Pre-Pandemic: Subways

This sketch was done during an Urban Sketching Class I was teaching at Elite Animation Academy. The girl seated in front of the soda machine and sketching, was one of my best students. It is always a pleasure to find a student who has laser beam focus and a real desire to learn.

I usually take students here after instructing them in one point perspective. This sketch was done in an ancient sketchbook that was returned to me after being in someone’s attic for 30 years. The paper is brittle and thin but I am happy to finally be filling the book up.

The great part of taking students to Subways to sketch is that I can order a sandwich to eat while there. I always ordered a ham and Swiss with lettuce and tomato and a splash of oil and vinegar with a light sprinkle of salt and pepper. I miss those days of going on location to sketch. For now I am exploring the world virtually to do my rather political illustrations each day.

This last week of 2020 I actually got to instruct two students virtually and I am teaching them how too use photo reference to piece together ideas. Growing up I longed to find a decent painting instructor but never really found one. Perhaps I didn’t ask the right questions. I am trying t give my students the basic and fundamental instruction that I yearned for when I was young. Hopefully they will run with what I give them. I know the student in this sketch soaked in everything I threw her way.

Urban Sketching with the Elite Animation Academy Summer School students.

I had 16 students for the Elite Animation Academy Urban Sketching class last week. My thought was to bring the students to a different venue each day to sketch.With 16 students we tended to fill up any available seats. The best solution was to divide the class in half and have half the students in one venue and the other half in another. I stayed with the students at Subway, and the interns stayed with students at Planet Smoothie. The lesson for the day was largely about one point perspective. I encouraged the students to find a vanishing point at their eye level and have all the lines in the ceiling panels and floor tiles point at it. There was a mirror on the brick wall across from us and one student could see his reflection in the mirror. I explained that the vanishing point was right between his eyes in the reflection.

I sat down with each student and did a quick composition sketch so they could see how to build a sketch from the outside in. Prior to going on location we had done a series of five minute sketches that broke down the scene into 5 or 6 large shapes. Some students caught on quickly while others needed time to grasp the concept. I painted this sketch digitally the evening of the class by scanning the pencil sketch and painting behind it on a layer. A stop motion movie was created of the entire painting process and I showed that to the students to encourage them to push any sketch that they do towards being a painting by adding color. On the last day, they took their favorite sketch and added watercolor to it. It was a bit of a messy class but the students were very focused for the duration. There is something about adding color that makes a sketch become art.

Terry’s Time Trials.

Terry bought a very sporty Porsche. There is little reason to have such a fast car unless you want to drive super fast. Since getting the car she has been taking it to time trials to test her limits. The track was way out on the west side of town up near Mount Dora. The “track” was actually a large open parking lot next to a shooting range. As we approached we could hear the constant sound of fire arms being discharged. It added to the sense of reckless danger.

Cones were set up in the lot to outline the many turns on the test track. Everyone walked the track to get a feel for the layout. Since Terry didn’t have a number for her car, she put a single strip of Blue Duck Tape on the door for the number 1. A sophisticated timing system was set up to keep track of each drivers drive time. Only one driver was on the track at a time. Since this was Terry’s first taste of a time trial, an experienced driver went with her to coach her on how to attack the track. Beginning drivers were first on the track.

When Terry got on the track, the announcer joked that she was certainly having a leisurely Sunday drive. Each time she got on the track however, she improved her time. Her best time 54.031 seconds was less than half the time of her first attempt. She made slow and steady progress. One guy lost control and spun off the track. She smartly pushed herself without going past the breaking point. Driving helmets were required. Her car is in my sketch. It is the silver Porsche with the black soft top convertible roof. Apparently if the car were to roll over, there are support braces that would instantly rise up behind the bucket seats to protect the roof from crushing the drivers head.

After the time trials all the drivers gathered for a Subway‘s catered lunch on the picnic tables by the gun range. There were some very serious drivers who clocked some amazing times that day. Between rounds the drivers would have to wait an eternity for their next turn at the track. For that reason Terry isn’t a great fan of the time trial process. She is still looking to improve her time and push her car to it’s limit. For me it was a relaxing weekend sketch opportunity.