Pandemic Film: First Time Using After Effects

This is the first time I started using After Effects. I managed to import all the layers from a Photoshop file with ease. I chose one of the first five shots from the film since I felt the way I had animated the layers by hand seemed a bit forced. I wanted a more natural feel to the movement by animating the camera as opposed to each layer individually.

I used this scene to work through several tutorials I found online. I understand the principle of what needs to be done, but every tool had to be located in the myriad of nested folders and windows. My biggest discovery was that the escape key toggles between this flat composition camera and a 3D camera of the scene. The breath layer imported lower than it should have so I needed to figure out how to move it up. In this image I hadn’t discovered how to do that yet.

I found a complicated tutorial that involved adding a null to the scene and parenting that null to the camera. The Z value was then set to zero and the null would have the same location as the camera. That parent was then turned off and all the other layers including the camera were parented to the null. The Z values of the null could then be used to transform each layer back in space.

That all sound like a foreign language, right? Well to me it is. I struggled with the steps three separate times and each time, the layers ended up moving a clump of layers rather than each individually. I kept problem solving but ultimately this first evening I never got that null to work. I tried just moving the camera using red, green and blue arrows. Green stands for the Y axis, red stands for the X axis and blue stands for the Z Axis. That is probably the most important thing I learned.

My first steps in this new world were not entirely a failure. By messing around I stated to learn how to navigate this 3D space.

Pandemic Film: Lab Monkey Layers

The lab monkey shot has the most layers to date. I decided to have each hand waving independently without upstaging the main center of interest. Most people viewing the scene will not even notice the hands since they will be focused on the screaming monkey.

The shot works but is not really dimensional yet. I now suspect that every shot in the film will be reworked in a program called After Effects. In that program I can move the camera and arrange the layers in a sort of dimensional stage set. When I move the camera all the elements will move related to one another in deep space.

I also discovered a program called VoluMax Pro which uses depth maps to add further dimension to the paintings. Between these two tools along with Photoshop and Procreate, I should be able to achieve exactly what I want. I may actually animate several shots as well using a program called Callipeg. I will keep hand drawn animation to a minimum since it is very labor intensive. Most shots in the film are so fast that animation would be overpowered by the quick camera moves.

I am excited by the possibilities.

The OrlandoiX Welcome Party at Wall Street Plaza.

OrlandoiX features five power-packed days (October 2 to 6) of dynamic keynotes, panels, exhibits, and entertainment that showcases leading advancements in entertainment technology, interactive media, and digital arts. Prepare to meet the largest brain trust of knowledge and connections you have ever reached in one week. No other event attracts this many technology-astute early adopters
from disparate, yet complementary, backgrounds. Attendees will include:
game developers, designers, producers, creative technologists,
animators, artists, programmers, tech enthusiasts, national media,
venture investors, and digital entrepreneurs.

The opening night welcome party was held downtown at Wall Street Plaza. Since this is a tech centric event, [ decided to take my new tablet out on location. I just started using a Cintig Companion 2 and I’ve put free trials of Photoshop, Sketchbook Pro, and SAI. Since Windows 10 is also a free download, I decided to get that operating system up and running since I find Windows 8 to be quite confusing. I went inside the barricaded party area and got a wrist band covered in bats. I started sketching an inflatable IZEA sign and the stage using SAI, but then the program froze up and closed, giving me a cryptic message. “Unprotected exception, application has terminated by unprotected exception.” WTF! I tried opening the programs but kept getting the same warning. Finally [ decided to switch over to Sketchbook Pro which is what I used to do this sketch. Since I got crowded inside the barricades, I decided to sketch from outside the enclosure to avoid sketching a sea of butts.

As I worked on this sketch I got a low battery warning. I saved and kept sketching in a panic. Three disheveled, pleasantly drunk people looked over my shoulder as I raced against the battery. “That is dope! I always thought technology sucked but that is amazing, It’s just like a pencil on paper.” Another couple of drunk guys stood in front of me saying something about my sister. I ignored them until they got bored and left. It threatened to rain and stage hands rushed to set up a tent over the DJ to protect the equipment. I had the same concern, but the faint mist never became rain.  Then the screen went black. Well, I guess the sketch is done.  I was so annoyed. I should have brought a sheet of paper and a pencil!  I had spent most of my time fighting software problems. Back at home I worked until 2 am to try and get SAI to open up. After going into a misc.ini file and changing a 0 to a 1, it finally started to work. Although technology was more of a hindrance than a help, it is still a mountain that I need to climb.