Cabaret in Sanford

Posted on by Thor


Love or Something was a Cabaret about love… kind of at Theater West End 115 West 1st Street Sanford Florida.  The singers were Laurel Hatfield and Adair Watkins. The pianist was John Olearchick. The show explored a wide range of relationships through the heartwarming duets of Lippa, Jason Robert Brown, Rodgers & Hammerstein, and more.

The dive up to Sanford featured an epic rainfall. I arrived a bit early since I wanted give myself plenty of time driving through the downpour.

The lobby has quaint Victorian couches and ancient steamship trailers. As I sat down I could her the singers rehearsing in the next room.

I was assigned a seat in the back row next to a video camera. I blocked in the theater as the audience was ushered in.  The set was for Steel Magnolias which is now being performed in the theater. Since the singers would face each other as they sang, I was left to wonder if these songs held a special place in their hearts. An on going joke between sings was that they are married, … just not to each other.

One of my favorite songs, Suddenly Seymor, came late in the evening. I identify with the nerdy Seymour who can only find love through horrible and diabolical means. Though both singers are married, they recounted what it was like living through awkward dates and finally finding someone as nerdy as themselves. I am boxing up my studio and plan to possibly move on April 1. Looking around I realized I was the only masked person in the audience.

Intimate Apparel

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The Orlando Shakes will present Intimate Apparel by two-time Pulitzer Prize winner Lynn Nottage from October 27 to November 20, 2021.

Set during the turn of the twentieth century, the drama, deftly weaves together a story that explores the complexities of identity, vulnerability, and human resilience. Sewing exquisite lingerie gives Esther, an African American seamstress, an intimate look at the love lives of her diverse clientele, but leaves her yearning for a romance of her own. When a letter arrives from a stranger, she embarks on a journey to build the life she’s longed for.

In my first sketch for the show poster, I identified with the seamstress as a creator. She had a family heirloom which was an intricate quilt. In the Disney animated short John Henry a quilt was used to introduce the characters and begin to tell the story so my thoughts wandered in that direction. I fell in love with painting her at her turn of the century sewing machine.

The cursive type I chose was a bit hard to read from a distance and though the seamstress was intimately involved in her craft the image was somber.

My second sketch was more on the mark being an intimate portrait of the creator fitting her clientele. This image had the added benefit of having some sex appeal. These two woman would talk during the fittings and the friendship became one they both relied on.

The cursive type remained the same so I turned my attention to refining that on the next pass. I tried variations with a needle and bobbin. The type became more delicate and also more bold so it could be read from a distance. I also needed to make the author’s name bigger which would require a few adjustments. I was getting close. Though everyone seemed happy with the staging of the scene, I felt the need to tinker. There had to be a way of posing the tow characters to expose the fact that they were close but also a bit separate. They could be friends, but not close friends. The client could not invite her seamstress out to the theater for instance.

I decided to turn the client from the audience a bit to show the laces on the back of the corset. This made more sense with the position of the character to the mirror but it detracted from an intimacy with the viewer. I went back to the frontal view for the final image and worked on reposing the seamstress’s reflection in the mirror. Pam and her niece posed to help me figure out what the  pose would look like reversed in a mirror.

Jean-Édouard Vuillard is a french artist that I love. He lived from 1868 to 1940. His painting inspired what I tried to do in painting the parlor interior. He used subtle greyed colors with bright notes of color in the lights.

Anyway, I identified with the creative journey of this seamstress as she embraced hopes of a future only to find those hopes were hung on an illusion.   Despite this she could return to her creative endeavors which offered meaning when love was elusive.

Director: Shonn McCloud
Scenic and Lighting Designer: Stephen Jones
Costume Designer: Dana Rebecca Woods
Sound Designer: Britt Sandusky
Intimacy Coordinator: KJ Gilmer
Dialect Coach: Vivian Majkowski
AEA Stage Manager: George Hamrah
Production Assistant: Nahaira Morales

The cast includes, Lilian Oben as Esther, Trenell Mooring as Mrs. Dickson, Laurel Hatfield as Mrs. Van Buren, Adam T. Biner as Mr. Marks, Martine Fleurisma as Mayme, and Chris Lindsay as George.

The Shakes requires all patrons to bring a vaccination card or proof of a recent negative COVID-19 test for admission. Masks are required for all audience members. All Shakes actors and staff are fully vaccinated. The theater provides a special section in the upper mezzanine for patrons who wish to be distanced from other parties due to COVID-19. When purchasing, seats for this section is indicated in bright red. I vastly appreciate their consideration, and it is there in the Phantom’s upper section that I sit to sketch.

Head Over Heels

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Encore is presenting Head over Heels which is being performed at the John and Rita Lowndes Shakespeare Center (812 E Rollins St, Orlando, FL) from through June 13, 2021. This was my first sketch inside a theater since the pandemic began in March of 2020.

This was a dress rehearsal so the audience was very scarce. Performers who were vaccinated went without masks and the dancers always wore clear masks. Thankfully everyone in the audience wore masks.

This was a musical set in Arcadia which resembled a medieval utopia. I must say the costuming in this show by the late A.J. Garcia was stellar. A live band was on the upper level and and they were a bit overbearing at the start of the show. However this musical was a delight and the show started with a high energy dance number set to We Got The Beat. The songs are contemporary so if you liked the Moulin Rouge movie I bet you will have a fun time seeing this show.

The heart of the show is a love story between a sheep herder and a princess. The king denies the match and the herder only can get close to the princess dressed as a Amazon warrior. An oracle who was first a snake later appeared as an owl in fabulous drag. The kings anger and close minded view of his subjects and his family is eventually overpowered by love. This is a great show to run during Pride week since acceptance and discovering our true self are at the core of the show.

The actor playing the shepherd, Michael Angelini Jr.,did a hilarious job jumping back and forth between his male and female roles. Lillie Eliza Thomas was regal as the queen and Laurel Hatfield was heart warming as the plane princess Phiolclea. The bottom line is that this is a fun and exciting night of theater and for someone who once sketched shows every night this was a breath of fresh air. Tickets are $39.