Florida Film Festival Poster Second Pass

It was pointed out to me that I got the dates wrong for the Florida Film Festival. The festival actually ran from April 10 to 19, 2026. When I was throwing together the comp, I just lifted type from previous posters to get the impression of what the final poster might look like.

From several Airbnb’s and hotels in Germany I made revisions to the Florida Film Festival poster. First the soldier from my first pass of the poster had to be replaced because America is a country which embraces peace rather than war.

Since racial diversity was called for, I added a Chinese man, and an Indian woman. I didn’t know how many races to add, so I tested the water and waited to see if more was needed. Many of the distant audience was still just blocked in without detail. The festival asked to add details that are unique to the Enzian Theater. I sketched inside the Enzian when renovations were being done, so I was familiar with the look of the interior. I have never sketched the theater looking back from the stage. I searched Google images to see what the back wall of the theater looks like. I held off on polishing the painting to a final look since I was certain that more changes were to come. Working digitally is ideal for changes. Each character in the audience was drawn and painted on their own layer. If a character had to be removed, I could do that with the touch of a button.

For the rest of my trip through Europe, I heard nothing about the need for more Florida Film Festival poster changes. My assumption is that another concept was approved for the festival poster and promotional materials. The concept I was working on was a mine field of possible problems with hundreds of possible revisions and refinements. The poster concept I had been assigned must have been been rejected.

My attention shifted back to a full time dedication of documenting a time in 1945 when America defeated fascism at the end of WWII.

Florida Film Festival Poster Sketch First Pass

It was pointed out to me that I got the dates wrong for the Florida Film Festival. The festival actually ran from April 10 to 19, 2026. When I was throwing together the comp, I just lifted type from previous posters to get the impression of what the final poster might look like.

While in Europe I got an assignment to illustrate a poster for the Florida Film Festival byLure Design. I was given the concept of showing the audience in the Enzian Theater and each person in the audience would be from a different film genre. I knew this concept was a mine field. Each person should represent a genre while not looking like a particular actor. I knew that with such a vague yet specific idea there would be many alterations and adjustments.

This poster is a rough sketch of what I wanted to do. I limited my palate to blue and violet to keep the theater dark and cool.

There were many other concepts pitched by Lure Design and I was sure that one of those concepts would best represent the theme of the festival. I honestly wasn’t sure of the planned theme of the festival. I left a large area open in the upper part of the poster for a playful saying. The sample poster I had been given said, Mind Blowing Movies in that open area. Since that theme had been used it would likely not be used again.

Each night after sketching former war-torn cities in Germany, I would settle down in my Air B&B or hotel to write my article for the day, I would upload the previous days article on Facebook and Instagram and then I would paint away on the poster, late into the night. I felt like a true digital nomad.  It was exhausting yet invigorating.

Since I wasn’t working on the concept all day long, I broke the assignment into manageable chunks each night. I would research and paint several characters each evening. I am used to cranking out a concept in one sitting, but I adjusted to dividing up into shorter sprints of creative activity.

Though I was focused each day on troop movements in World War II, I would shut off that part of my brain each night and relax into the playful poster painting. In the lower left of my poster a single WWII soldier worked his way into the sketch. I had watched a series of war films prior to flying to Europe so that genre was fresh in my mind. I also wanted to honor my fathers contribution to crushing fascism in 1945. But I wanted to be sure of having adventure, romance, the wild west, princess, a mix of races, horror, and I wanted the entire audience laughing.

Laughter is also a challenge in that it can look like the person is in pain if the laughter isn’t depicted correctly. I always think of a performance piece I once sketch where the artist tried to smile for many hours while being  filmed.  When you smile for that long, your face experiences extreme pain since the muscles must work so hard to keep that smile in place. John Singer Sargent said, “A portrait is a painting with something wrong with the mouth.”

Nude Nite Poster required hours of make up preperation.

Kelly Stevens, the director of Nude Nite let me know that Nick Herrera the body painter (who is known for his roles on SYFY’s Naked Vegas and Face Off shows) was sculpting a tiger prosthesis for our Model Anya’s face. It takes 3 hours to create the effect.  The photo shoot would be at the Orange Studio (1121 North Mills Avenue, Orlando, FL). When I walked in the back door, there was a small section of the space that was blocked off with movable walls and curtains. It was a bit like a temporary triage area. Anya and her mom were waiting for Nick to begin. He already had the face prosthesis made that would give Anya a tiger’s shaped nose.

Nick had borrowed a several thousand dollar toy that somehow adds fur to any surface using static electricity. The device looked like a large policeman’s flashlight. The fur was cut up and put in the head of the device. It was then plugged in and Nick tapped it like he was a chef adding pepper to a dish. As if by magic the fur appeared on the prosthesis. It could then be combed and  trimmed if needed. I’ve never seen anything like that before.

Anya sat in the model’s chair and Nick took much care in getting the edges of the prosthesis to flow smoothly into her skin. He had a photo of a tiger’s face on a tablet and he quickly blocked in the orange and white color pattern on her face. Anya seemed rather quiet and reserved, but as Nick worked his magic, she began to look fierce and menacing. Nick took about 5 hours to create the Tiger, so he was there
from approximately 3pm until shoot time at 7pm preparing her. Body painting,
tiger glowing contacts, prosthesis (ears, cheekbones, nose, etc.) The photo shoot was supposed to happen by 7pm, so Nick had to work fast. The photographer was Charity DeMeer and Art Director Jeff Matz of Lure Design.

Mark Your Calendars! Nude Nite is one event in Orlando and Tampa that you really have to experience.  All artwork on display is of the nude figure. There are also burlesque dancers body painters and experimental art that defies description. The event runs from February 12 to 14th in Orlando in a warehouse (5051 LB Mcleod Road, Orlando FL). Each night, festivities begin from 6pm to Midnight. Tickets are $25 online or at the door. Spice up your Valentines Day at Nude Nite.

The Search for the Holy Grail

My wife, Terry, agreed to meet me at the Florida Film Festival to see the Animated Shorts. I got to the Enzian a little before Terry and ordered an Orange Blossom Pilsner. There wasn’t anyone in the box office so I sat at a table and sipped my beer, watching people as they arrived. I waved hello to Kim Robinson from the Mennello Museum. She sat down at my table and began knitting the tiniest baby slipper I have ever seen. She had seen at least ten films already although she stopped keeping count. She essentially takes the week off and sees all the independent films she can. A line started forming for “Single Ticket Holders.” I wondered out loud if there was a line for “Married Ticket Holders.” Kim decided she had better stand in line so she could get a good seat.

Terry arrived and she checked with the box office. The Animated Shorts program was sold out. A woman in blue was at the head of the “Standby Line.” We sat down in the second and third standby spots and waited. The group of people behind us all knew each other. Director Sari Gilman approached from the Eden Bar. She recognized these long lost friends and her face lit up. There were hugs and a quick flurry of conversation as they tried to catch up before the line started moving. Sari is a film maker from San Francisco. Her film “Kings Point” is about the need for companionship and the difficulties of growing old in America, of being alone. Terry and I looked at each other and our eyes grew large. Sari spends most of her time alone in a dark room cutting and editing scenes together. Between screenings of her documentary short, which is half an hour long, she hopes to promote the film. Promoting the finished product is difficult for any artist. The film is being screened one more time on April 21st at 1pm at the Regal Park Village. I will not have a chance to see it since I have class that day.

The line started moving and we made it into the Enzian Theater in Siberia at the back of the theater. An announcer asked someone from Lure Design to stand up. Lure was the sponsor of the Animated program. She then thanked Full Sail and asked Full Sail staff to stand. I remained seated. My favorite animated short was “Notes on Biology.” With stop motion jitter, children entered a classroom, sitting at their desks. Notebooks are opened, some neat and tidy and some a mess. A student starts animating a wheel turning as the teacher drones on about Biology. The notes spark to life when he draws a robot elephant. I learned a new word, ectoecology, which is how an organism abopts to its environment. A Film Festival staple, Levni Yilnaz, entertained with his “Random Observations about Sex.” Animator Bill Plimpton was in the audience and he had two shorts in the show, my favorite being “Summer Bummer“.

After the screenings, there was a free screening of Monti Pithon and the Holy Grail, outside on the brand new inflatable movie screen. The thing looks something like one of those inflatable kids romper rooms or slides. I’ve actually never seen “The Holy Grail”, so I was excited. The film had already started and the hillside lawn next to the Enzian was packed to overflowing. I sat right next to the screen, and looked up the hill at the audience. I couldn’t really see what I was doing but at least I caught an impression of the couples lying on blankets enjoying the show. Terry found me and shouted in my ear that she was going to go. That morning I had my heart carved out with a dull knife. Luckily, it was just a flesh wound and my hand can still put marks down on a page. I finished the sketch in no time flat since I couldn’t see any detail. I looked up at the thin elongated knights on the screen which billowed in the wind. A few drops of rain fell and I left before the movie was over. Someday I hope to see the whole film.