallest venue at the festival, a walk-in closet where he is staging a puppet show. He says 13 people can squeeze in but it looks tight. I arranged to try and sketch his theater between performances. I doubt I could sketch with a standing room only crowd, I get claustrophobic. Then I ran into Pepe who was leaving a trail of white feathers from his flamboyant boa as he paraded back to the outdoor stage. There he took to the stage to announce to all the “mommys and poppys” that the ribbon cutting ceremony was about to begin. The Fringe cheerleaders held the ends of the purple ribbon. Beth Marshall, Matt McGrath and an assortment of board members were on hand. Patty Shehan made a proclamation announcing the beginning of the 20th annual Fringe Festival and with a quick snip the two halves of the ribbon fluttered to the ground.

After the ceremony most people went inside the Shakespeare Theater for the Fringe Gala Show in the Margeson Theater. John the guitarist started packing up his amplifier and the endless miles of electrical cords as he got ready to leave. We talked for a bit about music and art and then I packed my things to see if I could get another sketch inside the Shakes of the Gala show.